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| Shay, Maureen. "Uprooting genealogy in G.B. Tran’s Vietnamerica." Journal of Postcolonial Writing 52. (2016): 428–44. |
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| Sheppard, Alice. "There Were Ladies Present: American women cartoonists and comic artists in the early twentieth century." Journal of American Culture 7. (1984): 38–48. |
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| Shutt, Craig. "The Long Running Comic (Book) Career of Jerry Lewis." Hogan’s Alley (2020): 16–27. |
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| Shyminsky, Neil. "Mutant Readers, Reading Mutants: Appropriation, assimilation, and the x-men." International Journal of Comic Art 8. (2006): 387–405. |
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| Shyminsky, Neil. "“Gay” Sidekicks: Queer anxiety and the narrative straightening of the superhero." Men and Masculinities 14. (2011): 288–308. |
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| Sidogi, Pfunzo. "The Emergence of Black Cartoon Animators in South Africa: a spotlight on the work of mdu ntuli." International Journal of Comic Art 16. (2014): 208–22. |
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| Sidogi, Pfunzo. "Supa Strikas: Transnational afropolitan superheroes." International Journal of Comic Art 20. (2018): 242–54. |
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| Sierra Barra, Sebastian. "X-MEN: Evolutionstheoretische spekulationen." kritische berichte 39. (2011): 71–81. |
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| Signe Morrison, Susan. "Grendel's Mother in Fascist Italy: Beowulf in a catholic youth publication." International Journal of Comic Art 20. (2018): 331–48. |
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| Sillars, Stuart. "Defining spaces in eighteenth-century Shakespeare illustration." Shakespeare 9. (2013): 149–67. |
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| da Silva, Nadilson Manoel. "Brazilian Adult Comics: The age of market." International Journal of Comic Art 1. (1999): 187–204. |
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| da Silva, Nadilson Manoel. "Viz Comic: Carnival and Commercialization." International Journal of Comic Art 4. (2002): 248–68. |
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| da Silva, Nadilson Manoel. "Maurício de Souza and the Development of the Market for Children in Brazilian Comics: a turma da mõnica (monica's gang)." International Journal of Comic Art 10. (2008): 660–69. |
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| de Silva, Annemari. "Political Cartoonists and Cencorship in Sri Lanka." International Journal of Comic Art 20. (2018): 297–330. |
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| Singer, Marc. "“Black Skins” and White Masks: Comic books and the secret of race." African American Review 36. (2002): 107–19. |
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| Singer, Marc. "Unwrapping The Birth Caul: Word, performance, and image in the comics text." International Journal of Comic Art 6. (2004): 236–49. |
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| Singer, Marc. "“A Serious House on Serious Earth”: Rehabilitating arkham asylum." International Journal of Comic Art 8. (2006): 269–82. |
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| Singer, Marc. "Embodiments of the Real: The counterlinguistic turn in the comic-book novel." Critique. Studies in Contemporary Fiction 49. (2008): 273–90. |
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| Singer, Marc. "Dark Genesis: Falls from language and returns to eden from ‘pog’ to promethea." Studies in Comics 2. (2011): 93–104. |
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| Singer, Marc. "The myth of Eco: Cultural populism and comics studies." Studies in Comics 4. (2013): 355–66. |
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| Singsen, Doug. "An alternative by any other name: Genre-splicing and mainstream genres in alternative comics." Journal of Graphic Novels and Comics 5. (2014): 170–91. |
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| Slipp, Nicole. "Ménage à 3: Webcomics, creative freedom, and sexual diversity." Journal of Comics and Culture 2. (2017): 29–46. |
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| Smid, Gioia. "Pim and Pom, the cats with nine lives." Animation Practice, Process & Production 2. (2012): 49–63. |
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| Smith, Jimmy. "Beyond Maus: The experimental comics of art spiegelman." Book 2.0 1. (2011): 47–56. |
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| Smith, Greg M. "Surveying the World of Contemporary Comics Scholarship: A conversation." Cinema Journal 50. (2011): 135–47. |
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| Smith, Philip. "A Priest Dressed as a Man of Letters: Gene luen yang’s boxers and saints and the legacy of father matteo ricci." International Journal of Comic Art 16. (2014): 288–99. |
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| Smith, Philip. "Wiz Kids, nuclear bombs, and Marvel’s Hazmat." Journal of Graphic Novels and Comics 5. (2014): 383–96. |
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| Smith, Michael. "Embracing Dionysius in Alan Moore’s Swamp Thing." Studies in the Novel 47. (2015): 365–80. |
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| Soares, Michael. "The Man of Tomorrow: Superman from american exceptionalism to globalization." Journal of Popular Culture 48. (2015): 747–61. |
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| Sobczak, Lilianna and Jan Ratuszniak. "Stereotypy dotyczące ZSRR i Rosji w komiksie „Tintin reporter du Petit Vingtieme au Pays des Soviets” Hergé (1929–1930)." Symbolae Europaeae 6. (2013): 57–69. |
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| Somers Jr., Paul P. "Krauts Hinaus: Graphic stereotypes of german-americans before and during world war i." International Journal of Comic Art 2. (2000): 191–205. |
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| Sommerland, Ylva and Margareta Wallin Wictorin. "Writing Comics into Art History and Art History into Comics Research." Konsthistorisk tidskrift/Journal of Art History 86. (2017): 1–5. |
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| Soper, Kerry D. "Gentrifying the Alternatives or Alternifying the Mainstream? Consolidation, incorporation, and the state of comic strip satire in alternative weeklies, 1985–2000." International Journal of Comic Art 3. (2001): 189–201. |
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| Soper, Kerry D. "From Swarthy Ape to Sympathetic Everyman and Subversive Trickster: The development of irish caricature in american comic strips between 1890 and 1920." Journal of American Studies 39. (2005): 257–96. |
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| Soper, Kerry. "Performing ‘Jiggs’: Irish caricature and comedic ambivalence toward assimilation and the american dream in george mcmanus’s bringing up father." Journal of the Gilded Age and Progressive Era 4. (2005): 173–213. |
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