| Baetens, Jan. Du roman-photo. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 1994. |
 
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| Baetens, Jan and Caren Litherland. "Latent Violence (Escher, Franc, Vaughn-James)." Yale French Studies (1994): 222–41. |
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| Balzer, Jens. "Die Sprache des Comic." Auskunft 14. (1994): 33–47. |
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| Barbieri, Daniele. "Tintin et la ligne claire." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 261–76. |
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| Barker, Kenneth. "A Theological Reflection on Krazy Kat." Inks 1. (1994): 6–15. |
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| Barrier, Michael. Carl Barks: Die biographie. Mannheim: Brockmann u. Reichelt, 1994. |
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| Bartels-Wu, Stella. Mitatemono und kibyôshi: Edition, bearbeitung und übersetzung »myô-kinako kogome dômyôji« (1805) von takizawa bakin. Bunken. Wiesbaden: Harassowitz, 1994. |
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| Benton, Mike. Masters of Imagination: The comic book artists hall of fame. Dallas: Taylor Publ. 1994. |
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| Bernardo, Susan M. "Recycling Victims and Villains in Batman Returns." Literature/Film Quarterly (1994): 16–20. |
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| Blackmore, Tim. "Doug Murray’s The ’Nam, a comic battle for Vietnam at home and abroad." LIT. Literature Interpretation Theory 5. (1994): 213–25. |
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| Boelderl, Artur R. "»Der Kampf ums Dasein kennt keine Jahreszeiten«. Zur kognitiven Leistung der populär-literarischen Gattung ›comic strip‹." ide 18. (1994): 109–24. |
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| Böhme-Dürr, Karin. "Deutschland im amerikanischen Cartoon." Medienlust und Mediennutz. Unterhaltung als öffentliche Kommunikation. Eds. Louis Bosshart and Wolfgang Hoffmann-Rien. Schriftenreihe der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft. München: Ölschläger, 1994. 435–46. |
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| Bohnet, Ilja, Johann N. Schmidt, and Michael Will. "120, Rue de la gare." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1994. |
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| Bukatman, Scott. "X-Bodies (The Torment of the Mutant Superhero)." Uncontrollable Bodies. Testimonies of Identity and Culture. Eds. Rodney Sappington and Tyler Stallings. Seattle: The Bay Pr. 1994. 92–129. |
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| Burrows, Toby. "Australian Comics and Comic Strips: An introductory bibliography." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 111–15. |
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| Burrows, Toby and Grant Stone, eds. Comics in Australia and New Zealand: The collections, the collectors, the creators. New York: Haworth, 1994. |
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| Buzinkay, Géza. "The Budapest Joke and Comic Weeklies as Mirrors of Cultural Assimilation." Budapest and New York. Studies in Metropolitan Transformation, 1870–1930. Eds. Thomas Bender and Carl E. Schorske. New York: Russell Sage Foundation, 1994. 224–47. |
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| Caplin, Elliott. Al Capp Remembered. Bowling Green: Bowling Green State Univ. Popular Press, 1994. |
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| Carpi, Daniela. "«Tintin in the New world»: Révision d’un mythe." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 137–50. |
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| van Clewe, Susanne. "Gewalt in der Fantasy: Die darstellung der gewalt in fantasy-romanen und fantasy-comics für erwachsene." Dr. phil. Dissertation. FU Berlin, 1994. |
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| Crocker, Elisabeth. "“‘To He, I Am for Evva True’”: Krazy kat’s indeterminate gender." Postmodern Culture 4. 2 1994. Accessed 31 Jul. 2009. <http://muse.jhu.edu/jou ... re/v004/4.2crocker.html>. |
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| Delany, Samuel R. "Refractions of Empire: The comics journal interview." Silent Interviews on Language, Race, Sex, Science Fiction, and Some Comics. A Collection of Written Interviews. Wesleyan Univ. Press, 1994. 83–126. |
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| Last edited by: joachim 02/03/2020, 15:56 |
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| Delay, Nancy. "Milou et l’enfance de l’homme." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 181–202. |
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| Denis, Benoît. "De l’Afrique a l’Amérique: L’odyssée mentale des héros chez hergé et céline." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 75–88. |
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| Dickinson, Pauline. "The Comic Collection at the University of Sydney Library." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 87–98. |
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| Dolle-Weinkauff, Bernd. "Comics für Kinder: Kategorien und aktuelle tendenzen des kinderliterarischen comic." ide 18. (1994): 27–43. |
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| Dolle-Weinkauff, Bernd. "Inszenierung – Intensivierung – Suspense: Strukturen des ›spannenden‹ in literatur und comic." Unterhaltung. Sozial- und literaturwissenschaftliche Beiträge zu ihren Formen und Funktionen. Eds. Dieter Petzold and Eberhard Späth. Erlanger Forschungen, Reihe A. Erlangen: Universitätsbund, 1994. 115–38. |
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| Douglas, Allen and Fedwa Malti-Douglas. Arab Comic Strips: Politics of an emerging mass culture. Arab & Islamic Studies. Bloomington: Indiana Univ. Press, 1994. |
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| Einholz, Eveline. "Der Manga-Künstler Tezuka Osamu (1928–1989): Seine bedeutung für die entwicklung des modernen manga unter besonderer berücksichtigung des stilbildenden frühwerks." Magisterarbeit M.A. Freie Universität Berlin, 1994. |
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| Eisner, Will. "Comics and the New Literacy: An essay." Inks 1. (1994): 2–5. |
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| Elefante, Chiara. "Les formes du comique dans les aventures de Tintin." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 219–46. |
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| Faeti, Antonio. " L’Aventurier de l’aurore." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 15–24. |
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| Felstiner, Mary Lowenthal. To Paint Her Life: Charlotte salomon in the nazi era. New York: HarperCollins, 1994. |
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| Felstiner, Mary Lowenthal. "Charlotte Salomon's Inward-Turning Testimony." Holocaust Remembrance. The Shapes of Memory. Ed. Geoffrey H. Hartman. Oxford: Blackwell, 1994. 104–16. |
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| Ferrari, Silvio. "«Les bijoux de la Castafiore» De métaphores en métaplasmes la langue en «marche»." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 203–18. |
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| Flannigan-Saint-Aubin, Arthur. "The Male Body and Literary Metaphors for Masculinity." Theorizing Masculinities. Eds. Harry Brod and Michael Kaufman. Research on Men and Masculinities. Thousand Oaks [etc.]: Sage, 1994. 239–58. |
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| Frahm, Ole. "Comic und Holocaust." 17° C (1994): 22–29. |
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| Gabilliet, Jean-Paul. "Cultural and Mythical Aspects of a Superhero: The silver surfer 1968–1970." Journal of Popular Culture 28. (1994): 203–13. |
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| Gaumer, Patrick and Claude Moliterni. Dictionnaire mondial de la bande dessinée. 2nd ed. Paris: Larousse, 1998. |
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| Gerber, Torsten. "Wo liegt Entenhausen?." Wilhelm-Busch-Jahrbuch (1994): 109–22. |
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| González Salvador, Ana. "Fausse ressemblance, fausse différence: les Dupondt." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 125–36. |
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| Gousseau, Josette. "Tintin détective." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 151–80. |
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| Grandinetti, Fred M. Popeye: An illustrated cultural history. 2nd ed. Jefferson, London: McFarland, 2004. |
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| Grassmuck, Volker. "»Allein, aber nicht einsam« – die otaku-Generation: Zu einigen neueren trends in der japanischen populär- und medienkultur." Computer als Medium. Eds. Norbert Bolz, Friedrich Kittler and Christoph Tholen. Literatur- und Medienanalysen. München: Fink, 1994. 267–96. |
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| Grauer, Neil A. "The Seal Barks." Inks 1. (1994): 2–7. |
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| Gravet, Catherine. "Qui a peur du grand anthropoïde?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 247–60. |
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| Groensteen, Thierry and Benoît Peeters. Töpffer: L’invention de la bande dessinée. Collection savoir : Sur l’art. Paris: Hermann, 1994. |
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| Groth, Gary. "Neil Gaiman." The Comics Journal (1994): 54–108. |
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| Grünewald, Dietrich. "Comics im Kindergarten: Präsenz, rezeptionsanforderungen und einsatzmöglichkeiten." Handbuch Medienerziehung im Kindergarten. Bd. 1: Pädagogische Grundlagen. Eds. Christine Feil, et al. Opladen: Leske + Budrich, 1994. 294–306. |
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| Gumpert, Gary. "The Wrinkle Theory: The Deconsecration of the Hero." American Heroes in a Media Age. Eds. Susan J. Drucker and Robert S. Cathcart. Cresskill: Hampton, 1994. 47–61. |
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| von Hagen, Markus. "Barks contra Flix, oder: Politik, als es unvermeidbar war: 20 jahre »micky maus« als jugendzeitschrift (1956–1975)." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 70–85. |
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| Halen, Pierre. "Tintin, paradigme du héros colonial belge? (a propos de «tintin au congo»)." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 39–56. |
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| Harrington, Oliver. "The View from the Back Stairs." Inks 1. (1994): 26–32. |
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| Harrison, S. L. "The Editorial Art of Edmund Duffy." Inks 1. (1994): 18–29. |
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| Hartmann, Regina. "Mit Zeichenstift und spitzer Feder: Wilhelm busch als vorläufer heutiger comics." ide 18. (1994): 68–78. |
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| Harvey, Robert C. "Bud Fisher and the Daily Comic Strip." Inks 1. (1994): 14–25. |
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| Harvey, Robert C. The Art of the Funnies: An aesthetic history. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 1994. |
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| Hausmann, Friederike. "Fumetti sind mehr als Comics." Zibaldone (1994): 5–25. |
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| Hausmanninger, Thomas. "Können populär-visuelle Medien emanzipativ sein? Zur frage nach der fortschrittsfähigkeit politisch-zeitgeschichtlicher diskurse in unterhaltungsmedien." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 13–46. |
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| Hausmanninger, Thomas. "Sigurd gegen die Nazis: Beobachtungen zur vergangenheitsbewältigung bei hansrudi wäscher." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 47–69. |
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| Added by: joachim 28/09/2009, 13:42 |
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| Hausmanninger, Thomas and H. Jürgen Kagelmann, eds. Comics zwischen Zeitgeschehen und Politik. Comic Cultur. München, Wien: Profil, 1994. |
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| Havas, Harald. "Die Kunst des Comic-Lesens." ide 18. (1994): 12–26. |
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| Higdon, David Leon. "Frankenstein as Founding Myth in Gary Larson’s The Far Side." Journal of Popular Culture 28. (1994): 49–60. |
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| Hüners, Michael and Matthias Preuß. "Love & Rockets." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1994. |
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| Iadonisi, Rick. "Bleeding History and Owning His [Father's] Story: maus and collaborative autobiography." The College English Association Critic 57. (1994): 41–56. |
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| Itälä, Marja-Leena. Kohäsion im Bildtextverbund Comic. Turku: Turun Yliopisto, 1994. |
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| Ito, Kinko. "Images of Women in Weekly Male Comic Magazines in Japan." Journal of Popular Culture 27. (1994): 81–95. |
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| Jans, Michel, ed. Schuiten & Peeters: Autour des cités obscures. Bulles dingues. Saint-Egrève: Mosquito, 1994. |
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| Jeffrey, Peter. "The Humour of the Outback: Eric jolliffe's “more about andy”." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 57–66. |
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| Jouanny, Robert. "Tintin et l’Amérique Latine." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 89–102. |
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| Kagelmann, H. Jürgen. "Das Comic-Angebot: Kunst und unterhaltung nicht nur für kinder." Handbuch Medienerziehung im Kindergarten. Bd. 1: Pädagogische Grundlagen. Eds. Christine Feil, et al. Opladen: Leske + Budrich, 1994. 307–22. |
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| Karpf, Jutta. Strukturanalyse der mittelalterlichen Bilderzählung: Ein beitrag zur kunsthistorischen erzählforschung. Studien zur Kunst- und Kulturgeschichte. Marburg: Jonas Verl. 1994. |
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| Katz, Harry L. and Sara W. Duke. "Cartoon-Related Research at the Library of Congress." Inks 1. (1994): 30–36. |
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| Katz, Harry and Sara Duke. "The Swann Collection of Caricature and Cartoon at the Library of Congress." Inks 1. (1994): 31–33. |
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| van de Kerckhove, Marcel. "Tintin en voyage: Une vision «belge» des mondes exotiques?." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 25–38. |
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| King, Terry. "Coming to Terms with Tightrope Tim: Three decades of heroes and villains in the australian comic strip." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 41–56. |
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| Koch, Gertrud. "Charlotte Salomons Buch ›Leben oder Theater?‹ als historischer Familienroman." Jüdische Kultur und Weiblichkeit in der Moderne. Eds. Inge Stephan, Sabine Schilling and Sigrid Weigel. Köln, Weimar, Wien: Böhlau, 1994. 103–17. |
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| Lambiek Comiclopedia. Accessed 11 Sept. 2009. [Online]. Available: http://lambiek.net/artists/. |
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| Le Guen, Annik. La trépidante histoire de Bécassine. Port Louis: Selbstverl. 1994. |
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| Lee-Smith, David. "Kiwis and Comics: A glimpse." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 105–10. |
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| Lent, John A. Animation, Caricature, and Gag and Political Cartoons in the United States and Canada. An International Bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Greenwood, 1994. |
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| Lent, John A. Comic Art of Europe: An international, comprehensive bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Greenwood, 1994. |
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| Last edited by: joachim 22/05/2013, 17:21 |
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| Lent, John A. Comic Books and Comic Strips in the United States. An International Bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Greenwood, 1994. |
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| Lettkemann, Gerd. "Die Digedags: Chronologie eines ddr-comics zwischen anpassung und widerstand im zeitgeschichtlichen kontext der jahre 1955–1964." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 86–99. |
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| Added by: joachim 28/09/2009, 13:44 |
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| Lettkemann, Gerd and Michael F. Scholz. »Schuldig ist schließlich jeder ... der Comics besitzt, verbreitet oder nicht einziehen läßt«: Comics in der ddr – die geschichte eines ungeliebten mediums (1945/49–1990). Berlin: Mosaik, 1994. |
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| Last edited by: joachim 23/06/2023, 16:43 |
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| Levine, Daniel. "Classica Americana Troglodytica: V. t. hamlin’s alley oop (apr. 1939–feb. 1940); the epics meet the comics." Classical and Modern Literature 14. (1994): 365–86. |
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| Mahlert, Ulrich. "»Gliedermann« und »Gott«: »der virtuos« von wilhelm busch." Wilhelm-Busch-Jahrbuch (1994): 7–25. |
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| Maigret, Eric. "La reconnaissance en demi-teinte de la bande dessinée." Réseaux 12. (1994): 113–40. |
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| Markstein, Donald D., ed. Hot Tips from Top Comics Creators: Over 250 professionals share more than 1,000 secrets of success. New York: Fictioneer, 1994. |
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| Martin, Richard. "Art Spiegelman's Maus – Or, the Way It Really Happened." Historiographic Metafiction in Modern American and Canadian Literature. Eds. Bernd Engler and Kurt Müller. Paderborn: Schöningh, 1994. 373–82. |
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| Maurin Abomo, Marie Rose. "«Tintin au Congo», ou la stratégie d’une démarche coloniale." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 57–74. |
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| McCloud, Scott. Comics richtig lesen. Hamburg: Carlsen, 1994. |
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| McCloud, Scott. Understanding Comics: The invisible art. New York: Harper, 1994. |
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| McGee, Graham. "Confessions of a Long Distance Collector." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 99–104. |
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| Montresor, Jaye Berman. "Comic Strip-Tease: A revealing look at women cartoon artists." Look Who's Laughing. Gender and Comedy. Ed. Gail Finney. Studies in Humor and Gender. Langhorne [etc.]: Gordon and Breach, 1994. 335–47. |
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| Nardi, Antonella. "Reportage aus dem Jenseits, oder: Dylan Dogs multimedialer Horror." Zibaldone (1994): 67–84. |
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| Ophüls-Kashima, Reinold. "Comics für Mädchen (shōjo manga) und Mädchenliteratur als Phänomene der modernen Massenkultur – eine Übersicht über neuere Publikationen." Japanstudien 5. (1994): 535–54. |
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| van Opstal, Huibrecht. Essay RG: Het fenomeen hergé. Hilversum: Delange, 1994. |
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| Orr, Philip. "The Anoedipal Mythos of Batman and Catwoman." Journal of Popular Culture 27. (1994): 169–82. |
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| Palandt, Ralf. "Typenrepräsentanzen in Raubcomics." Magisterarbeit M.A. Ludwig-Maximilian-Universität München, 1994. |
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| Last edited by: joachim 28/12/2010, 23:28 |
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