| Catalá-Carrasco, Jorge L. "Neoliberal expulsions, crisis, and graphic reportage in Spanish comics." Romance Quarterly 64. (2017): 172–84. |
 
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| Catalina, Andreea-Nicoleta and Monica Bottez. "Retrieving Rightfulness – The White Moor Fairy Tale Comic Strip and the Acknowledgment by Postmodernist Readers of an Emerging Genre." Romanian Journal of English Studies 12. (2015): 1–9. |
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| Catani, Damian. "Louis-Ferdinand Céline, literary genius or national pariah? Defining moral parameters for influential cultural figures, post-charlie hebdo." French Cultural Studies 27. (2016): 268–78. |
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| Cathcart, Adam. "Cruel Resurrection: Chinese Comics and the Korean War." International Journal of Comic Art 6. (2004): 37–55. |
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| Cathcart, Adam. "Atrocities, Insults, and »Jeep Girls«: Depictions of the U.S. Military in China, 1945–1949." International Journal of Comic Art 10. (2008): 140–54. |
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| Ceviker, Turgut. "The City and Housing in Turkish Cartoons." International Journal of Comic Art 1. (1999): 127–31. |
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| Chalmers, John and Sandra Marrs. "Meeting with metaphrog." International Journal of Comic Art 10. (2008): 18–23. |
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| Chanda, Anurima. "How Do the French have Fun in India: A study of representations in tintin and asterix." Rupkatha Journal on Interdisciplinary Studies in Humanities 7. (2015): 179. |
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| Chandra, Nandini. "The Prehistory of the Superhero Comics in India (1976–1986)." Thesis Eleven 113. (2012): 57–77. |
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| Chaney, Michael A. "The Dismantling Evolution of Heroes: Aquaman’s amputation." International Journal of Comic Art 1. (1999): 55–65. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." College Literature 38. (2011): 21–44. |
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| Chaney, Michael A. "Slave Memory Without Words in Kyle Baker’s Nat Turner." Callaloo 36. (2013): 279–97. |
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| Chao, Tien-yi. "Transmutation of worlds: Adaptation and transformation in fullmetal alchemist the movie: conqueror of shamballa." Studies in Comics 4. (2013): 159–70. |
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| Chao, Tien-yi. "Transgression of taboos: Eroticising the master–servant relationship in blue morning." Journal of Graphic Novels and Comics 6. (2015): 382–97. |
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| Chapman, Jane and Daniel Ellin. "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." Australian Journal of Communication 39. (2012): 1–22. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the making of reflective memory in art spiegelman’s maus." Arizona Quarterly 57. (2001): 91–120. |
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| Charnay, Thierry. "Le sens de la lecture ou le plaisir du verbe." Ethnologie française 28. (1998): 350–59. |
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| Chase, Gregory. "In the Gutter: Comix theory." Studies in Comics 3. (2012): 107–28. |
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| Chatterjee, Sushmita. "Cartooning Democracy: The images of r.k. laxman." PS: Political Science and Politics 40. (2007): 303–06. |
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| Chattopadhyay, Dhiman. "Can comic books influence consumer awareness and attitude towards rape victims and perpetrators in India? The case of priya’s shakti." Journal of Graphic Novels and Comics (2017): 1–19. |
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| Chavanne, Renaud. "The Composition of Comics." European Comic Art 8. (2015): 111–44. |
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| Chavanne, Renaud. "The Bunker and the Desert: On the motif of the cube-panel in inside moebius." European Comic Art 13. (2020): 6–36. |
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| Chavarria, Tony. "Indigenous Comics in the United States." World Literature Today 83. (2009): 47–49. |
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| Chavez, Deborah. "Perpetuation of Gender Inequality: Content analysis of comic strips." Sex Roles 13. (1985): 93–101. |
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| Chavez Vaca, Wladimir. "The Film Noir’s Aesthetics in a Graphic Novel: The case of angelus hostis (2012)." International Journal of Comic Art 19. (2017): 97–123. |
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| Chekalov, Denis. "Comics: The World, If You Blink Slowly." International Journal of Comic Art 7. (2005): 39–55. |
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| Chen, Jin-Shiow. "The Comic/Anime Fan Culture in Taiwan: With focus on adolescent’s experience." Journal of Social Theory in Art Education 23. (2003): 89–103. |
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| Chen, Jin-Shiow. "Meditating on the Voiceless Words of the Invisible Other: Young female animé fan artists—narratives of gender images." Journal of Social Theory in Art Education 24. (2004): 213–33. |
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| Chen, Jin-Shiow. "A Study of Fan Culture: Adolescent experiences with animé/manga doujinshi and cosplay in taiwan." Visual Arts Research 33. (2007): 14–24. |
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| Chen, Lindsey N. "Ethnic Marked Names as a Reflection of United States Isolationist Attitudes in Uncle $crooge Comic Books." Names: A Journal of Onomastics 56. (2008): 19–22. |
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| Cheng, Fang. "What Is Humor?." International Journal of Comic Art 8. (2006): 347–62. |
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| Cheng, Fang. "Fang Cheng's Theories on Humor and Cartooning." International Journal of Comic Art 9. (2007): 478–510. |
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| Cheng, Fang. "Long Live, Brother Bing!." International Journal of Comic Art 9. (2007): 644–46. |
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| Cheng, Paul. "The Smartest Comic on Earth: Metafiction in chris ware’s acme novelty library #16." International Journal of Comic Art 11. (2009): 88–102. |
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| Cheng Chua, Karl Ian Uy. "The Stories They Tell: Komiks during the japanese occupation, 1942–1944." Philippine Studies 53. (2005): 59–90. |
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| Cheng Chua, Karl Ian Uy. "Boy meets world: The worldview of shōnen kurabu in the 1930s." Japan Forum 28. (2016): 74–98. |
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| Cherian, Ajith. "The Value of Comics Journalism in Our Post Truth World." Gnosis Special Issue (2019): 201–13. |
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| Cheurfa, Hiyem. "Testifying Graphically: Bearing witness to a palestinian childhood in leila abdelrazaq’s baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82. |
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| Chew, Matthew M. and Lu Chen. "Media Institutional Contexts of the Emergence and Development of Xinmanhua in China." International Journal of Comic Art 12. (2010): 171–91. |
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| Chew, Evelyn and Alex Mitchell. "Multimodality and Interactivity in “Natively” Digital Life Stories." Poetics Today 40. (2019): 319–53. |
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| Childress, Kirby. "Abjection of the bisexual self: How haptic visuality brings internalized biphobia to screen in collard’s les nuits fauves and kechiche’s la vie d’adèle." Queer Studies in Media & Popular Culture 3. (2018): 335–45. |
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| Chimombo, Steve. "The Trickster and the Media." Baraza: A Journal of the Arts in Malawi 2. (1984): 3–21. |
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| Chimombo, Steve. "The Dupe in Modern Context." Baraza: A Journal of the Arts in Malawi 3. (1986): 48–68. |
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| Chimot, Jean-Philippe. "Tardi : dessiner, illustrer." Sociétés & Représentations (2010): 25–39. |
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| Chin, Vivian Fumiko. "Gestures of Noncompliance: Resisting, inventing, and enduring in citizen 13660." Amerasia Journal 30. (2004): 23–42. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three students’ think-aloud protocols of gettysburg: the graphic novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46. (2008): 99–114. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus: Holocaust narratives in controversial media." International Journal of Comic Art 20. (2018): 615–48. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." Avant Garde Critical Studies 25. (2010): 201–11. |
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| Choate, Gilbert. "James Joyes, Picasso, Stravinsky, and Spiegelman." Alternative Media 10. (1978): 5–7. |
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| Choi, Jinhee. "Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of awl social justice themes." East Asian Journal of Popular Culture 3. (2018): 111–27. |
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| Choo, Kukhee. "Girls Return Home: Portrayal of femininity in popular japanese girls’ manga and anime texts during the 1990s in hana yori dango and fruits basket." Women 19. (2008): 275–96. |
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| Christiansen, Ole Johan and Thomas Plischke. "Übermenschen aus der Neuen Welt: Wie das land der freien zum land der superhelden wurde." Das Science Fiction Jahr 8. (2009): 53–75. |
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| Christopher, Stephen and Gabrielle Laumonier. "The eroticization of Tibetan monks in shōnen-ai and yaoi manga." East Asian Journal of Popular Culture 9. (2023): 83–102. |
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| Chudoliński, Michał. "Neurotyczny Rycerz: Reminiscencja azylu arkham granta morrisona i dave’a mckeana." Kultura popularna 61. (2019): 86–103. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching maus." Journal of Adolescent & Adult Literacy 53. (2009): 144–53. |
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| Chung, Christina. "Holy Fandom, Batman! Commercial fan works, fair use, and the economics of complements and market failure." Journal of Science & Technology Law 19. (2013): 367–404. |
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| Chute, Hillary. "An Interview with Alison Bechdel." Modern Fiction Studies 52. (2006): 1004–13. |
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| Chute, Hillary. "Decoding Comics." Modern Fiction Studies 52. (2006): 1014–27. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52. (2006): 199–230. |
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| Last edited by: joachim 20/01/2013, 20:26 |
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| Chute, Hillary. "An Interview with Scott McCloud: “if you did a series of stained-glass windows telling the story of your life you’d be making comics. so if that leaves the family circus on the side of the road, so be it”." The Believer (2007). |
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| Chute, Hillary. "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." American Periodicals 17. (2007): 228–44. |
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| Chute, Hillary. "An Interview with Charles Burns: “i’m slowly learning to draw every human being in the united states”." The Believer (2008). |
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| Last edited by: joachim 31/12/2020, 15:56 |
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| Chute, Hillary. "An Interview with Lynda Barry: “somehow people started to actually start to like it, once they understood that i wasn’t making fun of the situation, but that a comic strip could contain something sad, like a song”." The Believer (2008). |
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| Chute, Hillary. "Comics as Literature? Reading graphic narrative." PMLA 123. (2008): 452–65. |
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| Chute, Hillary. "Ragtime, Kavalier & Clay and the Framing of Comics." Modern Fiction Studies 54. (2008): 268–301. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36. (2008): 92–110. |
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| Last edited by: joachim 03/08/2011, 11:32 |
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| Chute, Hillary. "An Interview with Aline Kominsky-Crumb: “the way i drew degrading, ugly sex and everything—it was really a turn-off to men. they hate it”." The Believer (2009). |
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| Chute, Hillary. "An Interview with Phoebe Gloeckner: “the relationship of a single illustration to the text is just by nature redundant”." The Believer (2010). |
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| Added by: joachim 31/12/2020, 16:13 |
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| Chute, Hillary. "An Interview with Joe Sacco: “when you draw, you can always capture that moment. you can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. i realize now there’s a lot of power in that”." The Believer (2011). |
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| Added by: joachim 31/12/2020, 16:29 |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Added by: joachim 22/06/2014, 16:16 |
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| Chute, Hillary. "Secret Labor: Sketching the connection between poetry and comics." Poetry (2013). |
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| Chute, Hillary. "Feminist Graphic Art." Feminist Studies 44. (2018): 153–70. |
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| Chute, Hillary and Marianne DeKoven. "Introduction: Graphic narrative." Modern Fiction Studies 52. (2006): 767–82. |
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| Ciasullo, Ann M. "The Lighter—and Weightier—Side of Mad, Or: Everything I Needed to Know About Gender and Sexuality I Learned from Dave Berg." Studies in American Humor (2014): 77–94. |
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| Cicci, Matthew. "Marvel Team-Up: Hawkeye, loki and the inescapable, innate resistance of the female superhero comic fan." Journal of Comics and Culture 1. (2016): 95–122. |
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| Clark, J. Spencer. "“Your Credibility Could Be Shot”: Preservice teachers’ thinking about nonfiction graphic novels, curriculum decision making, and professional acceptance." The Social Studies 104. (2013): 38–45. |
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| Clark, Rebecca. "Good grief: Notes on (re)animating thomas hoccleve in comics." postmedieval 8. (2017): 479–99. |
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| Clark, Daniel D. "Manga's Christian Other in Naoki Urasawa’s 20th Century Boys and Suu Minazuki’s Judas." International Journal of Comic Art 20. (2018): 598–614. |
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| Clark, Catherine and Jennifer Jacobs Henderson. "‘Oh, my god! I CAN FLY!’: Female agency in marvel’s runaways." Journal of Graphic Novels and Comics 10. (2019): 210–27. |
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| Clarke, M. J. "The production of the Marvel Graphic Novel series: The business and culture of the early direct market." Journal of Graphic Novels and Comics 5. (2014): 192–210. |
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| Clarke, M. J. "Fluidity of figure and space in Osamu Tezuka’s Ode to Kirihito." Journal of Graphic Novels and Comics 9. (2018): 23–48. |
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| Clarkson, Alexander. "Virtual Heroes: Boys, masculinity and historical memory in war comics 1945–1995." Thymos 2. (2008): 175–85. |
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| Clausberg, Karl. "Bedeutungsvolle Bewegungsfolgen: Bild-erzählungen vor der kinematographie." Kunst + Unterricht (2010): 79–83. |
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| Claverie, Ezra. "Ambiguous Mr. Fox: Black actors and interest convergence in the superhero film." Journal of American Culture 40. (2017): 155–68. |
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