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Abbott, Stacey. "It (Re-)Started with a Girl: The Creative Interplay Between TV and Comics in Angel: After the Fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
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Abbott, Lee K. "Necessary Heroes." Superman at Fifty. The Persistence of a Legend. Eds. Dennis Dooley and Gary Engle. Cleveland: Octavia, 1987. 153–60. |
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Abel, Guy. "Trazo de tiza de Miguelanxo Prado: El improbable relato entre novela y cuadro." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 196–209. |
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Abel, Guy. "Peter Pank, ou le mythique revisité dans la BD espagnole non standard." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 391–408. |
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Abel, Julia and Christian Klein. "Leitfaden zur Comicanalyse." Comics und Graphic Novels. Eine Einführung. Eds. Julia Abel and Christian Klein. Stuttgart: Metzler, 2015. 77–106. |
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Abel, Robert H. "One Shade of Gray: The Art of Personal Journalism Complicated by Conscience." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 113–30. |
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Abell, Catharine. "Comics and Genre." The Art of Comics. A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Chichester: Wiley-Blackwell, 2012. 68–84. |
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Abmeier, Armin. "Zwischentöne sind nur Krampf: Henning Wagenbreth." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 70–71. |
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Abraham, Yamila. "Boys’ Love Thrives in Conservative Indonesia." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 44–55. |
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Abusch, Dorit. "Applying Discourse Semantics and Pragmatics to Co-reference in Picture Sequences." Proceedings of Sinn und Bedeutung 17. Eds. Emmanuel Chemla, Vincent Homer and Grégoire Winterstein. Washington: Linguistic Society of America, 2013. 9–25. |
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Abusch, Dorit. "Temporal Succession and Aspectual Type in Visual Narrative." The Art and Craft of Semantics. A Festschrift for Irene Heim. Eds. Luka Crnič and Uli Sauerland. MITWPL. Cambridge: MIT Working Papers in Linguistics, 2014. 9–29. |
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Acciaioli, Stefania. "William Blakes intertextueller Dialog zwischen Wort und Bild." Schrift und Graphisches im Vergleich. Eds. Monika Schmitz-Emans, Linda Simonis and Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019. 165–82. |
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Accorsi, Andrés. "Argentine Comics: A History." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 25–46. |
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Acevedo, Juan. "Comics für die Gesundheitserziehung in Nicaragua." Comics und Cartoons in Lateinamerika. Ed. H. Jürgen Kagelmann. München, Wien: Profil, 1991. |
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Adams, Jeff. "Troubled Places: Domestic Space in Graphic Novels." Our House: The Representation of Domestic Space in Modern Culture. Eds. Gerry Smyth and Jo Croft. Nature, Culture and Literature. Amsterdam [etc.]: Rodopi, 2006. 161–74. |
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Affuso, Elizabeth. "Everyday Costume: Feminized Fandom, Retail, and Beauty Culture." The Routledge Companion to Media Fandom. Eds. Melissa A. Click and Suzanne Scott. London, New York: Routledge, 2018. 184–92. |
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Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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Agüera Santiago, Laura. "Superhero Representation in Netflix Produced Serial Fiction: The Case of Daredevil, Jessica Jones, Luke Cage, Iron Fist and the Punisher." In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Eds. Mario-Paul Martínez Fabre and Fran Mateu. Elche: Fantaelx, 2019. 177–201. |
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Ahmed, Maaheen. "Collages in Comics: The Case of Dave McKean." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 53–74. |
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Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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Ahmed, Maaheen and Benoît Crucifix. "Coda: A User Guide to Comics Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85. |
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Ahmed, Maaheen. "Historicizing in Graphic Novels: The Welcome Subjective G(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 184–202. |
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Ahrens, Jörn. "Graphische Epistemologie und das verfemte Medium am Beispiel von Gideon Falls." Der Comic als Form. Bildsprache, Ästhetik, Narration. Ed. Jörn Ahrens. Bildnarrative. Berlin: Ch.A. Bachmann, 2021. 175–210. |
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Ahrens, Jörn. "Krieg Gottes? Der Kampf der Engel und Dämonen in Ted McKeevers Metropol." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 257–75. |
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Ahrens, Jörn. "The Ordinary Urban: 100 Bullets and the Clichés of Mass Culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28. |
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Ahrens, Jörn. "Intermedialität, Hybridität: Wieviel Unbestimmtheit verträgt der Comic?." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 11–22. |
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Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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Ahrens, Jörn. "Engel aus Eisen: Ted McKeevers Mini-Comicserie Metropol als Apokalypse der modernen Gesellschaft." Aktualität des Apokalyptischen. Zwischen Kulturkritik und Kulturversprechen. Eds. Olaf Briese, Richard Faber and Madleen Podewski. Würzburg: Königshausen & Neumann, 2015. 201–22. |
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Ahrens, Jörn. "Comic und traumgebundene Realität: David B.s Die heilige Krankheit als Kunst des Erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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Ahrens, Jörn. "Neun Thesen zur Möglichkeit einer Rekonfiguration von Geschichte im Comic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 45–56. |
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Ahrens, Jörn. "Hoffnungslos leben: Gipis Comic Die Welt der Söhne als Meditation über (negative) Humanität." Was wird aus der Hoffnung? Interdisziplinäre Denkanstöße für neue Formen des Miteinanders. Eds. Michaela Fink, Jonas Metzger and Anne Zulauf. Forum Psychosozial. Baden-Baden: Nomos, 2019. 339–54. |
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Ahrens, Jörn. "Bringing the War Back Home: Reflecting Violence in Brian Wood’s DMZ." Contexts of Violence in Comics. Eds. Ian Hague, Ian Horton and Nina Mickwitz. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 115–27. |
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Ahrens, Jörn. "A History of Violence: David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject: Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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Al-Tabaa, Najwa. "Hell Can Be Good for You." Neil Gaiman and Philosophy. Gods Gone Wild. Eds. Tracy L. Bealer, Rachel Luria and Wayne Yuen. Popular Culture and Philosophy. Chicago: Open Court, 2012. 127–34. |
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Alaniz, José. "Death, Bereavement, and the Superhero Funeral." The Ages of Superman. Essays on the Man of Steel in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2012. 177–91. |
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Alaniz, José. "“No!”: Great Lakes Avengers and the Uses of Enfreakment." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 139–54. |
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Alaniz, José. "Does Khrushchev Tell Kennedy? Superpowered Rivalry and Silver Age Iron Man." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 51–76. |
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Alaniz, José. "The Monster’s Analyst and the Binomial Self." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 62–77. |
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Alaniz, José. "“We Are All Scream!”: Woodgod and the “Animal Superhero”." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 33–48. |
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Alaniz, José. "Into Her Dead Body: Moore & Campbell’s From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49. |
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Alaniz, José. "Rutting in Free Fall: Moore & Bissette/Zulli’s Act of Faith." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 129–34. |
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Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & Gebbie’s Lost Girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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Alaniz, José. "Death and Mourning in Graphic Narrative." The Routledge Companion to Death and Literature. Eds. W. Michelle Wang, Daniel K. Jernigan and Neil Murphy. London, New York: Routledge, 2020. 117–22. |
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Alary, Viviane. "Balance y perspectivas: Memoria genérica de la historieta española." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 122–38. |
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Alary, Viviane. "Hito de la historieta española: El caso de K-Hito en la serie “De cómo pasan el rato Currinche y Don Turulato” (o de cómo pasar el rato con Currinche y Don Turulato)." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 142–63. |
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Alary, Viviane. "La historieta española 1870–1939: Breve reseña." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 22–42. |
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Alary, Viviane. "La bande dessinée sous le signe d’Hécate et de la Sphinge." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 485–96. |
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Albes, Claudia. "Groteske und Karikatur in Thomas Bernhards Erzählung Alte Meister und Nicolas Mahlers gleichnamiger Graphic Novel." Literatur und Malerei. Eds. Joanna Godlewicz-Adamiec, et al. Literatura – Konteksty. 2018. 251–67. |
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Alcover, Marta and Alicia Molina. "Mexican Comics as Culture Industry." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 196–212. |
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Aldama, Frederick Luis. "Jaime Hernandez (of Los Bros Hernandez)." Spilling the Beans in Chicanolandia. Conversations with Writers and Artists. Austin: Univ. of Texas Press, 1996. 119–28. |
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Aldama, Frederick Luis. "Multicultural Comics Today: A Brief Introduction." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 1–25. |
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Aldama, Frederick Luis. "US Creators of Color and the Postunderground Graphic Narrative Renaissance." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 303–19. |
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Aldama, Frederick Luis. "Characters in Comic Books." Characters in Fictional Worlds. Understanding Imaginary Beings in Literature, Film, and Other Media. Eds. Ralf Schneider, Fotis Jannidis and Jens Eder. Revisionen. Berlin: de Gruyter, 2010. 318–28. |
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Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle Bedeutungsketten bei Neil Gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28. |
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Alexander, Dorian. "Faces of Abjectivity: The Uncanny Mystique and Transsexuality." Gender and the Superhero Narrative. Eds. Michael Goodrum, Tara Prescott and Philip Smith. Jackson: Univ. Press of Mississippi, 2018. 180–204. |
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Alexandratos, Jonathan and Daniel F. Yezbick. "Articulate This! Critical Action Figure Studies and Material Culture." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 102–20. |
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Alexandre-Bidon, Danièle. "À l’origine de l’imagerie onirique: La peinture du rêve dans l’art médiéval." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 13–26. |
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Alexandru, Maria-Sabina Draga. "Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 163–76. |
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Algoud, Albert. "Et la lumière fut …: Un personnage intermittent, Séraphin Lampion." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 95–108. |
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Allgaier, Joachim. "Wissenschaft und Populärkultur." Forschungsfeld Wissenschaftskommunikation. Eds. Heinz Bonfadelli, et al. Wiesbaden: Springer Fachmedien, 2017. 239–50. |
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Allison, Anne. "Sailor Moon: Japanese Superheroes for Global Girls." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 259–78. |
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Almagor, Eran. "Reinventing the Barbarian: Classical Ethnographic Perceptions in Astérix." Son of Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2016. 113–29. |
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Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending Victorian and Steampunk Cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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van Alphen, Ernst. "Giving Voice: Charlotte Salomon and Charlotte Delbo." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 114–25. |
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Alric, Pierre. "Don Pixot de l’Eixampla la parodie d’un mythe: Bande dessinée, politique et barcelonaise d’Antonio Pàmies." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 409–18. |
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Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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Alsina, Jean. "Lope de Aguirre, trilogie du scénariste Felipe Hernández Cava: Promotion du lecteur et exténuation du mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 453–69. |
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Altarriba, Antonio. "La historieta española de 1960 a 2000." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 76–121. |
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Altarriba, Antonio. "Superman: Le mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 13–21. |
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Althaus, Karin. "Schönheit und Pathos – Das Nachleben der Antike in der neunten Kunst." »Antico-mix«. Antike in Comics. Ed. Thomas Lochmann. Basel: Skulpturhalle Basel, 1999. 40–51. |
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Althouse, Matthew T. "Kevlar Armor, Heat-Seeking Bullets and Social Order: A Mythological Reading of Judge Dredd." Comics & Ideology. Eds. Matthew P. McAllister, Edward H. Sewell, Jr. and Ian Gordon. Popular Culture and Everyday Life. 2001. 195–219. |
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Altnether, Joseph G. "Reimagination of Hell in Mike Mignola’s Hellboy in Hell." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 23–34. |
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Amash, Jim. "… On Matt Baker: A Few Words from his Peers and Colleagues." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 152–67. |
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Amash, Jim. "The talent runs deep: An interview with Matt D. Baker and Fred Robinson." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 96–117. |
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Amihay, Ofra. "Urban Revelation in Paul Madonna’s Postsecular Comics." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 215–31. |
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Ananth, Mahesh and Ben Dixon. "Should Bruce Wayne Have Become Batman?." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 101–13. |
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Andelman, Bob. "“A Great Bamboozler”: Howard Chaykin on Will Eisner." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 104–13. |
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Anders, Lou. "Two of a Kind." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 17–33. |
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Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102. |
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Anderson, Ho Che. "Career Tips for Control Freaks." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr. 2005. 124–26. |
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Anderson, Reynaldo. "Critical Afrofuturism: A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 171–92. |
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Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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Anderson, Kane. "Becoming Batman: Cosplay, Performance, and Ludic Transformation at Comic-Con." Play, Performance, and Identity. How Institutions Structure Ludic Spaces. Eds. Matt Omasta and Drew Chappell. New York & London: Routledge, 2015. 105–16. |
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Andersson, Fred. "An Artist, a Cowboy and Some Ontological Jokes: A Nordic Contribution to the Understanding of Comics in Art." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 44–71. |
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Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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Andrew, Lucy. "‘I’m Gonna Be the Best Friend You Could Ever Hope For—And the Worst Enemy You Could Ever Imagine’ Frank Miller’s All Star Batman & Robin, the Boy Wonder and the Problem of the Boy Sidekick in the Twenty-First-Century Superhero Narrative." The Detective’s Companion in Crime Fiction. A Study in Sidekicks. Eds. Lucy Andrew and Samuel Saunders. Crime Files. New York [etc.]: Palgrave Macmillan, 2021. 215–35. |
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Andrieu de Levis, Jean-Charles, et al. "Collaborer: Ce que le style doit aux collaborations." Style(s) de (la) bande dessinée. Eds. Benoît Berthou and Jacques Dürrenmatt. Perspectives comparatistes. Paris: Classiques Garnier, 2019. 11–52. |
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Angel, Christina C. "The Hermeneutics of Spider-Man: What Is Peter Parker Doing in Elizabethan England?." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 74–80. |
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Anguita Cantero, Ricardo. "El reflejo del vampiro en la viñeta: 75 años de presencias vampíricas en el cómic americano (1935–2010)." Vampiros a Contraluz. Constantes y Modalizaciones del Vampiro en el Arte y la Cultura. Eds. Margarita Carretero González, et al. Granada: Comares, 2012. 265–82. |
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Anton, Audrey. "The Nietzschean Influence in The Incredibles and the Sidekick Revolt." The Amazing Transforming Superhero! Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, London: McFarland, 2007. 209–30. |
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Apostolidès, Jean-Marie. "Dans le ventre de La Licorne: L’organisation du monde de Tintin." L’archipel Tintin. Ed. Albert Algoud. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. 51–94. |
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Aragão, Octavio. "Brazilian Science Fiction and the Visual Arts: From Political Cartoons to Contemporary Comics." Latin American Science Fiction. Theory and Practice. Eds. M. Elizabeth Ginway and J. Andrew Brown. New York [etc.]: Palgrave Macmillan, 2012. 185–202. |
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Argenio, Julio. "Cold-War Science and its Illustrated Wonders: Politics, Play and Visual Education for the Italian Youth in the Leftwing Weekly Pioniere." A Mixed Picture. Media Transfer and Media Competition in Illustrated Periodicals, 1840s–1960s. Eds. Christian A. Bachmann and Nora Ramtke. Journalliteratur. Hannover: Wehrhahn, 2024. 111–31. |
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