| Abel, Guy. "Peter Pank, ou le mythique revisité dans la BD espagnole non standard." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 391–408. |
 
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| Adams, Jeff. "Troubled Places: Domestic Space in Graphic Novels." Our House: The Representation of Domestic Space in Modern Culture. Eds. Gerry Smyth and Jo Croft. Nature, Culture and Literature. Amsterdam [etc.]: Rodopi, 2006. 161–74. |
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| Alaniz, José. "Caricature and Incarceration: The Case of Slava Sysoev." International Journal of Comic Art 8. (2006): 145–62. |
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| Alaniz, José. "Death and the Superhero: The Silver Age and Beyond." International Journal of Comic Art 8. (2006): 234–48. |
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| Alaniz, José. "Speaking the “Truth” of Sex: Moore & Gebbie’s Lost Girls." International Journal of Comic Art 8. (2006): 307–18. |
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| Alary, Viviane. "La bande dessinée sous le signe d’Hécate et de la Sphinge." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 485–96. |
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| Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Asia: Local Studies/Global Themes. Berkeley: Univ. of California Press, 2006. |
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| Alric, Pierre. "Don Pixot de l’Eixampla la parodie d’un mythe: Bande dessinée, politique et barcelonaise d’Antonio Pàmies." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 409–18. |
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| Alsina, Jean. "Lope de Aguirre, trilogie du scénariste Felipe Hernández Cava: Promotion du lecteur et exténuation du mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 453–69. |
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| Altarriba, Antonio. "Superman: Le mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 13–21. |
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| Andrae, Thomas. Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2006. |
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| Anthony Harkins, Anthony. "From “Sweet Mamas” to “Bodacious” Hillbillies: Billy DeBeck’s Impact on American Culture." Studies in American Humor (2006): 55–72. |
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| Arrouye, Jean. "Le Vagabond des Limbes pourfendeur de mythes." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 81–94. |
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| Auraix-Jonchière, Pascale. "Lilith dans Nosferatu de Druillet (2001)." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 259–69. |
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| Baetens, Jan. "Hergé, auteur à contraintes? Une relecture de L’Affaire Tournesol." French Forum 31. (2006): 99–111. |
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| Baetens, Jan. "Olivier Deprez's Storytelling in Le Château de Kafka." The California Printmaker (2006): 8–15. |
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| Bails, Jerry and Hames Ware. Accessed 7Jan. 2011. Who’s Who of American Comic Books 1928–1999. [Online]. Available: http://www.bailsprojects.com/. |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: From Hell d’Alan Moore et Eddie Campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Ballhausen, Thomas. "Die zwei Spuren der Zauberflöte: Von Liebeskinds Märchen zu Russells Comicadaption." Mozart im Kino. Ed. Günter Krenn. Edition Film + Text. Wien: Filmarchiv Austria, 2006. 102–17. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in Krazy Kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the Physics of Sound in the Comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur Physik des Geräuschs in den Comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Bandel, Jan-Frederik. "Biotop HH: Gespräch mit Sascha Hommer über die Hamburger Comicszene." Kultur & Gespenster (2006): 208–15. |
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| Bandel, Jan-Frederik and Ole Frahm. "»Es kann nicht genügen, Comics in der Wissenschaft zu etablieren«: Ein Gespräch mit Ole Frahm über die Entwicklung der Comicforschung." Kultur & Gespenster (2006): 358–67. |
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| Beck, Rose Marie. "Popular media for HIV/AIDS prevention? Comparing two comics: Kingo and the Sara Communication Initiative." Journal of Modern African Studies 44. (2006): 513–41. |
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| op de Beeck, Nathalie. "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." Modern Fiction Studies 52. (2006): 807–31. |
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| Beez, Jigal. "Wenn der Präsident zum Kicken bittet: Fußballcartoons aus Ostafrika." Afrika Spectrum 41. (2006): 427–42. |
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| Beez, Jigal. "Winners, Cheats, and Witches: East African Soccer Cartoons." International Journal of Comic Art 8. (2006): 114–36. |
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| Behler, Anne. "Getting Started with Graphic Novels: A Guide for the Beginner." Reference & User Services Quarterly 46. (2006): 16–21. |
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| Bell, John. Invaders from the North: How Canada Conquered the Comic Book Universe. Toronto: Dundurn Press, 2006. |
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| Bell, Mark. "The Salvation of Comics: Digital Prophets and Iconoclasts." Review of Communication 6. (2006): 131–40. |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als Alltagsreferenz und Exotikum bei gegenwärtigen japanischen Künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54. (2006): 28–41. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo Suehiro's Historically Ambiguous Comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Added by: joachim Last edited by: joachim 5/14/10, 8:12 PM |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The Critical Potential of Manga as Seen through Okazaki Kyoko’s Works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Bhatia, Tej K. "Super‐heroes to super languages: American popular culture through South Asian language comics." World Englishes 25. (2006): 279–98. |
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| Blumberg, Arnold T. "“The Night Gwen Stacy Died”: The End of Innocence and the “Last Gasp of the Silver Age”." International Journal of Comic Art 8. (2006): 197–211. |
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| Bouissou, Jean-Marie. "Japan’s Growing Cultural Power: The Example of Manga in France." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 149–65. |
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| Bounthavy, Suvilay. "Dragon Ball, du Roi des Singes au super-guerrier." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 55–65. |
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| Bouzy, Christian. "Icare: Du bas-relief antique à la bande dessinée à travers l’emblème de la Renaissance." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 271–90. |
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| Bradley, Noelle P. "Masks That Reveal: Social Inequality in J.-J. Grandville’s Les Métamorphoses du Jour (1828–1829)." International Journal of Comic Art 8. (2006): 1–16. |
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| Bratman, David. "A Game of You – Yes, You." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 41–53. |
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| Bredehoft, Thomas A. "Comics Architecture, Multidimensionality, and Time: Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth." Modern Fiction Studies 52. (2006): 869–90. |
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| Bresnahan, Mary Jiang, Yasuhiro Inoue, and Naomi Kagawa. "Players and Whiners? Perceptions of Sex Stereotyping in Animé in Japan and the US." Asian Journal of Communication 16. (2006): 207–17. |
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| Brooker, Will. "The Best Batman Story: The Dark Knight Returns." Beautiful Things in Popular Culture. Ed. Alan McKee. Hoboken: Wiley, 2006. 33–48. |
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| Brophy, Philip, ed. Tezuka: The Marvel of Manga. Melbourne: National Gallery of Victoria, 2006. |
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| Brown, Steven T., ed. Cinema Anime: Critical Engagements with Japanese Animation. New York [etc.]: Palgrave Macmillan, 2006. |
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| Brown, Lyndsay. "Yorick, Don’t Be A Hero: Productive Motion in Y: The Last Man." ImageTexT 3. 1 2006. Accessed 8May. 2012. <http://www.english.ufl. ... xt/archives/v3_1/brown/>. |
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| Brown, Steven T. "Screening Anime." Cinema Anime. Critical Engagements with Japanese Animation. Ed. Steven T. Brown. New York [etc.]: Palgrave Macmillan, 2006. 1–19. |
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| Brunner, Edward. "Death and the Maiden: Milton Caniff’s Pre-War Anti-Elegiac War Elegy." International Journal of Comic Art 8. (2006): 174–96. |
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| Buhle, Paul. "Toward the Understanding of the Visual Vernacular: Radicalism in Comics and Cartoons." Rethinking Marxism 18. (2006): 367–81. |
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| Bukatman, Scott. "Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’." Animation 1. (2006): 83–103. |
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| Burack, Cynthia. "From Doom Town to Sin City: Chick Tracts and Anti-gay Political Rhetoric." New Political Science 28. (2006): 163–79. |
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| Burkhardt, Marie. "Thorgal: Hercule norrois de l’Heroic Fantasy ?." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 23–37. |
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| Campbell, T. A History of Webcomics: The Golden Age: 1993–2005. Vol. 1. San Antonio: Antarctic Pr. 2006. |
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| Carlson, Mark. "“Hey! That Ain’t Funny!” (Part 1): Classic and True Story Comics in the Forties." The Nostalgia Zine 2. 1 2006. Accessed 6Nov. 2011. <http://www.nostalgiazon ... _V2N1/thataintfunny.htm>. |
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| Carlson, Mark. "“Hey! That Ain’t Funny!” (Part 2): Religious Comic Books in the Forties." The Nostalgia Zine 2. 2 2006. Accessed 6Nov. 2011. <http://www.nostalgiazon ... _V2N2/thataintfunny.htm>. |
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| Carney, Sean. "The Tides of History: Alan Moore’s Historiographic Vision." ImageTexT 2. 2 2006. Accessed 5Oct. 2009. <http://www.english.ufl. ... t/archives/v2_2/carney/>. |
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| Carron, Delphine. "Paul Auster's City of Glass: From Word to Picture." International Journal of Comic Art 8. (2006): 518–31. |
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| Casey, Jim and Stefan Hall. "The Exotic Other Scripted: Identity and Metamorphosis in David Mack's Kabuki." ImageTexT 3. 1 2006. Accessed 9Dec. 2009. <http://www.english.ufl. ... chives/v3_1/casey_hall/>. |
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| Cavallaro, Dani. The Animé Art of Hayao Miyazaki. Jefferson, London: McFarland, 2006. |
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| Cavallaro, Dani. The Cinema of Mamoru Oshii: Fantasy, Technology and Politics. Jefferson, London: McFarland, 2006. |
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| Chante, Alain. "Les mythes du voyage dans la bande dessinée." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 359–72. |
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| Cheilan, Liliane. "Fantomate ou comment parle le chien d’un (Petit) Vampire." Belphégor 6. 1 2006. Accessed 14Feb. 2013. <http://hdl.handle.net/10222/47730>. |
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| Cheng, Fang. "What Is Humor?." International Journal of Comic Art 8. (2006): 347–62. |
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| Christiansen, Steen. "Continuity Breach: The British Revision of the American Superhero." Transatlantic. Eds. Camelia Elias, Bent Sørensen and Andrea Birch. Cultural Text Studies. Aalborg: Aalborg Universitetsforlag, 2006. 109–32. |
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| Christiansen, Hans-Christian and Anne Magnussen. "Tegneserieanalyse." Analyse af billedmedier – en introduktion. Eds. Gitte Rose and Hans-Christian Christiansen. Frederiksberg: Samfundslitteraturs, 2006. 103–43. |
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| Chute, Hillary. "An Interview with Alison Bechdel." Modern Fiction Studies 52. (2006): 1004–13. |
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| Chute, Hillary. "Decoding Comics." Modern Fiction Studies 52. (2006): 1014–27. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and Graphic Representation in Maus." Twentieth Century Literature 52. (2006): 199–230. |
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| Chute, Hillary and Marianne DeKoven. "Introduction: Graphic Narrative." Modern Fiction Studies 52. (2006): 767–82. |
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| Clements, Jonathan and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese Animation Since 1917. 2nd ed. Berkeley: Stone Bridge Press, 2006. |
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| Coogan, Peter. Superhero: The Secret Origin of a Genre. Austin: MonkeyBrain, 2006. |
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| Cooke, Jon B. and Eric Nolen-Weathington. John Byrne. Modern Masters. Raleigh: TwoMorrows, 2006. |
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| Corrado, Danielle and Viviane Alary, eds. Mythe et bande dessinée. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. |
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| Coughlan, David. "Paul Auster’s City of Glass: The Graphic Novel." Modern Fiction Studies 52. (2006): 832–54. |
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| Covey, Suzanne. "Beyond the Balloon: Sound Effects and Background Text in Lynn Johnston’s For Better or For Worse." ImageTexT 2. 2 2006. Accessed 9Dec. 2009. <https://imagetextjourna ... or-better-or-for-worse/>. |
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| Czubak, Łukasz. "Kontekst kulturowy komiksu (na przykładzie serii Asteriks)." Praca licencjacka Uniwersytet Śląski, 2006. |
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| D’Angelo, M. and Lorenzo Cantoni. "Comics: Semiotic Approaches." Encyclopedia of Language & Linguistics. Ed. Keith Brown. 2nd ed. Vol. 2. Oxford [etc.]: Elsevier, 2006. 627–35. |
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| d’Humières, Catherine. "Lorsque le grand-père se fait petit garçon: Le personnage du grand-père complice du jeune héros dans le BD et la littérature pour la jeunesse." Belphégor 6. 1 2006. Accessed 14Feb. 2013. <http://dalspace.library.dal.ca/handle/10222/47733>. |
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| d’Humières, Catherine. "L’épreuve du labyrinthe et la rencontre avec le Minotaure, figures héroïques et problèmes existentiels dans la bande dessinée." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 291–305. |
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| Dammann, Günter. "Salem No. 6 – die beste Cigarette meines Lebens." Deutsche Comicforschung 2. (2006): 92–101. |
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| Danielson, Garth. "Carl Barks and the Perversity of Beasts, Machines, and Nature." The Nostalgia Zine 2. 1 2006. Accessed 6Nov. 2011. <http://www.nostalgiazon ... e/06_V2N1/carlbarks.htm>. |
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| Dasgupta, Romit. "The film Bishônen and Queer(N)Asia through Japanese popular culture." Popular culture, globalization and Japan. Eds. Matthew Allen and Rumi Sakamoto. Routledge Studies in Asia's Transformations. London, New York: Routledge, 2006. 56–74. |
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| Dauber, Jeremy. "Comic Books, Tragic Stories: Will Eisner's American Jewish History." AJS Review 30. (2006): 277–304. |
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| Davidson, Sol M. "Love Affair with a Unique Medium: Big Little Books." International Journal of Comic Art 8. (2006): 200–27. |
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| Davreux, Hélène. Bécassine ou L’image d’une femme. Loverval: Labor, 2006. |
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| Dean, Michael. "Fine Young Cannibals: How Phil Seuling and a Generation of Teenage Entrepreneurs Created the Direct Market and Changed the Face of Comics." The Comics Journal (2006): 49–59. |
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| Deppey, Dirk. "Suicide Club: How Greed and Stupidity Disemboweled the American Comic-Book Industry in the 1990s." The Comics Journal (2006): 68–75. |
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| Deppey, Dirk. "The Eddie Campbell Interview." The Comics Journal (2006): 66–114. |
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| Deppey, Dirk. "The Terry Moore Interview." The Comics Journal (2006): 62–99. |
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| Deterding, Sebastian and Achim Hölter. "Papier simuliert visuelle Medien: Zu Mark Z. Danielewskis Roman House of Leaves (2000)." Ästhetische Transgressionen. Ed. Michael Scheffel. Schriftenreihe Literaturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2006. 213–33. |
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