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Displaying 1 - 8  of 8 (Bibliography: WIKINDX Master Bibliography)
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Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019.   
Added by: joachim   Last edited by: joachim 5/24/20, 12:56 PM
Ahrens, Jörn. "The Ordinary Urban: 100 bullets and the clichés of mass culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28.   
Added by: joachim 3/25/10, 12:39 AM
Baschiera, Stefano. "The Thickness of the Panel: Narrative stratification and complexification in azzarello’s 100 bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80.   
Added by: joachim 2/20/15, 12:53 PM
Kukkonen, Karin. Contemporary Comics Storytelling. Frontiers of Narrative. Lincoln: Univ. of Nebraska Press, 2013.   
Added by: joachim   Last edited by: joachim 5/23/17, 11:16 PM
Méndez García, Carmen M. "Private (Brown) Eyes: Ethnicity, genre and gender in crime fiction in the gloria damasco novels and the chicanos comic series." Altre Modernità 15 2016. Accessed 1Apr. 2019. <https://riviste.unimi.i ... nline/article/view/7177>.   
Added by: joachim 4/1/19, 7:32 PM
Nurse, Angus. "Extreme restorative justice: The politics of vigilantism in vertigo’s 100 bullets." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 130–46.   
Added by: joachim   Last edited by: joachim 1/12/16, 6:12 PM
Page, Joanna. Science Fiction in Argentina: Technologies of the text in a material multiverse. Ann Arbor: Univ. of Michigan Press, 2016.   
Added by: joachim   Last edited by: joachim 10/4/17, 9:21 PM
Wandtke, Terrence R. The Dark Night Returns: The contemporary resurgence of crime comics. Comics Studies Monograph. Rochester: RIT, 2015.   
Added by: joachim   Last edited by: joachim 12/15/15, 5:28 PM
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