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Displaying 1 - 4  of 4 (Bibliography: WIKINDX Master Bibliography)
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Friant-Kessler, Brigitte. "Unidentified Graphic Objects? Eccentricity and Graphic Afterlives in Contemporary British Graphic Novels (Martin Rowson; Bryan Talbot)." Leaves 6 2018. Accessed 15 Jan. 2021. <https://climas.u-bordea ... brigitte-friant-kessler>.   
Last edited by: joachim 15/01/2021, 13:00
Green, Matthew J. A. "“I don’t see what good a book is without pictures or conversations”: Imaginary Worlds and Intertextuality in Alice in Wonderland and Alice in Sunderland." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 110–26.   
Added by: joachim 08/08/2017, 09:21
Hescher, Achim. "Metalepses, Mises en Abyme and Performativity in Bryan Talbot’s Alice in Sunderland." Representing Restoration, Enlightenment and Romanticism. Eds. Anja Müller, Achim Hescher and Anke Uebel. Trier: Wissenschaftlicher Verlag Trier, 2014. 229–50.   
Last edited by: joachim 26/01/2014, 22:56
Round, Julia. "Contrariwise!: Breaking rules in Bryan Talbot’s Alice in Sunderland." Critical Engagements 3.(2009): 180–201.   
Last edited by: joachim 24/03/2012, 21:55
WIKINDX 6.8.2 | Total resources: 14514 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)