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Lo, Kwai-Cheung. Chinese Face/Off: The transnational popular culture of hong kong. Popular Culture and Politics in Asia Pacific. Urbana, Chicago: Univ. of Illinois Press, 2005. 
Added by: joachim (5/15/10, 2:13 PM)   Last edited by: joachim (5/15/10, 2:15 PM)
Resource type: Book
Language: en: English
ID no. (ISBN etc.): 025202978X
BibTeX citation key: Lo2005a
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Categories: General
Keywords: Body, China, Hong Kong, Nationalism, Popular culture, Sports
Creators: Lo
Publisher: Univ. of Illinois Press (Urbana, Chicago)
Views: 14/812
Jackie Chan's high-flying stunts, giant pandas, and even the unintentionally hilarious English subtitles that often accompany Hong Kong's films are among the many targets of Kwai-Cheung Lo's in-depth study of Hong Kong popular culture. Drawing on current concepts of globalization, as well as the theories of Jacques Lacan and Slavoj Zizek, “Chinese Face/Off” explores the way in which fantasy operates in relation to ethnic and national identity. The book offers a critical perspective for approaching the question of cultural otherness by problematizing what it means to be Chinese and explaining how Hong Kong popular culture serves as an imaginary screen for its many compatriots seeking to understand what it means to be ‘Chinese’ in a global age. Examining topics including film, newspaper culture, theme parks, and kung-fu comics as well as the interaction of the Hong Kong film industry with Hollywood, Lo uncovers Hong Kong's importantly ‘transnational’ identity defined in terms of complex relationships with mainland China, other diasporic communities (like Taiwan), and the West.
Added by: joachim  Last edited by: joachim
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