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| Accorsi, Andrés. "Argentine Comics: A History." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 25–46. |
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| Alaniz, José. "The “Quintessentially Russian” Komiks of Zhora Litichevsky." International Journal of Comic Art 7. (2005): 110–25. |
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| Alemán, Alvaro. "Paraliterary Immersion and the Puzzleform: An Essay in Social Restitution." ImageTexT 2. 1 2005. Accessed 26Jun. 2013. <http://www.english.ufl. ... t/archives/v2_1/aleman/>. |
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| Ali, Barish. "The Violence of Criticism: The Mutilation and Exhibition of History in From Hell." Journal of Popular Culture 38. (2005): 605–31. |
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| Allen, Kate and John Ingulsrud. "Reading Manga: Patterns of Personal Literacies Among Adolescents." Language and Education 19. (2005): 265–80. |
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| van Alphen, Ernst. "Giving Voice: Charlotte Salomon and Charlotte Delbo." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 114–25. |
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| Andelman, Bob. Will Eisner: A Spirited Life. Milwaukie: M Press, 2005. |
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| Anderson, Vicki. The Dime Novel in Children’s Literature. Jefferson, London: McFarland, 2005. |
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| Anderson, Ho Che. "Career Tips for Control Freaks." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 124–26. |
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| De Angelis, Richard. "Of Mice and Vermin: Animals as Absent Referent in Art Spiegelman’s Maus." International Journal of Comic Art 7. (2005): 230–49. |
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| Ault, Donald. "Memoriam for Bruce Hamilton (1932–2005)." ImageTexT 2. 1 2005. Accessed 25Jan. 2010. <http://www.english.ufl. ... ves/v2_1/memoriam.shtml>. |
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| Ault, Donald. "Preludium: Crumb, Barks, and Noomin: Re-Considering the Aesthetics of Underground Comics." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... chives/v1_2/intro.shtml>. |
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| Baetens, Jan. "De la bande dessiné franco-belge à la bande dessinée en Belgique." Études Francophones 20. (2005): 27–38. |
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| Baker, Bill. Alan Moore Spells It out: On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. |
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| Baker, Neal. "The Representation of Québec in Marvel Comics’ Alpha Flight." Québec Studies 40. (2005/2006): 65–77. |
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| Balisch, Faith. "Lynn Johnston's »Theratoons«: Extending the Limits of the Comic Strip." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 241–54. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Barbieri, Daniele, ed. La linea inquieta: Emozioni e ironia nel fumetto. Nautilus. Roma: Meltemi, 2005. |
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| Bårdsen, Gunnar. "Carl Barks: A classical economist?." Working Paper Series 5 2005. Accessed 29Aug. 2019. <http://hdl.handle.net/11250/267103>. |
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| Barris, Jeremy. "Plato, Spider-Man and the Meaning of Life." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 63–83. |
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| Bartra, Armando. "Dawn, Noon, and Dusk of a Tumultuous Narrative: The Evolution of Mexican Comic Art." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 253–78. |
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| Beahm, George. "The Darkness and the Light: Vaughn Bode: A Life in Nine Panels." The Comics Journal. Special Edition (2005): 82–97. |
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| Beaty, Bart. Fredric Wertham and the Critique of Mass Culture. Jackson: Univ. Press of Mississippi, 2005. |
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| Beaty, Bart. "The European Comic Book Industry: A Guided Tour." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 141–43. |
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| Beauchamp, Monte. "Mark Schultz: Keeper of the Flame." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 78–101. |
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| Beaudoin, Maria. "Creating a Maxximum Narratology: “The Maxx”, Comic Books, and Narrative Theory." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 199–212. |
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| Bellefroid, Thierry, ed. Les éditeurs de bande dessinée: Entretiens avec Thierry Bellefroid. Bruxelles: Niffle-Cohen, 2005. |
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| Berlatsky, Noah. "Happiness Is an Unhappy Hipster." The Comics Journal (2005): 172–74. |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the Fourth Dimension." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt: »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi." Facetten der japanischen Populär- und Medienkultur 1. (2005): 5–36. |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche Erfahrungen mit Japanologie und Kunstwissenschaft. Erfahrungsbericht zur DAAD-Gastdozentur, Universität Leipzig/Japanologie, SS 2005." 2005. Accessed 4Aug. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Berres, Werner P. Annotierter Index historischer Personen und Comics in Michael Chabon's Die unglaublichen Abenteuer von Kavalier und Clay. Zebra Sonderband. 2nd ed. Köln: Georg K. Berres, 2008. |
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| Best, Mark. "Domesticity, Homosociality, and Male Power in Superhero Comics of the 1950s." Iowa Journal of Cultural Studies 6. (2005): 80–99. |
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| Bindi, Valerio. "All’ombra delle foglie: Fumetto – città – eterotopia." Controspazio (2005). |
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| Bistis, Margo. "Bad Art: The Decline of Academic Art in the Caricatural Salon." International Journal of Comic Art 7. (2005): 126–48. |
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| Black, Jake. "Flop of Steel: Why “It's a Bird, It's a Plane, It's Superman” Did Not Fly Over Broadway." International Journal of Comic Art 7. (2005): 546–52. |
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| Blackbeard, Bill. "Iggy, Pin a Rose on Milt! The Screwloose and Fancy-Free Career of Milt Gross." The Comics Journal. Special Edition (2005): 98–105. |
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| Blanco de la Cruz, Caridad. "Always the Other One: Salomón." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 241–52. |
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| Blegvad, Peter. "The Birth of Leviathan." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 98–100. |
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| Bohm-Duchen, Monica. "A Life before Auschwitz." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 21–33. |
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| Bollom, Brandon B. and Shawn N. Mckinney. "Alphonse Marie Mucha: Posters, Panels … and Comics Books?." International Journal of Comic Art 7. (2005): 149–79. |
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| Bould, Mark. Film Noir: From Berlin to Sin City. Short Cuts. London: Wallflower, 2005. |
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| Brenzel, Jeff. "Why Are Superheroes Good? Comics and the Ring of Gyges." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 147–60. |
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| Bridgeman, Teresa. "Figuration and configuration: Mapping imaginary worlds in BD." The Francophone Bande Dessinée. Eds. Charles Forsdick, Laurence Grove and Libbie McQuillan. Faux Titre. Amsterdam [etc.]: Rodopi, 2005. 115–36. |
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| Brophy, Philip. 100 Anime. BFI Screen Guides. London: British Film Institute, 2005. |
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| Brunner, Edward. "“This Job is a Solid Killer”: Oliver Harrington’s Jive Gray and the African American Adventure Strip." Iowa Journal of Cultural Studies 6. (2005): 36–57. |
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| Buerkle, Dardy. "Historical Effacements: Facing Charlotte Salomon." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 73–87. |
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| Burt, Stephen. "“Blown To Atoms or Reshaped At Will”: Recent Books About Comics." College Literature 32. (2005): 166–76. |
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| Calazans, Flávio Mario De Alcantara. "From the “Cricket” (Grilo) to the “Cockroach” (Barata): Visual Poetics in the Brazilian Comics (European BD + Japanese Manga and USA Underground Comix)." International Journal of Comic Art 7. (2005): 321–39. |
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| Campbell, Eddie. "Comics on the Main Street of Culture." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... archives/v1_2/campbell/>. |
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| Canis, Laura and Paul Canis. "Jean-Paul Sartre Meets Enid Coleslaw: Existential Themes in Ghost World." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 130–52. |
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| Carlson, Mark. "A Quick Business History of Comic Books: Part One (1934–1960)." The Nostalgia Zine 1. 1 2005. Accessed 6Nov. 2011. <http://www.nostalgiazon ... 05_Q1/funnybusiness.htm>. |
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| Carlson, Mark. "A Quick Business History of Comic Books Part Two: 1960–2005." The Nostalgia Zine 1. 2 2005. Accessed 6Nov. 2011. <http://www.nostalgiazon ... 05_Q2/funnybusiness.htm>. |
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| Carlson, Cheryl. Charles M. Schulz. First Biographies. Mankato: Pebble Books, 2005. |
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| Carney, Sean. "The Function of the Superhero at the Present Time." Iowa Journal of Cultural Studies 6. (2005): 100–17. |
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| Carpenter, Stanford W. "Truth Be Told: Authorship and the Creation of the Black Captain America." Comics as Philosophy. Ed. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005. 46–62. |
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| Carrier, Mélanie. "L’organisation urbaine et iconique dans l’œuvre de Marc-Antoine Mathieu." Écrire la ville. Eds. Bertrand Gervais and Christina Horvath. Figura. Montréal: Figura, Centre de recherche sur le texte et l’imaginaire, 2005. 169–82. |
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| Cashell, Kieran and John Scaggs. "Transvestite Logic: Pat Mills and Kevin O’Neill’s Marshal Law and the Superhero Genre." Iowa Journal of Cultural Studies 6. (2005): 8–35. |
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| du Chatenet, Aymar and Christian Marmonnier. René Goscinny: La première vie d’un scénariste de génie. Paris: Éd. de La Martinière, 2005. |
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| Chavanne, Renaud. Edgar P. Jacobs & le secret de l’explosion. Mémoire Vive. Montrouge: PLG, 2005. |
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| Chekalov, Denis. "Comics: The World, If You Blink Slowly." International Journal of Comic Art 7. (2005): 39–55. |
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| Cheng Chua, Karl Ian Uy. "The Stories They Tell: Komiks during the Japanese Occupation, 1942–1944." Philippine Studies 53. (2005): 59–90. |
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| Chute, Hillary. "Literal Forms: Narrative Structures in Maus." Indy Magazine Winter 2005. Accessed 4Apr. 2008. <http://web.archive.org/ ... r_2005/chute/index.html>. |
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| Cohn, Neil. "Un-Defining “Comics”: Separating the Cultural from the Structural in Comics." International Journal of Comic Art 7. (2005): 236–48. |
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| comicbookdb.com: The Comic Book Database. Accessed 10Sep. 2010. [Online]. Available: http://www.comicbookdb.com/. |
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| Conley, Christine. "Memory and Trauerspiel: Charlotte Salomon’s Life? or Theatre? and the Angel of History." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 88–104. |
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| Couch, N.C. Christopher. "Will Eisner, Master of Comic Art and Father of the Graphic Novel." Will Eisner. A Retrospective. Eds. N.C. Christopher Couch and Peter Livingston Myer. New York: Museum of Comic and Cartoon Art, 2005. 9–14. |
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| Couch, N.C. Christopher and Peter Livingston Myer, eds. Will Eisner: A Retrospective. New York: Museum of Comic and Cartoon Art, 2005. |
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| Crumb, Robert and Peter Poplaski. The R. Crumb Handbook. London: MQP, 2005. |
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| Dammann, Günter. "Comic-Strips in der Frühzeit der Hamburger Morgenpost." Deutsche Comicforschung 1. (2005): 72–81. |
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| Danehy, Cécile Vernier. "Le Bar du vieux Français ou la question de l’Autre." Études Francophones 20. (2005): 92–104. |
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| Danna, Elizabeth J. "Wonder Woman Mythology: Heroes from the Ancient World and Their Progeny." The Gospel According to Superheroes. Religion and Popular Culture. Ed. B. J. Oropeza. New York [etc.]: Peter Lang, 2005. 67–82. |
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| Darius, Julian. Batman Begins and the Comics: A Non-Fiction Book. Edwardsville: Sequart Research & Literacy Organization, 2005. |
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| Davidson, Sol M. "Games People Play in the Comic Strips." International Journal of Comic Art 7. (2005): 513–29. |
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| Davidson, Sol M. "The Funnies’ Neglected Branch: Special Purpose Comics." International Journal of Comic Art 7. (2005): 340–57. |
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| Davis, Rocío G. "A Graphic Self: Comics as autobiography in Marjane Satrapi’s Persepolis." Prose Studies 27. (2005): 264–79. |
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| Di Liddo, Annalisa. "Transcending Comics: Crossing the Boundaries of the Medium in Alan Moore and Eddie Campbell’s Snakes and Ladders." International Journal of Comic Art 7. (2005): 530–45. |
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| Diederichsen, Dietrich. "Long Strange Strip: Gary Trudeaus ›Doonesbury‹." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 176–91. |
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| Diekmann, Stefanie and Matthias Schneider, eds. Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Berlin: SuKuLTuR, 2005. |
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| DiMenno, Francis S. "The Rise and Fall of EC Comics, 1950–1956: Cold War or Cultural War Casualty?." Thesis Master of Arts. University of Rhode Island, 2005. |
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| Dittmer, Jason. "Captain America’s Empire: Reflections on Identity, Popular Culture, and Post-9/11 Geopolitics." Annals of the Association of American Geographers 95. (2005): 626–43. |
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| Doff, Sabine and Mona Wanders. "Stories with and without words: Comics in der Unterstufe." Der Fremdsprachliche Unterricht. Englisch (2005): 9–17. |
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| Dolle-Weinkauff, Bernd. "Vom Kuriositätenkabinett zur wissenschaftlichen Sammlung: Das Comic-Archiv des Instituts für Jugendbuchforschung der Goethe-Universität Frankfurt/Main." Imprimatur N.F. 19. (2005): 209–24. |
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| Dolle-Weinkauff, Bernd. "Zu Bildgeschichte und Comic im Werk Janoschs." ODV-Zeitschrift. Publikationen des Oraner Deutschlehrerverbands (2005): 115–27. |
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| Donnelly, Liza. Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons. Amherst: Globe Pequot, 2005. |
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| Dooley, Michael and Steven Heller, eds. The Education of a Comics Artist: Visual Narrative in Cartoons, Graphic Novels, and Beyond. New York: Allworth Pr. 2005. |
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| Dopico, Pablo. El cómic underground español, 1970–1980. Cuadernos Arte Cátedra. Madrid: Cátedra, 2005. |
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| Duée, Claude. "Là où le mot se fait image et où l’image se fait mot: Nouvelle bande dessinée et bande dessinée d’avant-garde." Orientations. Space/Time/Image/Word. Word & Image Interactions 5. Eds. Claus Clüver, Véronique Plesch and Leo Hoek. Textxet. Amsterdam [etc.]: Rodopi, 2005. 229–43. |
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| Dugall, Robin J. "Running from or Embracing the Truth Inside You? Bruce Banner and the Hulk as a Paradigm for the Inner Self." The Gospel According to Superheroes. Religion and Popular Culture. Ed. B. J. Oropeza. New York [etc.]: Peter Lang, 2005. 145–54. |
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| Dünne, Jörg. "›Andere Räume‹ und ihre Medialität: Von der phantastischen Literatur Argentiniens zur Comic-Welt der »Cités obscures«." Die phantastische Stadt. Eds. Thomas Le Blanc and Bettina Twrsnick. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Wetzlar: Phantastische Bibliothek, 2005. 205–50. |
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