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Benke, Lauren. "Gesture, Intimacy, and Violence in Contemporary Artists’ Books." Reconstruction 16.1 2016. Accessed 1 Jun. 2016. <http://reconstruction.e ... /Issues/161/Benke.shtml>.  
Added by: joachim 6/1/16, 3:56 PM
Crowe, Katherine M. and Maureen Cummins. "To Show them and to Share Them: Maureen cummins, archives, and book arts." Reconstruction 16.1 2016. Accessed 1 Jun. 2016. <http://reconstruction.e ... 161/Crowe_Cummins.shtml>.  
Added by: joachim 6/1/16, 4:01 PM
Martin, Côme. "Littérature visuelle et matérialité du livre: Jonathan safran foer, tom phillips et chris ware à l’aune du livre d’artiste." Forma 8 2013. Accessed 7 Oct. 2014. < ... rma/article/view/271272>.  
Last edited by: joachim 3/10/17, 10:59 AM
Pfahl, Courtney A. "“after the / Unauthor”: Fragmented author functions in tom phillips’s a humument." Studies in the Novel 47.(2015): 399–419.  
Added by: joachim 4/25/16, 9:04 AM
Sundberg, Martin. "The Collapse of the Word–Image Dichotomy: Towards an iconic approach to graphic novels and artists’ books." Konsthistorisk tidskrift/Journal of Art History 86.(2017): 31–44.  
Added by: joachim 3/4/17, 7:44 PM
Venghaus, Philipp. "Der Druck der Phantasmen: Die illustrationen des feuilletonromans des 19. jahrhunderts und ihre aneignung in max ernsts collageroman une semaine de bonté." Belphégor 13.1 2015. Accessed 16 May. 2016. <>.  
Added by: joachim 5/16/16, 12:34 AM
Wix, Gabriele. Max Ernst: Maler. dichter. schriftsteller. München: Fink, 2009.  
Added by: joachim 1/29/16, 11:18 AM
Wix, Gabriele. "Max Ernst und Lawrence Weiner: Un éloge de la mouvance." editio 26.(2012): 157–73.  
Added by: joachim 1/29/16, 11:43 AM
Wix, Gabriele. "Der Text erscheint selten nackt: Max ernst, la femme 100 têtes." Text – Material – Medium. Zur Relevanz editorischer Dokumentationen für die literaturwissenschaftliche Interpretation. Eds. Wolfgang Lukas, Rüdiger Nutt-Kofoth and Madleen Podewski. Beihefte zu Editio. Berlin u. Boston: de Gruyter, 2014. 173–96.  
Last edited by: joachim 1/29/16, 11:35 AM
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