| Agnew, Bob. "¡Viva la Revolución! Los Agachados and the Worldview of Eduardo del Río." Studies in Latin American Popular Culture 23. (2004): 1–20. |
 
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| Alaniz, José. "Supercrip: Disability and the Marvel Silver Age Superhero." International Journal of Comic Art 6. (2004): 304–24. |
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| Algoud, Albert, ed. L’Archipel Tintin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Algoud, Albert. "Et la lumière fut …: Un personnage intermittent, Séraphin Lampion." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 95–108. |
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| Amana, Harry. "The Art of Propaganda: Charles Alstons World War II Editorial Cartoons for the Office of War Information and the Black Press." American Journalism 21. (2004): 79–111. |
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| Amano, Masanao. Manga Design. Ed. Julius Wiedemann. Köln: Taschen, 2004. |
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| Apostolidès, Jean-Marie. "Dans le ventre de La Licorne: L’organisation du monde de Tintin." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 51–94. |
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| Ault, Donald. "Imagetextuality: ‘Cutting Up’ Again, pt. III." ImageTexT 1. 1 2004. Accessed 28Jul. 2009. <http://www.english.ufl. ... s/v1_1/ault/index.shtml>. |
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| Baetens, Jan. "Autobiographies et bandes dessinées." Belphégor 4. 1 2004. Accessed 14Feb. 2013. <http://dalspace.library.dal.ca//handle/10222/47689>. |
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| Baetens, Jan. "La main parlante." Image [&] Narrative 5. 1 2004. Accessed 4Jan. 2011. <http://www.imageandnarr ... rmance/baetens_main.htm>. |
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| Baetens, Jan. "M comme main: Une lecture du Château de Kafka adapté par Olivier Deprez." Image [&] Narrative 4. 2 2004. Accessed 27Jul. 2009. <http://www.imageandnarr ... 8/janbaetens_deprez.htm>. |
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| Balaresque, Nicolas. Yves Chaland: L’enfance de l’œil. Étude. Saint-Egrève: Mosquito, 2004. |
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| Barbieri, Daniele. "Fumetti – Samurai allo specchio." Golem L’Indispensabile 2004. Accessed 2Dec. 2012. <http://www.golemindispe ... ?_idnodo=7958&_idfrm=62>. |
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| Barnard, Rita. "Bitterkomix: Notes from the Post-Apartheid Underground." South Atlantic Quarterly 103. (2004): 719–54. |
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| Baur, Uwe. "Superman – Asterix: Mythisierte Körperbilder im seriellen Comic." Zagreber Germanistische Beiträge 13. (2004): 149–58. |
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| Beaty, Bart. "Assessing Contemporary Comics Scholarship." Canadian Journal of Communication 29. (2004): 403–09. |
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| Beaty, Bart. "Roy Lichtenstein’s Tears: Art vs. Pop in American Culture." Canadian Review of American Studies 34. (2004): 249–68. |
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| Beez, Jigal. "Katuni Za Miujuza: Fantastic Comics from East Africa." International Journal of Comic Art 6. (2004): 77–95. |
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| Beez, Jigal. "How Asterix Learnt Swahili: The Tanzanian Appropriation of a French Cartoon." Crossing borders. Interdisciplinary approaches to Africa. Ed. Anne Schröder. Vol. 23. Berlin [etc.]: LIT, 2004. 99–116. |
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| Behlman, Lee. "The Escapist: Fantasy, Folklore, and the Pleasures of the Comic Book in Recent Jewish American Holocaust Fiction." Shofar 22. (2004): 56–71. |
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| Bergengren, Ralph. "From “The Humor of the Colored Supplement”." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 9–12. |
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| Berger, Arthur Asa. "Krazy Kat and Blackness." Making Sense of Media: Key Texts in Media and Cultural Studies. Hoboken: Wiley, 2004. 162–65. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Berndt, Jaqueline. "Von Japan aus gesehen: Comics und Ästhetik." Ästhetik. Aufgabe(n) einer Wissenschaftsdisziplin. Eds. Karin Hirdina and Renate Reschke. Freiburg im Breisgau: Rombach, 2004. 135–44. |
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| Beronä, David A. "Pumping Iron: Male Stereotypes in Delisle’s Albert et les Autres." International Journal of Comic Art 6. (2004): 299–315. |
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| Bickermann, Daniel. "Comic Relief." Schnitt (2004). |
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| Birek, Wojciech. "Główne problemy teorii komiksu." Praca doktorska Dr. Uniwersytet Rzeszowski, 2004. |
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| Bitz, Michael. "The Comic Book Project: The Lives of Urban Youth." Art Education 57. (2004): 33–39. |
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| Added by: joachim Last edited by: joachim 3/4/11, 12:01 PM |
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| Blackmore, Tim. "300 AND TWO: Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." International Journal of Comic Art 6. (2004): 325–49. |
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| Boehm, Carl. "‘Hiro’ of the Platonic: Neal Stephenson’s Snow Crash." Journal of the Fantastic in the Arts 14. (2004): 394–408. |
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| Börder, Mette and Bettina Heck. "Ein Fall für Blacksad: Vom Comic zum Computer." Medien – Deutschunterricht – Ästhetik. Jutta Wermke zum 60. Geburtstag gewidmet. Ed. Hartmut Jonas. München: kopaed, 2004. 321–33. |
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| Bower, Kathrin. "Holocaust Avengers: From “The Master Race” to Magneto." International Journal of Comic Art 6. (2004): 182–94. |
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| Boyd, James W. and Tetsuya Nishimura. "Shinto Perspectives in Miyazaki’s Anime Film “Spirited Away”." Journal of Religion and Film 8. 2 2004. Accessed 3Jun. 2011. <http://www.unomaha.edu/jrf/Vol8No2/boydShinto.htm>. |
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| Brada-Williams, Noelle. "Looking Back: Teaching Miné Okubo’s Citizen 13660." Amerasia Journal 30. (2004): 59–74. |
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| Bridgeman, Teresa. "Keeping an eye on things: Attention, tracking and coherence-building." Belphégor 4. 1 2004. Accessed 6Apr. 2010. <http://hdl.handle.net/10222/47690>. |
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| Brooker, Will. Alice’s Adventures: Lewis Carroll in Popular Culture. London, New York: Continuum, 2004. |
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| Brown, Jeffrey A. "Gender, Sexuality, and Toughness: The Bad Girls of Action Film and Comic Books." Action Chicks. New Images of Tough Women in Popular Culture. Ed. Sherrie A. Inness. New York [etc.]: Palgrave Macmillan, 2004. 47–74. |
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| Added by: joachim 8/24/10, 2:43 AM |
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| Bucher, Katherine T. and M. Lee Manning. "Bringing Graphic Novels into a School’s Curriculum." The Clearing House 78. (2004): 67–72. |
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| Buhle, Paul. From the Lower East Side to Hollywood: Jews in American Popular Culture. London, New York: Verso, 2004. |
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| Bussagli, Marco. Fumetto. XX secolo. Milano: Electa, 2004. |
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| Carrier, Mélanie. "Persepolis et les révolutions de Marjane Satrapi." Belphégor 4. 1 2004. Accessed 14Feb. 2013. <http://hdl.handle.net/10222/47691>. |
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| Carter, James Bucky. "“There’ll Be Others Converging”: Fighting American, The Other, and “Governing” Bodies." International Journal of Comic Art 6. (2004): 364–75. |
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| Cary, Stephen. Going Graphic: Comics at Work in the Multilingual Classroom. Portsmouth: Heinemann, 2004. |
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| Added by: joachim 10/29/10, 12:03 PM |
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| Castaldi, Simone. "Adult Fumetti and the postmodern: Poetics of Italian sequential art in the 1970s and 1980s." Word & Image 20. (2004): 271–82. |
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| Castaldo, Annalisa. "“No more yielding than a dream”: The Construction of Shakespeare in The Sandman." College Literature 31. (2004): 94–110. |
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| Added by: joachim Last edited by: joachim 6/16/10, 1:31 PM |
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| Caswell, Lucy Shelton. "Drawing Swords: War in American Editorial Cartoons." American Journalism 21. (2004): 13–45. |
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| Added by: joachim Last edited by: joachim 1/3/19, 1:50 PM |
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| Cates, Isaac. "Dan Clowes, Terry Zwigoff and Isaac Cates." ImageTexT 1. 1 2004. Accessed 11Jan. 2010. <http://www.english.ufl. ... text/archives/v1_1/czc/>. |
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| Added by: Deleted user Last edited by: joachim 5/24/20, 12:16 PM |
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| Cates, Isaac. "David Boring: Loose Threads and Five Card Nancy." ImageTexT 1. 1 2004. Accessed 28Jul. 2009. <http://www.english.ufl. ... /v1_1/cates/index.shtml>. |
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| Cathcart, Adam. "Cruel Resurrection: Chinese Comics and the Korean War." International Journal of Comic Art 6. (2004): 37–55. |
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| Cawelti, John G. Mystery, Violence, and Popular Culture. Madison: Univ. of Wisconsin Press, 2004. |
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| Cerbelaud, Dominique. "Le héros christique." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 35–50. |
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| Chen, Jin-Shiow. "Meditating on the Voiceless Words of the Invisible Other: Young Female Animé Fan Artists—Narratives of Gender Images." Journal of Social Theory in Art Education 24. (2004): 213–33. |
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| Chiarello, Mark and Todd Klein. The DC Comics Guide to Coloring and Lettering Comics. New York: Watson-Guptill, 2004. |
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| Added by: joachim 9/7/13, 4:05 PM |
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| Chin, Vivian Fumiko. "Gestures of Noncompliance: Resisting, Inventing, and Enduring in Citizen 13660." Amerasia Journal 30. (2004): 23–42. |
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| Clark, Andrew. "Imperialism in Asterix." Belphégor 4. 1 2004. Accessed 6Apr. 2010. <http://hdl.handle.net/10222/47692>. |
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| Clausberg, Karl. "Die Vorgeschichte der Sprechblasen." Phonorama. Eine Kulturgeschichte der Stimme als Medium. Ed. Brigitte Felderer. Berlin: Matthes & Seitz, 2004. 330. |
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| Clausberg, Karl. "Stimmbänder der Bildphantasie: Synästhetische Rückwege der Schrift zur Sprache." Phonorama. Eine Kulturgeschichte der Stimme als Medium. Ed. Brigitte Felderer. Berlin: Matthes & Seitz, 2004. 71–84. |
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| Clifford, Rebecca. "Cleansing History, Cleansing Japan: Kobayashi Yoshinori’s Analects of War and Japan’s Revisionist Revival." Nissan Occasional Paper Series 35 2004. Accessed 15May. 2010. <http://www.nissan.ox.ac ... le/0009/9981/NOPS35.pdf>. |
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| Clowes, Daniel and Terry Zwigoff. "Q & A with Dan Clowes and Terry Zwigoff." ImageTexT 1. 1 2004. Accessed 11Jan. 2010. <http://www.english.ufl. ... ext/archives/v1_1/zcqa/>. |
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| Corbellari, Alain. "Bande dessinée et trifonctionnalité." Belphégor 4. 1 2004. Accessed 14Feb. 2013. <http://dalspace.library.dal.ca/handle/10222/47693>. |
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| Couch, N.C. Christopher and Stephen Weiner. The Will Eisner Companion. New York: DC Comics, 2004. |
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| Coupland, Ken. "Chris Ware: Coloring Inside the Lines." Graphis (2004): 60–71. |
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| Craft, Jason Todd. "Fiction Networks: The Emergence of Proprietary, Persistent, Large-Scale Popular Fictions." Dissertation Ph.D. Univ. of Texas, 2004. |
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| cummings, e. e. "A Foreword to Krazy." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 30–34. |
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| D’Arcangelo, Adele and Federico Zanettin. "Dylan Dog Goes to the USA: a North-American Translation of an Italian Comic Book Series." Across Languages and Cultures 5. (2004): 187–210. |
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| Dauber, Jeremy. "Modern Marvels: Jewish Adventures in the Graphic Novel." Let's Talk About It! 2004. Accessed 26Apr. 2009. |
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| DeForest, Tim. Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America. Jefferson, London: McFarland, 2004. |
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| Deitch, Kim. "Underground(s): Kim Deitch's Presentation at the 2003 UF Comics Conference." ImageTexT 1. 1 2004. Accessed 25Jan. 2010. <http://www.english.ufl. ... t/archives/v1_1/deitch/>. |
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| Delesse, Catherine. "Accents étrangers et régionaux: Le cas des séries Astérix et Tintin et leurs traductions anglaises." Ateliers. Cahiers de la Maison de la Recherche 31. (2004): 113–26. |
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| Didi-Huberman, Georges. "L’image est le mouvant." Intermédialités / Intermediality 3 2004. Accessed 4Feb. 2025. <https://www.erudit.org/ ... n3-im1814575/1005466ar/>. |
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| Dolle-Weinkauff, Bernd. "Manga – eine Literatur der Globalisierung?." Kinder- und Jugendliteraturforschung 11. (2004/2005): 99–109. |
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| Dolle-Weinkauff, Bernd. "Comic und Popliteratur – Comic als Popliteratur: Zur Selbstbespiegelung der Jugendkulturen in Bildgeschichten der 90er Jahre." Pop Pop Populär. Popliteratur und Jugendkultur. Ed. Johannes G. Pankau. Bremen, Oldenburg: Aschenbeck & Isensee, 2004. 187–99. |
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| Dowd, Douglas Bevan. "Strands of a Single Cord: Comics & Animation." Strips, Toons, and Bluesies. Essays in Comics and Culture. Eds. Douglas Bevan Dowd and Todd M. Hignite. New York: Princeton Architectural Pr. 2004. 8–33. |
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| Added by: joachim Last edited by: joachim 7/26/10, 11:42 PM |
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| Dowd, Douglas Bevan and Melanie Reinert. "A Chronology of Comics and the Graphic Arts." Strips, Toons, and Bluesies. Essays in Comics and Culture. Eds. Douglas Bevan Dowd and Todd M. Hignite. New York: Princeton Architectural Pr. 2004. 82–107. |
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| Dräger, Thomas and Sarah Förster. Die besten Mangas und Animes. Königswinter: Heel, 2004. |
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| Added by: joachim 2/24/11, 11:55 AM |
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| Dunker, Axel. "»Time Flies«: Mediale Selbstreflexität in Art Spiegelmans Holocaust-Comic Maus." Der Holocaust und die Künste. Medialität und Authentizität von Holocaust-Darstellungen in Literatur, Film, Video, Malerei, Denkmälern, Comic und Musik. Ed. Matías Martínez. Schrift und Bild in Bewegung. Bielefeld: Aisthesis, 2004. 79–98. |
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| Durrani, Osman. "Chapter Twelve: Cartoons and Comics." Faust. Ed. Osman Durrani. Icons of modern culture. Mountfield: Helm, 2004. 398–418. |
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| Early, Gerald. "The 1960s, African Americans, and the American Comic Book." Strips, Toons, and Bluesies. Essays in Comics and Culture. Eds. Douglas Bevan Dowd and Todd M. Hignite. New York: Princeton Architectural Pr. 2004. 60–81. |
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| Eco, Umberto. "The Myth of Superman." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 146–64. |
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| Ehrlich, David. "An Interview with Dan Mitsui, Dartmouth College's Graphic Novelist." International Journal of Comic Art 6. (2004): 273–84. |
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| Eisner, Will. "Keynote address from the 2002 ‘Will Eisner Symposium’." ImageTexT 1. 1 2004. Accessed 11Jan. 2010. <http://www.english.ufl. ... t/archives/v1_1/eisner/>. |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”: The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." Biography 27. (2004): 691–720. |
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| Evely, Christine and Vyvyan Stranieri. "Spirited Away: Study Guide." Screen Education (2004): 57–68. |
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| Ewert, Jeanne C. "Art Spiegelman’s Maus and the Graphic Narrative." Narrative Across Media. The Languages of Storytelling. Ed. Marie-Laure Ryan. Lincoln: Univ. of Nebraska Press, 2004. 178–94. |
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| Fairfield, Sidney. "From “The Tyranny of the Pictorial”." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2004. 4–6. |
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| Fambrini, Alessandro. "Perry Rhodan e la persistenza dell’archetipo." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 181–93. |
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| Farber, Manny. "Comic Strips [1944]." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 88–90. |
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| Farber, Manny. "Comic Strips [1951]." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 91–93. |
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| Faulstich, Werner. Medienwandel im Industrie- und Massenzeitalter (1830–1900). Göttingen: Vandenhoeck & Ruprecht, 2004. |
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| Feige, Marcel. Das große Comic-Lexikon: Von Asterix und Akira über Donald Duck und Dan Dare bis Superman und Yps. Die Welt der Bildergeschichten, ihre Zeichner & Autoren, Magazine & Figuren. Berlin: Schwarzkopf & Schwarzkopf, 2004. |
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| Fernández L’Hoeste, Héctor D. "Vladdo, Aleida, and the Politics of Gender in War-Torn Colombia." International Journal of Comic Art 6. (2004): 148–62. |
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| Ferrari, Fulvio. "Da Sigfrido a Capitan Harlock: Mito e leggenda germanici nei fumetti e nei cartoon." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 55–91. |
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| Fiedler, Sabine. "Das Sprichwort im Comic (dargestellt am Beispiel der deutschen Comic-Zeitschrift »Mosaik«)." Res humanae proverbiorum et sententiarum. Ad honorem Wolfgangi Mieder. Ed. Csaba Földes. Tübingen: Gunter Narr, 2004. 89–100. |
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| Fiedler, Leslie. "The Middle Against Both Ends." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 122–33. |
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| Fingeroth, Danny. Superman on the Couch: What Superheroes Really Tell Us About Ourselves and Our Society. London, New York: Continuum, 2004. |
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| Frahm, Ole. "Dreierlei Schwarz: Art Spiegelmans und Elein Fleiss’ Interpretationen des 11. September ’01." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 169–82. |
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