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Whitlock, Gillian: "Autographics. The Seeing “I” of the Comics." In: Modern Fiction Studies 52.4 (2006), S. 965–979. 
Added by: joachim (07/20/2009 01:29:29 AM)   Last edited by: joachim (03/14/2016 03:42:52 AM)
Resource type: Journal Article
Languages: English
Peer reviewed
DOI: 10.1353/mfs.2007.0013
BibTeX citation key: Whitlock2006
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Categories: General
Keywords: "In the Shadow of No Towers", "Persepolis", 9/11, Autobiography, France, Iran, Satrapi. Marjane, Spiegelman. Art, USA
Creators: Whitlock
Collection: Modern Fiction Studies
Views: 14/406
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Abstract
Recently Marianne Hirsch has argued it is necessary to think anew about words and images and their expressivity in the specific cultural and historical context of the ‘war on terror’. Here Marjane Satrapi’s Persepolis and Art Spiegelman’s In the Shadow of No Towers are read in terms of ‘autographics’: the distinctive technology and aesthetics of life narrative that emerges in the comics. Unique mediations of cultural difference occur in the grammar of comics, which make demands on the reader to navigate across gutters and frames, and shuttle between words and images, in an active process of imaginative engagement with others.
  
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