| Aarons, Victoria: Holocaust Graphic Narratives. Generation, Trauma, and Memory. New Brunswick: Rutgers Univ. Press, 2020. (241 S.) |
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| Anderson, Reynaldo: "Critical Afrofuturism. A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 171–192. |
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| Baetens, Jan: Rebuilding Story Worlds. The Obscure Cities by Schuiten and Peeters. (Critical Graphics.) New Brunswick: Rutgers Univ. Press, 2020. (186 S.) |
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| Baskind, Samantha: "A Conversation with Miriam Katin." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 237–243. |
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| Baskind, Samantha und Ranen Omar-Sherman (Hrsg.): The Jewish Graphic Novel. Critical Approaches. New Brunswick: Rutgers Univ. Press, 2008. (360 S.) |
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| Beaty, Bart: Twelve-Cent Archie. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2015. (232 S.) |
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| Berlatsky, Noah: Wonder Woman. Bondage and Feminism in the Marston/Peter Comics, 1941–1948. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2015. (232 S.) |
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| Brown, Jeffrey A. Love, Sex, Gender, and Superheroes. New Brunswick: Rutgers Univ. Press, 2021. (231 S.) |
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| ---: Panthers, Hulks and Ironhearts. Marvel, Diversity and the 21st Century Superhero. New Brunswick: Rutgers Univ. Press, 2021. (168 S.) |
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| Burke, Liam, Ian Gordon und Angela Ndalianis (Hrsg.): The Superhero Symbol. Media, Culture, and Politics. New Brunswick: Rutgers Univ. Press, 2020. (327 S.) |
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| Carrington, André: "Drawn into Dialogue. Comic Book Culture and the Scene of Controversy in Milestone Media’s Icon." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 153–170. |
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| Cornilliat, François: "How Do You Pronounce a Pictogram? On “Visible Writing” in Comics." In: Visible Writings. Cultures, Forms, Readings. Hrsg. v. Marija Dalbello und Mary Shaw. New Brunswick: Rutgers Univ. Press, 2011, S. 195–210. |
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| Cotta Vaz, Mark: Empire of the Superheroes. America’s Comic Book Creators and the Making of a Billion-Dollar Industry. New Brunswick: Rutgers Univ. Press, 2021. |
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| Dagbovie-Mullins, Sika A. und Eric Berlatsky (Hrsg.): Mixed-Race Superheroes. New Brunswick: Rutgers Univ. Press, 2021. (278 S.) |
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| Dauber, Jeremy: "Comic Books, Tragic Stories. Will Eisner’s American Jewish History." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 22–42. |
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| Davis, Blair: "Bare Chests, Silver Tiaras and Removable Afros. The Visual Design of Black Comic Book Superheroes." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 193–212. |
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| ---: Comic Book Movies. (Quick Takes: Movies and Popular Culture.) New Brunswick: Rutgers Univ. Press, 2018. (138 S.) |
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| ---: Movie Comics. Page to Screen/Screen to Page. New Brunswick: Rutgers Univ. Press, 2016. (295 S.) |
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| De Dauw, Esther: Hot Pants and Spandex Suits. Gender Representation in American Superhero Comic Books. New Brunswick: Rutgers Univ. Press, 2021. (205 S.) |
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| Earle, Harriet E. H. "“The Sky Is Darkened by Gods”. Spirituality, Strength, and Violence in Gene Luen Yang’s Boxers and Saints." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 75–90. |
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| Eisenstein, Paul: "Imperfect Masters. Rabbinic Authority in Joann Sfar's The Rabbi's Cat." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 163–180. |
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| Exner, Eike: Comics and the Origins of Manga. A Revisionist History. New Brunswick: Rutgers Univ. Press, 2022. |
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| Fisher, Craig: "Provocation Through Polyphony. Kyle Baker’s Nat Turner." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 255–273. |
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| Francis, Conseula: "American Truths. Blackness and the American Superhero." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 137–152. |
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| Gateward, Frances und John Jennings (Hrsg.): The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. New Brunswick: Rutgers Univ. Press, 2015. (343 S.) |
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| Goldstein, Nancy: "Fashion in the Funny Papers. Cartoonist Jackie Ormes’s American Look." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 95–116. |
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| Gordon, Ian: "Siegel and Shuster as Brand Name." In: The Superhero Symbol. Media, Culture, and Politics. Hrsg. v. Liam Burke, Ian Gordon und Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019, S. 105–117. |
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| ---: Superman. The Persistence of an American Icon. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2017. (210 S.) |
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| Hanna, Erin: Only at Comic-Con. Hollywood, Fans, and the Limits of Exclusivity. New Brunswick: Rutgers Univ. Press, 2019. |
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| Harde, Roxanne: "“Give 'em another circumcision”. Jewish Masculinities in The Golem's Mighty Swing." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 64–83. |
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| Harris, Marla: "Borderlands. Places, Spaces, and Jewish Indentity in Joann Sfar's The Rabbi's Cat and Klezmer." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 181–197. |
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| Harris, Miriam: "Releasing the Grip of the Ghostly. Bernice Eisenstein’s I was a Child of Holocaust Survivors." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 129–143. |
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| Hatfield, Charles und Bart Beaty (Hrsg.): Comics Studies. A Guidebook. New Brunswick: Rutgers Univ. Press, 2020. (326 S.) |
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| Hoberek, Andrew: Considering Watchmen. Poetics, Property, Politics. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2014. (229 S.) |
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| Kahn, Ariel: "From Darkness into Light. Reframing Notions of Self and Other in Contemporary Israeli Graphic Narratives." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 198–213. |
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| Kelley, James: "Unseen Scars. Recalling Traumatic Moments in Individuals with PTSD in War Brothers." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 91–104. |
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| Knopf, Christina M. "Sinne Fianna Fáil. Women, Irish Rebellions, and the Graphic Novels of Gerry Hunt." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 123–137. |
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| Køhlert, Frederik Byrn: Serial Selves. Identity and Representation in Autobiographical Comics. New Brunswick: Rutgers Univ. Press, 2019. (231 S.) |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse. Taking Risks in the Service of Truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Kurlat Ares, Silvia G. "The Malvinas War in Argentine Memory. Graphic Representations of Defeat and Nationalism, 1982–2015." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 165–187. |
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| Lambert, Josh: "“Wanna watch the grown-ups doin’ dirty things?”. Jewish Sexuality and the Early Graphic Novel." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 43–63. |
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| Libicki, Miriam: "Jewish Memoir Goes Pow! Zap! Oy!" In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 253–274. |
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| Lockard, Joe: "Nat Turner, Slave Revolts, and Child-Killing in US Graphic Novels." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 105–122. |
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| MacInnes, Iain A. "“A Clash of Arms to Be Eternally Remembered”. War, Chivalry, and the Hundred Years War in Le Trône d’Argile and Crécy." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 23–40. |
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| Malcolm, Cheryl Alexander: "Witness, Trauma, and Remembrance. Holocaust Representation and X-Men Comics." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 144–160. |
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| Added by: joachim 2017-08-10 12:07 |
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| Malone, Paul M. "Missing in Action. The Late Development of the German-Speaking Superhero." In: The Superhero Symbol. Media, Culture, and Politics. Hrsg. v. Liam Burke, Ian Gordon und Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019, S. 253–272. |
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| Added by: joachim 2020-04-23 10:38 |
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| McGlothlin, Erin: "“When time stands still”. Traumatic Immediacy and Narrative Organization in Art Spiegelman's Maus and In the Shadow of No Towers." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 94–110. |
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| McWilliams, Sally: "Sex in Yop City. Ivorian Femininity and Masculinity in Abouet and Oubrerie’s Aya." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 45–62. |
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| Means Coleman, Robin R. und William Lafi Youman: "Graphic Remix. The Lateral Appropriation of Black Nationalism in Aaron McGruder’s The Boondocks." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 117–134. |
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| Most, Andrea: "Re-Imagining the Jew’s Body. From ‘Self-Loathing’ to “Grepts”." In: You Should See Yourself. Jewish Identity in Postmodern American Culture. Hrsg. v. Vincent Brook. New Brunswick: Rutgers Univ. Press, 2006, S. 19–36. |
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| Mulman, Lisa Naomi: "A Tale of Two Mice. Graphic Representations of the Jew in Holocaust Narrative." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 85–93. |
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| Nachabe Taan, Yasmine: "Blogging in Times of War. The July 2006 War in Lebanon, Mazen Kerbaj Imaging the Unimaginable." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 204–224. |
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| Nishikawa, Kinohi: "Daddy Cool. Donald Goines’s Visual Novel." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 215–234. |
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| O'Connor, Lauren R. Robin and the Making of American Adolescence. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2021. (211 S.) |
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| Omar-Sherman, Ranen: "A Conversation with Miriam Libicki." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 244–253. |
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| Pasanovic, Emir: "War in the Bosnian Graphic Novel." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 58–72. |
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| Prager, Brad: "The Holocaust without Ink. Absent Memory and Atrocity in Joe Kubert’s Graphic Novel Yossel: April 19, 1943." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 111–128. |
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| Prorokova, Tatiana und Nimrod Tal (Hrsg.): Cultures of War in Graphic Novels. Violence, Trauma, and Memory. New Brunswick: Rutgers Univ. Press, 2018. (238 S.) |
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| Prorokova, Tatiana: "The Haunting Power of War. Remembering the Rwandan Genocide in 99 Days." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 188–203. |
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| Raab, Alon: "Ben Gurion’s Golem and Jewish Lesbians. Subverting Hegemonic History in Two Isreali Graphic Novels." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 214–236. |
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| Roth, Laurence: "Contemporary American Jewish Comic Books. Abject Pasts, Heroic Futures." In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 3–21. |
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| Saguisag, Lara: Incorrigibles and Innocents. Constructing Childhood and Citizenship in Progressive Era Comics. New Brunswick: Rutgers Univ. Press, 2018. (238 S.) |
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| Valenti, Peter C. "“The Children Internalize the Meaning of the Occupation”. Growing Up under Israeli Occupation and a Culture of Resistance in Joe Sacco’s Palestine." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 138–162. |
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| Walter, Patrick F. "A Postcolony in Pieces. Black Faces, White Masks and Queer Potentials in Unknown Soldier." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 63–92. |
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| Wanzo, Rebecca: "It’s a Hero? Black Comics and Satirizing Subjection." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 314–332. |
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| Whitted, Qiana: "The Blues Tragicomic. Constructing the Black Folk Subject in Stagger Lee." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 235–254. |
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| ---: EC Comics. Race, Shock, and Social Protest. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2019. (181 S.) |
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| Williams, Paul: Dreaming the Graphic Novel. The Novelization of Comics. New Brunswick: Rutgers Univ. Press, 2020. (259 S.) |
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| Wills, John: Disney Culture. (Quick Takes: Movies and Popular Culture.) New Brunswick: Rutgers Univ. Press, 2017. (158 S.) |
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| Last edited by: joachim 2018-08-13 14:55 |
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| Worcester, Kent: "Graphic Narrative and the War on Terror." In: Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Hrsg. v. Tatiana Prorokova und Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018, S. 41–57. |
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| Yezbick, Daniel F. "No Sweat! EC Comics, Cold War Censorship, and the Troublesome Colors of “Judgment Day!”." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 19–44. |
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| Young, Paul: Frank Miller’s Daredevil and the Ends of Heroism. (Comics Culture.) New Brunswick: Rutgers Univ. Press, 2016. (276 S.) |
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| Young, Hershini Bhana: "Performance Geography. Making Space in Jeremy Love’s Bayou, Volume 1." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 274–291. |
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| Ziegler, James J. "A Secret History of Miscegenation. Jimmy Corrigan and the Columbian Exposition of 1893." In: The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Hrsg. v. Frances Gateward und John Jennings. New Brunswick: Rutgers Univ. Press, 2015, S. 292–313. |
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