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Cremins, Brian. "“I Asked for Water (She Gave Me Gasoline)”: Tim truman’s scout and social satire in the independent comics of the 1980s." International Journal of Comic Art 5. (2003): 339–50. |
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Cremins, Brian. "Bodies, Transfigurations, and Bloodlust in Edie Fake’s Graphic Novel Gaylord Phoenix." Journal of Medical Humanities 34. (2013): 301–13. |
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Cressman, Jodi. "Company, counterbalance, and closure in Ellen Forney’s Marbles." Journal of Graphic Novels and Comics (2018): 1–14. |
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Croissant, Doris. "Sexualizing Cultural Memory: The manga hermeneutics of the tale of genji." Review of Japanese Culture and Society 15. (2003): 90–91. |
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Cromer, Michael and Penney Clark. "Getting Graphic with the Past: Graphic novels and the teaching of history." Theory & Research in Social Education 35. (2007): 574–91. |
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Crowley, John. "Unpacking: Ben katchor, the cardboard valise." Boston Review (2011). |
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Crucifix, Benoît. "Cut-Up and Redrawn: Reading charles burns’s swipe files." Inks 1. (2017): 309–33. |
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Crucifix, Benoît. "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." European Comic Art 10. (2017): 24–47. |
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Crucifix, Benoît. "From loose to boxed fragments and back again: Seriality and archive in chris ware’s building stories." Journal of Graphic Novels and Comics 9. (2018): 3–22. |
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Crucifix, Benoît and Gert Meesters. "The Medium Is the Message: Olivier schrauwen’s arsène schrauwen beyond expectations of autobiography, colonial history and the graphic novel." European Comic Art 9. (2016): 24–62. |
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Cuccolini, Giulio C. "In Search of Lost Time or Time Regained." International Journal of Comic Art 4. (2002): 26–39. |
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Cuccolini, Giulio C. "A Two-sided Narration through Words and Images." International Journal of Comic Art 12. (2010): 124–34. |
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Cullen, Peter Bryan. "True Believers: Stan lee and the legitimization of the comics fan community." Popular Culture Studies Journal 4. (2016): 359. |
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Cunningham, Phillip L. "The absence of black supervillains in mainstream comics." Journal of Graphic Novels and Comics 1. (2010): 51–62. |
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Curti, Giorgio Hadi. "The ghost in the city and a landscape of life: A reading of difference in shirow and oshii’s ghost in the shell." Environment and Planning D: Society and Space 26. (2008): 87–106. |
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Curtis, Neil. "Superheroes and the contradiction of sovereignty." Journal of Graphic Novels and Comics 4. (2013): 209–22. |
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Curtis, Neil. "Wonder Woman’s symbolic death: On kinship and the politics of origins." Journal of Graphic Novels and Comics 8. (2017): 307–20. |
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Curtis, Neal and Valentina Cardo. "Superheroes and third-wave feminism." Feminist Media Studies 18. (2018): 381–96. |
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Cwiklik, Gregory. "Understanding the Real Problem." The Comics Journal (1999): 62–66. |
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Czerwiec, MK. and Michelle N. Huang. "Hospice Comics: Representations of patient and family experience of illness and death in graphic novels." Journal of Medical Humanities 38. (2017): 95–113. |
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D’Agostino, Anthony Michael. "“Flesh-to-Flesh Contact”: Marvel comics’ rogue and the queer feminist imagination." American Literature 90. (2018): 251–81. |
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D’Agostino, Anthony Michael. "“Who are you?”: Representation, identification, and self-definition in black panther." Safundi 20. (2019): 1–4. |
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D’Amore, Laura Mattoon. "The Accidental Supermom: Superheroines and maternal performativity, 1963–1980." Journal of Popular Culture 45. (2012): 1226–48. |
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D’Arcangelo, Adele and Federico Zanettin. "Dylan Dog Goes to the USA: A north-american translation of an italian comic book series." Across Languages and Cultures 5. (2004): 187–210. |
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Dagilis, Andrew. "Uncle Sugar vs Uncle Charlie: An interview with the ’nam’s creator, doug murray." The Comics Journal (1990): 62–84. |
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Dahlman, Ian. "The Legal Surrealism of George Herriman’s Krazy Kat." Law Text Culture 16. (2012): 35–64. |
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Dallacqua, Ashley Kay. "Exploring Literary Devices in Graphic Novels." Language Arts 89. (2012): 365–78. |
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Dallacqua, Ashley Kaye. "“When I write, I picture it in my head”: Graphic narratives as inspiration for multimodal compositions." Language Arts 95. (2018): 273–86. |
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Dallet-Mann, Véronique. "Variations autour de la « Girlkultur » dans Thea, bande dessinée parue dans Das Heft. Die neue illustrierte Frauenzeitung (1929–31)." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 113–26. |
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Dammann, Günter. "Salem No. 6 – die beste Cigarette meines Lebens." Deutsche Comicforschung 2. (2006): 92–101. |
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Dammann, Günter. "»Detektiv Schmidtchen«." Deutsche Comicforschung 3. (2007): 86–98. |
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Dammann, Günter. "Die Comics von Roland Kohlsaat." Deutsche Comicforschung 7. (2011): 102–16. |
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Danehy, Cécile Vernier. "Le Bar du vieux Français ou la question de l’Autre." Études Francophones 20. (2005): 92–104. |
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Dangers, Robert. "Graphische Einheit von Bild und Schrift bei Wilhelm Busch." Wilhelm-Busch-Jahrbuch (1971): 27–34. |
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Danja, Monique. "Tarzan et Superman, ennemis des gosses." Droit et Liberté (1948): 10. |
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Danjoux, Ilan. "Reconsidering the Decline of the Editorial Cartoon." PS: Political Science and Politics 40. (2007): 245–48. |
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Dantzler, Jamoki Zakia. "How the Marvel Cinematic Universe Represents Our Quality World: An integration of reality therapy/choice theory and cinema therapy." Journal of Creativity in Mental Health 10. (2015): 471–87. |
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Danzak, Robin L. "Defining Identities Through Multiliteracies: El teens narrate their immigration experiences as graphic stories." Journal of Adolescent & Adult Literacy 55. (2011): 187–96. |
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Darda, Joseph. "Graphic Ethics: Theorizing the face in marjane satrapi’s persepolis." College Literature 40. (2013): 31–51. |
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Dardaillon, Sylvie and Christophe Meunier. "Paul à Québec, le génie des lieux comme patrimoine identitaire." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 87–102. |
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Dardess, George. "Bringing Comic Books to Class." College English 57. (1995): 213–22. |
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Darilek, Marion. "Gezeichnete Tiere: Transfers und transformationen von erzählmustern und wissensbeständen aus tierepos und fabel in benjamin renners fuchs-comic le grand méchant renard." Literaturwissenschaftliches Jahrbuch 59. (2018): 257–88. |
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Darling, Michael. "Plumbing the Depths of Superflatness." Art Journal 60. (2001): 76–89. |
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Darling-Wolf, Fabienne. "The “Lost” Miyazaki: How a swiss girl can be japanese and why it matters." Communication, Culture and Critique 9. (2016): 499–516. |
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Darras, Bernard. "Corto Maltese, l’espace recomposé par la conscience et la mémoire." MEI (2007): 135–47. |
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Dastidar, Diptarup Ghosh. "Prospects of Comics Studies in India." Gnosis Special Issue (2019): 113–28. |
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Dauber, Jeremy. "Comic Books, Tragic Stories: Will eisner's american jewish history." AJS Review 30. (2006): 277–304. |
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Daugherty, Gregory X. "“The Greatest Story Ever Drawn!” Cleopatra in American Comics." International Journal of Comic Art 11. (2009): 208–30. |
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Däumer, Matthias. "Ein wohlfrisierter Prinz im Reagenzglas: Hal fosters rezeption mittelalterlich-literarischer genderspezifika." Zeitschrift für Literaturwissenschaft und Linguistik 42. (2012): 126–40. |
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Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische graphic novel der boxer zwischen wahrheit und fiktion." Germanica 70. (2022): 49–62. |
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Davenport, Christian. "Black is the Color of My Comic Book Character: An examination of ethnic stereotypes." Inks 4. (1997): 20–28. |
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Davidova, Veronica. "‘Pedagogical’ and Ethnographic Fictions and Meta-narratives of Development: 1 World Manga." Journal of Development Studies 49. (2013). |
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Davidson, Sol M. "Culture & the Comic Strips." International Journal of Comic Art 5. (2003): 233–40. |
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Davidson, Sol M. "Games People Play in the Comic Strips." International Journal of Comic Art 7. (2005): 513–29. |
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Davidson, Sol M. "The Funnies’ Neglected Branch: Special Purpose Comics." International Journal of Comic Art 7. (2005): 340–57. |
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Davidson, Sol M. "Love Affair with a Unique Medium: Big Little Books." International Journal of Comic Art 8. (2006): 200–27. |
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Davidson, Rjurik. "Vagaries & Violence in V for Vendetta." Screen Education (2007): 157–62. |
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Davidson, Sol M. "Educational Comics: A family tree." International Journal of Comic Art 10. (2008): 519–80. |
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Davidson, Rjurik. "Fighting the Good Fight? Watching watchmen." Screen Education (2009): 18–23. |
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Davidson, Sol M. "Have Comics, Will Travel: Two hobbies, one great journey." International Journal of Comic Art 12. (2010): 243–74. |
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Davies, Paul Fisher. "‘Animating’ the narrative in abstract comics." Studies in Comics 4. (2013): 251–76. |
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Davies, Paul Fisher. "On the comics-nature of the Codex Seraphinianus." Studies in Comics 6. (2015): 121–32. |
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Davies, Dominic. "Braided geographies: Bordered forms and cross-border formations in refugee comics." Journal for Cultural Research 23. (2019): 124–43. |
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Davies, Dominic. "Dreamlands, Border Zones, and Spaces of Exception: Comics and graphic narratives on the us-mexico border." a/b: Auto/Biography Studies 35. (2020): 383–403. |
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Davies, Sr., Lewis J. "The multidimensional language of the cartoon: A study in aesthetics, popular culture and symbolic interaction." Semiotica (1995): 165–211. |
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Davis, Rocío G. "A Graphic Self: Comics as autobiography in marjane satrapi’s persepolis." Prose Studies 27. (2005): 264–79. |
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Davis, Julie. "Both Everyman and Other: “dilbert” as an exemplar of newspaper comics’ simultaneous identification and distance." International Journal of Comic Art 11. (2009): 176–94. |
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Davis, Rocío G. "Autographics and the History of the Form: Chronicling self and career in will eisner’s life, in pictures and yoshihiro tatsumi’s a drifting life." Biography 34. (2011): 253–76. |
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Davis, Rocío G. "Childhood and Ethnic Visibility in Gene Yang’s American Born Chinese." Prose Studies 35. (2013): 7–15. |
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Davis, Blair. "Beyond Watchmen." Cinema Journal 56. (2017): 114–19. |
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Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2. (2011): 177–93. |
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Dawe, Ian. "American Splendor and the universal grotesque." Studies in Comics 4. (2013): 43–58. |
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Dawidowski, Christian. "Die literarische Darstellung des Holocaust: Ein semiologisches modell zum beschreiben und erfassen von typologien." Zeitschrift für deutsche Philologie (2009): 591–613. |
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De, Pinaki. "Post-millennial comics anthologies in India: The long haul to longform." Journal of Graphic Novels and Comics 12. (2021): 1410–22. |
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De Dauw, Esther. "Homonormativity in Marvel’s Young Avengers: Wiccan and hulkling’s gender performance." Journal of Graphic Novels and Comics 9. (2018): 61–74. |
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De Dauw, Esther. "Homonormativity in Marvel’s Young Avengers: Wiccan and hulkling’s gender performance." Journal of Graphic Novels and Comics 9. (2018): 61–74. |
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De Dobbeleer, Michel. "Googling ‘Vice-President Ford’ and the ‘Keene Act’: The discovery of watchmen’s uchronical universe, twenty years after publication." Studies in Comics 2. (2011): 159–75. |
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De Dobbeleer, Michel. "Do you need foreknowledge about Bulgakov and Woland?: making juliane blank’s comics adaptation parameters more flexible." Neohelicon (2022). |
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Dean, Michael. "Fine Young Cannibals: How phil seuling and a generation of teenage entrepreneurs created the direct market and changed the face of comics." The Comics Journal (2006): 49–59. |
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