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Ndalianis, Angela. Neo-Baroque Aesthetics and Contemporary Entertainment. Cambridge, London: MIT Press, 2004. Added by: joachim (28/06/2013, 10:03) |
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| Resource type: Book Language: en: English ID no. (ISBN etc.): 9780262140843 BibTeX citation key: Ndalianis2004 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Spider-Man", Intermediality, Seriality, Superhero, USA Creators: Ndalianis Publisher: MIT Press (Cambridge, London) |
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Table of Contents  [1/5]
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| Abstract |
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The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment, she situates today’s film, computer games, comic books, and theme-park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media. The neo-baroque aesthetics that Ndalianis analyzes are not, she argues, a case of art history repeating or imitating itself; these forms have emerged as a result of recent technological and economic transformations. The neo-baroque forms combine sight and sound and text in ways that parallel such seventeenth-century baroque forms as magic lanterns, automata, painting, sculpture, and theater but use new technology to express the concerns of the late twentieth and early twenty-first century. Moving smoothly from century to century, comparing ceiling paintings to the computer game Doom, a Spiderman theme park adventure to the baroque version of multimedia known as the Bel Composto, and a Medici wedding to Terminator 2:3D, the book demonstrates the logic of media histories. Ndalianis focuses on the complex interrelationships among entertainment media and presents a rigorous cross-genre, cross-historical analysis of media aesthetics. |