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Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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Berndt, Caroline M. "Popular Culture as Political Protest: Writing the Reality of Sexual Slavery." Journal of Popular Culture 31.(1997): 177–87. |
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Berndt, Jaqueline. "Beweglich, flächig, glatt: »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi." Facetten der japanischen Populär- und Medienkultur 1.(2005): 5–36. |
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Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54.(2006): 28–41. |
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Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 Manhwa Exhibit in Angoulême from the Perspective of Manga Studies." Orientaliska Studier (2016): 143–69. |
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Beronä, David A. "Breaking Taboos: Sexuality in the Work of Will Eisner and the Early Wordless Novels." International Journal of Comic Art 1.(1999): 90–103. |
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Beronä, David A. "Pumping Iron: Male Stereotypes in Delisle’s Albert et les Autres." International Journal of Comic Art 6.(2004): 299–315. |
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Bertin, Jean-Marie. "Thoughts and Views on Raymond Peynet, French Artist and Universal Poet." International Journal of Comic Art 3.(2001): 109–19. |
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Bertin, Jean-Marie. "Press Cartoons in France: A Short History." International Journal of Comic Art 11.(2009): 231–71. |
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Best, Mark. "Domesticity, Homosociality, and Male Power in Superhero Comics of the 1950s." Iowa Journal of Cultural Studies 6.(2005): 80–99. |
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Bhadury, Poushali. "“There is no such thing as a straight woman”: Queer female representations in South Asian graphic narratives." Journal of Lesbian Studies 22.(2018): 424–34. |
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Bhat, Shilpa Daithota. "Sita-centric Revisionism in Sita’s Ramayana, Androcentric Encoding and Conceptualizing the Diasporic abla nari." Journal of Graphic Novels and Comics (2021): 1–18. |
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Bhatia, Tej K. "Super‐heroes to super languages: American popular culture through South Asian language comics." World Englishes 25.(2006): 279–98. |
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Bhattacharjee, Partha and Priyanka Tripathi. "‘Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel." Gnosis 5.(2019): 263–74. |
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Bhattacharjee, Partha and Priyanka Tripathi. "“Traumics”: Genesis and Journey of Trauma Narratives in Comics." Gnosis Special Issue (2019): 26–44. |
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Bickermann, Daniel. "Comic Relief." Schnitt (2004). |
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Bigelow, Susan J. "Technologies of Perception: Miyazaki in Theory and Practice." Animation 4.(2009): 55–75. |
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Bindi, Valerio. "All’ombra delle foglie: Fumetto – città – eterotopia." Controspazio (2005). |
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Bingxiong, Liao. "Speaking Out on Going To Make a Will." International Journal of Comic Art 9.(2007): 647–49. |
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Bird, Lawrence. "States of Emergency: Urban Space and the Robotic Body in the Metropolis Tales." Mechademia 3.(2008): 127–48. |
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Birk, Tammy. "Mother, Come Home: Trauma, Time, and Groundskeeping the Disaster." American Imago 77.(2020): 497–531. |
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Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der Holocaust-Comic Die Suche für den Deutschunterricht?." kjl&m 62.(2010): 56–63. |
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Bissette, Stephen R., et al. "Curious His Entire Life: Remembering Tom Roberts." International Journal of Comic Art 20.(2018): 453–69. |
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Bistis, Margo. "Bad Art: The Decline of Academic Art in the Caricatural Salon." International Journal of Comic Art 7.(2005): 126–48. |
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Bitz, Michael. "The Comic Book Project: The Lives of Urban Youth." Art Education 57.(2004): 33–39. |
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Bitz, Michael and Obiajulu Emejulu. "Creating Comic Books in Nigeria." Journal of Adolescent & Adult Literacy 59.(2016): 431–41. |
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Bjegac, Vesna and Anna Waczek. "Spiel mit Perspektiven: Hilda und der Mitternachtsriese von Luke Pearson." Praxis Deutsch (2015): 15–18. |
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Black, Jake. "Flop of Steel: Why “It's a Bird, It's a Plane, It's Superman” Did Not Fly Over Broadway." International Journal of Comic Art 7.(2005): 546–52. |
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Black, James Eric. "Amoozin’ but Confoozin’: Comic Strips as a Voice of Dissent in the 1950s." ETC. A Review of General Semantics 66.(2009). |
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Blackbeard, Bill. "The Four Color Paper Trail: A Look Back." International Journal of Comic Art 5.(2003): 205–15. |
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Blackbeard, Bill. "Iggy, Pin a Rose on Milt! The Screwloose and Fancy-Free Career of Milt Gross." The Comics Journal. Special Edition (2005): 98–105. |
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Blackmore, Tim. "The Dark Knight of Democracy: Tocqueville and Miller Cast Some Light on the Subject." Journal of American Culture 14.(1991): 37–56. |
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Blackmore, Tim. "Blind Daring: Vision and Revision of Sophocles’s Oedipus Tyrranus [sic] in Frank Miller’s Daredevil: Born Again." Journal of Popular Culture 27.(1993): 135–62. |
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Blackmore, Tim. "Cerebus: From aardvark to Vanaheim, reaching for creative heaven in Dave Sim’s hellish world." Canadian Children’s Literature (1993): 57–78. |
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Blackmore, Tim. "Doug Murray’s The ’Nam, a comic battle for Vietnam at home and abroad." LIT. Literature Interpretation Theory 5.(1994): 213–25. |
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Blackmore, Tim. "Krazy as a Fool: Erasmus of Rotterdam's Praise of Folly and Herriman of Coconino's Krazy Kat." Journal of Popular Culture 31.(1997): 19–46. |
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Blackmore, Tim. "McCay’s McChanical Muse: Engineering Comic Strip Dreams." Journal of Popular Culture 32.(1998): 15–38. |
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Blackmore, Tim. "300 AND TWO: Frank Miller and Daniel Ford Interpret Herodotus’s Thermopylae Myth." International Journal of Comic Art 6.(2004): 325–49. |
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Bladow, Kyle. "Framing Storytelling: Indigenous Graphic Narratives." Journal of Popular Culture 52.(2019): 35–52. |
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Blake, Matthew. "Political and Promotional Conceptions in Woody Guthrie’s People’s World Cartoons." International Journal of Comic Art 10.(2008): 387–406. |
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Blake, Charlie. "Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore." Studies in Comics 2.(2011): 121–34. |
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Blanc-Hoàng, Henri-Simon. "Colonialism, postcolonialism and science fiction comics in the Southern Cone." Studies in Comics 8.(2017): 29–49. |
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Blanchard, Gérard. "Le véritable domaine de la bande dessinée." Communication et langages (1969): 56–69. |
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Blanco de la Cruz, Caridad. "Always the Other One: Salomón." International Journal of Comic Art 2.(2000): 178–89. |
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Blank, Juliane. "Alles ist zeigbar? Der Comic als Medium der Wissensvermittlung nach dem iconic turn." KulturPoetik 10.(2010): 214–33. |
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Blank, Juliane. "‘… But Is It Literature?’: Graphic Adaptation in Germany in the Context of High and Popular Culture." European Comic Art 10.(2017): 74–93. |
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Blatt, Ari J. "The interphototextual dimension of Annie Ernaux and Marc Marie’s L’usage de la photo." Word & Image 25.(2009): 46–55. |
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Blau, Arno. "»Comic books« … und was sagt der Taubstummenlehrer dazu?." Neue Blätter für Taubstummenbildung 89.(1955): 101–03. |
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Bleton, Paul and Christian-Marie Pons. "L’image espionne." Urgences (1991): 59–72. |
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Blin-Rolland, Armelle. "Narrative Techniques in Tardi’s Le Der des ders and Voyage au bout de la nuit." European Comic Art 3.(2010): 23–36. |
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Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques Carelman’s and Clément Oubrerie’s Zazie dans le métro." European Comic Art 6.(2013): 88–109. |
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Blin-Rolland, Armelle. "Re-inventing the origins of the boy who wouldn’t grow up: Régis Loisel’s Peter Pan." Studies in Comics 5.(2014): 275–92. |
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Bliss, Jennifer Anderson. "Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare." Mosaic 49.(2016): 73–92. |
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Blumberg, Arnold T. "“The Night Gwen Stacy Died”: The End of Innocence and the “Last Gasp of the Silver Age”." International Journal of Comic Art 8.(2006): 197–211. |
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Blumberg, Fran C., Kristen P. Bierwirth, and Allison J. Schwartz. "Does cartoon violence beget aggressive behavior in real life? An opposing view." Early Childhood Education Journal 36.(2008): 101–04. |
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Blume, Otto-Michael. "A nos amours …: Die Emotionen Titeufs beschreiben." Der Fremdsprachliche Unterricht. Französisch 43.(2009): 10–13. |
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Blume, Otto-Michael. "Au bord de l'éclatement: Beziehungsgeflechte in der BD »No limits« analysieren." Der Fremdsprachliche Unterricht. Französisch 43.(2009): 30–35. |
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Boatright, Michael D. "Graphic Journeys: Graphic Novels’ Representations of Immigrant Experiences." Journal of Adolescent & Adult Literacy 53.(2010): 468–76. |
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Bocklage, Katja and Nina Otto. "»Fusillés pour lʼexemple«: Zur Darstellung des Ersten Weltkriegs im Werk von Jacques Tardi." Krieg und Literatur / War and Literature 24.(2018): 25–44. |
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Boehm, Carl. "‘Hiro’ of the Platonic: Neal Stephenson’s Snow Crash." Journal of the Fantastic in the Arts 14.(2004): 394–408. |
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Boelderl, Artur R. "»Der Kampf ums Dasein kennt keine Jahreszeiten«. Zur kognitiven Leistung der populär-literarischen Gattung ›comic strip‹." ide 18.(1994): 109–24. |
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Boer, Nienke. "Taking a Joke Seriously: Mickey Mouse and William Kentridge." MLN 128.(2013): 1146–69. |
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Boerman-Cornell, William. "History Is Relatives: Educational Affordances of the Graphic Novel in The Magical Life of Long Tack Sam." International Journal of Comic Art 12.(2010): 147–56. |
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Bogart, Leo. "Adult Talk About Newspaper Comics." American Journal of Sociology 61.(1955): 26–30. |
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Böger, Astrid. "Conquering Silence: David Small’s Stitches and the Art of Getting Better." Amerikastudien 56.(2011): 603–16. |
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Boillat, Alain. "Récit(s) en fragments: Logiques sérielle et mondaine dans Little Nemo in Slumberland de Winsor McCay." Études de Lettres (2013): 93–124. |
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Boillat, Alain. "Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-war Years." European Comic Art 10.(2017): 9–23. |
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Boime, Albert. "Roy Lichtenstein and the Comic Strip." Art Journal 28.(1968–69): 155–59. |
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Boime, Albert. "The Comic Stripped and Ash Canned: A Review Essay." Art Journal 32.(1972): 21–25+30. |
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Bökös, Borbála. "Palimpsestuous Intermediality: Paul Auster’s City of Glass (1985) and City of Glass: The Graphic Novel (1994)." Hungarian Journal of English and American Studies 20.(2014). |
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Boler, Megan. "The Risks of Empathy: Interrogating Multiculturalism’s Gaze." Cultural Studies 11.(1997): 253–73. |
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Bollom, Brandon B. and Shawn N. Mckinney. "Alphonse Marie Mucha: Posters, Panels … and Comics Books?." International Journal of Comic Art 7.(2005): 149–79. |
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Boltanski, Luc. "La constitution du champ de la bande dessinée." Actes de la recherche en sciences sociales 1.(1975): 37–59. |
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Bolton, Christopher. "UAAAAA! Trashkultur! An Interview with MAK’s Johannes Wieninger." Mechademia 2.(2007): 298–300. |
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Bolton, Christopher. "From Ground Zero to Degree Zero: Akira from Origin to Oblivion." Mechademia 9.(2014): 295–315. |
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Bongco, Mila. "On the Language of Comics and the Reading Process." Medien & Zeit 16.(2001): 14–21. |
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Bonifazio, Paola. "Photoromance, she read: Fandom and the politics of Italian media." Journal of Italian Cinema & Media Studies 10.(2022): 3–17. |
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Borcherding, Vivien, Caroline Mertins, and Alexander Riemer. "Abweichung von der Norm: Harvey Kurtzmans Frontline Combat (1951–1954)." Krieg und Literatur / War and Literature 24.(2018): 7–24. |
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Borchert, Karlheinz. "Ohne Schirm, Charme und Melone: Torpedo – der Killer als böser Held." Comic Jahrbuch (1988): 87–100. |
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Borchert, Karlheinz. "Vom Besteigen der Zugspitze in Turnschuhen: Comic-Journalismus in Deutschland." Comic Jahrbuch (1988): 211–39. |
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Borchert, Karlheinz. "Wenn Assoziationen zu Handlungen werden: Moebius’ Erzähltechnik." Comic Jahrbuch (1991): 84–92. |
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Borchert, Karlheinz. "Die Körpersprache als künstlerisches Ausdrucksmittel: Zum graphischen Erzählen von Will Eisner." Comic Almanach (1993): 79–89. |
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Borchert, Karlheinz. "Im Schlupfwinkel des Vertrauten: Hansrudi Wäscher und das Golden Age deutscher Comics." Comic Almanach (1993): 20–29. |
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