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Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102. |
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Arnott, Luke. "BLAM! The Literal Architecture of Sin City." International Journal of Comic Art 10. (2008): 380–401. |
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Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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Bould, Mark. Film Noir: From Berlin to Sin City. Short Cuts. London: Wallflower, 2005. |
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Dokou, Christina. "Seen City: Frank Miller’s Reimaging as a Cinematic “New Real”." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 171–94. |
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Dolle-Weinkauff, Bernd. "Crime Fiction im Comic der 90er Jahre: Frank Millers Sin City." Unterhaltungsliteratur der achtziger und neunziger Jahre. Eds. Dieter Petzold and Eberhard Späth. Erlanger Forschungen, Reihe A. Erlangen: Universitätsbund, 1998. 103–18. |
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Eighan, Erin E. "Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 103–18. |
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de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The Intermedial Transposition of Graphic Novels to Films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010. |
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Finn, Richard. "Being “good” in Sin City: Morality, the individual and public authority." Crimeculture Summer 2010. Accessed 12Jan. 2013. <http://www.crimeculture.com/?page_id=1679>. |
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Friedrich, Hans-Edwin. "Frank Miller’s Sin City: Transformationsprozesse zwischen Graphic Novel und Film." Übersetzung und Film. Das Kino als Translationsmedium. Eds. Ulrich Meurer and Maria Oikonomou. Bielefeld: Transcript, 2012. 87–106. |
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Hogan, Patrick Colm. "Painterly Cinema: Three Minutes of Sin City." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 63–80. |
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Kogler, Monika. Schwarzweiß in Kombination mit Farbelementen als Gestaltungsmittel im Film: Eine historische Analyse aufgrund der Basis von am Beispiel von Frank Millers »Sin City«. Saarbrücken: VDM, 2008. |
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Lindop, Samantha Jane. "Postmillennial Cinema and the Avenging Fatale in Sin City, Hard Candy and Descent." Scope 26 2013. Accessed 27Mar. 2016. <http://www.nottingham.a ... 14/february/lindop1.pdf>. |
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Ludwig, Logan. Moving Panels: Translating Comics to Film. Edwardsville: Sequart Research & Literacy Organization, 2015. |
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Mehring, Frank. "Hard-Boiled Silhouettes: Transnational Remediation and the Art of Omission in Frank Miller’s Sin City." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 211–24. |
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Pizzino, Christopher. "Art That Goes BOOM: Genre and Aesthetics in Frank Miller’s Sin City." English Language Notes 46. (2008): 115–28. |
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Priskic, Janine. "Das Kulturphänomen Held und seine intermediale Transformation." Bachelorarbeit BA. Universität Bonn, 2012. |
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Rauscher, Andreas. "Von Gotham nach Sin City: (Anti-)Heldenkonzepte in Graphic Novel-Verfilmungen." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 35–51. |
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Reynolds, William M. "Neo-Post-Urban-Noir Graphic Novels and Critical Literacy: The Hard Connection." Teaching towards Democracy with Postmodern and Popular Culture Texts. Eds. Patricia Paugh, Tricia Kress and Robert Lake. Imagination and Praxis: Criticality and Creativity in Education and Educational Research. Rotterdam: Sense, 2014. 21–35. |
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Roberson, Chris, ed. Frank Miller’s Sin City: The Making of the Movie. Austin: Troublemaker, 2005. |
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Sağlam, Berkem Gürenci. "Comic Books on Screen: Frank Miller’s and Robert Rodriguez’s Sin City." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 63–72. |
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Scheinert, Sebastian. "Frank Miller's »Sin City«: Filmsprache und Ästhetik." Magisterarbeit M.A. TU Dresden, 2006. |
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Sina, Véronique. "Sin City: Von Comic und Film zum Comicfilm." Daumenkino 2014. Accessed 6Oct. 2014. <http://dkritik.de/schwe ... und-film-zum-comicfilm/>. |
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Sina, Véronique. Comic – Film – Gender: Zur (Re-)Medialisierung von Geschlecht im Comicfilm. Edition Medienwissenschaft. Bielefeld: Transcript, 2016. |
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Sina, Véronique. "Von der Graphic Novel zum Film – Postmoderne und die Repräsentation von Gender in Frank Millers Sin City." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 67–91. |
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Vonier, Véronique. "Von der Graphic Novel zum Film: Die Repräsentation von Gender in Frank Millers Sin City." Magisterarbeit M.A. Ruhr-Universität Bochum, 2007. |
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Vonier, Véronique. "Von der Graphic Novel zum Film – Postmoderne und die Repräsentation von Gender in Frank Millers Sin City." kultur & geschlecht 2 2007. Accessed 14Aug. 2010. <http://www.ruhr-uni-boc ... schlecht/pdf/Vonier.pdf>. |
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Wandtke, Terrence R. The Dark Night Returns: The Contemporary Resurgence of Crime Comics. Comics Studies Monograph. Rochester: RIT, 2015. |
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Wandtke, Terrence R. "Frank Miller’s Sin City." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 138–52. |
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Würbel, Sebastian. "Sin City. Comic – Film – Comicverfilmung. Ein intermedialer Vergleich." Magisterarbeit M.A. Universität Bochum, 2008. |
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Zecca, Federico. Cinema e intermedialità: Modelli di traduzione. Cinethesis. Udine: Forum, 2013. |
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