| Aarons, Victoria. Holocaust Graphic Narratives: Generation, Trauma, and Memory. New Brunswick: Rutgers Univ. Press, 2020. |
 
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| Ahrens, Jörn. "Zur Erfindung des Comics in Deutschland: Frühe Perspektiven der Comicforschung." Closure 7 2020. Accessed 3Dec. 2020. <https://www.closure.uni-kiel.de/closure7/ahrens>. |
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| Alaniz, José. "“Death Drive” to Los Alamos: Puma Blues as Eco-Male-ancholia." American Imago 77. (2020): 533–77. |
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| Alaniz, José. "Death and Mourning in Graphic Narrative." The Routledge Companion to Death and Literature. Eds. W. Michelle Wang, Daniel K. Jernigan and Neil Murphy. London, New York: Routledge, 2020. 117–22. |
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| Alaoui, Fatima Zahrae Chrifi and Shadee Abdi. "Wakanda for everyone: An invitation to an African Muslim perspective of Black Panther." Review of Communication 20. (2020): 229–35. |
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| Alary, Viviane and Michel Matly, eds. Narrativa gráfica de la Guerra Civil: Perspectivas globales y particulares. Grafikalismos. Léon: EOLAS, 2020. |
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| Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." Journal of Graphic Novels and Comics 11. (2020): 96–116. |
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| Albiero, Olivia. "Interview with Simon Schwartz." Journal of Graphic Novels and Comics 11. (2020): 134–41. |
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| Albrecht, Lukas Mathias. "Schmelztiegel der Welten: Realität und Fiktion im intermedialen Werk von François Schuiten und Benoît Peeters." Closure 7 2020. Accessed 31Jan. 2021. <https://www.closure.uni-kiel.de/closure7/albrecht>. |
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| Aldama, Frederick Luis, ed. Graphic Indigeneity: Comics in the Americas and Australasia. Jackson: Univ. Press of Mississippi, 2020. |
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| Aldama, Frederick Luis, ed. The Oxford Handbook of Comic Book Studies. New York: Oxford Univ. Press, 2020. |
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| Aletta, Alessio. "From the dark wood to the asphalt jungle: Adaptation and appropriation in Detective Dante." Between 10. 20 2020. Accessed 2Jan. 2021. <https://ojs.unica.it/in ... tween/article/view/4220>. |
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| Aman, Robert. The Phantom Comics and the New Left: A Socialist Superhero. Palgrave Studies in Comics and Graphic Novels. Cham: Palgrave Pivot, 2020. |
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| Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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| Antola, Laura. "‘It is nice that you want to improve this comic book together with us’: The letters page’s significance in the transnational adaptation of Marvel comics in Finland." Participations 17. 1 2020. Accessed 6Feb. 2023. <https://www.participations.org/17-01-04-antola.pdf>. |
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| Aquatias, Sylvain. "Collection et patrimoine: La réédition dans la bande dessinée comme processus de légitimation." Image [&] Narrative 21. 1 2020. Accessed 28Nov. 2021. <http://www.imageandnarr ... ative/article/view/2431>. |
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| Asante, Godfried A. and Gloria Nziba Pindi. "(Re)imagining African futures: Wakanda and the politics of transnational Blackness." Review of Communication 20. (2020): 220–28. |
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| Ashkenazi, Ofer and Jakob Dittmar. "Belonging in Auto|Biographical Comics: Narratives of Exile in the German Heimat." a/b: Auto/Biography Studies 35. (2020): 331–57. |
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| Bachmann, Christian A. "Bilderbuch und Comic im Dialog: Paul Kirchners und Guy Billouts Geschichten über Busse – ein Fallbeispiel." Die Welt im Bild erfassen. Multidisziplinäre Perspektiven auf das Bilderbuch. Eds. Tobias Kurwinkel, Corinna Norrick-Rühl and Philipp Schmerheim. Kinder- und Jugendliteratur intermedial. Würzburg: Königshausen & Neumann, 2020. |
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| Backe, Hans-Joachim. "Beyond Dominance, Mixture, and Hybridity: On the Challenges of Hypercomplex Objects." Between 10. 20 2020. Accessed 2Jan. 2021. <https://ojs.unica.it/in ... tween/article/view/4204>. |
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| Baetens, Jan. Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters. Critical Graphics. New Brunswick: Rutgers Univ. Press, 2020. |
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| Baldanzi, Jessica and Hussein Rashid, eds. Ms. Marvel’s America: No Normal. Jackson: Univ. Press of Mississippi, 2020. |
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| Ballestro, John, ed. The Library’s Guide to Graphic Novels. An ALCTS Monograph. Chicago: American Library Association, 2020. |
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| Banco, Lindsey Michael. "Graphic Bombs: Scientific Knowledge and the Manhattan Project in Comic Books." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. 577–95. |
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| Barbour, Loren. "‘Nemeses! Dragons! Symbolism!’: Queering the fantasy hero narrative in Nimona." Journal of Graphic Novels and Comics (2020): 1–13. |
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| Barrett, Kyle. "The Dark Knight’s Many Stories: Arkham Video Games as Transmedia Pathway." Iperstoria 16 2020. Accessed 23Feb. 2024. <https://iperstoria.it/article/view/917>. |
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| Beard, David and John Moffatt. "Pimitamon: Conceptualizing a New Canadian North through the Graphic Narratives of Jeff Lemire." Nordlit 46 2020. Accessed 18Dec. 2020. <https://septentrio.uit. ... rdlit/article/view/5540>. |
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| Beers Fägersten, Kristy. Language Play in Contemporary Swedish Comic Strips. Language Play and Creativity. Berlin, Boston: De Gruyter Mouton, 2020. |
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| Berkowitz, Drew Emanuel. Framing School Violence and Bullying in Young Adult Manga: Fictional Perspectives on a Pedagogical Problem. New York [etc.]: Palgrave Macmillan, 2020. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing Race, Trauma, Vermin, and Spider-Man." American Imago 77. (2020): 569–601. |
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| Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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| Birk, Tammy. "Mother, Come Home: Trauma, Time, and Groundskeeping the Disaster." American Imago 77. (2020): 497–531. |
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| Blank, Juliane. "Aktualisierung der Superheld*innen-Identität: Marvel’s Jessica Jones aus der Perspektive der Adaptionsforschung." Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Eds. Marco Agnetta and Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020. 129–45. |
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| Blank, Juliane. "The Appeal of the Real: Representations of ›Authentic‹ Dreams in Comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Bock, Dennis. "»Gezeichnete Fluchtromantik? Auf keinen Fall« – Die Geschichte des Fluchtversuchs ›Tunnel 57‹ im Comic zwischen bildungspolitischer Wissensvermittlung und Abenteuererzählung." Trauma-Erfahrungen und Störungen des ›Selbst‹. Mediale und literarische Konfigurationen lebensweltlicher Krisen. Ed. Carsten Gansel. Untersuchungen zur deutschen Literaturgeschichte. Berlin u. Boston: de Gruyter, 2020. 421–48. |
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| Boeckner, McKenna James, Monica Flegel, and Judith Leggatt. "“Not My Captain America” Racebending, Reverse Discrimination, and White Panic in the Marvel Comics Fandom." Fandom, Now in Color. A Collection of Voices. Ed. Rukmini Pande. Fandom and Culture. Iowa City: Univ. of Iowa Press, 2020. 181–95. |
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| Börnchen, Stefan. "DING, BINGG, Dings: Kaffee, Soundwords und Bewegungsspuren in Max Baitingers Comic Röhner (2016)." Lauschen und Überhören. Literarische und mediale Aspekte auditiver Offenheit. Eds. Stefan Börnchen and Claudia Liebrand. München: Fink, 2020. 123–58. |
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| Bremgartner, Mathias. Comics im Theater: Schauplätze – Spielarten – Fallstudien. Bildnarrative. Berlin: Ch.A. Bachmann, 2020. |
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| Brinker, Felix. "Reader mobilization and the courting of fannish consumption practices in 1970s Marvel superhero comic books." Participations 17. 2 2020. Accessed 4Dec. 2020. <https://www.participati ... e%2017/Issue%202/13.pdf>. |
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| de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. New York: Bloomsbury Academic, 2020. |
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| Brunetti, Ivan. "Comics as Poetry." The Paris Review 2020. Accessed 14Apr. 2021. <https://www.theparisrev ... 7m_CXiuOyyKEx1SBjr_VTEo>. |
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| Burke, Liam, Ian Gordon, and Angela Ndalianis, eds. The Superhero Symbol: Media, Culture, and Politics. New Brunswick: Rutgers Univ. Press, 2020. |
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| Burt, Stephanie. "How to Write About Superheroes." American Literary History 32. (2020): 598–608. |
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| Camden, Vera J. "The Thought Bubble and Its Vicissitudes in Contemporary Comics." American Imago 77. (2020): 603–38. |
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| Candel, Daniel. "Covert Progression in Comics: A Reading of Frank Miller’s 300." Poetics Today 41. (2020): 705–29. |
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| Added by: joachim 1/31/22, 10:41 AM |
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| Castaldi, Simone. "‘The Inexhaustible Surface of Things’: Stefano Tamburini’s Comic Book Work." European Comic Art 13. (2020): 70–94. |
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| Cesar, Miguel. Transgressing Death in Japanese Popular Culture. Cham: Palgrave Pivot, 2020. |
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| Chavanne, Renaud. "The Bunker and the Desert: On the Motif of the Cube-panel in Inside Moebius." European Comic Art 13. (2020): 6–36. |
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| Added by: joachim 10/27/20, 8:52 PM |
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| Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82. |
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| Clark, Terry R. "The Biblical Theme of Covenant and American Popular Culture from Colonial Times to Comic Books." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 162–82. |
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| Clevenger, Shelly and Brittany L. Acquaviva. "Hulk Smash! Violence in The Incredible Hulk Comics." Journal of Criminal Justice and Popular Culture 20. 1 2020. Accessed 16Jul. 2022. <https://static1.squares ... k+Smash+Final+Proof.pdf>. |
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| Clewell, Tammy. "Beyond Graphic Memoir: Visualizing Third-Generation German Cultural Identity in Nora Krug’s Belonging." American Imago 77. (2020): 459–96. |
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| Added by: joachim 10/11/20, 5:37 PM |
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| Cole, Jean Lee. How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920. Jackson: Univ. Press of Mississippi, 2020. |
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| Connell, Daniel J. "The Simulacrum of Hypermasculinity in Comic Book Cinema." Toxic Masculinity. Mapping the Monstrous in Our Heroes. Eds. Esther De Dauw and Daniel J. Connell. Jackson: Univ. Press of Mississippi, 2020. 19–33. |
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| Coody, Elizabeth Rae. "Nonbiblical Comics Engage the Bible." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 362–80. |
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| Curto, Gemma. "Floods in contemporary biocentric graphic novels." Green Letters 24. (2020): 6–22. |
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| D’Arcy, Geraint. Mise en scène, Acting, and Space in Comics. Palgrave Studies in Comics and Graphic Novels. Cham: Palgrave Pivot, 2020. |
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| Dakin, Brett. American Daredevil: Comics, Communism and the Battles of Lev Gleason. Toronto: Chapterhouse, 2020. |
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| Dallacqua, Ashley K. "Reading Comics Collaboratively and Challenging Literacy Norms." Literacy Research and Instruction 59. (2020): 169–90. |
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| Dallavalle, Sara. "Alcuni dati sull'andamento dell'editoria fumettistica in Italia tra graphic novel e fumetto seriale." Simultanea 1. 2 2020. Accessed 30Oct. 2020. <http://italianpopcultur ... ovel-e-fumetto-seriale/>. |
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| Added by: joachim 10/30/20, 3:47 PM |
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| Darowski, Joseph J., ed. The Ages of the Black Panther: Essays on the King of Wakanda in Comic Books. Jefferson: McFarland, 2020. |
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| Added by: joachim 8/19/20, 11:26 AM |
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| Davies, Dominic. "Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border." a/b: Auto/Biography Studies 35. (2020): 383–403. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Added by: joachim Last edited by: joachim 6/10/20, 4:18 PM |
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| De Dauw, Esther and Daniel J. Connell, eds. Toxic Masculinity: Mapping the Monstrous in Our Heroes. Jackson: Univ. Press of Mississippi, 2020. |
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| Added by: joachim 10/6/20, 3:07 PM |
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| De Dobbeleer, Michel. "(Ultra)Minor Comics? Opening Up the History of (Post-)Yugoslav and Bulgarian Comics to Outsiders." Territories 2. 1 2020. Accessed 15Jun. 2020. <https://escholarship.org/uc/item/9b70t0pf>. |
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| Added by: joachim 6/15/20, 12:38 PM |
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| Demsky, Jeffrey. "We Are a Long Ways past Maus: Responsible and Irresponsible Holocaust Representations in Graphic Comics and Sitcom Cartoons." The Palgrave Handbook of Holocaust Literature and Culture. Eds. Victoria Aarons and Phyllis Lassner. New York [etc.]: Palgrave Macmillan, 2020. 529–51. |
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| Díaz-Basteris, María Fernanda. "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." a/b: Auto/Biography Studies 35. (2020): 467–74. |
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| Dobrin, Sidney I. EcoComix: Essays on the Environment in Comics and Graphic Novels. Jefferson: McFarland, 2020. |
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| Dolle-Weinkauff, Bernd. "Max und Moritz quer durch die Medien: Und insbesondere im Comic Strip." Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900–1945. Eds. Petra Josting, et al. Studien zu Kinder- und Jugendliteratur und -Medien. Berlin: Springer, 2020. 345–75. |
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| Dyer, Harry T. Designing the Social: Unpacking Social Media Design and Identity. Cultural Studies and Transdisciplinarity in Education. Singapor: Springer Singapore, 2020. |
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| Eckhoff-Heindl, Nina. "Von Schulbüchern, Gestaltungsweisen und Kunstlehrenden: Comics als Rezeptionsherausforderung." Comics in der Schule. Theorie und Unterrichtspraxis. Eds. Markus Engelns, Ulrike Preußer and Felix Giesa. Berlin: Ch.A. Bachmann, 2020. 85–104. |
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| Eckhoff-Heindl, Nina. "Building stories: The interplay of comics and games in Chris Ware’s works." Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Eds. Andreas Rauscher, Daniel Stein and Jan-Noël Thon. London, New York: Routledge, 2020. 84–95. |
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| Eckhoff-Heindl, Nina and Véronique Sina, eds. Spaces Between: Gender, Diversity, and Identity in Comics. Wiesbaden: Springer VS, 2020. |
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| Edwards, Jedidiah. "Satan or Savior? Analyzing the Conflicting Religious Imagery of Mike Mignola’s Hellboy." Thesis. Guilford College, 2020. |
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| Eedy, Sean. "Co-Opting Childhood and Obscuring Ideology in Mosaik von Hannes Hegen, 1959–1974." Comics of the New Europe. Reflections and Intersections. Eds. Martha Kuhlman and José Alaniz. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2020. 143–57. |
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| Egger, Bettina. Comic und Erinnerung: Oral History im Werk von Emmanuel Guibert. Bildnarrative. Berlin: Ch.A. Bachmann, 2020. |
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| Elder, Robert K. Hemingway in Comics. Kent: Kent State Univ. Press, 2020. |
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| Elliott, Scott S. "The Book of Jonah in Graphic Novel Adaptations of the Bible." The Oxford Handbook on the Bible and Popular Culture. Eds. Dan W. Clanton Jr. and Terry R. Clark. New York: Oxford Univ. Press, 2020. 381–98. |
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| Engelns, Markus, Ulrike Preußer, and Felix Giesa, eds. Comics in der Schule: Theorie und Unterrichtspraxis. Berlin: Ch.A. Bachmann, 2020. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Falgas, Julien. "Not All Fans Leave a Trace: The Case of a Digital Comic Serial Inspired by Television Series." French Perspectives on Media, Participation and Audiences. Ed. Céline Ségur. New York [etc.]: Palgrave Macmillan, 2020. 149–64. |
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| Fawcett, Christina and Steven Kohm. "Carceral violence at the intersection of madness and crime in Batman: Arkham Asylum and Batman: Arkham City." Crime, Media, Culture 16. (2020): 265–85. |
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| Filc, Dani. "Tintin and Corto Maltese: The European Adventurer Meets the Colonial Other." European Comic Art 13. (2020): 95–121. |
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| Francis, Fred. "‘What Do I Use to Make Them Afraid?’ The Gothic Animal and the Problem of Legitimacy in American Superhero Comics." Gothic Animals. Uncanny Otherness And The Animal With-Out. Eds. Ruth Heholt and Melissa Edmundson. Palgrave Studies in Animals and Literature. New York [etc.]: Palgrave Macmillan, 2020. 91–106. |
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| Frasisti, Valentina. "(Aesth)ethics Storytelling: A Close Reading of Kobane Calling and Salvezza." Simultanea 1. 1 2020. Accessed 21Aug. 2021. <http://italianpopcultur ... e-calling-and-salvezza/>. |
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| Galeani, Giuseppe. "Archimedes and the Human Folly in Hitoshi Iwaaki’s Eureka." Ancient Violence in the Modern Imagination. The Fear and the Fury. Eds. Irene Berti, Maria G. Castello and Carla Scilabra. IMAGINES – Classical Receptions in the Visual and Performing Arts. New York: Bloomsbury Academic, 2020. |
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| Gatzemeyer, Jace. "“I Think We should Steal Some Money”: The Left Bank Gang and Jason’s Hemingway." Hemingway in Comics. Ed. Robert K. Elder. Kent: Kent State Univ. Press, 2020. 81–91. |
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| Geeraert, Dustin. "‘There’s no going back’ The Dark Knight and Balder’s descent to Hel." From Iceland to the Americas. Vinland and historical imagination. Eds. Tim William Machan and Jón Karl Helgason. Manchester Medieval Literature and Culture. Manchester, New York: Manchester Univ. Press, 2020. 215–35. |
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| Geissman, Grant. The History of EC Comics. Köln: Taschen, 2020. |
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| Ghosal, Torsa. "Forgetting at the Intersection of Comics and the Multimodal Novel: James Sie’s Still Life Las Vegas." The Oxford Handbook of Comic Book Studies. Ed. Frederick Luis Aldama. New York: Oxford Univ. Press, 2020. 473–89. |
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| Giddens, Thomas, ed. Critical Directions in Comics Studies. Jackson: Univ. Press of Mississippi, 2020. |
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