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Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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Beaty, Bart. "The Concept of “Patrimoine” in Contemporary Franco-Belgian Comics Production." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 69–93. |
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Beaty, Bart and Benjamin Woo. The Greatest Comic Book of All Time: Symbolic capital and the field of american comic books. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
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Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur ästhetik der oszillierenden übertreibung im autorenfilm (godard) und autorencomic (moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76. |
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Becker, Thomas. "Fieldwork in aesthetics: On comics’ social legitimacy." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 110–22. |
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Becker, Thomas. "Graphic Novel – eine ›illegitime‹ Medienkombination?." Der neue Wettstreit der Künste. Legitimation und Dominanz im Zeichen der Intermedialität. Eds. Uta Degner and Norbert Christian Wolf. Bielefeld: Transcript, 2010. 167–86. |
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Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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Becker, Thomas. "Comic – eine illegitime Kunst? Sozioanalyse der lust an einem hybriden medium." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 309–26. |
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Becker, Thomas. "Wo steht die Gegenkultur? Zum unterschied zwischen normativem diskurs und sozialer realität im spiel zwischen high und low." »High« und »low«. Zur Interferenz von Hoch- und Populärkultur in der Gegenwartsliteratur. Eds. Thomas Wegmann and Norbert Christian Wolf. Studien und Texte zur Sozialgeschichte der Literatur. Berlin: de Gruyter, 2012. 43–55. |
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Boltanski, Luc. "The Constitution of the Comics Field." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 281–301. |
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Ditschke, Stephan. "›Die Stunde der Anerkennung des Comics‹? Zur legitimierung des comics im deutschsprachigen feuilleton." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 21–44. |
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Gabilliet, Jean-Paul. Of Comics and Men: A cultural history of american comic books. Jackson: Univ. Press of Mississippi, 2010. |
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Kaindl, Klaus. "Das Feld als Kampfplatz: Comics und ihre übersetzung im deutschen sprachraum." Internationales Archiv für Sozialgeschichte der deutschen Literatur 29.(2004): 211–28. |
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Maynard, Amy Louise. "Bourdieu vs. Batman Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr, 2016. 51–61. |
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Méon, Jean-Matthieu. "Comics in Museums and at their Periphery: Hierarchical reaffirmation and domination adjustments in french art museums." ImageTexT 10.3 2019. Accessed 13 Jan. 2020. <http://imagetext.englis ... du/archives/v10_3/meon/>. |
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Wagner, Philipp. "Grafische Literatur und Metanarrativität am Beispiel des Comic-Künstlers Jason." BA Bachelorarbeit. Universität Greifswald, 2011. |
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