| Abate, Michelle and Joe Sutliff Sanders, eds. Good Grief! Children and Comics. Columbus: Ohio State University Libraries, 2016. |
 
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| Acu, Adrian. "Time to Work for a Living: The Marvel Cinematic Universe and the Organized Superhero." Journal of Popular Film and Television 44. (2016): 195–205. |
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| Ahmed, Maaheen. Openness of Comics: Generating Meaning within Flexible Structures. Jackson: Univ. Press of Mississippi, 2016. |
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| Ahmed, Maaheen and Martin Lund. "“We’re all Avengers now”: Community-building, civil religion and nominal multiculturalism in Marvel Comics’ Fear Itself." European Journal of American Culture 35. (2016): 77–95. |
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| Alaniz, José. "Food in Post-Soviet Russian Comics." International Journal of Comic Art 18. (2016): 216–33. |
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| Alaniz, José. "The Monster’s Analyst and the Binomial Self." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 62–77. |
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| Aldama, Frederick Luis and Christopher González, eds. Encyclopedia of World Comics: Manga, Anime, Tintin, and More from around the Globe. Vol. 1–2. Santa Barbara: Greenwood, 2016. |
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| Aldama, Frederick Luis and Christopher González, eds. Graphic Borders: Latino Comic Books Past, Present, and Future. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2016. |
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| Algoud, Albert. Dictionnaire amoureux de Tintin. Dictionnaire amoureux. Paris: Plon, 2016. |
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| Almagor, Eran. "Reinventing the Barbarian: Classical Ethnographic Perceptions in Astérix." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 113–29. |
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| Altnether, Joseph G. "Reimagination of Hell in Mike Mignola’s Hellboy in Hell." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 23–34. |
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| Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism: Notes on the Comic Series Johan Vilde." Third Text 30. (2016): 60–75. |
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| Arnaudo, Marco. "Il mondo reale riflesso nel Dylan Dog delle origini." Arabeschi 7 2016. Accessed 17Feb. 2025. <http://www.arabeschi.it ... ylan-dog-delle-origini/>. |
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| Arnott, Luke. "Arkham Epic: Batman Video Games as Totalizing Texts." Contemporary Research on Intertextuality in Video Games. Eds. Christophe Duret and Christian-Marie Pons. IGI Global, 2016. 1–21. |
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| de Assis, Érico Gonçalves. "The Concept of Fidelity in Comics Translation." TranscUlturAl 8. 2 2016. Accessed 23Nov. 2016. <https://ejournals.libra ... p/TC/article/view/27867>. |
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| Aust, Robin-M. »Es ist ja auch eine Methode, alles zur Karikatur zu machen«: Nicolas Mahlers Literatur-Comics Alte Meister und Alice in Sussex nach Thomas Bernhard und H.C. Artmann. Germanistische Literaturwissenschaft. Würzburg: Ergon, 2016. |
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| Ayres, Jackson. "The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author." Journal of Modern Literature 39. (2016): 144–66. |
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| Ayres, Jackson. "When Were Superheroes Grim and Gritty?." Los Angeles Review of Books 2016. Accessed 24Feb. 2016. <https://lareviewofbooks ... heroes-grim-and-gritty/>. |
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| Azman, Farah Nadia, Syamsul Bahrin Zaibon, and Norshuhada Shiratuddin. "Comics in Academia: A Visual Insight to its Trends & Innovation." International Journal Of Interactive Digital Media 4. 2 2016. Accessed 3Jun. 2016. <http://ijidm.org/wp-con ... s-Trends-Innovation.pdf>. |
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| Bachmann, Christian A. "Comics, Trash und Un-Trash." Camp (2016): 77–81. |
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| Bachmann, Christian A. Metamedialität und Materialität im Comic: Zeitungscomic – Comicheft – Comicbuch. Bildnarrative. Berlin: Ch.A. Bachmann, 2016. |
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| Bachmann, Michael. "Gesten des Dokumentarischen zwischen Comic und Film." Transmediale Genre-Passagen. Interdisziplinäre Perspektiven. Eds. Ivo Ritzer and Peter W. Schulze. Neue Perspektiven der Medienästhetik. Wiesbaden: Springer VS, 2016. 237–51. |
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| Baetens, Jan and Charlotte Pylyser. "Comics and Time." The Routledge Companion to Comics. Eds. Frank Bramlett, Roy T. Cook and Aaron Meskin. London, New York: Routledge, 2016. 303–10. |
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| Bahl, Erin Kathleen. "“Sung Reading”: An Operatic Approach to P. Craig Russell’s Graphic Novel The Ring of the Nibelung." 期刊介绍 / Signs and Media (2016): 131–58. |
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| Bahlmann, Andrew R. The Mythology of the Superhero. Jefferson: McFarland, 2016. |
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| Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature." Journal of Modern Literature 39. (2016): 126–43. |
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| Ball, Blake Scott. "“Snoopy is the hero in Vietnam”: Ambivalence, empathy, and Peanuts’ Vietnam war." The Sixties 9. (2016): 54–78. |
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| Ban, Toshio. The Osamu Tezuka Story: A Life in Manga and Anime. Berkeley: Stone Bridge Press, 2016. |
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| Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." Journal of Graphic Novels and Comics 7. (2016): 53–69. |
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| Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." Journal of Postcolonial Writing 52. (2016): 399–414. |
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| Barbour, Chad A. From Daniel Boone to Captain America: Playing Indian in American Popular Culture. Jackson: Univ. Press of Mississippi, 2016. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing Medical Ethics through Zombie and Period Fiction Tropes in The New Deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Barnett, Stuart. "Astérix and the Dream of Autochthony." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 131–42. |
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| Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9. (2016): 5–23. |
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| Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39. (2016): 139–61. |
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| Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of Brian Fies and Dylan Horrocks." Journal of Graphic Novels and Comics 7. (2016): 242–53. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe Kubert’s Children of the Warsaw Ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Bates, Brian. "Graphic and Digital Keats: “La Belle Dame sans Merci” in Poetry Comics." Reconstruction 16. 1 2016. Accessed 1Jun. 2016. <http://reconstruction.e ... /Issues/161/Bates.shtml>. |
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| Batinić, Josip. "“Enhanced Webcomics1”: An Exploration of the Hybrid Form of Comics on the Digital Medium." Image [&] Narrative 17. 5 2016. Accessed 1Apr. 2017. <http://www.imageandnarr ... ative/article/view/1384>. |
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| Added by: joachim 4/1/17, 8:59 AM |
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| Bauldic, Michelle. "Allan Beaton’s “Ookpik” Was Here." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 137–47. |
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| Bauwens-Sugimoto, Jessica. "Queering Black Jack: A Look at How the Manga Industry Adapts to Changing Reader Demographics." Orientaliska Studier (2016): 111–40. |
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| Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked Hollywood blockbuster." The Information Society 32. (2016): 318–25. |
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| Beaty, Bart and Benjamin Woo. The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Bee, Guido. "Hoffnungslose Humoristen: Zum Umgang mit Krankheit und Tod in Zeichnungen und Texten von Wilhelm Busch und Robert Gernhardt." Krankheit, Sterben und Tod im Leben und Schreiben europäischer Schriftstelle. Bd. 1: Das 18. und 19. Jahrhundert. Eds. Robert Berbig, Richard Faber and H. Christof Müller-Busch. Würzburg: Königshausen & Neumann, 2016. |
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| Beil, Benjamin and Hanns Christian Schmidt. "The World of The Walking Dead – Transmediality and Transmedial Intermediality." Acta Universitatis Sapientiae, Film and Media Studies 10. (2016): 73–88. |
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| Benke, Lauren. "Gesture, Intimacy, and Violence in Contemporary Artists’ Books." Reconstruction 16. 1 2016. Accessed 1Jun. 2016. <http://reconstruction.e ... /Issues/161/Benke.shtml>. |
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| Berenstein, Ofer. "The Third Temple: Alternative Realities’ Depiction of Israel in Israeli Comics and What it Tells Us about Political Consensus in Israeli Society." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 141–53. |
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| Added by: Okwuchi Mba Last edited by: joachim 3/3/20, 12:13 AM |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies." Orientaliska Studier (2016): 143–69. |
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| Birmingham, Elisabeth. "Anime’s Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon." Cycles, Sequels, Spin-offs, Remakes, and Reboots. Multiplicities in Film and Television. Eds. Amanda Ann Klein and R. Barton Palmer. Austin: Univ. of Texas Press, 2016. 130–47. |
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| Bishop, Chris. Medievalist Comics and the American Century. Jackson: Univ. Press of Mississippi, 2016. |
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| Added by: joachim 2/12/18, 6:23 PM |
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| Bitz, Michael and Obiajulu Emejulu. "Creating Comic Books in Nigeria." Journal of Adolescent & Adult Literacy 59. (2016): 431–41. |
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| Black, James Eric. Walt Kelly and Pogo: The Art of the Political Swamp. Jefferson, London: McFarland, 2016. |
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| Bliss, Jennifer Anderson. "Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare." Mosaic 49. (2016): 73–92. |
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| Boillat, Alain and Françoise Revaz. "« La porte s’ouvre subitement et … (voir page 12) »: La bande dessinée au seuil du magazine." Belphégor 14 2016. Accessed 24Aug. 2020. <https://journals.openedition.org/belphegor/708>. |
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| Boillat, Alain and Françoise Revaz. "Intrigue, Suspense, and Sequentiality in Comic Strips: Reading Little Sammy Sneeze." Narrative Sequence in Contemporary Narratology. Eds. Raphaël Baroni and Françoise Revaz. Theory and Interpretation of Narrative. Columbus: Ohio State Univ. Press, 2016. 107–29. |
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| Borchert, Angela. "Die Produktion von Karikatur in der Karikatur: Zeichnungs-, Schreib- und Druckszenen in französischen und deutschen illustrierten Satire-Journalen (1830–1848)." Colloquia Germanica 49. (2016): 201–34. |
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| Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in Sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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| Bragard, Véronique. "Belgo-Congolese Transnational Comics Esthetics: Transcolonial Labor from Mongo Sisse’s [sic] Bingo en Belgique to Cassiau-Haurie and Baruti’s Madame Livingstone: Congo, la Grande Guerre (2014)." Literature Compass 13. 5 2016. Accessed 14Jun. 2019. <https://onlinelibrary.w ... /abs/10.1111/lic3.12312>. |
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| Bramlett, Frank, Roy T. Cook, and Aaron Meskin, eds. The Routledge Companion to Comics. London, New York: Routledge, 2016. |
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| Braun, Alexander and Max Hollein, eds. Pioniere des Comic: Eine andere Avantgarde. Ostfildern-Ruit: Hatje Cantz, 2016. |
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| Brenne, Stefan. "Ente, Maus und Altertum." Historische Sozialkunde (2016): 4–12. |
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| Brienza, Casey E. Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics. New York: Bloomsbury, 2016. |
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| Added by: joachim 5/31/15, 9:56 AM |
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| Brienza, Casey E. and Paddy Johnston, eds. Cultures of Comics Work. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. |
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| Brinker, Felix. "On the Political Economy of the Contemporary (Superhero) Blockbuster Series." Post-Cinema. Theorizing 21st-Century Film. Eds. Shane Denson and Julia Leyda. Falmer: REFRAME, 2016. 433–73. |
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| Bronstein, Daniel. "Converting Schmaltz Into Chicken Fat: Will Elder and the Judaization of American Comedy." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 129–40. |
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| Brown, Matthew J. "Love Slaves and Wonder Women: Radical Feminism and Social Reform in the Psychology of William Moulton Marston." Feminist Philosophy Quarterly 2. 1 2016. Accessed 16Sep. 2019. <https://ojs.lib.uwo.ca/ ... p/fpq/article/view/3011>. |
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| Brown, Jeffrey A. The Modern Superhero in Film and Television: Popular Genre and American Culture. Routledge Advances in Comics Studies. London, New York: Routledge, 2016. |
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| Brownie, Barbara and Danny Graydon. The Superhero Costume: Identity and Disguise in Fact and Fiction. New York: Bloomsbury, 2016. |
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| Bruno, Tim. "Nat Turner after 9/11: Kyle Baker’s Nat Turner." Journal of American Studies 50. (2016): 923–51. |
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| Buchenberger, Stefan. "Vom dünnen Heftchen zum anerkannten literarischen Genre: Zur Entwicklung der Graphic Novel." Zwischen Kanon und Unterhaltung. Interkulturelle und intermediale Aspekte von hoher und niederer Literatur. Between Canon and Entertainment. Intercultural and Intermedial Aspects of Highbrow and Lowbrow Literature. Eds. Annie Bourguignon, Konrad Harrer and Franz Hintereder-Emde. Berlin: Frank & Timme, 2016. 63–70. |
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| Buck, Louisa. "Defining the British Political Cartoon." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 39–49. |
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| Bukatman, Scott. Hellboy’s World: Comics and Monsters on the Margins. Berkeley: Univ. of California Press, 2016. |
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| Cadrette, Ryan. "S/Z in Panels: Adaptation, Polysemous Textuality and the Graphic Novel." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 31–38. |
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| Camus, Cyril. "Les collaborations de Neil Gaiman et Dave McKean." Fabula.org: Colloques en ligne 2016. Accessed 14Oct. 2021. <https://www.fabula.org/colloques/document3899.php>. |
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| Camus, Cyril. "The “Outsider”: Neil Gaiman and the Old Testament." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 241–55. |
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| Capitanio, Adam. "“You, on the other hand …”: Dual Identity and Superhero Storytelling in Dan Slott’s She-Hulk." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 181–92. |
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| Carpenter, Greg. The British Invasion: Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer. Edwardsville: Sequart Research & Literacy Organization, 2016. |
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| Carrington, André M. Speculative Blackness: The Future of Race in Science Fiction. Minneapolis: Univ. of Minnesota Press, 2016. |
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| Carroll, Tobias. "Imagined Cities and Real Nostalgia: Revisiting Cheap Novelties With Ben Katchor." Paste 2016. Accessed 20Sep. 2016. <https://www.pastemagazi ... ia-revisiting-chea.html>. |
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| Casely-Hayford, Gus. "Amani Abeid and Paul Ndunguru: The archaeology of a superhero." Journal of African Cultural Studies 28. (2016): 292–98. |
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| Catani, Damian. "Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-Charlie Hebdo." French Cultural Studies 27. (2016): 268–78. |
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| Caute, Adeline Geneviève. "Féminin, féminité et diversité dans les albums Agrippine de Claire Bretécher depuis 1995." Alternative Francophone 1. 9 2016. Accessed 19Jul. 2019. <https://journals.librar ... p/af/article/view/27194>. |
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| Chaney, Michael A. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: Univ. Press of Mississippi, 2016. |
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| Cheng Chua, Karl Ian Uy. "Boy meets world: The worldview of Shōnen kurabu in the 1930s." Japan Forum 28. (2016): 74–98. |
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| Christen, Matthias. "Düstere Clowns: Figuren des Schreckens im Kino der Transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42. |
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| Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. |
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| Cicci, Matthew. "Marvel Team-Up: Hawkeye, Loki and the Inescapable, Innate Resistance of the Female Superhero Comic Fan." Journal of Comics and Culture 1. (2016): 95–122. |
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| Cicci, Matthew Alan. "A Made Man: Joe Fixit, the ’80s and Consumption as Resistance." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 111–23. |
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| Cleto, Sara and Erin Kathleen Bahl. "Becoming the Labyrinth: Negotiating Magical Space and Identity in Puella Magi Madoka Magica." Humanities 5. 2 2016. Accessed 31Dec. 2017. <http://www.mdpi.com/2076-0787/5/2/20>. |
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| Cocca, Carolyn. Superwomen: Gender, Power, and Representation. New York: Bloomsbury, 2016. |
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| Coetzee, Carli. "Afro-superheroes: Prepossessing the future." Journal of African Cultural Studies 28. (2016): 241–44. |
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| Cohn, Neil. "A multimodal parallel architecture: A cognitive framework for multimodal interactions." Cognition 146. (2016): 304–23. |
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| Cohn, Neil, ed. The Visual Narrative Reader. New York: Bloomsbury, 2016. |
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| Colaone, Sara and Lucia Quaquarelli, eds. Bande à part: Graphic novel, fumetto e letteratura. Tracciati. Milano: Morellini, 2016. |
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| Cook, Roy T. "Metafictional Powers in the Postmodern Age: Jennifer Walters, Canon and the Nature of Superpowers." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 136–55. |
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| Cook, Roy T. "Metafictional Powers in the Postmodern Age: Jennifer Walters, Canon and the Nature of Superpowers." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 136–55. |
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| Correa, Edilaine. "Violence Representation in Horror Comic Books." International Journal of Comic Art 18. (2016): 403–16. |
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| Costello, Brannon. "“America Makes Strange Jews”: Superheroes and Jewish Masculinity in Howard Chaykin’s Dominic Fortune." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 115–28. |
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