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| Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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| Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The neutralisation of the antichrist in three comics adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>. |
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| Altnether, Joseph G. "Reimagination of Hell in Mike Mignola’s Hellboy in Hell." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr, 2016. 23–34. |
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| Anderson, Jennifer L. "Strange Places: Illustrating the otherworldly in mike mignola’s hellboy." Thesis Master of Science. Pratt Institute, 2007. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12.(2015). |
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| Bonilla Cerezo, Rafael and Javier Gutiérrez Parera. "El diablo dijo … “¡acción!” hellboy en el laberinto del toro." Caracteres 3.2 2014. Accessed 24 Apr. 2021. <http://revistacaractere ... boy-laberinto-del-toro/>. |
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| Bormann, Daniel Candel. "Moving Possible World Theory from Logic to Value." Poetics Today 34.(2013): 177–231. |
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| Brayshaw, Christopher. "Between Two Worlds: The mike mignola interview." The Comics Journal (1996): 64–90. |
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| Bukatman, Scott. "Sculpture, Stasis, the Comics, and Hellboy." Critical Inquiry 40.(2014): 104–17. |
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| Bukatman, Scott. Hellboy’s World: Comics and monsters on the margins. Berkeley: Univ. of California Press, 2016. |
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| Cederlund, Scott. "On Mignola’s Chosen Artists." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 16–30. |
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| Cooke, Jon B. "Hellboy on Earth: The magic of mike mignola." Comic Book Artist (2002): 10–34. |
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| Cortés Hernández, Santiago. "De Roberto el Diablo a Hellboy dinámica narrativa de un héroe de la edad media al cómic." Revista de Literaturas Populares 8.(2008): 376–409. |
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| Dernovšek, Davorin. "Portrayal of Good and Evil in the Hellboy Graphic Novels." Diplomska Delo. Univerza v Ljubljani, 2009. |
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| Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen potential von comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012. |
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| Edwards, Jedidiah. "Satan or Savior? Analyzing the conflicting religious imagery of mike mignola’s hellboy." Thesis. Guilford College, 2020. |
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| Garrett, Greg. Entertaining Judgment the afterlife in popular imagination. New York: Oxford Univ. Press, 2015. |
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| Hall, Stefan. "The Digital Hand of Doom: Gaming with hellboy." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 133–43. |
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| Hammond, S. G., ed. The Mignolaverse: Hellboy and the comics art of mike mignola. Edwardsville: Sequart Research & Literacy Organization, 2019. |
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| Hroß, Gerhard. "Engel in Plastiktüten und Teufel ohne Hörner: Die filme von guillermo del toro." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 123–35. |
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| Kainz, Barbara. Der Antiheld hat viele Gesichter: Motive und image einer heldenspezies in comicverfilmungen. Wien: Löcker, 2008. |
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| Knopf, Christina M. "War is Hell: The (super)nature of war in the works of mike mignola." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 144–55. |
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| Koch, Boris. "Der Held, der die dritte Tür wählt Hellboys kampf gegen den kosmischen schrecken." Das Science Fiction Jahr 8.(2009): 333–44. |
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| Labarre, Nicolas. "Adapting Coppola’s Dracula." The Comics Grid 2012. Accessed 28 Dec. 2020. <http://web.archive.org/ ... pting-coppolas-dracula/>. |
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| Labarre, Nicolas. "Comics Genres: Cracking the codes." The Cambridge Companion to Comics. Ed. Maaheen Ahmed. Cambridge [etc.]: Cambridge Univ. Press, 2023. 166–84. |
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| Labarre, Nicolas. "Crashing Down the Page." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 156–65. |
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| Lundgren, Anders. "Arcane Knowledge, Masked Men, and Puppets Mignola’s filmic and literary influences." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 31–42. |
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| Lundgren, Anders. "A Trail of Blood and Bullets: How the pulp legacy lives on in lobster johnson." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 73–82. |
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| McConeghy, David. "Facing the Monsters: Otherness in h. p. lovecraft’s cthulhu mythos and guillermo del toro's pacific rim and hellboy." Religions 11.2 2020. Accessed 10 May. 2021. <https://www.mdpi.com/624078>. |
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| Meyer, Joseph M. "My Will Be Done: Personal vengeance in moby-dick and baltimore." Milton and Melville Review 2.1 2007. Accessed 11 May. 2021. <https://www.proquest.co ... 33/se-2?accountid=14618>. |
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| Nelson, Victoria. Gothicka: Vampire heroes, human gods, and the new supernatural. Cambridge: Harvard Univ. Press, 2012. |
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| Nestorowich, Max. "Dark Knights and Dark Dreams: The weird in mignola’s batman comics." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 117–32. |
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| O’Connor, Laura. "The Corpse on Hellboy’s Back: Translating a graphic image." Journal of Popular Culture 43.(2010): 540–63. |
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| Paccosi, Valentino. "From Lovecraft to Hellboy: The carnivalesque face of the lovecraftian." Fantastika Journal 1.2 2017. Accessed 23 Mar. 2021. <https://fantastikajourn ... -1-Issue-2-Dec-2017.pdf>. |
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| Packer, Sharon. "From Halfworld to Hellboy: Psychiatric asylums and mignola’s comics art." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 83–101. |
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| Peaslee, Robert Moses. "Superheroes, “Moral Economy,” and the “Iron Cage” Morality, alienation and the super-individual." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 37–50. |
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| Pośnik, Rafał. "Hellboy’s Adventures in Elvenland: Mignola and old celtic mythology." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 57–72. |
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| Powell, Anna. "The Daemons of Unplumbed Space: Mixing the planes in hellboy." Deleuze and Film. Eds. David Martin-Jones and William Brown. Edinburgh: Edinburgh University Press, 2012. 173–91. |
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| Richardson, Amy. "The Devil is a Myth: The dynamic uses of the folkloresque within hellboy and fables." Master of Arts Thesis. Memorial University of Newfoundland, 2019. |
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| Ricker, Aaron. "Fearful symmetry: Revelation, hellboy, and pop apocalyptic violence." Religion and Violence in Western Traditions. Selected Studies. Eds. André Gagné, Jennifer Guyver and Gerbern S. Oegema. London, New York: Routledge, 2021. 74–87. |
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| Schildiner, Frank. "Hellboy, Nazis, Occult & Weird Science." Right Hand of Doom. A Critical Study of Michael Mignola’s Hellboy. Ed. Benjamin Szumskij. Wild Cat, 2006. |
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| Sedgwick, Laura. "Islands of Horror: Nazi mad science and the occult in shock waves (1977), hellboy (2004), and the devil’s rock (2011)." Post Script 37.(2018): 27–39. |
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| Sergi, Valentino. I demoni di Mike Mignola. L’arte delle Nuvole. Roma: NPE, 2014. |
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| Shapira, Tom. "Red in Fang and Claw." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 43–56. |
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| Shapira, Tom. "Unknown Unknowns: Three types of horror (plus one) in hellboy." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 102–16. |
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| Last edited by: joachim 5/28/21, 10:38 AM |
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| Sommers, Joseph Michael. "Crooked Appalachia: The laughter of the melungeon witches in mike mignola’s hellboy: the crooked man." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 214–41. |
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| Streeby, Shelley. "Heroism and Comics Form feminist and queer speculations." American Literature 90.(2018): 449–59. |
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| Swenson, Sharon Lee. "Guardian Demons in Hellboy: Hybridity in contemporary american horror films." Hell and its Afterlife. Historical and Contemporary Perspectives. Eds. Margaret Toscano and Isabel Moreira. London, New York: Routledge, 2010. |
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| Szumskij, Benjamin, ed. Right Hand of Doom: A critical study of michael mignola’s hellboy. Wild Cat, 2006. |
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| Last edited by: joachim 5/10/22, 9:31 AM |
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| Talon, Durwin. "I want to simplify my style down to tell a better story: Mike mignola." Panel Discussions. Design In Sequential Art Storytelling. Raleigh: TwoMorrows, 2003. 70–80. |
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| Tweedale, Mark. "Building the Mignolaverse." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 5–15. |
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| Van den Broeck, Ruben. "Parody and the Popular Cultural Memory in Hellboy: The narrative and mnemonic function of parodied folklore and canonical literature in mike mignola’s comics." Master of Arts Diss. Universiteit Gent, 2018. |
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| Vinci, Tony M. "Remembering Why We Once Feared the Dark: Reclaiming humanity through fantasy in guillermo del toro’s hellboy ii." Journal of Popular Culture 45.(2012): 1041–59. |
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| de Vos, Gail. "Storytelling and Folktales: A graphic exploration." The Influence of Imagination. Essays on Science Fiction and Fantasy as Agents of Social Change. Eds. Lee Easton and Randy Schroeder. Jefferson: McFarland, 2008. 92–98. |
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| Wandtke, Terrence R. The Comics Scare Returns: The contemporary resurgence of horror comics. Comics Studies Monograph. Rochester: RIT, 2019. |
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| Weiner, Stephen, Jason Hall, and Viktoria Blake. Hellboy: The companion. Milwaukie: Dark Horse, 2008. |
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| Wells, Bonnie. "More than Human: A critical evaluation of the intersection of character and theme in mike mignola’s hellboy." Undergraduate Honors Thesis/Project. Western Oregon University, 2014. |
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