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Rommens, Aarnoud et al. (Hgg.): Abstraction and comics / Bande dessinée et abstraction. 2 Bde. (ACME, 4.) Liège: Presses Univ. de Liège, 2019. (888 S.) 
Added by: joachim (04/22/2020 03:56:32 PM)   Last edited by: joachim (05/08/2021 02:23:18 PM)
Resource type: Book
Languages: English, French
ID no. (ISBN etc.): 9782390080398
BibTeX citation key: Rommens2019a
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Categories: General
Keywords: Abstraction, Collection of essays, Illustrated text
Creators: Crucifix, Dejasse, Dozo, Rommens, Turnes
Publisher: Presses Univ. de Liège (Liège)
Views: 9/228
Attachments   URLs   http://www.acme.ulg.ac.be/?p=923
Abstract
[Abstract in French below]

This is not a book about abstract comics. Instead, it combines original, new comics and multiple texts to explore what abstraction can offer to comics, and what comics can do for abstraction. By doing so, Comics and Abstraction occasions a critical engagement with issues such as ‘high’ versus ‘low’ art; art history and comics studies; literature, poetry, drawing and writing; highbrow, lowbrow, nobrow, and so on. Comics and Abstractiongenerates a space of contradiction where the essays and images stand in a relation of tension. Some of the included texts are more historically-oriented, some take a decidedly semiotic approach, while others are more concerned with formal features. This multiplicity is echoed by the markedly different aesthetics of the comics, which do not necessarily ‘illustrate’ the theoretical frames of the essays. It is ultimately up to the reader to create the meaningful paths that connect abstraction and comics.

Ceci n’est pas un livre sur la bande dessinée abstraite. Il s’agit plutôt de combiner images et textes multiples qui explorent ce que l’abstraction peut offrir à la bande dessinée, et ce que la bande dessinée peut faire pour l’abstraction. Bande dessinée et abstraction propose une confrontation critique des questions de statut culturel, entre histoire de l’art et recherche en bande dessinée ; littérature, poésie, dessin et écriture ; highbrow, lowbrow ou nobrow. Bande dessinée et abstraction génère un espace de contradiction où texte et image sont mis en tension. Certains textes proposent des approches historiques, d’autres plutôt sémiotiques, d’autres encore explorent des caractéristiques formelles. Cette multiplicité trouve écho dans les contrastes esthétiques entre les différentes bandes dessinées, qui n’illustrent pas nécessairement les cadres théoriques des essais. Il reviendra au lecteur à tracer des chemins pertinents reliant abstraction et bande dessinée.

Table des matières / Contents

Diniz Conefrey: O arco da noite branca

INTRODUCTION
Aarnoud Rommens: Introduction & Olivier Deprez
Renaud Thomas: (untitled/sans titre)

ARCHEOLOGIES / ARCHÉOLOGIES
Jacques Dürrenmatt: Peut-on parler d’abstraction dans les premières bandes dessinées (Cham, Nadar, Doré) ?
Katherine Roeder: Cliff Sterrett’s Jazz Age Abstractions
Jean-Charles Andrieu de Levis: Des chemins vers l’abstraction : la bande dessinée abstraite selon Ibn Al Rabin et Andrei Molotiu

PRACTICES / PRATIQUES
Kym Tabulo: What Would Paul Klee Say?,Abstract Sequential Art: An Artist’s Insight & The Drift of Impure Thoughts
Jessie Bi: A propos de deux possibilités de bandes dessinées abstraites
Martha B. Kuhlman: Experiments in Comics: Kafka’s Aphorisms
Bianca Stone: Notes on Time and Poetry Comics & Because You Love You Come Apart

NARRATION / NARRATION
Jan Baetens: C’est fini. Ça commence. Notes sur WREK d’Olivier Deprez, Miles O’Shea et Marine Penhouët
WREK (Olivier Deprez, Miles O’Shea, Marine Penhouët): The Naughty Girl & the Naughty Boy
Kai Mikkonen: Abstracted Narration and Narrative Abstraction: Forms of Interplay between Narration and Abstraction in Comics
Barbara Postema: Adding up to What? Degrees of Narrative and Abstraction in Wordless Comics
Berliac: Tangram
Pascal Lefèvre: Abstract Panels or Sequences in Narrative Comics
Hugo Frey: The Possibility of a Ligne Claire Abstraction: from Jochen Gerner and Siemon Allen to Floc’h, Pierre Le Tan and Patrick Caulfield

SIGNIFICATIONS / SIGNIFICATIONS
Jakob Dittmar: Abstraction and Non-Sequitur
Tomás Arguello: tic tac comic
Fred Andersson: Abstraction and Comics from a Semiotic Point of View
Gene Kannenberg: Comics Machine
Jean-Louis Tilleuil: L’Image de bande dessinée, entre figuration et abstraction. Le paradoxe qui fascine

EPISTEMOLOGIES / ÉPISTÉMOLOGIES
Lukas Wilde: The Epistemology of the Drawn Line: Abstract Dimensions of Narrative Comics
Tim Gaze: Sequence & A Note on the Images
Paul Fisher Davies: Abstraction and the Interpersonal in Graphic Narrative
Simon Grennan: Achieving Recognition: Affect and Imagining in the Work of Andrei Molotiu and Carlos Nine
Un Fauldo: The Golden Age of Comics According to Masotta

OPACITIES / OPACITÉS
Jochen Gerner: Flash Gordon
Erwin Dejasse: Les Bandes dessinée opaques de Pascal Leyder. À propos de Comix Covers
Pascal Leyder: Comix Covers
Cátia Serrão: (untitled/sans titre)
Pedro Moura: Comics, Scissors, Paper
Pascal Matthey: 4365
Francie Shaw: (untitled/sans titre)
Richard Kraft: Here Comes Kitty: A Comic Opera; Support the Revolution

BRUT / BRUT
Mariano Grassi: Integral Mechanics
Frank Vega: Ojo Mutante
Lautaro Fiszman: La del mundo

VARIATIONS / VARIATIONS
Chris Reyns-Chikuma: Abstract gram pic et pic et pictogramme: Oubapo, abstraction et Nouvelle Pornographie
Benoît Crucifix and Gert Meesters: Mere Details? Abstraction in the Comics of Ephameron and Olivier Schrauwen
Laura Caraballo: L’Abstrait et le figural dans la bande dessinée d’Alberto Breccia
Roberto Bartual: In-Between the Abstract and the Psychedelic
Amadeo Gandolfo: Kirby Krackle: A Graphic Lexicon for Cosmic Superheroes

PARALLELS / PARALLÈLES
Denis Mellier: Figures et détails : notes et détours comparés sur l’abstraction en bande dessinée
Ilan Manouach: Les Deux côtés d’un mur
Lukas Etter: La Valse des théorèmes. Essai
Christian Montenegro: Todo es filoso
Erin La Cour: Social Abstraction: Toward Exhibiting Comics as Comics
Ezequiel García: Emotional Intelligence Service


  
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