|
BOBC |
 |
 |
 |
|
Smith, Philip: "Drawing Vladek, staging Shylock. Art Spiegelman’s Maus in American Holocaust discourse." In: Journal of Graphic Novels and Comics 10.2 (2019), S. 197–209. Added by: joachim (2018-08-02 20:09) Last edited by: joachim (2020-07-18 18:27) |
| Resource type: Journal Article Languages: English Peer reviewed DOI: 10.1080/21504857.2018.1446452 BibTeX citation key: Smith2019a Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Maus", Holocaust, Intertextuality, Judaism, Literature, Shakespeare. William, Spiegelman. Art, Theatre, USA Creators: Smith Collection: Journal of Graphic Novels and Comics |
Views: 17/460
|
| Attachments |
| Abstract |
|
This essay explores the parallels between the character of Vladek in Art Spiegelman’s Maus and certain stage incarnations of Shylock from Shakespeare’s The Merchant of Venice. Spiegelman’s Maus, I contend, invokes Shakespeare’s famous Jewish moneylender to challenge dominant American Holocaust memory. Invoking the theatrical tradition of representing Shylock as a credibly complex character, Maus specifically generates a counter-discourse to the paradigmatic representation of the Holocaust survivor as the flat character of hero-saint.
|
PHP execution time: 0.04543 s
SQL execution time: 0.13135 s
TPL rendering time: 0.00180 s
Total elapsed time: 0.17858 s
Peak memory usage: 1.2997 MB
Memory at close: 1.2487 MB
Database queries: 70