| Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged memories in joe sacco’s safe area goražde." Studies in the Novel 47.(2015): 291–307. |
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| Adams, Jeff. Documentary Graphic Novels and Social Realism. Cultural Interactions. Oxford [etc.]: Peter Lang, 2008. |
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| Adams, Jeff. "Troubled Places: Domestic space in graphic novels." Our House: The Representation of Domestic Space in Modern Culture. Eds. Gerry Smyth and Jo Croft. Nature, Culture and Literature. Amsterdam [etc.]: Rodopi, 2006. 161–74. |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The welcome subjective g(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahrens, Jörn. "Joe Sacco and the Quest for Documentation in Comics." ImageTexT 11.1 2019. Accessed 7 Nov. 2020. <http://imagetext.englis ... /archives/v11_1/ahrens/>. |
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| Aune, Mark G. "Teaching the Graphic Travel Narrative." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 223–29. |
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| Baetens, Jan. "Other Non-Fiction." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 130–43. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Bartley, Aryn. "The Hateful Self: Substitution and the ethics of representing war." Modern Fiction Studies 54.(2008): 50–71. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bedenbecker, Karina, et al. "Comic-Journalismus: Zu joe saccos bosnien." Krieg und Literatur / War and Literature 24.(2018): 61–76. |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing value construction in literary non-fiction across media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Borchling, Viktoria, Lena Dust, and Christina Geers. "Kriegszeiten. Eine grafische Reportage über Soldaten, Politiker und Opfer in Afghanistan." Krieg und Literatur / War and Literature 24.(2018): 77–92. |
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| Borggreen, Gunhild. "Drawing Disaster: Manga response to the great eastern japan earthquake." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ, 2015. 263–84. |
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| Catala, Josep. "A Drawing of the World: Documentary and comic book." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... mber1/Josep-Catala.html>. |
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| Catalá-Carrasco, Jorge L. "Neoliberal expulsions, crisis, and graphic reportage in Spanish comics." Romance Quarterly 64.(2017): 172–84. |
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| Chapman, Jane and Daniel Ellin. "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." Australian Journal of Communication 39.(2012): 1–22. |
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| Cherian, Ajith. "The Value of Comics Journalism in Our Post Truth World." Gnosis Special Issue (2019): 201–13. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Coby, Jim. "“—it’s pretty easy to forget what it’s like to be a have-not”: Envisioning and experiencing trauma in josh neufeld’s a.d.: new orleans after the deluge." South Central Review 32.(2015): 110–23. |
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| Davies, Dominic. "Joe Sacco: Representing Palestine." The Oxonian Review 26.3 2013. Accessed 1 Jul. 2014. <http://www.oxonianrevie ... representing-palestine/>. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic pasts, embodied histories, and graphic reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Duncan, Randy, Michael Ray Taylor, and David Stoddard. Creating Comics as Journalism, Memoir and Nonfiction. London, New York: Routledge, 2016. |
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| Egger, Bettina. "Archives and Oral History in Emmanuel Guibert’s Le Photographe." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 59–78. |
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| Feig, Ellen Rosner. "Trauma in Gaza: Israeli image through the eye of the graphic novelist." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 185–98. |
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| Fink, Moritz. "Of Maus and Gen: Author avatars in nonfiction comics." International Journal of Comic Art 20.(2018): 267–96. |
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| Fischer, Nina. "Graphic Novels Explore an (Un-)Holy Land." Quest 6 2013. Accessed 11 Jul. 2016. <http://www.quest-cdecjournal.it/focus.php?id=344>. |
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| Frasisti, Valentina. "(Aesth)ethics Storytelling: A close reading of kobane calling and salvezza." Simultanea 1.1 2020. Accessed 21 Aug. 2021. <http://italianpopcultur ... e-calling-and-salvezza/>. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Gabilliet, Jean-Paul. "Underground Comix and the Invention of Autobiography, History and Reportage." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 155–70. |
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| Gardner, Jared. "Time under Siege." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 21–38. |
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| Greven, Thomas. "Comic-Reportagen: Der amerikanische “comics journalist” joe sacco und die folgen." The State of American Democracy 2015. Accessed 31 Mar. 2015. <https://blogs.fu-berlin ... e-sacco-und-die-folgen/>. |
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| Grünewald, Dietrich, ed. Der dokumentarische Comic: Reportage und biografie. Bochum: Ch.A. Bachmann, 2013. |
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| Grünewald, Dietrich. "Zwischen Fakt und Fiktion: Dokumentarische bildgeschichten." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 9–14. |
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| Hahn, Hans-Joachim. "»Reality beats out surrealism every time!« Realitätseffekte reconsidered: comics als reflexionen von wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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| Hescher, Achim. "Transgressing Borders in and with Comics: Mana neyestani’s graphic novel une métamorphose iranienne (2012)." PhiN 70 2014. Accessed 17 Dec. 2014. <http://web.fu-berlin.de/phin/phin70/p70t4.htm>. |
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| Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48. |
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| Hodapp, James. "The postcolonial Joe Sacco." Journal of Graphic Novels and Comics 6.(2015): 319–30. |
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| Holland, Edward C. "“To Think and Imagine and See Differently”: Popular geopolitics, graphic narrative, and joe sacco’s “chechen war, chechen women”." Geopolitics 17.(2012): 105–29. |
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| Kauranen, Ralf and Olli Löytty. "Tiedon kertominen ja näyttäminen sarjakuvassa: Esimerkkinä emmi niemisen ja johanna vehkoon vihan ja inhon internet." Kertomuksen keinoin.Tarinallisuus mediassa ja tietokirjallisuudessa. Eds. Mikko T. Virtanen, Pirjo Hiidenmaa and Jyrki Nummi. Helsinki: Gaudeamus, 2020. 307–33. |
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| Kavaloski, Joshua. "Discordant discourses: History and journalism in the graphic novels of joe sacco." Journal of Graphic Novels and Comics (2018): 1–18. |
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| Kunert-Graf, Rachel. "Dehumanized Victims: Analogies and animal avatars for palestinian suffering in waltz with bashir and “war rabbit”." Humanities 7.3 2018. Accessed 29 Jun. 2020. <https://www.mdpi.com/2076-0787/7/3/79>. |
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| Lawson, Daniel. "The rhetorical work of remediation in The Photographer." Studies in Comics 5.(2014): 319–36. |
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| Layoun, Mary N. "The Trans-, the Multi-, the Pluri-, and the Global A few thoughts on comparative and relational literacy." Passages 1.(1999): 173–213. |
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| Lefèvre, Pascal. "The Modes of Documentary Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 50–60. |
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| Lefèvre, Pascal. "Die Modi dokumentarischer Comics." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 31–49. |
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| Lunsford, Andrea A. and Adam Rosenblatt. "“Down a Road and into an Awful Silence”: Graphic listening in joe sacco’s comics journalism." Silence and Listening as Rhetorical Arts. Eds. Cheryl Glenn and Krista Ratcliffe. Carbondale: Southern Illinois University Pr, 2011. |
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| Mahrt, Nina. "Wenn aus Spaß Ernst wird: Die darstellung realer kriege in aktuellen comics. erzählweisen und ausdrucksmittel eines vielfältigen genres." JuLit 33.(2007): 32–37. |
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| Maïzi, Myriem El. "« Real news from Beirut »: Blog bd et témoignage de guerre." French Cultural Studies 27.(2016): 199–215. |
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| Marshall, Monica. Joe Sacco. The Library of Graphic Novelists. New York: Rosen, 2005. |
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| Michel, Catherine. "The Art of Persuasion and Propaganda: The israeli-palestinian conflict in comic books and graphic novels." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 221–30. |
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| Mickwitz, Nina. "Footnotes in Gaza, by Joe Sacco." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 36–37. |
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| Miller, Ann. "Joe Sacco, Graphic Novelist as Political Journalist." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 389–404. |
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| Miller, Ann. "Citizenship and City Spaces: bande dessinée as reportage." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 97–116. |
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| bin Mohamed, Fauzi Naeim. "The Aesthetics of Oppression in Joe Sacco’s Footnotes in Gaza." International Journal of Comic Art 15.(2013): 435–49. |
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| Nachabe Taan, Yasmine. "Blogging in Times of War: The july 2006 war in lebanon, mazen kerbaj imaging the unimaginable." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 204–24. |
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| Nyberg, Amy Kiste. "Journalism: Drawing on words to picture the past in safe area goražde." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 116–28. |
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| Scherr, Rebecca. "Shaking Hands with Other People’s Pain: Joe sacco’s palestine." Mosaic 46.(2013): 19–36. |
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| Schlichting, Laura. Authorship in Comics Journalism. Konstanz: UVK, 2021. |
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| Stafford, Richard Todd. "Towards an Epistemological Theory of Comics Journalism: Case studies in joe sacco’s war reportage." Public Knowledge Journal 3.1 2011. Accessed 7 Feb. 2013. <http://pkjournal.org/?page_id=1490>. |
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| Thorsten, Marie. "Graphic “Heart of Darkness”: Two visions of current affairs comics." International Political Sociology 6.(2012): 221–40. |
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| Vågnes, Øyvind. "Rudy Kelly’s Eyes: Chris hedges and joe sacco’s days of destruction, days of revolt." European Journal of American Studies 10.2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10998>. |
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| Valenti, Peter C. "“The Children Internalize the Meaning of the Occupation”: Growing up under israeli occupation and a culture of resistance in joe sacco’s palestine." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 138–62. |
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| Vanderbeke, Dirk. "In the Art of the Beholder: Comics as political journalism." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 70–81. |
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| Vanoost, Marie and Sarah Sepulchre. "Subjectivity and Comics Journalism in the French Magazine XXI: Discrepancy between paratexts and texts." Diegesis 8.1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/351>. |
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| Versaci, Rocco. This Book Contains Graphic Language: Comics as literature. London, New York: Continuum, 2007. |
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| Vrydaghs, David. "Le reportage dessiné: Entre politique et esthétique." L’Association. Une utopie éditoriale et esthétique. Eds. Erwin Dejasse, Tanguy Habrand and Gert Meesters. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2011. 101–17. |
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| Woo, Benjamin. "Reconsidering Comics Journalism: Information and experience in joe sacco’s palestine." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 166–77. |
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| Worden, Daniel, ed. The Comics of Joe Sacco: Journalism in a visual world. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. |
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| Zimmermann, Tanja. "Zwischen Dokumentation und Vision: Comiczeichner als reporter und seher." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 77–94. |
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