| Anderson, Leslie J. "Myth and the Superhero: Personal choice in batman, arkham asylum: a serious house on serious earth." International Journal of Comic Art 14. (2012): 507–24. |
 
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| Added by: joachim 08/01/2013, 16:29 |
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| Bavlnka, Timothy. "Superheroes and Shamanism: Magic and participation in the comics of grant morrison." Thesis Master of Arts. Bowling Green State Univ. Popular Culture, 2011. |
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| Last edited by: joachim 21/06/2011, 23:23 |
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| Bavlnka, Timothy. "/Co/operation and /co/mmunity in /co/mics: 4chan’s hypercrisis." Transformative Works and Cultures 13 2013. Accessed 19 Jun. 2013. <http://journal.transfor ... wc/article/view/442/397>. |
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| Last edited by: joachim 19/06/2013, 21:10 |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, literary magic, and the textualization of grant morrison, heath ledger, and the joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Added by: joachim 02/07/2016, 12:56 |
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| Besson, Cyril. "Aesthetics fiction ? comics, avant-gardes visuelles et genre dans doom patrol de grant morrison." ReS Futurae 5 2015. Accessed 3 Dec. 2021. <http://journals.openedition.org/resf/660>. |
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| Bevin, Phil. "Truth, Justice, and the Socialist Way? The politics of grant morrison’s superman." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 126–48. |
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| Last edited by: joachim 01/09/2018, 00:38 |
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| Bordeaux, Joel. "The Dark Knight of the Soul: Death as initiatory ordeal in grant morrison’s batman r.i.p.." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 219–46. |
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| Brooker, Will. "Hero of the beach: Flex mentallo at the end of the worlds." Journal of Graphic Novels and Comics 2. (2011): 25–37. |
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| Brooker, Will. "Fifth Dimensional Batman: An interview with grant morrison." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 43–52. |
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| Callahan, Timothy. Grant Morrison: The early years. Sequart Journal. 2nd ed. Edwardsville: Sequart Research & Literacy Organization, 2008. |
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| Last edited by: joachim 12/11/2010, 17:07 |
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| Carpenter, Greg. "Romantic Reflections in “A Glass of Water”: Morrison and mckean unplugged." Sequart Organization Magazine 2013. Accessed 8 Dec. 2014. <http://sequart.org/maga ... n-and-mckean-unplugged/>. |
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| Added by: joachim 08/12/2014, 02:32 |
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| Carpenter, Greg. The British Invasion: Alan moore, neil gaiman, grant morrison and the invention of the modern comic book writer. Edwardsville: Sequart Research & Literacy Organization, 2016. |
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| Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean allusion and the status of text in the dc comics of grant morrison." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>. |
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| Added by: joachim 23/04/2013, 19:34 |
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| Chudoliński, Michał. "Neurotyczny Rycerz: Reminiscencja azylu arkham granta morrisona i dave’a mckeana." Kultura popularna 61. (2019): 86–103. |
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| Cook, Roy T. "Do Comics Require Pictures? Or why batman #663 is a comic." Journal of Aesthetics and Art Criticism 69. (2011): 285–96. |
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| Cook, Roy T. "Morrison, Magic, and Visualizing the Word: Text as image in vimanarama." ImageTexT 8. 2 2015. Accessed 2 Nov. 2015. <http://www.english.ufl. ... ext/archives/v8_2/cook/>. |
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| Added by: joachim 02/11/2015, 14:48 |
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| Cortsen, Rikke Platz. "Post-modern Joker – Semiotics, Interpretation and Identity in Arkham Asylum." Critical Engagements 3. (2009): 31–50. |
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| Craft, Jason Todd. "Fiction Networks: The emergence of proprietary, persistent, large-scale popular fictions." Dissertation Ph.D. Univ. of Texas, 2004. |
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| Dushane, Allison. "We3 and the Violence of Sentimentality." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 83–94. |
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| Added by: joachim 02/11/2020, 01:01 |
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| Ecke, Jochen. "Grant Morrison’s ‘Fiction Suits’: Comics autobiography as genre fiction/genre fiction as comics autobiography." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 297–312. |
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| Added by: joachim 12/04/2018, 12:45 |
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| Edwards, Jordan Z. "Tools of the “En-Eh-Mee”: Grant morrison’s utopia and the means to end there." Thesis Master of Arts. McMaster University, 2013. |
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| Evans, Jonathan C. "More than Simply a Flash of Colour: The true rhetorical power of superhero style." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 3–13. |
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| Frye, Mitch. "Seminar on the Purloined Batarang: Batman and lacan." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 93–103. |
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| Gaboury, Jonathan. "The Violence Museum: Aesthetic wounds from popeye to we3." ImageTexT 6. 1 2011. Accessed 7 May. 2012. <http://www.english.ufl. ... /archives/v6_1/gaboury/>. |
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| Gamache, Geneviève. "A transcultural comic series caught between nationalism and globalisation." Journal of Graphic Novels and Comics (2018): 1–13. |
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| Gandolfo, Amadeo. "Relaunching in the age of the author: the dreaming and doom patrol." Leaves 11 2021. Accessed 14 Jan. 2021. <https://climas.u-bordea ... -patrol-amadeo-gandolfo>. |
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| Added by: joachim 15/01/2021, 00:03 |
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| Garlington, Ian Stuart. "A context for the supercontext: On the function of psychedelics in grant morrison’s the invisibles." Studies in Comics 7. (2016): 49–72. |
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| Good, Joseph. "“God Save the Queen, for Someone Must!”: sebastian o and the steampunk aesthetic." Neo-Victorian Studies 3. 1 2010. Accessed 17 Sept. 2013. <http://www.neovictorian ... VS%203-1-9%20J-Good.pdf>. |
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| Last edited by: joachim 17/09/2013, 17:06 |
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| Goodwin, Megan. "Conversion to Narrative: Magic as religious language in grant morrison’s invisibles." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Added by: joachim 27/08/2011, 12:29 |
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| Graf, Yann. Grant Morrison: (r)évolutions. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2011. |
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| Greene, Darragh and Kate Roddy, eds. Grant Morrison and the Superhero Renaissance: Critical essays. Jefferson: McFarland, 2015. |
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| Added by: joachim 30/11/2020, 17:02 |
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| Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans sandman et the invisibles. Masques, identités et bande dessinée: Lyons, 20 May, 2014. |
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| Hadeed, Khalid. "The Invisibles: Gnosticism of the (extra)ordinary." Journal of Religion and Popular Culture 31. (2019): 139–52. |
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| Last edited by: joachim 09/07/2021, 19:03 |
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| de la Iglesia, Martin. "Formal Characteristics of Animal Liberation in Comics." Closure 7 2020. Accessed 29 Jan. 2021. <https://www.closure.uni-kiel.de/closure7/iglesia>. |
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| James, Nick. "Opting for Ontological Terrorism: Freedom and control in grant morrison’s the invisibles." Law, Culture and the Humanities 3. (2007): 435–54. |
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| Kakko, Tommi and Mervi Miettinen. "“The Image Rules the World”: Focalization, hallucinations and metalepsis in the invisibles." ImageTexT 8. 2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... s/v8_2/kakko_miettinen/>. |
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| Added by: joachim 10/08/2017, 09:21 |
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| Klaehn, Jeffery. "Grant Morrison interview." Studies in Comics 3. (2012): 5–17. |
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| Last edited by: joachim 08/01/2013, 14:49 |
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| Kodencheri, Anupama and Gandhapodi K. Chithra. "Carnivalesque, creativity, and the becomings: A critical assessment of the politics of resistance in batman: arkham asylum." Creativity Studies 17. (2024): 59–72. |
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| Kukkonen, Karin. "Metalepsis in Comics and Graphic Novels." Metalepsis in Popular Culture. Eds. Karin Kukkonen and Sonja Klimek. Narratologia. Berlin u. New York: de Gruyter, 2011. 213–29. |
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| Last edited by: joachim 11/05/2014, 22:53 |
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| Labarre, Nicolas. "Grant Morrison: From the asylum to the star." Sequart Organization Magazine 2008. Accessed 8 Dec. 2014. <http://sequart.org/maga ... the-asylum-to-the-star/>. |
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| Labarre, Nicolas. "From Columbine to Xavier’s: Restaging the media narrative as superhero fiction." The Ages of The X-Men. Essays on the Children of the Atom in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2014. 189–202. |
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| Licari-Guillaume, Isabelle. "Ambiguous Authorities: Vertigo and the auteur figure." Authorship 6. 2 2017. Accessed 29 Dec. 2017. <http://www.authorship.ugent.be/article/view/7700>. |
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| Lupinacci, John. "Critical Animal Studies and Comics in the Classroom: Liberation and everyday superheroes." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 3–18. |
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| Manning, Shaum. "Language and Fiction in the Creation of Reality in The Invisibles." International Journal of Comic Art 10. (2008): 32–38. |
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| Maynard, Amy Louise. "Bourdieu vs. Batman: Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 51–61. |
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| Last edited by: joachim 18/01/2018, 23:56 |
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| Meaney, Patrick. Our Sentence is Up: Seeing grant morrison's the invisibles. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2009. |
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| Last edited by: joachim 12/11/2010, 16:43 |
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| Means-Shannon, Hannah. "The Joker Plays the King: Archetypes of the underworld in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." The Joker. A Serious Study of the Clown Prince of Crime. Eds. Robert Moses Peaslee and Robert G. Weiner. Jackson: Univ. Press of Mississippi, 2015. 194–208. |
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| Added by: joachim 03/08/2022, 10:00 |
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| Miller, Tom. "“Those Guys Give Me the Creeps”: Grant morrison’s doom patrol and satire in the shared-narrative universe." International Journal of Comic Art 13. (2011): 393–416. |
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| Added by: joachim 01/10/2014, 10:18 |
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| Miller, Tom. "Up in the Sky: Literary typology and all-star superman." Thesis Master of Arts. McMaster University, 2012. |
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| Added by: joachim 04/09/2014, 12:03 |
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| Morrison, Grant. Supergods: What masked vigilantes, miraculous mutants, and a sun god from smallville can teach us about being human. New York: Random House, 2011. |
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| Added by: joachim 29/08/2013, 17:24 |
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| Murray, Christopher. "Invisible symmetries: Superheroes, grant morrison and isaiah berlin’s two concepts of liberty." Studies in Comics 4. (2013): 277–306. |
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| Last edited by: joachim 04/09/2015, 00:56 |
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| Murray, Christopher. "More space combat! An interview with grant morrison." Studies in Comics 4. (2013): 219–34. |
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| Added by: joachim 04/09/2015, 01:04 |
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| Murray, Christopher. "Subverting the Sublime: Romantic ideology in the comics of grant morrison." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 34–53. |
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| Added by: joachim 18/11/2009, 17:39 |
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| Murray, Christopher. "Signals from Airstrip One: The british invasion of mainstream american comics." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 31–45. |
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| Last edited by: joachim 29/07/2014, 16:38 |
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| Niederhausen, Michael. "Deconstructing Crisis on Infinite Earths: Grant morrison’s animal man, jla: earth 2, and flex mentallo." International Journal of Comic Art 8. (2006): 271–82. |
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| Last edited by: joachim 23/11/2013, 12:44 |
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| Niewiadoma, Elżbieta. "An Analysis of the Polish Translation of Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth." Anglica (Warsaw, Poland) 29. (2020): 195–210. |
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| Last edited by: joachim 08/02/2024, 23:28 |
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| Nolan, Val. "Break free: Understanding, reimagining and reclaiming stories in grant morrison’s seven soldiers of victory." Journal of Graphic Novels and Comics 6. (2015): 42–58. |
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| Last edited by: joachim 22/10/2016, 17:07 |
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| O’Connor, Lauren. "Inseparation of powers: Dc comics, flex mentallo, and the necessity of adolescence." Journal of Graphic Novels and Comics (2018): 1–15. |
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| O’Neil, Tegan. "The Wreckage: Part one." The Comics Journal 2020. Accessed 27 Sept. 2021. <http://www.tcj.com/the-wreckage-part-one/>. |
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| Added by: joachim 27/09/2021, 17:27 |
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| O’Neil, Tegan. "The Wreckage: Part two." The Comics Journal 2020. Accessed 27 Sept. 2021. <https://www.tcj.com/the-wreckage-part-two/>. |
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| Last edited by: joachim 27/09/2021, 17:45 |
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| Pedler, Martyn. "Morrison's Muscle Mystery Versus Everyday Reality … and other Parallel Worlds!." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 250–69. |
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| Last edited by: joachim 04/08/2010, 14:36 |
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| Pitkethly, Clare. "A Rubble of Fragments: Disintegration into panels in grant morrison’s comics." ImageTexT 8. 2 2015. Accessed 4 Nov. 2015. <http://www.english.ufl. ... rchives/v8_2/pitkethly/>. |
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| Last edited by: joachim 14/09/2016, 14:16 |
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| Pyrka, Paweł. "The House of Usher Never Fell: Impossible escapes and the dark (k)night of the soul." Kultura popularna 4. (2018): 86–93. |
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| Last edited by: joachim 24/02/2024, 00:41 |
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| Rauch, Stephen. "“We Have All Been Sentenced”: Language as means of control in grant morrison’s invisibles." International Journal of Comic Art 6. (2004): 350–63. |
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| Rollin, Lucy. "Guilt and the Unconscious in Arkham Asylum." Inks 1. (1994): 2–13. |
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| Last edited by: joachim 06/01/2010, 18:24 |
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| Round, Julia. "London’s Calling: Alternate worlds and the city as superhero in contemporary british-american comics." International Journal of Comic Art 10. (2008): 24–31. |
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| Last edited by: joachim 14/07/2012, 07:23 |
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| Round, Julia. "Grant Morrison, Dave McKean, and Gaspar Saladino’s Arkham Asylum (1989) – Gothic Comics." The Gothic. A Reader. Ed. Simon Bacon. New York [etc.]: Peter Lang, 2018. 161–68. |
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| Added by: joachim 23/02/2024, 22:47 |
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| Round, Julia. "We Share Our Mothers’ Health: Temporality and the gothic in comic book landscapes." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 127–40. |
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| Last edited by: joachim 11/08/2019, 16:31 |
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| Sandifer, Philip. The Last War in Albion: The early work of alan moore and grant morrison. Vol. 1. o.O. Eruditorum, 2016. |
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| Last edited by: joachim 27/08/2018, 14:31 |
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| dos Santos Rodrigues, Márcio and Matheus da Cruz e Zica. "Dilemmas of Animal Rights in the Animal Man Comic Book Series." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 69–82. |
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| Last edited by: joachim 22/08/2018, 17:02 |
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| Scott, Keith. "No Guru, No Method, No Teacher: “grant morrison” and grant morrison™." ImageTexT 8. 2 2015. Accessed 10 Aug. 2017. <http://www.english.ufl. ... xt/archives/v8_2/scott/>. |
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| Added by: joachim 10/08/2017, 10:01 |
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| Shapira, Tom. Curing the Postmodern Blues: Reading grant morrison and chris weston’s the filth in the 21st century. Edwardsville: Sequart Research & Literacy Organization, 2013. |
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| Added by: joachim 13/12/2014, 22:10 |
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| Shaviro, Steven. "If I Only Had a Brain." Postmodern Culture 4. 1 1993. Accessed 31 Jul. 2009. <http://muse.jhu.edu/jou ... re/v004/4.1shaviro.html>. |
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| Singer, Marc. "“A Serious House on Serious Earth”: Rehabilitating arkham asylum." International Journal of Comic Art 8. (2006): 269–82. |
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| Last edited by: joachim 05/03/2010, 02:17 |
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| Singer, Marc. Grant Morrison: Combining the worlds of contemporary comics. Jackson: Univ. Press of Mississippi, 2011. |
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| Last edited by: joachim 05/04/2012, 08:31 |
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| Singer, Marc. "Time and Narrative: Unity and discontinuity in the invisibles." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 55–70. |
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| Last edited by: joachim 11/03/2014, 17:33 |
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| Tembo, Kwasu. "Sons of Lilith: The portrayal and characterization of women in the apocryphal comics of neil gaiman, alan moore, and grant morrison." Corpus Mundi 1. 2 2020. Accessed 17 Jan. 2021. <https://corpusmundi.com ... php/cmj/article/view/14>. |
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| Last edited by: joachim 17/01/2021, 16:37 |
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| Thomas, Evan. "Invisible Art, Invisible Planes, Invisible People." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 157–72. |
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| Thoss, Jeff. When Storyworlds Collide: Metalepsis in popular fiction, film and comics. Studies in Intermediality. Leiden: Brill, 2015. |
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| Last edited by: joachim 29/03/2019, 14:08 |
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| Thoss, Jeff. "Unnatural Narrative and Metalepsis: Grant morrison’s animal man." Unnatural Narratives – Unnatural Narratology. Eds. Jan Alber and Rüdiger Heinze. linguae & litterae. Berlin: de Gruyter, 2011. 189–209. |
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| Last edited by: joachim 27/02/2014, 08:56 |
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| Tondro, Jason. Superheroes of the Round Table: Comics connections to medieval and renaissance literature. Jefferson, London: McFarland, 2011. |
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| Last edited by: joachim 09/08/2017, 15:01 |
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| Ursini, Francesco-Alessio. "Language and Thought in The Invisibles." ImageTexT 8. 2 2015. Accessed 2 Nov. 2015. <http://www.english.ufl. ... t/archives/v8_2/ursini/>. |
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| Last edited by: joachim 03/11/2015, 13:57 |
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| Ursini, Francesco-Alessio, Adnan Mahmutovic, and Frank Bramlett. "Which Side are You On? The worlds of grant morrison." ImageTexT 8. 2 2015. Accessed 2 Nov. 2015. <http://www.english.ufl. ... v8_2/introduction.shtml>. |
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| Added by: joachim 02/11/2015, 14:43 |
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| Veith, Natalie. "The (Neo-)Victorian Rhetoric of Representation and the End of Referentiality in Sebastian O." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 107–18. |
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| Last edited by: joachim 25/08/2018, 15:10 |
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| Veith, Natalie. "The (In)Significance of Queen Victoria in Neo-Victorian Comics." Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Eds. Christina Jordan and Imke Polland. Bielefeld: Transcript, 2020. 193–210. |
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| Last edited by: joachim 12/08/2020, 16:45 |
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| Verano, Frank. "Invisible Spectacles, Invisible Limits: Grant morrison, situationist theory, and real unrealities." International Journal of Comic Art 8. (2006): 319–29. |
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| Last edited by: joachim 14/04/2012, 15:19 |
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| Walker, Cody. The Anatomy of Zur-en-Arrh: Understanding grant morrison’s batman. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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| Last edited by: joachim 13/12/2014, 22:16 |
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| Williams, Mark P. "Superhero Narratives and Social Values: The role of globalisation and the avant–garde in grant morrison’s batman." werewolf 23 2011. Accessed 18 Feb. 2013. <http://werewolf.co.nz/2 ... ives-and-social-values/>. |
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| Added by: joachim 18/02/2013, 02:48 |
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| Wolk, Douglas. "Grant Morrison: The invisible king." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 258–88. |
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| Added by: joachim 06/05/2013, 20:21 |
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| Wurtz, James F. "“Out there in the Asylum”: Physical, mental, and structural space in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." Amerikastudien 56. (2011): 555–72. |
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| Added by: joachim 24/04/2015, 06:56 |
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| Zani, Steven. "It's a Jungle in Here: Animal man, continuity issues and the authorical death drive." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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| Last edited by: joachim 04/08/2010, 14:45 |
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