| Banita, Georgiana: "Cosmopolitan Suspicion. Comics Journalism and Graphic Silence." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 49–66. |
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| Added by: joachim 2013-04-14 10:50 |
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| Bartley, Aryn: "Staging Cosmopolitanism. The Transnational Encounter in Joe Sacco’s Footnotes in Gaza." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 67–82. |
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| Berninger, Mark: "“Scott Pilgrim Gets It Together”. The Cultural Crossovers of Bryan Lee O’Malley." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 243–256. |
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| Added by: joachim 2013-04-20 00:35 |
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| Bieloch, Katharina und Sharif Bitar: "Batman Goes Transnational. The Global Appropriation and Distribution of an American Hero." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 113–126. |
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| Added by: joachim 2013-04-18 22:21 |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous. Human Devolution in The Walking Dead." In: Monster Culture in the 21st Century. A Reader. Hrsg. v. Marina Levina und Diem-My T. Bui. New York: Bloomsbury, 2013, S. 73–85. |
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| Brienza, Casey E. Manga in America. Transnational Book Publishing and the Domestication of Japanese Comics. New York: Bloomsbury, 2016. (256 S.) |
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| Added by: joachim 2015-05-31 09:56 |
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| Brownie, Barbara und Danny Graydon: The Superhero Costume. Identity and Disguise in Fact and Fiction. New York: Bloomsbury, 2016. (175 S.) |
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| Added by: joachim 2017-07-09 16:43 |
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| Chaney, Michael A. "Not Just a Theme. Transnationalism and Form in Visual Narratives of US Slavery." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 15–31. |
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| Cocca, Carolyn: Superwomen. Gender, Power, and Representation. New York: Bloomsbury, 2016. (263 S.) |
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| Added by: joachim 2018-02-27 23:49 |
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| Cohn, Neil: The Visual Language of Comics. Introduction to the Structure and Cognition of Sequential Images. (Advances in Semiotics.) New York: Bloomsbury, 2013. (224 S.) |
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| --- (Hrsg.): The Visual Narrative Reader. New York: Bloomsbury, 2016. (350 S.) |
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| Davé, Shilpa: "Spider-Man India. Comic Books and the Translating/Transcreating of American Cultural Narratives." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 127–144. |
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| Added by: joachim 2013-04-18 22:29 |
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| Denson, Shane: "Afterword: Framing, Unframing, Reframing. Retconning the Transnational Work of Comics." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 271–284. |
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| Added by: joachim 2013-04-20 01:12 |
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| Denson, Shane, Christina Meyer und Daniel Stein (Hrsg.): Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. New York: Bloomsbury, 2013. (256 S.) |
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| Ecke, Jochen: "Warren Ellis. Performing the Transnational Author in the American Comics Mainstream." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 163–179. |
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| Added by: joachim 2013-04-13 23:39 |
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| El Refaie, Elisabeth: "Transnational Identity as Shape-Shifting. Metaphor and Cultural Resonance in Gene Luen Yang’s American Born Chinese." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 33–47. |
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| Added by: joachim 2013-04-13 20:01 |
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| Etter, Lukas: "The “Big Picture” as a Multitude of Fragments. Jason Lutes’s Depiction of Weimar Republic Berlin." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 229–241. |
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| Forceville, Charles: "Conceptual Metaphor Theory, Blending Theory, and Other Cognitivist Perspectives on Comics." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 89–114. |
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| Added by: joachim 2017-06-28 10:58 |
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| Gabilliet, Jean-Paul: "A Disappointing Crossing. The North American Reception of Asterix and Tintin." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 257–270. |
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| Gavaler, Chris: The Comics Form. The Art of Sequenced Images. New York: Bloomsbury, 2022. |
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| Last edited by: joachim 2022-02-25 10:41 |
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| ---: Superhero Comics. (Bloomsbury Comics Studies.) New York: Bloomsbury, 2017. (357 S.) |
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| Germanà, Monica: "The Coming of Age of Graphic Narratives." In: The Bloomsbury Introduction to Popular Fiction. Hrsg. v. Christine Berberich. New York: Bloomsbury, 2015, S. 163–180. |
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| Groß, Florian: "Lost in Translation. Narratives of Transcultural Displacement in the Wordless Graphic Novel." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 197–210. |
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| Horsman, Yasco: "Of Flipbooks and Funny Animals. Chris Ware’s Quimby the Mouse." In: Compact Cinematics. The Moving Image in the Age of Bit-Sized Media. Hrsg. v. Pepita Hesselberth und Maria Poulaki. New York: Bloomsbury, 2017, S. 153–165. |
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| Howard, Sheena C. und Ronald L. Jackson II (Hrsg.): Black Comics. Politics of Race and Representation. New York: Bloomsbury, 2013. (267 S.) |
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| Added by: joachim 2014-04-17 09:29 |
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| Jacobs, Dale: Graphic Encounters. Comics and the Sponsorship of Multimodal Literacy. New York: Bloomsbury, 2013. (240 S.) |
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| Added by: joachim 2013-04-23 16:36 |
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| Lackaff, Derek und Michael Sales: "Black comics and social media economics. New media, new production models." In: Black Comics. Politics of Race and Representation. Hrsg. v. Sheena C. Howard und Ronald L. Jackson II. New York: Bloomsbury, 2013, S. 65–78. |
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| Added by: joachim 2019-09-24 00:37 |
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| Laemmerhirt, Iris-Aya: "“Trying to Recapture the Front”. A Transnational Perspective on Hawaii in R. Kikuo Johnson’s Night Fisher." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 83–94. |
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| Added by: joachim 2013-04-14 14:02 |
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| Lefèvre, Pascal: "No Content without Form. Graphic Style as the Primary Entrance to a Story." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 67–88. |
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| Mehring, Frank: "Hard-Boiled Silhouettes. Transnational Remediation and the Art of Omission in Frank Miller’s Sin City." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 211–224. |
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| Meier, Stefan: "“Truth, Justice, and the Islamic Way”. Conceiving the Cosmopolitan Muslim Superhero in The 99." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 181–194. |
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| Added by: joachim 2013-04-20 00:13 |
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| Nelson, Angela M. "Studying Black Comic Strips. Popular Art and Discourses of Race." In: Black Comics. Politics of Race and Representation. Hrsg. v. Sheena C. Howard und Ronald L. Jackson II. New York: Bloomsbury, 2013, S. 97–110. |
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| Added by: joachim 2014-06-03 12:06 |
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| Rhett, Maryanne: Representations of Islam in United States Comics, 1880–1922. New York: Bloomsbury, 2019. (183 S.) |
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| Added by: joachim 2020-09-16 12:08 |
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| Ro, Ronin: Tales to Astonish. Jack Kirby, Stan Lee, and the American Comic Book Revolution. New York: Bloomsbury, 2004. (388 S.) |
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| Added by: joachim 2011-01-16 19:37 |
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| Robertson, Benjamin J. "Incommensurate Nostalgias. Changin’ Times in Watchmen." In: Write in Tune. Contemporary Music in Fiction. Hrsg. v. Erich Hertz und Jeffrey Roessner. New York: Bloomsbury, 2014. |
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| Added by: joachim 2014-05-11 21:48 |
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| Saraceni, Mario: "Relatedness. Aspects of Textual Connectivity in Comics." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 115–128. |
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| Schumacher, Michael und Denis Kitchen: Al Capp. A Life to the Contrary. New York: Bloomsbury, 2013. (305 S.) |
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| Added by: joachim 2013-03-07 15:46 |
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| Schumacher, Michael: Will Eisner. A Dreamer’s Life in Comics. New York: Bloomsbury, 2010. (359 S.) |
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| Smith, Anthony N. Storytelling Industries. Narrative Production in the 21st Century. New York: Bloomsbury, 2018. (266 S.) |
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| Stein, Daniel: "Of Transcreations and Transpacific Adaptations. Investigating Manga Versions of Spider-Man." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 145–162. |
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| Wichmann, Søren und Jesper Nielsen: "Sequential Text-Image Pairing among the Classic Maya." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 283–314. |
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| Wildfeuer, Janina und John A. Bateman: "Linguistically Oriented Comics Research in Germany." In: The Visual Narrative Reader. Hrsg. v. Neil Cohn. New York: Bloomsbury, 2016, S. 19–66. |
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| Added by: joachim 2017-06-28 10:47 |
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| Wüllner, Daniel: "Folding Nations, Cutting Borders. Transnationalism in the Comics of Warren Craghead III." In: Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Hrsg. v. Shane Denson, Christina Meyer und Daniel Stein. New York: Bloomsbury, 2013, S. 95–110. |
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