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Serles, Katharina. "Körper, Kunst und Kanon: (Queer-)feministische Bildermächtigungen in Comics." Comics Studies x Gender Studies. Schnittmengen von Forschung, Lehre und Praxis – Intersections of Research, Teaching, and Practice. Eds. Marina Rauchenbacher, Katharina Serles and Naomi Lobnig. Comicstudien. Berlin u. Boston: de Gruyter, 2025. 123–39. 
Added by: joachim (28/08/2025, 10:49)   
Resource type: Book Chapter
Language: de: Deutsch
DOI: 10.1515/9783110775754-017
BibTeX citation key: Serles2025
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Categories: General
Keywords: Art, Canon
Creators: Lobnig, Rauchenbacher, Serles
Publisher: de Gruyter (Berlin u. Boston)
Collection: Comics Studies x Gender Studies. Schnittmengen von Forschung, Lehre und Praxis – Intersections of Research, Teaching, and Practice
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Abstract
„Body, Art, and Canon: (Queer) Feminist Appropriation of Art in Comics“ sheds light on the multi-layered relationship between comics and visual art, examining which images and artists are (re-)produced in comics and which canons are (re-)constructed as a result. Comics, as a medium of the anti-hegemonic, fragmentary, and subversive, offer a suitable platform to critique and subvert elitist, normative, and colonial discourses and canons. However, they also often perpetuate a white, Western-centric, and male art canon of the global North as they face the challenge of achieving productive readability.
  
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