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Vera, Denise Angela De and Marie Rose Arong. "Cracking the Filipino sequence: Two factors that shaped contemporary philippine komiks." Journal of Graphic Novels and Comics 10.(2019): 106–21. Added by: joachim (8/5/18, 3:19 PM) Last edited by: joachim (7/18/20, 6:19 PM) |
| Resource type: Journal Article Language: en: English Peer reviewed DOI: 10.1080/21504857.2017.1419981 BibTeX citation key: Vera2019 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Colors", "Lost", "Uy Si Crush", Alanguilan. Gerry, Cham. Rob, Color, Format, Philippines, Taylo. Gaby, Webcomics Creators: Arong, Vera Publisher: Collection: Journal of Graphic Novels and Comics |
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| Abstract |
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Graphic narratives are a flexible medium of storytelling that come in numerous forms. Creators continue to innovate various ways to process text and images. In order to understand the current state of Philippine comics, or komiks, this article begins with a discussion of the origins of the craft in the Philippines. While there are a great number of tools comic artists deploy in their narratives, there are two characteristics that are most pertinent to defining the state of Philippine komiks today. This article explores two factors that shaped contemporary Philippine komiks, namely, colour and publishing methods. In analysing colour in comics, this article examines how both Rob Cham’s Colours [sic] and Gerry Alanguilan’s Wasted turn to polychromatic and monochromatic graphic storytelling, respectively, to influence the readers’ comprehension of the story’s meaning. In analysing publishing methods, this article investigates how Rob Cham’s Lost, and Gaby Taylo and Richard Mercado’s Uy Si Crush experiment with the conventions of their chosen publishing method, traditional print medium for Cham’s work and the web for Taylo and Mercado’s work.
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