| Ahmed, Maaheen: "Historicizing in Graphic Novels. The Welcome Subjective G(l)aze." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 184–202. |
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| Added by: joachim 3/12/13, 10:21 PM |
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| Andersson, Fred: "An Artist, a Cowboy and Some Ontological Jokes. A Nordic Contribution to the Understanding of Comics in Art." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 44–71. |
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| Arnerud Mejhammar, Kristina: "On Politics, Everyday Life, and Humor in Cecilia Torudd’s Comic Strip Ensamma mamman." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 131–153. |
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| Baraniak-Hirata, Zuzanna und Agata Włodarczyk: "Bending Gender in Japanese Arts. Queering Girls Culture, Takarazuka Revue and Boys’ Love Manga." In: Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Hrsg. v. Barbara Braid, Ewa Glapka und Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 295–316. |
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| Beadling, Laura L. "Twin Turns. Art Spiegelman’s In the Shadow of No Towers and History." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 37–54. |
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| Added by: joachim 3/12/13, 6:29 PM |
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| Borggreen, Gunhild: "Drawing Disaster. Manga Response to the Great Eastern Japan Earthquake." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 263–284. |
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| Bremmer, Magnus: "Out of Site. Photography, Writing, and Displacement in Leslie Scalapino’s The Tango." In: The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Hrsg. v. Ofra Amihay und Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 169–198. |
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| Added by: joachim 6/10/12, 1:17 PM |
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| Brock, Jennifer: "‘One Should Never Forget’ . The Tangling of History and Memory in Persepolis." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 223–241. |
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| Added by: joachim 3/12/13, 10:38 PM |
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| Bruttmann, Tal: "The Holocaust through Comic Books." In: Re-examining the Holocaust through Literature. Hrsg. v. Aukje Kluge und Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ. 2009, S. 173–200. |
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| Camus, Cyril: "Fantasy and Landscape. Mountain as Myth in Neil Gaiman’s Stories." In: Mountains Figured and Disfigured in the English-Speaking World. Hrsg. v. Françoise Besson. Newcastle upon Tyne: Cambridge Scholars Publ. 2010, S. 379–391. |
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| Cañero, Julio und Esther Claudio (Hgg.): On the Edge of the Panel. Essays on Comics Criticism. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. (309 S.) |
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| Çetiner-Öktem, Züleyha: "Gothic Transformations. Revisiting The House on the Borderland." In: Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day. Hrsg. v. Isabella van Elferen. Newcastle upon Tyne: Cambridge Scholars Publ. 2007, S. 73–85. |
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| Chambliss, Julian C., William Svitavsky und Thomas Donaldson (Hgg.): Ages of Heroes, Eras of Men. Superheroes and the American Experience. Newcastle upon Tyne: Cambridge Scholars Publ. 2013. (263 S.) |
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| Christiansen, Steen: "Between Media. David Mack’s Kabuki." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 72–88. |
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| Cortsen, Rikke Platz, Erin La Cour und Anne Magnussen (Hgg.): Comics and Power. Representing and Questioning Culture, Subjects and Communities. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. (301 S.) |
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| Cutrara, Samantha: "Drawn out of History. The Representation of Women in Chester Brown’s Louis Riel: A Comic Strip Biography." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 121–143. |
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| Derbel, Emira: Iranian Women in the Memoir. Comparing Reading Lolita in Tehran and Persepolis (1) and (2). Newcastle upon Tyne: Cambridge Scholars Publ. 2017. (219 S.) |
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| Descamps, Yann: "Steel Framed? Steel and the Representation of the Modern Black Superhero from Comics to Film." In: Pop Culture Matters. Hrsg. v. Martin F. Norden und Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 196–204. |
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| Donnelly, Kevin: "“Well, Anyway”. The Marvelous and the Mundane in Jimmy Corrigan, the Smartest Kid on Earth." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 89–108. |
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| Dycus, Dallas J. Chris Ware’s Jimmy Corrigan. Honing the Hybridity of the Graphic Novel. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. (206 S.) |
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| Fine, Theresa: "Incognegro and Portrayals of Lynching." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 109–120. |
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| Gregersen, Andreas: "“You Wouldn’t Get It”. “Penny Arcade” as Gaming Communication Hub and Webcomic." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 23–43. |
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| Iadonisi, Richard: "‘A Man Has Risen’. Hard Bodies, Reaganism, and The Dark Knight Returns." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 72–88. |
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| --- (Hg.): Graphic History. Essays on Graphic Novels And/As History. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. (298 S.) |
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| Jacobs, Dale und Jay Dolmage: "Difficult Articulations. Comics Autobiography, Trauma, and Disability." In: The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Hrsg. v. Ofra Amihay und Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 69–90. |
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| Kauranen, Ralf: "Transnationalism in the Finnish 1950s Debate on Comics." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 218–243. |
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| Knight, Deborah: "Landscapes of Anti-Tale Uncertainty: The Dark Knight." In: Anti-Tales. The Uses of Disenchantment. Hrsg. v. Catriona McAra und David Calvin. Newcastle upon Tyne: Cambridge Scholars Publ. 2011, S. 185–202. |
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| Kontturi, Katja: "“Shades of Conan Doyle! A lost world!”. Fantasy and Intertextuality in Don Rosa’s “Escape from Forbidden Valley”." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 89–109. |
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| Laity, Kathryn A. "Roses, Beads and Bones. Gender, Borders and Slippage in Tove Jansson’s Moomin Comic-Strips." In: Tove Jansson Rediscovered. Hrsg. v. Kate McLoughlin und Malin Lidström Brock. Newcastle upon Tyne: Cambridge Scholars Publ. 2007, S. 166–183. |
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| Lund, Martin: "“[A] matter of SAVED or LOST”. Difference, Salvation, and Subjection in Chick Tracts." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 173–192. |
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| MacDonald, Katharine Polak: "Jason Aaron’s Scalped, Historiographic Metafiction and of [sic] Authenticity." In: Narrative is the Essence of History. Essays on the Historical Novel. Hrsg. v. John Cameron. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 113–123. |
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| Martínez-Alfaro, María Jesús: "Caught in the grip of an inherited past. (Post)Memory and Representation in Art Spiegelman’s Maus." In: Edges of Trauma. Explorations in Visual Art and Literature. Hrsg. v. Tamás Bényei und Alexandra Stara. Newcastle upon Tyne: Cambridge Scholars Publ. 2014, S. 137–148. |
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| McKittrick, Christopher: "From Off the Streets of Poland. Harvey Pekar on History, Israeli Nationalism, and Exploiting the Holocaust." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 55–71. |
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| Meyhoff Brink, Dennis: "Fearing Religious Satire. Religious Censorship and Satirical Counter-Attacks." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 194–217. |
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| Miettinen, Mervi: "All Men Are Not Created Equal. Identity, Power, and Resistance in Superman: Red Son." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 285–299. |
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| Miller, Nancy K. "Out of the Family: Generations of Women in Feminism. The Case of Marjane Satrapi’s Persepolis." In: Women’s Writing in Western Europe. Gender, Generation and Legacy. Hrsg. v. Adalgisa Giorgio und Julia Waters. Newcastle upon Tyne: Cambridge Scholars Publ. 2007, S. 22–37. |
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| Morris, Janice: "Of Mice and Men. Collaboration, Post-Memory, and Working through in Art Spiegelman’s Maus: A Survivor’s Tale." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 6–36. |
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| Murray, Christopher: "Subverting the Sublime. Romantic Ideology in the Comics of Grant Morrison." In: Sub/versions. Cultural Status, Genre and Critique. Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 34–53. |
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| Nabizadeh, Golnar: "The After-Life of Images. Archives and Intergenerational Trauma in Autographic Comics." In: Mapping Generations of Traumatic Memory in American Narratives. Hrsg. v. Dana Mihăilescu, Roxana Oltean und Mihaela Precup. Newcastle upon Tyne: Cambridge Scholars Publ. 2014, S. 171–191. |
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| O’Malley, Seamus: "Speculative History, Speculative Fiction. Alan Moore and Eddie Campbell’s From Hell." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 162–183. |
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| Patrick, Kevin: "The Cultural Economy of the Australian Comic Book Industry, 1950–1985." In: Sold by the Millions. Australia’s Bestsellers. Hrsg. v. Toni Johnson-Woods und Amit Sarwal. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 162–181. |
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| Pérez, Juan Carlos: "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 274–290. |
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| Price, Jr., William: "Demythologising the Soldier. An Analysis of Maximilian Uriarte’s The White Donkey: Terminal Lance." In: Pop Culture Matters. Hrsg. v. Martin F. Norden und Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 47–54. |
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| Pulda, Molly: "Portrait of a Secret. J. R. Ackerley and Alison Bechdel." In: The Future of Text and Image. Collected Essays on Literary and Visual Conjunctures. Hrsg. v. Ofra Amihay und Lauren Walsh. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 15–38. |
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| Added by: joachim 1/8/14, 10:39 AM |
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| Rhett, Maryanne: "Orientalism and Graphic Novels. A Modern Reexamination of Popular Culture." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 203–222. |
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| Rosenbaum, Roman: "The Gekiga Tradition. Towards a Graphic Rendition of History." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 260–284. |
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| Round, Julia: "Subverting Shakespeare? The Sandman #19: “A Midsummer Night’s Dream”." In: Sub/versions. Cultural Status, Genre and Critique. Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 18–33. |
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| Sabin, Roger: "Terry Gilliam on Comics, Subversion and Monty Python." In: Sub/versions. Cultural Status, Genre and Critique. Hrsg. v. Pauline MacPherson et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008, S. 18–33. |
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| Saito, Tamaki: "The Assymetry of Masculine/Feminine Otaku Sexuality. Moe, Yaoi and Phallic Girls." In: Postgender. Gender, Sexuality and Performativity in Japanese Culture. Hrsg. v. Ayelet Zohar. Newcastle upon Tyne: Cambridge Scholars Publ. 2009, S. 155–170. |
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| ---: "Transforming U.S. Anime in the 1980s. Localization and Longevity." In: Postgender. Gender, Sexuality and Performativity in Japanese Culture. Hrsg. v. Ayelet Zohar. Newcastle upon Tyne: Cambridge Scholars Publ. 2009, S. 155–170. |
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| Sjåstad, Øystein: "Comics: This Bitter Art." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 2–22. |
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| Szép, Eszter: "Touchy Issues. Visual Elements, Tactility, and Vulnerability in Postmodern Literature and Comics." In: Travelling Around Cultures. Collected Essays on Literature and Art. Hrsg. v. Zsolt Győri und Gabriella Moise. Newcastle upon Tyne: Cambridge Scholars Publ. 2016, S. 259–279. |
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| Added by: joachim 9/4/17, 11:11 AM |
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| Trabado Cabado, José Manuel: "The Convergence of Graphic-Narrative Discourses. The Picture Book and the Graphic Novel." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 138–156. |
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| Uhlig, Barbara: "Andrea Pazienza and Lorenzo Mattotti. How the Student Riots of 1977 Shaped Italian Comics." In: On the Edge of the Panel. Essays on Comics Criticism. Hrsg. v. Julio Cañero und Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 291–305. |
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| Added by: joachim 1/22/19, 1:00 PM |
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| ---: "Narrating the Unknown. The Construction of History in El Cosmografo Sebastian Caboto." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 242–259. |
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| Vågnes, Øyvind: "Comics Reenactment. Joe Sacco’s Footnotes in Gaza." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 154–172. |
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| Vanderbeke, Dirk: "Orphans in Comics and Graphic Novels." In: The Orphan in Fiction and Comics since the 19th Century. Hrsg. v. Marion Gymnich et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2018, S. 242–299. |
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| Wallin Wictorin, Margareta: "Comics in Postcolonial Senegal. Suggesting and Contesting National Identity." In: Comics and Power. Representing and Questioning Culture, Subjects and Communities. Hrsg. v. Rikke Platz Cortsen, Erin La Cour und Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015, S. 244–262. |
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| Witholt, Thomas: "By Whose Account? Reading and Writing Histories in The League of Extraordinary Gentlemen." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 144–161. |
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