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Cates, Isaac: "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 144–162. 
Added by: joachim (07/28/2014 11:54:39 AM)   Last edited by: joachim (07/28/2014 11:57:19 AM)
Resource type: Book Article
Languages: English
DOI: 10.14325/mississippi/9781617039058.003.0007
BibTeX citation key: Cates2013
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Categories: General
Keywords: "Mr. Punch", "Violent Cases", Authenticity, Collage, Fantastic, Gaiman. Neil, McKean. Dave, Memoria, Style, Todorov. Tzvetan, United Kingdom
Creators: Cates, Tolmie
Publisher: Univ. Press of Mississippi (Jackson)
Collection: Drawing from Life. Memory and Subjectivity in Comic Art
Views: 7/300
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Abstract
This chapter examines cultural authenticity by focusing on the faux memoir and interpretive uncertainty in the collaborations of Neil Gaiman and Dave McKean, including Violent Cases and Mr. Punch. It argues that the deliberate obscurity of the two books is less common in Gaiman and McKean’s other comics collaborations such as Black Orchid and Signal to Noise. It also considers the books’ use of an approach to meaning and memory that is reminiscent of what Tzvetan Todorov calls the fantastic. In addition, the chapter describes the persistence of blurring, collage, and distortion in Violent Cases and Mr. Punch.
  
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