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Baetens, Jan. "Entre transposition et imagination : à propos de Détective (1991): Jan Baetens s’entretient avec Antonio Altarriba." Formules (2013): 55–61. |
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Baetens, Jan. "Reworking or Making Up? A Note on Photonovels in Diarmuid Costello’s Approach of Medium Theory." Critical Inquiry 41.(2014): 163–66. |
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Baetens, Jan and Hugo Frey. "‘Layouting’ for the plot: Charles Burns and the clear line revisited." Journal of Graphic Novels and Comics 8.(2017): 193–202. |
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Bailey, Alan R. "Invited Dialogue: Nonfiction Graphic Novels in Children’s Literature. An Interview with Maris Wicks and Calista Brill." Language Arts 95.(2018). |
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Bainbridge, Jason. "Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko." Law Text Culture 16.(2012): 217–42. |
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Baker, Neal. "The Representation of Québec in Marvel Comics’ Alpha Flight." Québec Studies 40.(2005/2006): 65–77. |
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Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-Role Stereotyping of Superheroes in Children’s Animated Programs." Mass Communication and Society 10.(2007): 25–41. |
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Baldwin, Summerfield. "A Genius of the Comic Page." Cartoons Magazine 11.(1917): 802–08. |
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Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank Girl and the Borg Queen." Journal of Feminist Studies in Religion 28.(2012): 5–24. |
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Ball, Blake Scott. "“Snoopy is the hero in Vietnam”: Ambivalence, empathy, and Peanuts’ Vietnam war." The Sixties 9.(2016): 54–78. |
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Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu Tardis und Legrands Der Kakerlakenkiller." Reddition 27.(2010): 46–49. |
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Ballis, Anja. "Die Überlebenden und ihre Kinder: Die Graphic Novel »Ich war das Kind von Holocaust-Überlebenden« als Unterrichtslektüre (Klassenstufen 9–10)." Deutschunterricht 65.(2012): 9–10. |
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Balzer, Jens. "Materialität und Geometrie: Comics von »Frigo«, »Amok« und »L’Association«." Schreibheft (1998): 137–38. |
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Balzer, Jens. "Montage und Piktogramm: Comics aus Arcade und RAW." Schreibheft (1998): 55–56. |
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Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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Balzer, Jens. "Handgriff (A) des seriellen Erzählens: Rube Goldberg und seine Maschinen." Schreibheft (1999): 189–91. |
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Balzer, Jens. "Revue der Erniedrigungen: Winsor McCays Dreams of the Rarebit Fiend." Schreibheft (1999): 159–61. |
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Balzer, Jens and Martin tom Dieck. "Nicht versöhnt: Bilder und Texte im Comic." Schreibheft (1998): 47–50. |
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Balzer, Jens and Ole Frahm. "Mumien in der Akademie!? Perspektiven der Comic-Forschung." Comic Almanach (1992): 95–100. |
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Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21.(1993): 50–62. |
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Balzer, Jens and Ole Frahm. "Das Projekt »Arbeitsstelle für Graphische Literatur« in Hamburg." Comics Anno (1995): 284–85. |
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Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit: Zeitgeschichte im Comic." Geschichte und Gesellschaft 37.(2011): 47–71. |
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Balzer, Jens and Christian Gasser. "Entgrenzung und Ornament: In der Schule von Gary Panter." Schreibheft (1998): 79–80. |
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Balzer, Jens and Jens R. Nielsen. "Am Scheideweg der Kultur: Ein Interview mit Hartmut Becker." Comic Almanach (1993): 30–41. |
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Bandel, Jan-Frederik. "Biotop HH: Gespräch mit Sascha Hommer über die Hamburger Comicszene." Kultur & Gespenster (2006): 208–15. |
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Bandel, Jan-Frederik. "Heftiger Zug nach unten: Comics, Literatur und der trockengelegte Graben." Neue Rundschau 123.(2012): 30–41. |
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Bandel, Jan-Frederik and Ole Frahm. "»Es kann nicht genügen, Comics in der Wissenschaft zu etablieren«: Ein Gespräch mit Ole Frahm über die Entwicklung der Comicforschung." Kultur & Gespenster (2006): 358–67. |
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Bandel, Jan-Frederik and Sascha Hommer. "Geteilte Beute: Comics & Literatur." Schreibheft (2007): 18–20. |
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Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." Journal of Graphic Novels and Comics 7.(2016): 53–69. |
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Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." Journal of Postcolonial Writing 52.(2016): 399–414. |
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Banerjee, Abanti. "Convergences of the Global and the Local: Graphic Narrative and Patua Art in Sita’s Ramayana." Gnosis Special Issue (2019): 92–112. |
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Banerjee, Supriya. "The Superwoman of India—A Feminist Analysis of the Devi and the Deviant." Gnosis Special Issue (2019): 141–54. |
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Barbour, Loren. "‘Nemeses! Dragons! Symbolism!’: Queering the fantasy hero narrative in Nimona." Journal of Graphic Novels and Comics (2020): 1–13. |
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Barker, Kenneth. "An Introduction to the Canadian Newspaper Comic." Inks 4.(1997): 18–25. |
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Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry Trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3.(2012): 127–42. |
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Barman, Daisy. "Comics beyond Fun and Thrill: A Critical Reflection on Gender Dynamics and Public Imagination in Select Popular Comics-based Movies." Gnosis Special Issue (2019): 81–91. |
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Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9.(2016): 5–23. |
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Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39.(2016): 139–61. |
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Barounis, Cynthia. "Survival angst: Reading Hothead Paisan in the Trump era." Journal of Lesbian Studies 22.(2018): 415–23. |
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Barrett, Matthew. "De-picturing John A. Macdonald: Opportunities and Challenges of Representing Canada’s Past with Graphic History." The Canadian Hiustorical Review 103.(2022): 32–74. |
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Barry, Erin. "Eight-page eroticism: Sexual violence and the construction of normative masculinity in Tijuana Bibles." Journal of Graphic Novels and Comics 8.(2017): 227–37. |
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Barshay, Robert. "The Cartoon of Modern Sensibility." Journal of Popular Culture 8.(1974): 523–33. |
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Barthold, Willi Wolfgang. "Problemzone Ostdeutschland: Die Post-DDR-Provinz als Aushandlungsraum des Postmigrantischen in Literatur und Comic." Internationales Archiv für Sozialgeschichte der deutschen Literatur 48.(2023): 417–39. |
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Bartl, Andrea. "Im Dialog der Künste: Kleists Werk in Bilderbüchern der Gegenwart." Kleist-Jahrbuch (2023): 59–79. |
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Bartlett, Myke. "A Mirror to Changing Times: X-Men and X2." Screen Education (2010): 111–15. |
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Bartlett, Myke. "The Adventures of Tintin: Drawn into Motion." Screen Education (2012): 8–17. |
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Bartley, Aryn. "The Hateful Self: Substitution and the Ethics of Representing War." Modern Fiction Studies 54.(2008): 50–71. |
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Barton, Kristin M. "Roamers versus biters: A rhetorical examination of the differences between Woodbury and the Prison Group in The Walking Dead comics." Journal of Graphic Novels and Comics 6.(2015): 260–68. |
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Bartosch, Sebastian. "Understanding comics’ mediality as an actor-network: Some elements of translation in the works of Brian Fies and Dylan Horrocks." Journal of Graphic Novels and Comics 7.(2016): 242–53. |
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Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4.(2013): 59–74. |
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Bartual, Roberto. "William Hogarth’s A Harlot’s Progress: The beginnings of a purely pictographic sequential language." Studies in Comics 1.(2010): 83–105. |
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Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9.(2010): 81–98. |
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Baskind, Samantha. "Plain Dealing Women: Lois Lane and the Origin of the Comic Book Heroine – A Conversation with Laura Siegel Larson." Journal of Graphic Novels and Comics 9.(2018): 634–44. |
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Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang Lee’s Hulk (2003) as a case study." Studies in Comics 4.(2013): 135–58. |
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Bateman, John A., Francisco O. D. Veloso, and Yan Ling Lau. "On the track of visual style: A diachronic study of page composition in comics and its functional motivation." Visual Communication 20.(2021): 209–47. |
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