| Ackermann, Kira. Der Antiheld in Westerncomics der franko-belgischen Schule. München: AVM, 2010. |
 
|
| Added by: joachim Last edited by: joachim 2/12/18, 1:56 AM |
|
| Ahrens, Jörn. "Intermedialität, Hybridität: Wieviel Unbestimmtheit verträgt der Comic?." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 11–22. |
|
| Added by: joachim Last edited by: joachim 11/18/12, 11:23 AM |
|
| Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
|
| Added by: joachim 4/8/11, 12:52 AM |
|
| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11. 9 2018. Accessed 10Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
|
| Added by: Okwuchi Mba Last edited by: joachim 6/10/22, 12:13 PM |
|
| Aldama, Frederick Luis. "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." ImageTexT 7. 1 2013. Accessed 16Dec. 2014. <http://www.english.ufl. ... t/archives/v7_1/aldama/>. |
|
| Added by: joachim Last edited by: joachim 12/25/14, 3:18 PM |
|
| Alexius, Christian. "Mit Franz Kafka im Wachsfigurenkabinett des Dr. Caligari: Ein cinephiler Fancomic von SeSar und seine Funktion als Gedächtnisraum." apropos [Perspektiven auf die Romania] 10. (2023): 94–115. |
|
| Added by: Beate Kern Last edited by: joachim 8/25/24, 8:00 PM |
|
| Allen, Harriet. "Anime-Noir, or how three key anime participate in the lasting legacy of noir." Crimeculture Summer 2011. Accessed 12Jan. 2013. <http://www.crimeculture.com/?page_id=1641>. |
|
| Added by: joachim 1/12/13, 6:59 PM |
|
| Armour, Robert A. "Comic Strips, Theatre, and Early Narrative Films 1895–1904." Studies in Popular Culture 10. (1987): 14–26. |
|
| Added by: joachim Last edited by: joachim 11/29/21, 3:35 PM |
|
| Bachmann, Michael. "Gesten des Dokumentarischen zwischen Comic und Film." Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Eds. Ivo Ritzer and Peter W. Schulze. Neue Perspektiven der Medienästhetik. Wiesbaden: Springer VS, 2016. 237–51. |
|
| Added by: joachim Last edited by: joachim 12/13/20, 5:10 PM |
|
| Baetens, Jan. "Remediation in the Era of Hybridization: The Example of the Film Photonovel." Leaves 7 2019. Accessed 15Jan. 2021. <https://climas.u-bordea ... -photonovel-jan-baetens>. |
|
| Added by: joachim 1/15/21, 1:55 PM |
|
| Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101. |
|
| Added by: Okwuchi Mba Last edited by: joachim 11/26/18, 5:48 PM |
|
| Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
|
| Added by: joachim Last edited by: joachim 6/26/14, 9:43 AM |
|
| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
|
| Added by: joachim 8/4/13, 11:02 AM |
|
| Becker, Thomas. "Matrix versus The Ghost in the Shell: Die neuen Mythen der virtuellen Welt sind nicht mehr allein diskursiv analysierbar." Journal Ethnologie 5 2007. Accessed 4Nov. 2012. <http://www.journal-ethn ... n_the_Shell/index.phtml>. |
|
| Added by: joachim 11/4/12, 12:23 PM |
|
| Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76. |
|
| Added by: joachim 4/8/11, 12:10 AM |
|
| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
|
| Added by: felix Last edited by: joachim 5/30/12, 10:32 PM |
|
| op de Beeck, Nathalie. "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." Modern Fiction Studies 52. (2006): 807–31. |
|
| Added by: joachim Last edited by: joachim 3/14/16, 3:32 AM |
|
| Beez, Jigal. "The Swahili Titanic: The Tanzanian Appropriation of a Global Tragedy." International Journal of Comic Art 9. (2007): 542–53. |
|
| Added by: Deleted user Last edited by: joachim 9/25/12, 7:18 PM |
|
| Berenato, Joseph F. New Life and New Civilizations: Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014. |
|
| Added by: joachim 5/5/16, 5:47 PM |
|
| Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche Bilder als Mittel der Imaginationssteuerung in Mittelalter und Früher Neuzeit. Marburg: Jonas Verl. 2000. |
|
| Added by: joachim Last edited by: joachim 9/3/21, 4:55 PM |
|
| Berns, Jörg Jochen. "Horribilicinefax: Von Geburt und Gebaren des Daumenkino-Flipp-Flick-Muto-Blow- & Gaukelbuchs." Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. Presse und Geschichte – Neue Beiträge. Bremen: edition lumière, 2011. 417–26. |
|
| Added by: joachim 7/30/11, 5:25 PM |
|
| Berthomé, Jean-Pierre. "Réalisateurs: Leur passé de dessinateurs." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
|
| Added by: joachim 7/7/12, 10:23 PM |
|
| Blackmore, Tim. "300 AND TWO: Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." International Journal of Comic Art 6. (2004): 325–49. |
|
| Added by: Deleted user Last edited by: joachim 7/5/12, 11:29 AM |
|
| Boillat, Alain. "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop »: Des images en séries (culturelles)." 1895 59 2009. Accessed 3Sep. 2013. <http://1895.revues.org/3915>. |
|
| Added by: joachim 9/3/13, 10:12 AM |
|
| Boillat, Alain. "Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-war Years." European Comic Art 10. (2017): 9–23. |
|
| Added by: joachim Last edited by: joachim 5/14/17, 1:41 PM |
|
| Branigan, Edward. Narrative Comprehension and Film. London, New York: Routledge, 1992. |
|
| Added by: joachim 10/14/12, 4:02 PM |
|
| Bruhn, Jørgen. "Now a Major Soundtrack! Madness, Music, and Ideology in Shutter Island." Adaptation 6. (2013): 320–37. |
|
| Added by: joachim 12/11/13, 3:43 PM |
|
| Bukatman, Scott. "Online Comics and the Reframing of the Moving Image." The New Media Book. Ed. Dan Harries. Berkeley: Univ. of California Press, 2002. 133–43. |
|
| Added by: joachim 11/4/09, 6:50 PM |
|
| Burke, Liam. The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre. Jackson: Univ. Press of Mississippi, 2015. |
|
| Added by: joachim Last edited by: joachim 7/10/15, 7:20 AM |
|
| Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
|
| Added by: joachim 7/28/14, 11:47 AM |
|
| Caen, Michael. "Fellini und die Comics." Film (1966). |
|
| Added by: Deleted user 6/16/14, 10:09 AM |
|
| Caneppele, Paolo and Günter Krenn. Film ist Comics: Wahlverwandtschaften zweier Medien. Die Projektionen des Filmstars Louise Brooks in den Comics von John Striebel bis Guido Crepax. Filmarchiv Austria, 1999. |
|
| Added by: joachim Last edited by: joachim 4/10/14, 9:26 PM |
|
| Capp, Al. "Discourse on Humor: The Comedy of Charlie Chaplin." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 263–73. |
|
| Added by: joachim Last edited by: joachim 6/5/10, 11:46 PM |
|
| Carver, Stephen James. Weird Tales from the Vault of Fear: The EC Horror Comics Controversy & Its Legacy. Watching the Media – Censorship, Limits, and Control in Creative Practice: 15Apr, 2011. |
|
| Added by: joachim 2/18/13, 5:33 PM |
|
| Chavez Vaca, Wladimir. "The Film Noir’s Aesthetics in a Graphic Novel: The Case of Angelus Hostis (2012)." International Journal of Comic Art 19. (2017): 97–123. |
|
| Added by: joachim 3/13/18, 11:46 AM |
|
| Christen, Matthias. "Düstere Clowns: Figuren des Schreckens im Kino der Transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42. |
|
| Added by: joachim 4/12/16, 1:07 PM |
|
| Christiansen, Hans-Christian. Tegneseriens æstetik. Teori & Æstetik. København: Museum Tusculanum, 2001. |
|
| Added by: joachim Last edited by: joachim 2/23/13, 3:30 PM |
|
| Christiansen, Hans-Christian. "Comics and Film: A Narrative Perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21. |
|
| Added by: joachim Last edited by: joachim 10/11/10, 2:10 PM |
|
| Ciment, Gilles, ed. Cinéma et bande dessinée. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
|
| Added by: joachim 7/5/12, 12:05 PM |
|
| Ciment, Gilles. "Spectacles du siècle." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
|
| Added by: joachim 7/7/12, 10:52 PM |
|
| Cohn, Neil. "Visual Narrative Structure." Cognitive Science 37. (2013): 413–52. |
|
| Added by: joachim Last edited by: joachim 3/24/13, 11:27 PM |
|
| Coleman, Earle J. "The Funnies, the Movies and Aesthetics." Journal of Popular Culture 18. (1985): 89–100. |
|
| Added by: joachim Last edited by: joachim 7/31/10, 11:03 AM |
|
| Cook, Roy T. "Why Comics Are Not Films: Metacomics and Medium‐Specific Conventions." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 165–87. |
|
| Added by: joachim 11/12/12, 11:40 PM |
|
| Cotter, Robert Michael. A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. |
|
| Added by: joachim Last edited by: joachim 11/26/09, 10:54 AM |
|
| Crafton, Donald. "Animation Iconography: The “Hand of the Artist”." Quarterly Review of Film Studies 4. (1979): 409–28. |
|
| Added by: joachim 8/27/11, 4:39 PM |
|
| Crafton, Donald. Emile Cohl, Caricature, and Film. Princeton: Princeton Univ. Press, 1990. |
|
| Added by: joachim 7/26/10, 11:24 PM |
|
| Crucifix, Benoît and David Pinho Barros. "Bibliographie commentée: Bande dessinée et cinéma." La Brèche 2016. Accessed 29Nov. 2021. <https://labrechebd.word ... nde-dessinee-et-cinema/>. |
|
| Added by: joachim 11/29/21, 2:29 PM |
|
| Crucifix, Benoît and David Pinho Barros. "Bande dessinée et cinema: Arts parallèles ou entrecroisés ?." Bande annonce. Cinéma et bande dessinée. Eds. Finzo and Olivier Deloignon. Paris: -zeug, 2019. 48–57. |
|
| Added by: joachim Last edited by: joachim 11/29/21, 2:39 PM |
|
| Dantzler, Jamoki Zakia. "How the Marvel Cinematic Universe Represents Our Quality World: An Integration of Reality Therapy/Choice Theory and Cinema Therapy." Journal of Creativity in Mental Health 10. (2015): 471–87. |
|
| Added by: joachim Last edited by: joachim 4/25/21, 7:35 PM |
|
| Darius, Julian. The Weirdest Sci-Fi Comic Ever Made: Understanding Jack Kirby’s 2001: A Space Odyssey. Edwardsville: Sequart Research & Literacy Organization, 2013. |
|
| Added by: joachim Last edited by: joachim 4/21/16, 7:35 AM |
|
| Darius, Julian. "On the Marvel Comic-Book Adaptation of Blade Runner." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 250–64. |
|
| Added by: joachim 8/21/22, 10:12 AM |
|
| Dasgupta, Romit. "The film Bishônen and Queer(N)Asia through Japanese popular culture." Popular culture, globalization and Japan. Eds. Matthew Allen and Rumi Sakamoto. Routledge Studies in Asia's Transformations. London, New York: Routledge, 2006. 56–74. |
|
| Added by: joachim Last edited by: joachim 11/16/12, 12:02 AM |
|
| Davis, Blair. Movie Comics: Page to Screen/Screen to Page. New Brunswick: Rutgers Univ. Press, 2016. |
|
| Added by: joachim Last edited by: joachim 3/29/18, 4:16 PM |
|
| Demos, T. J. Dara Birnbaum: Technology/Transformation: Wonder Woman. One Work. Cambridge, London: MIT Press, 2010. |
|
| Added by: joachim 8/26/13, 12:34 AM |
|
| DeRoss, Jennifer. "Countering the Gaze: The Liberatory Potential of Bitch Planet’s Exploitation Aesthetic." The Middle Spaces 2018. Accessed 5Sep. 2020. <https://themiddlespaces ... 08/countering-the-gaze/>. |
|
| Added by: joachim 9/5/20, 3:40 PM |
|
| Dibiasi, Alexander. "Das politische Momentum im Film, aufgezeigt anhand ausgewählter Comicverfilmungen." Film- und Fernsichten. Dokumentation des 24. Film- und Fernsehwissenschaftlichen Kolloquiums. Eds. Katharina Klung, Susie Trenka and Geesa Tuch. Marburg: Schüren, 2013. 154–63. |
|
| Added by: joachim Last edited by: joachim 8/5/13, 3:32 PM |
|
| Dicker, Barnaby. "Dryden Goodwin in Conversation with Barnaby Dicker." Animation 4. (2009): 303–20. |
|
| Added by: joachim 7/26/10, 11:26 PM |
|
| Diffrient, David Scott. "Contemporary comic books and Hollywood noir: Remediating cinematic style and cultural memory in The Fade Out." Journal of Graphic Novels and Comics 10. (2019): 342–67. |
|
| Added by: joachim Last edited by: joachim 5/29/20, 10:56 AM |
|
| Domínguez Leiva, Antonio. "L’invasion néo-zombie: Entre l’abjection, le grotesque et le pathos (2002–2009)." Frontières 23. (2010): 19–25. |
|
| Added by: joachim 11/4/14, 6:19 PM |
|
| Driest, Joris. "Subjective Narration in Comics." Thesis Universiteit Utrecht, 2006. |
|
| Added by: joachim 9/17/14, 2:33 PM |
|
| Ecke, Jochen. "Auf der Suche nach dem Neuen im Alten: Fritz Langs und Jon J Muths »M«." M. Eine Graphic Novel nach dem Film von Fritz Lang. Ed. John J. Muth. Ludwigsburg: Amigo, 2009. 203–08. |
|
| Added by: joachim 7/5/18, 12:37 PM |
|
| Eder, Jens. "Transmediale Imagination." Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Eds. Julian Hanich and Hans Jürgen Wulff. München: Fink, 2012. 207–36. |
|
| Added by: joachim 6/30/13, 4:20 PM |
|
| Eerden, Bart. "Anger in Asterix: The metaphorical representation of anger in comics and animated films." Multimodal Metaphor. Eds. and Eduardo Urios-Aparisi. Applications of Cognitive Linguistics. Berlin, New York: Mouton de Gruyter, 2009. 243–64. |
|
| Added by: Joachim Trinkwitz Last edited by: joachim 10/22/11, 4:08 PM |
|
| Eisenstein, Sergej. Walt Disney. Strasbourg: Circé, 1991. |
|
| Added by: joachim 5/4/11, 4:30 PM |
|
| Eisenstein, Sergej. Disney. Eds. Oksana Bulgakowa and Dietmar Hochmuth. Berlin: PotemkinPress, 2011. |
|
| Added by: joachim 5/4/11, 3:31 PM |
|
| Eisenstein, Sergej. Eisenstein on Disney. Ed. Jay Leyda. Heinemann, 1989. |
|
| Added by: joachim 5/4/11, 4:23 PM |
|
| Endres , Johannes. "Totemismus und Gesellschaft: Eisenstein über Disney." Scientia Poetica 22. (2018): 83–110. |
|
| Added by: joachim Last edited by: joachim 12/10/18, 6:28 PM |
|
| Escamilla, Mario. "Earth to Earth: The BOOM! Comics." The Cyberpunk Nexus. Exploring the Blade Runner Universe. Eds. Lou Tambone and Joe Bongiorno. Edwardsville: Sequart Research & Literacy Organization, 2018. 275–85. |
|
| Added by: joachim Last edited by: joachim 8/21/22, 10:24 AM |
|
| Fast, Karin and Henrik Örnebring. "Transmedia world-building: The Shadow (1931–present) and Transformers (1984–present)." International Journal of Cultural Studies 20. (2017): 636–52. |
|
| Added by: joachim 4/15/21, 2:31 PM |
|
| Faucon, Térésa. "Dessine moi un raccord: Donald and Pluto, Walt Disney." Cinématheque (1999): 72–79. |
|
| Added by: joachim 11/7/16, 10:09 AM |
|
| Fell, John L. Film and the Narrative Tradition. Berkeley: Univ. of California Press, 1986. |
|
| Added by: joachim Last edited by: joachim 5/14/13, 9:24 AM |
|
| Finzo and Olivier Deloignon, eds. Bande annonce: Cinéma et bande dessinée. Paris: -zeug, 2019. |
|
| Added by: joachim 2/21/24, 10:57 AM |
|
| Fitzsimmons, Phil. "A Rebirth of Myth and Monster: An Old Sign in a New Framework." Myth & Symbol 4. (2007): 49–56. |
|
| Added by: joachim 1/6/10, 7:00 PM |
|
| Fleischer, Sandra and Robert Seifert. "Die Ästhetik von Kinder- und Jugendmedien in einem globalisierten Medienmarkt." Ästhetiken in Kindheit und Jugend. Sozialisation im Spannungsfeld von Kreativität, Konsum und Distinktion. Eds. Sebastian Schinkel and Ina Herrmann. Bielefeld: Transcript, 2017. 219–36. |
|
| Added by: joachim 2/13/17, 11:26 PM |
|
| Fotis, Matthew. "Call It (Friendo): Flipism and Folklore in No Country for Old Men and The Dark Knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16. |
|
| Added by: joachim 4/17/16, 10:42 AM |
|
| Frémion, Yves. "Dessinateurs à la caméra." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. 163–67. |
|
| Added by: joachim 9/8/11, 11:24 PM |
|
| Gabriel, Nicole, Bogna Kazur, and Kai Matuszkiewicz. "Reconsidering Transmedia(l) Worlds." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 163–94. |
|
| Added by: joachim Last edited by: joachim 12/4/23, 4:57 PM |
|
| Gaudreault, André and Philippe Marion. "A Medium is Always Born Twice …." Early Popular Visual Culture 3. (2005): 3–15. |
|
| Added by: joachim 2/7/11, 6:11 PM |
|
| Gauthier, Philippe. "On “Institutionalization”: From Cinema to Comics." International Journal of Comic Art 12. (2010): 367–75. |
|
| Added by: joachim Last edited by: joachim 11/15/12, 8:40 PM |
|
| Geraghty, Lincoln. "“Realities … blending as one!”: Film Texts and Intertexts in the Star Trek/X-Men Crossover Comics." Extrapolation 28. (2007): 108–19. |
|
| Added by: joachim Last edited by: joachim 5/10/22, 9:49 AM |
|
| Geraghty, Lincoln. "Transmedia Character Building: Textual Crossovers in the Star Wars Universe." Star Wars and the History of Transmedia Storytelling. Eds. Sean A. Guynes and Dan A. Hassler-Forest. Transmedia. Amsterdam: Amsterdam Univ. Press, 2018. 117–28. |
|
| Added by: joachim Last edited by: joachim 8/28/19, 4:17 PM |
|
| Ghiggia, María. "What Lies in the Gutter of a Traumatic Past: Infancia clandestina [Clandestine Childhood], Animated Comics, and the Representation of Violence." Humanities 7. 1 2018. Accessed 30Aug. 2020. <https://www.mdpi.com/2076-0787/7/1/22>. |
|
| Added by: joachim Last edited by: joachim 8/30/20, 12:56 PM |
|
| Gibson, Mel. "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." Superheroes and Identities. Eds. Mel Gibson, David Huxley and Joan Ormrod. London, New York: Routledge, 2014. 135–46. |
|
| Added by: joachim 2/15/16, 9:39 AM |
|
| Glaubitz, Nicola. "Reanimationsversuche des Spielfilms: Kopplungen von Zeichentrick und Realfilm und das Kino der 1990er Jahre." Spielformen im Spielfilm. Zur Medienmorphologie des Kinos nach der Postmoderne. Eds. Rainer Leschke and Jochen Venus. Medienumbrüche. Bielefeld: Transcript, 2007. 41–66. |
|
| Added by: joachim 9/20/10, 3:16 PM |
|
| Gott, Michael. "Reframing European Diasporas in Contemporary France: ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)." European Comic Art 6. (2013): 95–125. |
|
| Added by: joachim 2/13/14, 8:40 AM |
|
| Gough, Kerry. "Translation Creativity and Alien Econ(c)omics: From Hollywood Blockbuster to Dark Horse Comic Book." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 37–63. |
|
| Added by: joachim Last edited by: joachim 12/4/23, 4:58 PM |
|
| Gray van Heerden, Chantelle. "White God: Rethinking Human and Nonhuman Subjectivities through Underdog-Superhero Narratives and Ahuman Theory." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 95–112. |
|
| Added by: Okwuchi Mba Last edited by: joachim 8/22/18, 5:17 PM |
|
| Groensteen, Thierry. "Særtræk i den 7. og 9. kunstart." MedieKultur 30 1999. Accessed 25Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1143>. |
|
| Added by: joachim Last edited by: joachim 1/20/10, 2:04 AM |
|
| Groensteen, Thierry. "Acteurs de papier." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
|
| Added by: joachim 7/7/12, 10:54 PM |
|
| Groensteen, Thierry. "Du 7e au 9e art: L’inventaire des singularités." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
|
| Added by: joachim 7/7/12, 10:21 PM |
|
| Groth, Gary. "Frank Frazetta: Separating the Men from the Boys." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 103–41. |
|
| Added by: joachim 3/1/13, 6:31 PM |
|
| Gutiérrez G-H, Julio. "M, John J. Muth’s Adaptation of Lang’s Film: An Inference Bridge from Film to Comic." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 63–71. |
|
| Added by: joachim 1/20/18, 5:34 PM |
|
| Handley, Rich and Joseph F. Berenato, eds. The Sacred Scrolls: Comics on the Planet of the Apes. Edwardsville: Sequart Research & Literacy Organization, 2015. |
|
| Added by: joachim Last edited by: joachim 12/11/14, 11:57 PM |
|
| Hanna, Erin. Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity. New Brunswick: Rutgers Univ. Press, 2019. |
|
| Added by: joachim Last edited by: joachim 5/19/23, 12:28 PM |
|
| Harvey, Colin B. Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. New York [etc.]: Palgrave Macmillan, 2015. |
|
| Added by: joachim Last edited by: joachim 9/27/21, 5:13 PM |
|
| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining Superheroes in Post–9/11 Hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
|
| Added by: joachim Last edited by: joachim 12/10/10, 2:21 AM |
|
| Hatfield, Charles. "The Presence of the Artist: Kim Deitch’s Boulevard of Broken Dreams vis-a-vis the Animated Cartoon." ImageTexT 1. 1 2004. Accessed 20Oct. 2009. <http://www.english.ufl. ... archives/v1_1/hatfield/>. |
|
| Added by: joachim 10/20/09, 5:47 PM |
|
| Hayton, Christopher J. "Fantastic Giants: Charlton Comics' Monster Movie Adaptations." Scan. Journal of media arts culture 6. 1 2009. Accessed 2Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=131>. |
|
| Added by: joachim Last edited by: joachim 12/3/09, 6:20 PM |
|
| Heer, Jeet. "Comic Book Confidential and the Art of Perfect Timing." Hazlitt 2013. Accessed 30Sep. 2014. <http://penguinrandomhou ... -and-art-perfect-timing>. |
|
| Added by: joachim 9/30/14, 10:24 PM |
|
| Heydolph, Claudia. Der Blick auf das lebende Bild: F. W. Murnaus »Der letzte Mann« und die Herkunft der Bilderzählung. Kieler kunsthistorische Studien, N.F. Kiel: Ludwig, 2004. |
|
| Added by: joachim 1/5/10, 1:58 PM |
|
