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| Christiansen, Hans-Christian: "Comics and Film. A Narrative Perspective." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 107–121. |
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| Frahm, Ole: "Weird Signs. Comics as Means of Parody." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 177–191. |
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| Groensteen, Thierry: "Why are Comics Still in Search of Cultural Legitimization?" In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 29–41. |
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| How, James: "2000AD and Hollywood. The Special Relationship between a British Comic and American Film." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 225–241. |
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| Inge, M. Thomas: "From Ahab to Peg-Leg Pete. A Comic Cetology." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 157–176. |
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| Kawa, Abraham: "What if the Apocalypse Never Happens. Evolutionary Narratives in Contemporary Comics." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 209–224. |
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| Langevin, Sébastien: "La bande dessinée en Afrique subsaharienne francophone." In: Une francophonie plurielle. Langues, idées et cultures en mouvement. Hrsg. v. Lise Toft und Lisbeth Verstraete-Hansen. (Etudes Romanes, 59.) Copenhagen: Museum Tusculanum, 2009, S. 169–177. |
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| Lefèvre, Pascal: "The Importance of Being ‘Published’. A Comparative Study of Different Comics Formats." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 91–105. |
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| Legrady, Georges: "Modular Structure and Image/Text Sequences. Comics and Interactive Media." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 79–90. |
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| Magnussen, Anne: "El cómic como texto. Una lectura de Crónicas Incongruentes 7 de Miguelanxo Prado." In: La langue, les signes et les êtres. Actes du colloque de l'Institut d'Etudes Romanes de l'Université de Copenhague, le 3 octobre 1998. Hrsg. v. Hans Peter Lund. (Etudes Romanes, 44.) Copenhagen: Museum Tusculanum, 1999, S. 111–125. |
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| ---: "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 193–207. |
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| Murray, Christopher: "Popaganda. Superhero Comics and Propaganda in World War II." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 141–155. |
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| Nielsen, Jesper und Søren Wichmann: "America’s First Comics? Techniques, Contents, and Functions of Sequential Text-Image Pairing in the Classic Maya Period." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 59–77. |
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| Sabin, Roger: "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 43–57. |
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