| Aldama, Frederick Luis und Christopher González (Hrsg.): Graphic Borders. Latino Comic Books Past, Present, and Future. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2016. (304 S.) |
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| Aldama, Frederick Luis: "Jaime Hernandez (of Los Bros Hernandez)." In: Spilling the Beans in Chicanolandia. Conversations with Writers and Artists. Austin: Univ. of Texas Press, 1996, S. 119–128. |
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| --- (Hrsg.): Multicultural Comics. From Zap to Blue Beetle. (Cognitive Approaches to Literature and Culture.) Austin: Univ. of Texas Press, 2010. (271 S.) |
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| ---: "Multicultural Comics Today. A Brief Introduction." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 1–25. |
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| ---: A User’s Guide to Postcolonial and Latino Borderland Fiction. Austin: Univ. of Texas Press, 2009. (198 S.) |
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| ---: Your Brain on Latino Comics. From Gus Arriola to Los Bros Hernandez. (Cognitive Approaches to Literature and Culture.) Austin: Univ. of Texas Press, 2009. (341 S.) |
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| Anderson, Emily R. "Sin City, Style, and the Status of Noir." In: Critical Approaches to the Films of Robert Rodriguez. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015, S. 81–102. |
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| Bennett, Tamryn: "Dancing with Demons. Consciousness and Identity in the Comics of Lynda Barry." In: Picturing Childhood. Youth in Transnational Comics. Hrsg. v. Mark Heimermann und Brittany Tullis. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017, S. 218–233. |
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| Birmingham, Elisabeth: "Anime’s Dangerous Innocents. Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon." In: Cycles, Sequels, Spin-offs, Remakes, and Reboots. Multiplicities in Film and Television. Hrsg. v. Amanda Ann Klein und R. Barton Palmer. Austin: Univ. of Texas Press, 2016, S. 130–147. |
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| Brunet, Peyton und Blair Davis: Comic Book Women. Characters, Creators, and Culture in the Golden Age. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2022. (314 S.) |
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| Chapman, James: "The Extraordinary Career of Modesty Blaise." In: Comics and Pop Culture. Adaptation from Panel to Frame. Hrsg. v. Barry Keith Grant und Scott A. Henderson. Austin: Univ. of Texas Press, 2019, S. 199–213. |
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| Eighan, Erin E. "Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality." In: Critical Approaches to the Films of Robert Rodriguez. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015, S. 103–118. |
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| Foster, David William: El Eternauta, Daytripper, and Beyond. Graphic Narrative in Argentina and Brazil. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2016. (182 S.) |
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| Fraser, Benjamin: The Art of Pere Joan. Space, Landscape, and Comics Form. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2019. (303 S.) |
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| Gardner, Jared: "Same Difference. Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 132–148. |
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| Grant, Barry Keith und Scott A. Henderson (Hrsg.): Comics and Pop Culture. Adaptation from Panel to Frame. Austin: Univ. of Texas Press, 2019. (330 S.) |
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| Hamilton, Patrick L. "Lost in Translation. Jessica Abel’s La Perdida, the Bildungsroman, and “That ‘Mexican’ Feel”." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 120–131. |
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| Added by: joachim 2012-12-08 18:02 |
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| Heimermann, Mark und Brittany Tullis (Hrsg.): Picturing Childhood. Youth in Transnational Comics. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017. (264 S.) |
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| Henderson, Scott A. "Agency and Intertextuality. Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist." In: Comics and Pop Culture. Adaptation from Panel to Frame. Hrsg. v. Barry Keith Grant und Scott A. Henderson. Austin: Univ. of Texas Press, 2019, S. 279–295. |
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| Hetrick, Nicholas: "Chronology, Country, and Consciousness in Wilfred Santiago’s In My Darkest Hour." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 189–201. |
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| Hogan, Patrick Colm: "Painterly Cinema. Three Minutes of Sin City." In: Critical Approaches to the Films of Robert Rodriguez. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015, S. 63–80. |
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| Jeffries, Dru H. Comic Book Film Style. Cinema at 24 Panels per Second. Austin: Univ. of Texas Press, 2017. (259 S.) |
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| Jenkins, Henry: "Man Without Fear. David Mack, Daredevil, and the “Bounds of Difference” in Superhero Comics." In: Make Ours Marvel. Media Convergence and a Comics Universe. Hrsg. v. Matt Yockey. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017, S. 66–104. |
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| de Jesús, Melinda L. "Liminality and Mestiza Consciousness in Lynda Barry’s One Hundred Demons." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 73–92. |
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| Mehta, Suhaan: "Wondrous Capers. The Graphic Novel in India." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 173–188. |
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| Nama, Adilifu: Super Black. American Pop Culture and Black Superheroes. Austin: Univ. of Texas Press, 2011. (180 S.) |
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| Nixon, Elizabeth: "“It ain't John Shaft”. Marvel Gets Multicultural in The Tomb of Dracula." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 149–156. |
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| Noori, Margaret: "Native American Narratives from Early Art to Graphic Novels. How We See Stories / Ezhi-g’waabmaananig Aadizookaanag." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 55–72. |
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| Peppard, Anna F. "“This Female Fights Back!”. A Feminist History of Marvel Comics." In: Make Ours Marvel. Media Convergence and a Comics Universe. Hrsg. v. Matt Yockey. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017, S. 105–137. |
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| --- (Hrsg.): Supersex. Sexuality, Fantasy, and the Superhero. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2020. (374 S.) |
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| Peterson, James Braxton: "Birth of a Nation. Representation, Nationhood, and Graphic Revolution in the Works of D.W. Griffith, DJ Spooky, and Aaron McGruder et al." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 105–119. |
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| Pizzino, Christopher: Arresting Development. Comics at the Boundaries of Literature. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2016. (231 S.) |
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| Proctor, William: "Schrödinger’s Cape. The Quantum Seriality of the Marvel Multiverse." In: Make Ours Marvel. Media Convergence and a Comics Universe. Hrsg. v. Matt Yockey. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017, S. 319–345. |
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| Rifas, Leonard: "Race and Comix." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 27–38. |
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| Risner, Jonathan: "“Authentic” Latinas/os and Queer Characters in Mainstream and Alternative Comics." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 39–54. |
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| Robb, Jenny E. und Rebecca Wanzo: "Finding Archives/Making Archives. Observations on Conducting Multicultural Comics Research." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 202–219. |
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| Santo, Avi: Selling the Silver Bullet. The Lone Ranger and Transmedia Brand Licensing. (Texas Film and Media Studies.) Austin: Univ. of Texas Press, 2015. (319 S.) |
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| Santos, Jr., Jorge J. Graphic Memories of the Civil Rights Movement. Reframing History in Comics. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2019. |
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| Singer, Marc: Breaking the Frames. Populism and Prestige in Comics Studies. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2019. |
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| Springer, Claudia: Electronic Eros. Bodies and Desire in the Postindustrial Age. Austin: Univ. of Texas Press, 1996. (192 S.) |
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| Thomas, Evan: "Invisible Art, Invisible Planes, Invisible People." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 157–172. |
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| Wanzo, Rebecca: "Black Nationalism, Bunraku, and Beyond. Articulating Black Heroism through Cultural Fusion and Comics." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 93–104. |
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| Yockey, Matt: "A Comic Book Life/Style. World Building in American Splendor." In: Comics and Pop Culture. Adaptation from Panel to Frame. Hrsg. v. Barry Keith Grant und Scott A. Henderson. Austin: Univ. of Texas Press, 2019, S. 184–198. |
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| --- (Hrsg.): Make Ours Marvel. Media Convergence and a Comics Universe. (World Comics and Graphic Nonfiction.) Austin: Univ. of Texas Press, 2017. (358 S.) |
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