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Gutierrez, Anna Katrina: "Weaving New Dreams From Old Cloth. Conceptual Blending and Hybrid Identities in Neil Gaiman's Fairy-Tale Retellings." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 217–234. 
Added by: joachim (07/05/2020 06:04:04 PM)   Last edited by: joachim (07/07/2020 09:14:55 AM)
Resource type: Book Article
Languages: English
DOI: 10.14325/mississippi/9781496821645.003.0013
BibTeX citation key: Gutierrez2019
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Categories: General
Keywords: "The Sandman", Cognition, Gaiman. Neil, Metaisierung, Metaphor, Narratology, United Kingdom, USA
Creators: Eveleth, Gutierrez, Sommers
Publisher: Univ. Press of Mississippi (Jackson)
Collection: The Artistry of Neil Gaiman. Finding Light in the Shadows
Views: 11/121
Attachments   URLs   https://www.jstor. ... ble/j.ctvgs08kk.17
Abstract
This chapter discusses the significance of Gaiman's creative disruptions of scripts and schemas in two of his visual retellings for young adults: The Sleeper and the Spindle (2014) and the graphic novel The Sandman: The Dream Hunters (1999). By weaving the old, well-worn cloth of fairy tale narrative scripts together with new schematics, Gaiman and his collaborators present sometimes radical ideologies clothed in the comfortable garb of rehearsed, longstanding traditions. As much as this action masks the changing cultural attitudes represented by the "new cloth," Gaiman's weavings also reveal to careful readers how narratives become ubiquitous and achieve metanarrativity. To understand how our minds interpret scripts, schemas, and metanarratives, this chapter will bring to bear conceptual blending and schema theories on my examination of the verbal and visual interplay of source texts and Gaiman retellings.
  
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