Bahr, David: "Choreographing Time. Art Spiegelman’s Present, Past(s) and The Craft of Creative Non Fiction Comics." In: American Creative Non-Fiction. Hrsg. v. Jay Ellis. (Critical Insights.) Englewood Cliffs: Salem Pr. 2015, S. 196–212. |
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Beaty, Bart und Stephen Weiner (Hrsg.): Heroes & Superheroes. 2 Bde. (Critical Survey of Graphic Novels.) Englewood Cliffs: Salem Pr. 2012. (800 S.) |
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--- (Hrsg.): History, Theme, and Technique. (Critical Survey of Graphic Novels.) Englewood Cliffs: Salem Pr. 2012. (475 S.) |
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--- (Hrsg.): Independents & Underground Classics. 3 Bde. (Critical Survey of Graphic Novels.) Englewood Cliffs: Salem Pr. 2012. (1500 S.) |
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--- (Hrsg.): Manga. (Critical Survey of Graphic Novels.) Englewood Cliffs: Salem Pr. 2012. (400 S.) |
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Blouin, Michael J. "Robert Kirkman and Tony Moore’s The Walking Dead." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 183–194. |
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Added by: joachim 2017-02-23 17:57 |
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Capitanio, Adam: "Marjane Satrapi’s Persepolis." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 168–182. |
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Added by: joachim 2017-02-24 10:35 |
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Clark, Daniel D. "Will Eisner’s A Contract with God." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 57–68. |
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Added by: joachim 2017-02-23 17:53 |
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Cogan, Brian: "Art Spiegelman’s Maus: A Survivor’s Tale." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 69–81. |
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Darowski, Joseph J. "The Superhero Narrative and the Graphic Novel." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 3–16. |
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Eaton, Lance: "The Horror Narrative and the Graphic Novel." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 17–28. |
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Added by: joachim 2017-02-23 17:32 |
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Eveleth, Kyle: "“Of viewpoints, of images, of memories and puns and lost hopes”. Polyphony and Narrative Braiding in The Sandman: Worlds’ End." In: Neil Gaiman. Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 112–128. |
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Added by: joachim 2017-03-30 17:05 |
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Eveleth, Kyle und Justin Wigard: "“We have an obligation to imagine”. A Critical Reception of the Work of Neil Gaiman." In: Neil Gaiman. Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 3–16. |
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Added by: joachim 2017-08-21 18:12 |
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Gabilliet, Jean-Paul: "History and Uses of the Term “Graphic Novel”." In: History, Theme, and Technique. Hrsg. v. Bart Beaty und Stephen Weiner. (Critical Survey of Graphic Novels.) Englewood Cliffs: Salem Pr. 2012, S. 102–104. |
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Griffin, Jared: "Max Allan Collins’ Road to Perdition." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 153–167. |
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Added by: joachim 2017-02-23 17:46 |
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Harper, Mary Catherine: "Neil Gaiman’s Sandman." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 123–137. |
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Added by: joachim 2017-02-23 18:54 |
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Hoppenstand, Gary (Hrsg.): The Graphic Novel. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014. (232 S.) |
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Added by: joachim 2014-12-10 00:39 |
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Johnson, Jeffrey K. "Frank Miller’s Batman." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 82–93. |
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Added by: joachim 2017-02-23 18:50 |
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Kidder, Orion Ussner: "“Everybody’s Here”. Radical Reflexivity in the Metafiction of The Sandman." In: Neil Gaiman. Hrsg. v. Joseph Michael Sommers. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 146–160. |
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Leogrande, Cathy: "Alan Moore and David Lloyd’s V for Vendetta." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 108–122. |
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Mulligan, Rikk: "The Reality/Fantasy Narrative and the Graphic Novel." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 41–54. |
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Added by: joachim 2017-02-23 18:46 |
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Palumbo, Donald: "Modern Fantasy and Marvel Comics." In: Survey of Modern Fantasy Literature. Hrsg. v. Frank N. Magill. Bd. 5. Englewood Cliffs: Salem Pr. 1983, S. 2464–2480. |
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Added by: joachim 2009-08-03 01:53 |
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Robinson, Michael G. "Alan Moore and Dave Gibbons’ Watchmen." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 94–107. |
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Added by: joachim 2017-02-23 17:50 |
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Rosenberg, Pnina: "From Mice to Mickey to Maus. The Metaphor of Evil and its Metamorphosis in the Holocaust." In: Good & Evil. Hrsg. v. Margaret Sönser Breen. (Critical Insights.) Englewood Cliffs: Salem Pr. 2012. |
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Rotenberg-Schwartz, Michael: "Looking at/in Maus. A Survey of Critical Approaches." In: Holocaust Literature. Hrsg. v. Dorian Stuber. (Critical Insights.) Englewood Cliffs: Salem Pr. 2016, S. 63–81. |
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Added by: joachim 2017-02-23 14:56 |
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Shivener, Rich: "The Crime Narrative and the Graphic Novel." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 29–40. |
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Added by: joachim 2017-02-23 17:41 |
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Sommers, Joseph Michael (Hrsg.): The American Comic Book. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014. (244 S.) |
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Wandtke, Terrence R. "Frank Miller’s Sin City." In: The Graphic Novel. Hrsg. v. Gary Hoppenstand. (Critical Insights.) Englewood Cliffs: Salem Pr. 2014, S. 138–152. |
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Added by: joachim 2017-02-23 18:01 |
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Weida, Jaime: "Ghosts and Girls in the Machine. Technology and the Human in Japanese Visual Popular Culture." In: Technology & Humanity. Hrsg. v. Carol Colatrella. (Critical Insights.) Englewood Cliffs: Salem Pr. 2012, S. 256–272. |
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Added by: joachim 2017-02-23 16:17 |
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