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Ball, David M. "Comics Against Themselves: Chris Ware’s Graphic Narratives as Literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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Berlatsky, Eric. "Memory as Forgetting: The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." Cultural Critique 55. (2003): 101–51. |
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Berlatsky, Eric. "Lone Woolf and Cubs: Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." The Gay Utopia 2007. Accessed 27Feb. 2014. <http://gayutopia.blogsp ... woolf-and-cubsalan.html>. |
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Berlatsky, Eric. The Real, The True, and the Told: Postmodern Historical Narrative and the Ethics of Representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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Bicker, Mathis. "Museumslektionen: Comic und Archiv, ein Versuch." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 17–24. |
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Boge, Chris. "Visualizing Histories and Stories: Revisionary Graphic Novels of the 1980s and 1990s." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/571>. |
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Borkent, Mike. "Post/Avant Comics: bpNichol’s Material Poetics and Comics Art Manifestos." Avant Canada. Poets, Prophets, Revolutionaries. Eds. Gregory Betts and Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019. 95–115. |
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Brillenburg Wurth, Kiene. "Posthumanities and Post-textualities: Reading The Raw Shark Texts and Woman’s World." Comparative Literature 63. (2011): 119–41. |
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Bukatman, Scott. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke Univ. Press, 1993. |
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Castaldi, Simone. "‘The Inexhaustible Surface of Things’: Stefano Tamburini’s Comic Book Work." European Comic Art 13. (2020): 70–94. |
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Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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Cook, Roy T. "Metafictional Powers in the Postmodern Age: Jennifer Walters, Canon and the Nature of Superpowers." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 136–55. |
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Cook, Roy T. "Metafictional Powers in the Postmodern Age: Jennifer Walters, Canon and the Nature of Superpowers." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 136–55. |
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Costello, Matthew J. "The Shopping Malls of Empire: Cultural Fragmentation, the New Media, and Consumerism in Howard Chaykin’s American Flagg!." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 152–68. |
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Dony, Christophe. "Second-degree Rewriting Strategies: On Jack’s Revisions and Transfictional Crossing from Fables to Jack of Fables." Leaves 11 2021. Accessed 16Jan. 2021. <https://climas.u-bordea ... -fables-christophe-dony>. |
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Fleming, James R. "Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602." ImageTexT 4. 1 2008. Accessed 9Dec. 2009. <http://www.english.ufl. ... /archives/v4_1/fleming/>. |
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Frederico, Aline. "The Brazilian Postmodern Picturebook: The Visual Construction of Metafiction in Ziraldo’s The Panel Boy." Forum for World Literature Studies 8. (2016): 352–70. |
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Frenz, Dietmar. "Antonio Jorge Gonçalves/Nuno Artur Silva: ›As aventuras de Filipe Seems, detective particular‹." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 315–32. |
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Fujiwara, Erika. "An analysis of Contemporary Manga Culture in Japan and Sweden: With a study of the works of Naoki Urasawa." Master thesis Master. Lunds universitet, 2010. |
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Geyh, Paula. "Between Word and Image." The Cambridge Companion to Postmodern American Fiction. Ed. Paula Geyh. Cambridge [etc.]: Cambridge Univ. Press, 2017. 163–80. |
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Gopalakrishnan, Gokul T. The Indian Comic Strip Dialectic: A Postmodern “Double Talk”. National Seminar on Popular Media and Culture: 18–19 Aug, 2011. |
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Hahne, Kathrin. "Bande Dessinée als Experiment: Die ›Dekonstruktion‹ traditioneller Erzählstrukturen bei Marc-Antoine Mathieu." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 251–71. |
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Hathaway, Rosemary V. "Reading Art Spiegelman’s Maus as Postmodern Ethnography." Journal of Folklore Research 48. (2011): 249–67. |
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Heinricy, Shana. "Take a Ride on the Catbus." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 3–11. |
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Heinzelmann, Herbert. "Corto im ›anderen Zustand‹: Aspekte der Moderne und Postmoderne in Hugo Pratts Südseeballade und im Maltese-Zyklus." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 109–24. |
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Herman, Janique. "An Interrogation of Morality, Power and Plurality as Evidenced in Superhero Comic Books: A Postmodernist Perspective." Thesis MA. 2013. |
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Hertrampf, Marina Ortrud M. "PHOTO-COMIC-ROMAN und COMIC-PHOTO-ROMAN: Mediale Grenzphänomene zwischen Comic, Photographie und Photo-Roman." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 287–313. |
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Hoberek, Andrew. "“But—what can anyone do about it?”: Modernism, Superheroes, and the Unfinished Business of the Common Good." Journal of Modern Literature 39. (2016): 115–25. |
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Hollis, Erin. "Scott Pilgrim Vs. the World as Postmodern Parody of Parody: Allusion, Exclusion, and Consumption in the Film Adaptation." Ol3Media 4. 10 2011. Accessed 27Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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Huber, Irmtraud. "Phantastische Flucht ins Historische: Michael Chabons Amazing Adventures of Kavalier & Clay als rekonstruktive Antwort auf die Postmoderne." Literatur und Theorie seit der Postmoderne. Eds. Klaus Birnstiel and Erik Schilling. Stuttgart: Hirzel, 2012. 187–98. |
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Hutcheon, Linda. "Literature Meets History: Counter-Discoursive “Comix”." Anglia 117. (1999): 4–14. |
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Itō, Gō. "Tezuka Is Dead: Manga in Transformation and Its Dysfunctional Discourse." Mechademia 6. (2011): 69–82. |
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Jeffery, Scott. The Posthuman Body in Superhero Comics: Human, Superhuman, Transhuman, Post/Human. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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Kadenbach, Stefanie. Pantheon der Postmoderne: Transformation von Mythen bei Neil Gaiman. Marburg: Tectum, 2010. |
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Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary Narratives in Contemporary Comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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King, Edward and Joanna Page. Posthumanism and the Graphic Novel in Latin America. London: UCL Pr. 2017. |
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Kontturi, Katja. Ankkalinna – portti kahden maailman välillä: Don Rosan Disney-sarjakuvat postmodernina fantasiana. Jyväskylä Studies in humanities. Jyväskylä: Jyväskylän Yliopisto, 2014. |
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Kontturi, Katja. "Science fiction parody in Don Rosa’s ”Attack of the Hideous Space-Varmints”." Fafnir 3. 4 2016. Accessed 7Jul. 2017. <http://journal.finfar.o ... hideous-space-varmints/>. |
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Kukkonen, Karin. Storytelling Beyond Postmodernism: Fables and the Fairy Tale. Acta Universitatis Tamperensis. Tampere: Tampere University Press, 2010. |
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Kukkonen, Karin. "Warren Ellis’s Planetary: The Archaeology of Superheroes." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 154–63. |
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Licari-Guillaume, Isabelle. "Ambiguous Authorities: Vertigo and the Auteur Figure." Authorship 6. 2 2017. Accessed 29Dec. 2017. <http://www.authorship.ugent.be/article/view/7700>. |
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Lladô Pol, Francisca. "Le mythe de la postmodernité: Archétypes et représentations dans la bande dessinée de la Transition espagnole." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 183–202. |
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Luibl, Hans Jürgen. "Superman: Comic-Held im Dschungel postmoderner Religion." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 35–54. |
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Manolescu, Ion. "Popular Culture and the Romanian Postmodernist Canon: The Case of Comics’ Authors." The Canonical Debate Today. Crossing Disciplinary and Cultural Boundaries. Eds. Liviu Papadima, David Damrosch and Theo D'haen. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft. Amsterdam [etc.]: Rodopi, 2011. 247–62. |
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Marks, Darren. "In the Face of Anomie: Batman from Golden Autoark to Modern Combinard." Americana 8. 2 2009. Accessed 21Nov. 2016. <http://www.americanpopu ... les/fall_2009/marks.htm>. |
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McCracken, Ellen. "Hybridity and Postmodernity in the Argentine Meta-Comic: The Bridge Texts of Julio Cortázar and Ricardo Piglia." Latin American Literature and Mass Media. Eds. Edmundo Paz Soldán and Debra A. Castillo. Hispanic Issues. New York: Garland, 2001. 139–51. |
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McEnteggart, Simon. "Sequelizing the Superhero: Postmillennial Anxiety and Cultural “Need”." Second Takes. Critical Approaches to the Film Sequel. Eds. Carolyn Jess-Cooke and Constantine Verevis. Horizons of Cinema. Albany: SUNY Pr. 2010. 171–89. |
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Munfort, Rebecca and Melanie Waters. Feminism & Popular Culture: Investigating the Postfeminist Mystique. London, New York: I. B. Tauris, 2014. |
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Napier, Susan J. The Fantastic in Modern Japanese Literature: The subversion of modernity. The Nissan Institute/Routledge Japanese Studies. London, New York: Routledge, 1996. |
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Nixon, Kari. "Viral Virulence, Postmodern Zombies, and the American Healthcare Enterprise in the Antibiotic Age." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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O’Malley, Seamus. "Speculative History, Speculative Fiction: Alan Moore and Eddie Campbell’s From Hell." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 162–83. |
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Okabe, Tsugumi. "From Sherlock Holmes to ‘Heisei’ Holmes: Counter Orientalism and Post Modern Parody in Gosho Aoyama’s Detective Conan Manga Series." International Journal of Comic Art 15. (2013): 230–50. |
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Oksman, Tahneer. “How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Graphic Memoirs. New York [etc.]: Columbia Univ. Press, 2016. |
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Pagliassotti, Dru. "“People keep giving me rings, but I think a small death ray might be more practical”: Women and Mad Science in Steampunk Comics." Neo-Victorian Humour. Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Eds. Marie-Luise Kohlke and Christian Gutleben. Neo-Victorian Series. Amsterdam [etc.]: Rodopi, 2017. 213–46. |
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Palumbo, Fabio and Domenica Gisella Calabrò. "Japanese Pop Culture, Identification, and Socialization: The Case of an Italian Web-Community." Mutual Images 2 2017. Accessed 12Feb. 2018. <www.mutualimages-journa ... .php/MI/article/view/32>. |
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Pandey, Rajyashree. "The Pre in the Postmodern: The Horror Manga of Hino Hideshi." Japanese Studies 21. (2001): 261–74. |
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Parham, Thom. "Superheroes in Crisis: Postmodern Deconstruction and Reconstruction in Comics Books and Graphic Novels." The Gospel According to Superheroes. Religion and Popular Culture. Ed. B. J. Oropeza. New York [etc.]: Peter Lang, 2005. 197–214. |
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Pedler, Martyn. "Morrison's Muscle Mystery Versus Everyday Reality … and other Parallel Worlds!." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 250–69. |
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Punday, Daniel. "Kavalier & Clay, the Comic-Book Novel, and Authorship in a Corporate World." Critique. Studies in Contemporary Fiction 49. (2008): 291–302. |
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Punter, David. "Postmodernism, Criticism and the Graphic Novel." Authorship in Context. From the Theoretical to the Material. Eds. Kyriaki Hadjiafxendi and Polina Mackay. New York [etc.]: Palgrave Macmillan, 2007. 131–44. |
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Rerik, Michael. "Queering the museum: Challenging heteronormative space in Bechdel’s Fun Home." Journal of Graphic Novels and Comics 3. (2012): 223–30. |
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Roessner, Jeffrey and Eithne Amos. "Old Father, New Artificer: Teaching Alison Bechdel’s Fun Home as Postmodern Literature." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 169–80. |
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Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the Postmodern Imagination. Lanham [etc.]: Lexington, 2008. |
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Sandten, Cecile. "Intermedial fictions of the “new” metropolis: Calcutta, Delhi and Cairo in the graphic novels of Sarnath Banerjee and G. Willow Wilson." Journal of Postcolonial Writing 47. (2011): 510–22. |
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Sandten, Cecile. "Intermediale Fiktionen der postkolonialen Metropole: Kalkutta, Delhi und Kairo in den Graphic Novels von Sarnath Banerjee und G. Willow Wilson." Stadt der Moderne. Eds. Cecile Sandten, Christoph Fasbender and Annika Bauer. CHAT – Chemnitzer Anglistik/Amerikanistik Today. Trier: Wissenschaftlicher Verlag Trier, 2013. 237–56. |
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Schneider, Greice. "Walking the Dog – David Hughes." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 102–04. |
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Screech, Matthew. "Gauguin and Van Gogh Meet the Ninth Art: Postmodernism and Myths about Great Artists." European Comic Art 13. (2020): 21–44. |
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Shapira, Tom. Curing the Postmodern Blues: Reading Grant Morrison and Chris Weston’s The Filth in the 21st Century. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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Silvio, Carl. "Postmodern Narrative, the Marvel Universe, and the Reader." Studies in Popular Culture 17. (1995): 39–50. |
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Simonetti, Paolo. "Translating a Book Into … Another Book? Graphic Novels Between Comics and Literature." Translating America. Importing, Translating, Misrepresenting, Mythicizing, Communicating America. Eds. Marina Camboni, Andrea Carosso and Sonia Di Loreto. Torino: Otto, 2010. 378–85. |
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Singer, Marc. Breaking the Frames: Populism and Prestige in Comics Studies. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2019. |
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Smith, Philip. "Postmodern Chinoiserie in Gene Luen Yang’s American Born Chinese." Literature Compass 11. 1 2014. Accessed 14Jun. 2019. <https://onlinelibrary.w ... full/10.1111/lic3.12115>. |
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Song, Ho-Rim. "Text’s Resistance to Being Interpreted: Unconventional Relationship between Text and Reader in Watchmen." Practicing Science Fiction. Critical Essays on Writing, Reading and Teaching the Genre. Eds. Karen Hellekson, et al. Jefferson, London: McFarland, 2010. 117–29. |
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Wandtke, Terrence R. "Frank Miller Strikes Again and Batman Becomes a Postmodern Anti-Hero: The Tragi(Comic) Reformulation of the Dark Knight." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 87–111. |
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Wandtke, Terrence R. The Meaning of Superhero Comic Books. Jefferson, London: McFarland, 2012. |
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Whelehan, Imelda and Esther Sonnet. "Regendered Reading: Tank Girl and Postmodern Intertextuality." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al. London: Pluto, 1997. 31–47. |
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