| Ashkenazi, Ofer and Jakob Dittmar. "Negotiating Documentation in Comics." International Journal of Comic Art 20.(2018): 587–97. |
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| Baroni, Raphaël. "Of Mice as Men: A transmedial perspective on fictionality." Narrative 29.(2021): 91–113. |
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| Blank, Juliane. "The Appeal of the Real: Representations of ›authentic‹ dreams in comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Brienza, Casey E. "‘Manga Is Not Pizza’: The performance of ethno-racial authenticity and the politics of american anime and manga fandom in svetlana chmakova’s dramacon." Global Manga. “Japanese” Comics without Japan?. Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113. |
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| Calonne, David Stephen. R. Crumb Literature, autobiography, and the quest for self. Jackson: Univ. Press of Mississippi, 2021. |
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| Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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| Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische graphic novel der boxer zwischen wahrheit und fiktion." Germanica 70.(2022): 49–62. |
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| El Refaie, Elisabeth. "Visual authentication strategies in autobiographical comics." Comics Forum 2012. Accessed 25 Feb. 2019. <https://comicsforum.org ... by-elisabeth-el-refaie/>. |
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| Ernst, Nina. "Authenticity in Graphic Memoirs: Two nordic examples." Image [&] Narrative 16.2 2015. Accessed 3 Sep. 2015. <http://www.imageandnarr ... rative/article/view/814>. |
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| Frahm, Ole. "Der Authentizitäts-Fetisch: Hergés biographie eines hundes." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 63–74. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Gabilliet, Jean-Paul. "Reading Facsimile Reproductions of Original Artwork: The comics fan as connoisseur." Image [&] Narrative 17.4 2016. Accessed 1 Apr. 2017. <http://www.imageandnarr ... ative/article/view/1318>. |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Hahn, Hans-Joachim. "»Reality beats out surrealism every time!« Realitätseffekte reconsidered: comics als reflexionen von wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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| Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen« Versuch über das lebensgeschichtliche erzählen im comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35. |
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| Hillenbach, Anne-Kathrin. "Eine wahre Geschichte: Vom erzählerischen potential der photo-panels in der comicreihe der fotograf." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 293–300. |
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| Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48. |
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| MacDonald, Katharine Polak. "Jason Aaron’s Scalped, Historiographic Metafiction and of [sic] Authenticity." Narrative is the Essence of History. Essays on the Historical Novel. Ed. John Cameron. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 113–23. |
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| Macklem, Lisa. "The truth is stranger than fiction: Rick geary’s gothic murder tales." Journal of Graphic Novels and Comics 8.(2017): 521–32. |
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| Michel, Chantal Catherine. "Bericht oder Propaganda? Dokumentarische comics über den nahostkonflikt." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 189–206. |
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| Packard, Stephan. "Erfundene Umstürze in Panels Zur zeichnung des dokumentarischen, des fiktionalen und des politischen in comics." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 49–70. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Pedri, Nancy. "Cartooning Ex-Posing Photography in Graphic Memoir." Literature & Aesthetics 22.2 2012. Accessed 13 Jul. 2015. <openjournals.library.us ... hp/LA/article/view/7619>. |
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| Pedri, Nancy. "Telling It Authentically: Documents in graphic illness memoirs." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/333>. |
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| Risner, Jonathan. "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 39–54. |
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| Rizk, Mysoon. "Looking at “Animals in Pants”: The case of david wojnarowicz." Topia (2009): 137–59. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in alison bechdel’s relational autobiography are you my mother?." Journal of Graphic Novels and Comics 7.(2016): 254–67. |
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| Saika, Tadahiro. "How creators depict creating manga: Mangaka manga as authenticating discourse." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 99–109. |
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| Saouter, Catherine and Philippe Sohet. "« Histoire de voir »: Historicité et logique narrative dans l’œuvre de jacques martin." Urgences (1991): 30–43. |
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| Schmid, Johannes C. P. "Cartooning Resistance: Irony and authentication in zerocalcare’s kobane calling." International Journal of Comic Art 20.(2018): 153–69. |
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| Smith, Craig. "Motion comics: Modes of adaptation and the issue of authenticity." Animation Practice, Process & Production 1.(2012): 357–78. |
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| Trippó, Sándor. "Zeitgeschichte in Comics: Inszenierung historischer authentizität in der graphic novel »grenzfall« (2011)." Jahrbuch der ungarischen Germanistik (2014): 99–114. |
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| Added by: joachim 9/19/19, 10:52 AM |
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| Vågnes, Øyvind. "Rudy Kelly’s Eyes: Chris hedges and joe sacco’s days of destruction, days of revolt." European Journal of American Studies 10.2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10998>. |
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| Last edited by: joachim 1/8/21, 10:59 AM |
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| Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between paratexts and texts." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>. |
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| Last edited by: joachim 6/14/19, 11:56 AM |
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| Weber, Wibke and Hans-Martin Rall. "Authenticity in comics journalism: Visual strategies for reporting facts." Journal of Graphic Novels and Comics 8.(2017): 376–97. |
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| Zimmermann, Tanja. "Zwischen Dokumentation und Vision: Comiczeichner als reporter und seher." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 77–94. |
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