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| Bainbridge, Jason. "“The Call to do Justice” Superheroes, Sovereigns and the State During Wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 745–63. |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous: Human Devolution in The Walking Dead." Monster Culture in the 21st Century. A Reader. Eds. Marina Levina and Diem-My T. Bui. New York: Bloomsbury, 2013. 73–85. |
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| Britten, Bob. "Picturing Terror: Visual and Verbal Rhetoric in The 9/11 Report Graphic Adaptation." International Journal of Comic Art 12. (2010): 355–69. |
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| Brummbär, Bernd. "Terror, Sex und Fritz the Cat. Die Kinderzeit der Comics ist vorbei: Amerikanische Anti-Comics schocken die USA." Underground 3. (1970): 48–52. |
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| Callamard, Agnes. "Religion, Terrorism and Speech in a ‘Post-Charlie Hebdo’ World." Religion & Human Rights 10. (2015): 207–28. |
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| Carretero González, Margarita. "Sympathy for the Devil: The Hero is a Terrorist in V for Vendetta." Promoting and Producing Evil. Ed. Nancy Billias. At the Interface, Probing the Boundaries. Amsterdam [etc.]: Rodopi, 2010. 207–18. |
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| Comerford, Chris. "The hero we need, not the one we deserve: Vigilantism and the state of exception in Batman Incorporated." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 183–200. |
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| Costello, Matthew J. "Spandex Agonistes: Superhero Comics Confront the War on Terror." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 30–43. |
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| Croci, Daniele. "Holy Terror, Batman!: Frank Miller’s Dark Knight and the Superhero as Hardboiled Terrorist." Altre Modernità 15 2016. Accessed 1Apr. 2019. <https://riviste.unimi.i ... nline/article/view/7183>. |
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| Crowell, Ellen. "Scarlet Carsons, Men in Masks: The Wildean Contexts of V for Vendetta." Neo-Victorian Studies 2. 1 2008/2009. Accessed 17Sep. 2013. <http://www.neovictorian ... 202-1-2%20E-Crowell.pdf>. |
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| Eccleston, Sasha-Mae. "Enemies, Foreign and Domestic: Villainy and Terrorism in Thor." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 168–84. |
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| Edwards, Janis L. "Visualizing the Face of Domestic Terrorism in Editorial Cartoons: Transforming a Stereotype." International Journal of Comic Art 10. (2008): 420–32. |
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| Eko, Lyombe. The Charlie Hebdo Affair and Comparative Journalistic Cultures: Human Rights Versus Religious Rites. New York [etc.]: Palgrave Macmillan, 2019. |
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| Grüning, Barbara. "Educating to Remember: The Public Use of Comics in Germany and Italy." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 95–108. |
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| Ip, John. "The Dark Knight’s War on Terrorism." Ohio State Journal of Criminal Law 9. 1 2011. Accessed 11Apr. 2016. <http://moritzlaw.osu.ed ... cl/files/2012/05/Ip.pdf>. |
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| Jacke, Andreas. "Batman beschützt New York." Psychoanalyse im Widerspruch (2017): 91–99. |
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| Johnson, Jeffrey K. "Terrified Protectors: The Early Twenty-First Century Fear Narrative in Comic Book Superhero Stories." Americana 10. 2 2011. Accessed 21Nov. 2016. <http://www.americanpopu ... s/fall_2011/johnson.htm>. |
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| Jones, Dyfrig. "Islamic Invaders: Secret Invasion and the Post-9/11 World of Marvel." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 165–77. |
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| Keane, David. "Cartoons, Comics and Human Rights after the Charlie-Hebdo Massacre." Religion & Human Rights 10. (2015): 229–43. |
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| Kellner, Douglas. "Media Spectacle and Domestic Terrorism: The Case of the Batman/Joker Cinema Massacre." Review of Education, Pedagogy, and Cultural Studies 35. (2013): 157–77. |
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| Kord, Susanne and Elisabeth Krimmer. Contemporary Hollywood Masculinities: Gender, Genre, and Politics. New York [etc.]: Palgrave Macmillan, 2011. |
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| Lewis, A. David. "The Militarism of American Superheroes After 9/11." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 223–36. |
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| Lund, Martin. "Persons of Mass Destruction: The War on Terror in Mark Millar’s Ultimates Comic Books." Americana 15. 2 2016. Accessed 21Nov. 2016. <http://www.americanpopu ... es/spring_2016/lund.htm>. |
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| Marano, Michael. "Ra’s al Ghul: Father Figure as Terrorist." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 69–84. |
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| Martin, Elaine. "‘I’ for iconoclasm: Graphic novels and the (re)presentation of terrorism." Critical Studies on Terrorism 5. (2012): 469–81. |
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| Mehring, Frank. "Holy Terror!: Islamophobia and Intermediality in Frank Miller’s Graphic Novel." European Journal of American Studies 15. 3 2020. Accessed 25Feb. 2022. <https://journals.openedition.org/ejas/16274>. |
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| Michael, Olga. "Looking at the Perpetrator in Nina Bunjevac’s Fatherland." Journal of Perpetrator Research 4. 2 2022. Accessed 24Oct. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.111/>. |
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| Morel, Olivier. "The weight of a portrait: Caricatura and industrial violence after the Charlie Hebdo attack." French Cultural Studies 27. (2016): 256–67. |
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| Naber, Joel. "Der kleine Charlie als gutes Objekt: Was am siebten Januar getötet wurde." sans phrase (2015): 171–82. |
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| Norlund, Christopher. "Imagining Terrorists before September 11: Marvel's GI Joe Comic Books, 1982–1994." 3. 1 2006. Accessed 9Dec. 2009. <http://www.english.ufl. ... ext/archives/v3_1/tobe/>. |
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| Omanga, Duncan. "(Re)Making Enemies: Representations of the Terrorists in Pre- and Post-9/11 Editorial Cartoons in Kenya." 9/11 and its Remediations in Popular Culture and Arts in Africa. Eds. Heike Behrend and Tobias Wendl. Kunst und Visuelle Kulturen Afrikas. African Art and Visual Cultures. Berlin [etc.]: LIT, 2015. 84–97. |
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| Ossa, Vanessa. "9/11 als Narrativ und Bild – vom Sagbaren zum Unsichtbaren." Umbruch – Bild – Erinnerung. Beziehungsanalysen in nationalen und transnationalen Kontexten. Eds. Carolin Führer and Antonius Weixler. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2022. 215–30. |
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| Paryz, Marek. "The War on Terror and Intersecting Film Genres in Jonah Hex." The Post-2000 Film Western. Contexts, Transnationality, Hybridity. Eds. Marek Paryz and John R. Leo. New York [etc.]: Palgrave Macmillan, 2015. 207–21. |
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| Schopp, Andrew. "Interrogating the Manipulation of Fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86. |
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| Scott, Cord. "Anti-Heroes: Spider-Man and the Punisher." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 120–27. |
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| Siviero, Luigi. Dall’11 settembre a Barack Obama: La storia contemporanea nei fumetti. L’arte delle Nuvole. Roma: NPE, 2012. |
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| Veloso, Francisco O. D. and John A. Bateman. "The multimodal construction of acceptability: Marvel’s Civil War comic books and the PATRIOT Act." Critical Discourse Studies 10. (2013): 427–43. |
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| Waddell, Nathan Vernon. "Christopher Nolan’s The Dark Knight: An Unacknowledged Adaptation of Joseph Conrad’s The Secret Agent?." Adaptation 6. (2013): 43–59. |
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| Welch, Edward and John Perivolaris. "The place of the Republic: Space, territory and identity around and after Charlie Hebdo." French Cultural Studies 27. (2016): 279–92. |
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| Wopperer, Barbara. "“I believe whatever doesn’t kill you simply makes you … stranger”: Discourses of terrorism and counter-terrorism in The Dark Knight." Reconstruction 11. 4 2011. Accessed 2Apr. 2015. <http://reconstruction.e ... sues/114/Wopperer.shtml>. |
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| Worcester, Kent. "Graphic Narrative and the War on Terror." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 41–57. |
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| Added by: Deleted user Last edited by: joachim 6/6/19, 5:15 PM |
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