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Rauchenbacher, Marina. "Comics – posthuman, queer-end, um_un-ordnend." Genealogy+Critique 8. 1 2022. Accessed 27Sept. 2025. <https://www.genealogy-c ... ue.net/article/id/9167/>. Added by: joachim (27/09/2025, 08:29) |
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| Resource type: Web Article Language: de: Deutsch Peer reviewed DOI: 10.16995/gc.9167 BibTeX citation key: Rauchenbacher2022 Email resource to friend View all bibliographic details  |
Categories: General Keywords: Barad. Karen, Body Creators: Rauchenbacher Collection: Genealogy+Critique |
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| Attachments | URLs https://www.geneal ... t/article/id/9167/ |
| Abstract |
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Drawing on comic-theoretical discussions of the comics medium's structural queerness—to be determined, above all, in its specific materiality, the media-constitutive figure of repetition, the interlinear reading and, thus, the particular possibilities of a re-reading of (human) bodies—this article demonstrates a posthuman-queer reading of comics. To this end, the comic-theoretical bases are given a new perspective through Karen Barad's elaborations on Nature's Queer Performativity. Subsequently, productively re_dis-arranging readings of bodies in comics are traced. As examples serve Ken Dahl's Monsters, Martin tom Dieck and Jens Balzer's Salut, Deleuze!, Regina Hofer's Blad, and Anke Feuchtenberger's Das Haus.
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