List Resources

Displaying 1 - 13 of 13 (Bibliography: WIKINDX Master Bibliography)
Order by

Use all checked: 
Use all displayed: 
Use all in list: 
Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The neutralisation of the antichrist in three comics adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. < ... ed-and-Martin-Lund.html>.  
Added by: joachim 5/4/13, 10:36 AM
Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the transition of popular narratives and characters across old and new media. London, New York: Continuum, 2010.  
Last edited by: joachim 2/14/11, 6:20 PM
de la Iglesia, Martin. "Authorship, Collaboration, and Art Geography." CLCWeb: Comparative Literature and Culture 12.3 2010. Accessed 3 Nov. 2010. <>.  
Last edited by: joachim 10/11/15, 12:01 PM
de la Iglesia, Martin. "Presence in Comics." Studies in Visual Arts and Communication 1.2 2014. Accessed 11 Jun. 2015. <http://journalonarts.or ... -Presence_in_comics.pdf>.  
Last edited by: joachim 6/11/15, 4:40 PM
Lund, Martin. "Persons of Mass Destruction: The war on terror in mark millar’s ultimates comic books." Americana 15.2 2016. Accessed 21 Nov. 2016. <http://www.americanpopu ... es/spring_2016/lund.htm>.  
Added by: joachim 11/21/16, 10:11 AM
Miczo, Nathan. "Aging Superheroes: Retirement and return in kingdom come and old man logan." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 143–55.  
Last edited by: joachim 10/11/15, 11:25 AM
Nehrlich, Thomas and Joanna Nowotny. "“We’re not fighting for the people anymore … We’re just fighting”: Us-american superhero comics between criticisms of community and critical communities." SPELL 35 2017. Accessed 10 Aug. 2020. <>.  
Last edited by: joachim 8/10/20, 11:27 AM
Preußer, Heinz Peter. "Mythos als Meta- und Konnotationsnarrativ: Antikenrezeption und popkultur im kino seit dem jahr 2000." Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2013. 388–413.  
Last edited by: joachim 10/23/21, 7:28 PM
Round, Julia. "“The Apocalypse of Adolescence”: Use of the bildungsroman and superheroic tropes in mark millar & peter gross’s chosen." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010.  
Added by: joachim 8/27/11, 12:40 PM
Sina, Véronique. Comic – Film – Gender: Zur (re-)medialisierung von geschlecht im comicfilm. Edition Medienwissenschaft. Bielefeld: Transcript, 2016.  
Last edited by: joachim 2/9/16, 8:19 PM
Spahr, Clemens. "Widersprüchliche Superhelden Erzählung und gesellschaft in kick-ass und unbreakable." Medien. Erzählen. Gesellschaft. Transmediales Erzählen im Zeitalter der Medienkonvergenz. Eds. Karl N. Renner and Dagmar von Hoff. Media Convergence / Medienkonvergenz. Berlin u. Boston: de Gruyter, 2013. 139–62.  
Last edited by: joachim 3/25/22, 2:42 PM
Taylor, James. "Kick-Ass Version 2.0 The superhero’s navigation of comic books, film and digital media." Writing Visual Culture 7 2015. Accessed 28 Sep. 2016. < ... 788/wvc-dc-7-taylor.pdf>.  
Added by: joachim 9/28/16, 1:15 AM
Weston, Gavin. "Superheroes and comic-book vigilantes versus real-life vigilantes: An anthropological answer to the kick-ass paradox." Journal of Graphic Novels and Comics 4.(2013): 223–34.  
Last edited by: joachim 8/22/15, 7:13 AM
WIKINDX 6.7.2 | Total resources: 14331 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Modern Language Association (MLA)

PHP execution time: 0.04721 s
SQL execution time: 0.02163 s
TPL rendering time: 0.00379 s
Total elapsed time: 0.07263 s
Peak memory usage: 2.9001 MB
Memory at close: 2.1104 MB
Database queries: 53