| Affuso, Elizabeth: "Everyday Costume. Feminized Fandom, Retail, and Beauty Culture." In: The Routledge Companion to Media Fandom. Hrsg. v. Melissa A. Click und Suzanne Scott. London, New York: Routledge, 2018, S. 184–192. |
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| Alaniz, José: "Death and Mourning in Graphic Narrative." In: The Routledge Companion to Death and Literature. Hrsg. v. W. Michelle Wang, Daniel K. Jernigan und Neil Murphy. London, New York: Routledge, 2020, S. 117–122. |
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| Aldama, Frederick Luis (Hrsg.): Comics Studies Here and Now. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. (347 S.) |
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| --- (Hrsg.): The Routledge Companion to Gender and Sexuality in Comic Book Studies. (Routledge Companions to Gender.) London, New York: Routledge, 2021. (569 S.) |
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| Alexandru, Maria-Sabina Draga: "Narrative Exploration against Mentality Issues. Indirect Education for Multiculturalism in Tintin." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 163–176. |
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| Atkinson, Paul: "The Time of Heroes. Narrative, Progress, and Eternity in Miracleman." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 44–63. |
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| Ayaka, Carolene und Ian Hague (Hrsg.): Representing Multiculturalism in Comics and Graphic Novels. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014. (269 S.) |
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| Bacon-Smith, Camille und Tyrone Yarborough: "Batman: The Ethnography." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 90–116. |
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| Baetens, Jan und Charlotte Pylyser: "Comics and Time." In: The Routledge Companion to Comics. Hrsg. v. Frank Bramlett, Roy T. Cook und Aaron Meskin. London, New York: Routledge, 2016, S. 303–310. |
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| Bailey, Beth: "Sex as a Weapon. Underground Comix and the Paradox of Liberation." In: Imagine Nation. The American Counterculture of the 1960's and 70's. Hrsg. v. Peter Braunstein und Michael William Doyle. London, New York: Routledge, 2002, S. 305–324. |
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| Bainbridge, Jason: "‘Worlds Within Worlds’. The Role of Superheroes in the Marvel and DC Universes." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 64–85. |
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| Barker, Martin: "Drawing Attention to the Image. Computers and Comics." In: The Photographic Image in Digital Culture. Hrsg. v. Martin Lister. (Comedia.) London, New York: Routledge, 1995, S. 188–214. |
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| Barker, Kim: "Holy blurring of core copyright principles, Batmobile!" In: Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015, S. 19–35. |
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| Bateman, John A., Annika Beckmann und Rocio Varela: "From Empirical Studies to Visual Narrative Organization. Exploring Page Composition." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 127–153. |
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| Bateman, John A. Text and Image. A Critical Introduction to the Visual/Verbal Divide. London, New York: Routledge, 2014. (276 S.) |
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| Batkin, Jane: Identity in Animation. A Journey into Self, Difference, Culture, and the Body. London, New York: Routledge, 2017. (182 S.) |
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| Beaty, Bart, Nick Sousanis und Benjamin Woo: "Two Per Cent of What? Constructing a Corpus of Typical American Comic Books." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 27–42. |
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| Beers Fägersten, Kristy et al. (Hrsg.): Comic Art and Feminism in the Baltic Sea Region. Transnational Perspectives. (Routledge Studies in Gender, Sexuality, and Comics.) London, New York: Routledge, 2021. (256 S.) |
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| Berndt, Jaqueline: "The Intercultural Challenge of the “Mangaesque”. Reorienting Manga Studies after 3/11." In: Manga’s Cultural Crossroads. Hrsg. v. Jaqueline Berndt und Bettina Kümmerling-Meibauer. (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013, S. 65–84. |
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| Berndt, Jaqueline und Bettina Kümmerling-Meibauer (Hrsg.): Manga’s Cultural Crossroads. (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013. (272 S.) |
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| Beronä, David A. "Wordless Comics. The Imaginative Appeal of Peter Kuper’s The System." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 17–26. |
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| Bevin, Phillip: Superman and Comic Book Brand Continuity. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. |
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| Birken, Jacob: "Set Pieces. Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 146–162. |
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| Boichel, Bill: "Batman: Commodity as Myth." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 4–17. |
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| Bowkett, Steve: Using Comic Art to Improve Speaking, Reading and Writing: Kapow! London, New York: Routledge, 2011. (128 S.) |
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| Bramlett, Frank: "Linguistic Discourse in Web Comics. Extending Conversation and Narrative into Alt-Text and Hidden Comics." In: The Language of Pop Culture. Hrsg. v. Valentin Werner. (Routledge Studies in Linguistics.) London, New York: Routledge, 2018, S. 72–91. |
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| Bramlett, Frank, Roy T. Cook und Aaron Meskin (Hrsg.): The Routledge Companion to Comics. London, New York: Routledge, 2016. (456 S.) |
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| Branigan, Edward: Narrative Comprehension and Film. London, New York: Routledge, 1992. (325 S.) |
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| Brassett, Jamie und Richard Reynolds (Hrsg.): Superheroes and Excess. A Philosophical Adventure. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2022. (288 S.) |
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| Brienza, Casey E. (Hrsg.): Global Manga. “Japanese” Comics without Japan? 2. Aufl. London, New York: Routledge, 2016. (207 S.) |
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| ---: "‘Manga Is Not Pizza’. The Performance of Ethno-racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon." In: Global Manga. “Japanese” Comics without Japan? Hrsg. v. Casey E. Brienza. 2. Aufl. London, New York: Routledge, 2016, S. 95–113. |
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| Bright, Amy: "Multimodal Forms. Examining Text, Image, and Visual Literacy in Daniel Handler’s Why We Broke Up and Markus Zusak’s The Book Thief." In: Teaching Comics Through Multiple Lenses. Critical Perspectives. Hrsg. v. Crag Hill. London, New York: Routledge, 2017, S. 30–46. |
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| Brooker, Will: "Batgirl." In: Barthes’ Mythologies Today. Readings of Contemporary Culture. Hrsg. v. Pete Bennett und Julian McDougall. (Routledge Research in Cultural and Media Studies, 52.) London, New York: Routledge, 2013, S. 27–31. |
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| ---: "Batman. One life, many faces." In: Adaptations. From Text to Screen, Screen to Text. Hrsg. v. Deborah Cartmell und Imelda Welehan. London, New York: Routledge, 1999, S. 185–198. |
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| Brown, Jeffrey A. Batman and the Multiplicity of Identity. The Contemporary Comic Book Superhero as Cultural Nexus. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. (226 S.) |
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| ---: "Ethnography. Wearing One’s Fandom." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 280–290. |
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| ---: The Modern Superhero in Film and Television. Popular Genre and American Culture. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2016. (181 S.) |
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| Brown, Matthew J., Randy Duncan und Matthew J. Smith (Hrsg.): More Critical Approaches to Comics. Theories and Methods. London, New York: Routledge, 2019. (286 S.) |
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| Bucher, Hans-Jürgen und Bettina Boy: "How Informative are Information Comics in Science Communication? Empirical Results from an Eye-Tracking Study and Knowledge Testing." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 176–196. |
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| Buckley, Sandra: "“Penguin in Bondage”. A Graphic Tale of Japanese Comic Books." In: The Visual Culture Reader. Hrsg. v. Nicholas Mirzoeff. London, New York: Routledge, 1998, S. 495–503. |
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| Bukatman, Scott: "Secret Identity Politics." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 109–125. |
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| Carpenter, Stanford W. "Ethnography of Production. Editor Axel Alonso and the Sale of Ideas." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 167–177. |
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| Casey, Jim: "Alan Moore (1953–)." In: Fifty Key Figures in Science Fiction. Hrsg. v. Mark Bould et al. (Routledge Key Guides.) London, New York: Routledge, 2010, S. 166–171. |
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| ---: "Silver Age comics." In: The Routledge Companion to Science Fiction. Hrsg. v. Mark Bould et al. London, New York: Routledge, 2009, S. 123–133. |
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| Cavcic, Antonija: "Sporting the Gothic Look. Refashioning the Gothic Mode in German Manga Trends." In: Global Manga. “Japanese” Comics without Japan? Hrsg. v. Casey E. Brienza. 2. Aufl. London, New York: Routledge, 2016, S. 147–166. |
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| Added by: joachim 2018-02-14 11:20 |
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| Cheng Chua, Karl Ian Uy: "Pinoy Manga in Philippine Komiks." In: Global Manga. “Japanese” Comics without Japan? Hrsg. v. Casey E. Brienza. 2. Aufl. London, New York: Routledge, 2016, S. 185–197. |
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| ---: "Representing the war in manga." In: Controversial History Education in Asian Contexts. Hrsg. v. Mark Baildon et al. London, New York: Routledge, 2014, S. 123–139. |
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| Chute, Hillary: "Graphic Narrative." In: The Routledge Companion to Experimental Literature. Hrsg. v. Joe Bray, Alison Gibbons und Brian McHale. (Routledge Literature Companions.) London, New York: Routledge, 2012, S. 407–419. |
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| Cicci, Matthew: "The Invasion of Loki’s Army? Comics Cultures Increasing Awareness of Female Fans." In: The Routledge Companion to Media Fandom. Hrsg. v. Melissa A. Click und Suzanne Scott. London, New York: Routledge, 2018, S. 193–201. |
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| Clayton, Aaron: "Evolution and Race on the Island of Caspak. How Tarzan and T-Rex Decode Manhood in the Comic that Time Forgot." In: Global Perspectives on Tarzan. From King of the Jungle to International Icon. Hrsg. v. Annette Wannamaker und Michelle Abate. (Routledge Research in Cultural and Media Studies.) London, New York: Routledge, 2012, S. 180–197. |
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| Added by: joachim 2013-05-19 10:29 |
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| Cocca, Carolyn: Wonder Woman and Captain Marvel. Militarism and Feminism in Comics and Film. (Routledge Focus on Gender, Sexuality, and Comics.) London, New York: Routledge, 2021. (102 S.) |
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| Last edited by: joachim 2022-01-11 13:05 |
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| Cohn, Neil: "Visual Language Theory and the Scientific Study of Comic." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 305–328. |
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| Collins, Jim: "Batman: the Movie, Narrative: The Hyperconscious." In: The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Hrsg. v. Roberta E. Pearson und William Uricchio. London, New York: Routledge, 1991, S. 164–181. |
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| Comerford, Chris: "The hero we need, not the one we deserve. Vigilantism and the state of exception in Batman Incorporated." In: Graphic Justice. Intersections of Comics and Law. Hrsg. v. Thomas Giddens. London, New York: Routledge, 2015, S. 183–200. |
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| Connors, Sean P. "Designing Meaning. A Multimodal Perspective on Comics Reading." In: Teaching Comics Through Multiple Lenses. Critical Perspectives. Hrsg. v. Crag Hill. London, New York: Routledge, 2017, S. 13–29. |
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| ---: "Designing Meaning. A Multimodal Perspective on Comics Reading." In: Teaching Comics Through Multiple Lenses. Critical Perspectives. Hrsg. v. Crag Hill. London, New York: Routledge, 2017, S. 13–29. |
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| Coogan, Peter: "Genre. Reconstructing the Superhero in All Star Superman." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 203–220. |
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| Cooper, Simon und Paul Atkinson: "Graphic Implosion. Politics, Time, and Value in Post-9/11 Comics." In: Literature after 9/11. Hrsg. v. Ann Keniston und Jeanne Follansbee Quinn. (Routledge Studies in Contemporary Literature, 1.) London, New York: Routledge, 2008, S. 60–81. |
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| Cornwell, Nancy C. und Mark P. Orbe: "“Keepin' It Real” and/or “Sellin' Out to the Man”. African-American Responses to Aaron McGruder's The Boondocks." In: Say It Loud! African American Audiences, Media and Identity. Hrsg. v. Robin R. Means Coleman. London, New York: Routledge, 2002, S. 27–43. |
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| Creekmur, Corey K. "Multiculturalism Meets the Counterculture. Representing Racial Difference in Robert Crumb’s Underground Comix." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 19–33. |
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| Dar, Jehanzeb: "Holy Islamophobia, Batman! Demonization of Muslims and Arabs in Mainstream American Comic Books." In: Islam and Popular Culture. Hrsg. v. Anna Piela. Bd. 4. (Critical Concepts in Sociology.) London, New York: Routledge, 2018. |
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| Darowski, John und Fernando Gabriel Pagnoni Berns (Hrsg.): Critical Approaches to Horror Comic Books. Red Ink in the Gutter. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2023. |
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| Dasgupta, Romit: "The film Bishônen and Queer(N)Asia through Japanese popular culture." In: Popular culture, globalization and Japan. Hrsg. v. Matthew Allen und Rumi Sakamoto. (Routledge Studies in Asia's Transformations.) London, New York: Routledge, 2006, S. 56–74. |
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| Davies, Dominic: Urban Comics. Infrastructure and the Global City in Contemporary Graphic Narratives. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2019. (273 S.) |
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| Davis, Julie und Robert Westerfelhaus: "Finding a Place for a Muslimah Heroine in the Post-9/11 Marvel Universe. New X-Men’s Dust." In: Islam and Popular Culture. Hrsg. v. Anna Piela. Bd. 4. (Critical Concepts in Sociology.) London, New York: Routledge, 2018. |
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| Dittmer, Jason: "Comic Books." In: The Ashgate Research Companion to Media Geography. Hrsg. v. Jason Dittmer, Paul C. Adams und Jim Craine. London, New York: Routledge, 2016, S. 69–83. |
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| Dowling, Jennifer: "‘Oy Gevalt!’. A Peak at the Development of Jewish Superheroines." In: The Contemporary Comic Book Superhero. Hrsg. v. Angela Ndalianis. (Routledge Research in Cultural and Media Studies, 19.) London, New York: Routledge, 2009, S. 184–203. |
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| Duncan, Randy, Michael Ray Taylor und David Stoddard: Creating Comics as Journalism, Memoir and Nonfiction. London, New York: Routledge, 2016. (260 S.) |
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| Added by: joachim 2018-06-09 00:59 |
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| Duncan, Randy: "Image Functions. Shape and Color as Hermeneutic Images in Asterios Polyp." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 43–54. |
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| Dunst, Alexander, Jochen Laubrock und Janina Wildfeuer: "Comics and Empirical Research. An Introduction." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 1–24. |
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| --- (Hrsg.): Empirical Comics Research. Digital, Multimodal, and Cognitive Methods. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018. (349 S.) |
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| Dunst, Alexander und Rita Hartel: "The Quantitative Analysis of Comics. Towards a Visual Stylometry of Graphic Narrative." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 43–61. |
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| Earle, Harriet E. H. Comics. An Introduction. London, New York: Routledge, 2021. (214 S.) |
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| Eckhoff-Heindl, Nina: "Building stories. The interplay of comics and games in Chris Ware’s works." In: Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Hrsg. v. Andreas Rauscher, Daniel Stein und Jan-Noël Thon. London, New York: Routledge, 2020, S. 84–95. |
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| Etter, Lukas: "Visible Hand? Subjectivity and Its Stylistic Markers in Graphic Narratives." In: Subjectivity across Media. Interdisciplinary and Transmedial Perspectives. Hrsg. v. Maike Sarah Reinerth und Jan-Noël Thon. (Routledge Research in Cultural and Media Studies, 95.) London, New York: Routledge, 2017, S. 92–110. |
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| Ewert, Jeanne C. "Comics and Graphic Novel." In: Routledge Encyclopedia of Narrative Theory. Hrsg. v. David Herman, M. Jahn und Marie-Laure Ryan. London, New York: Routledge, 2005, S. 71–73. |
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| Ferris, Graham und Cleo Lunt: "Devil’s advocate. Representation in heroic fiction, Daredevil and the law." In: Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015, S. 36–53. |
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| Field, Hannah: "The Story Unfolds. Intertwined Time and Space in the Victorian Children’s Panorama." In: Space and Place in Children’s Literature, 1789 to the Present. Hrsg. v. Maria Sachiko Cecire et al. 2. Aufl. (Studies in Childhood, 1700 to the Present.) London, New York: Routledge, 2016, S. 165–192. |
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| Forni, Kathleen: Beowulf’s Popular Afterlife in Literature, Comic Books, and Film. (Routledge Studies in Medieval Literature and Culture.) London, New York: Routledge, 2018. (207 S.) |
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| Freeman, Matthew: Historicising Transmedia Storytelling. Early Twentieth-Century Transmedia Story Worlds. (Routledge Research in Cultural and Media Studies, 99.) London, New York: Routledge, 2017. (210 S.) |
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| Friedenthal, Andrew J. The World of DC Comics. (Imaginary Worlds.) London, New York: Routledge, 2019. (108 S.) |
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| ---: The World of Marvel Comics. (Imaginary Worlds.) London, New York: Routledge, 2022. (207 S.) |
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| García, Enrique: "The Industry and Aesthetics of Latina/o Comic Books." In: The Routledge Companion to Latina/o Popular Culture. Hrsg. v. Frederick Luis Aldama. (Routledge Media and Cultural Studies Companions.) London, New York: Routledge, 2016, S. 101–109. |
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| Gauthier, Tim: "9/11, image control, and the graphic narrative. Spiegelman, Rehr, Torres." In: Literature, Migration and the ‘War on Terror’. Hrsg. v. Fiona Tolan et al. London, New York: Routledge, 2012, S. 115–126. |
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| Gentzler, Edwin: Translation and Rewriting in the Age of Post-Translation Studies. (New Perspectives in Translation and Interpreting Studies.) London, New York: Routledge, 2017. (245 S.) |
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| Geraghty, Lincoln: Cult collectors. Nostalgia, fandom and collecting popular culture. London, New York: Routledge, 2014. (212 S.) |
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| Gibson, Mel: "“Badgers? We don’t need no steenkin’ badgers!”. Talbot’s Grandville, Anthropomorphism and Multiculturalism." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 83–95. |
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| ---: "Cultural Studies. British Girls’ Comics, Readers and Memories." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 267–279. |
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| ---: "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." In: Superheroes and Identities. Hrsg. v. Mel Gibson, David Huxley und Joan Ormrod. London, New York: Routledge, 2014, S. 135–146. |
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| Giddens, Thomas (Hrsg.): Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. (258 S.) |
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| ---: "Law and the machine. Fluid and mechanical selfhood in The Ghost in the Shell." In: Graphic Justice. Intersections of Comics and Law. Hrsg. v. Thomas Giddens. London, New York: Routledge, 2015, S. 89–105. |
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| ---: "Lex comica. On comics and legal theory." In: Graphic Justice. Intersections of Comics and Law. Hrsg. v. Thomas Giddens. London, New York: Routledge, 2015, S. 8–15. |
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| ---: On Comics and Legal Aesthetics. Multimodality and the Haunted Mask of Knowing. (Discourses of Law.) London, New York: Routledge, 2018. (230 S.) |
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| Gillett, Robert: "Gaps To Watch Out For. Alison Bechdel in German." In: Queer in Translation. Hrsg. v. B. J. Epstein und Robert Gillett. (Routledge Advances in Translation and Interpreting Studies, 10.) London, New York: Routledge, 2017, S. 104–117. |
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| Glaser, Tim: "Homestuck as a game. A webcomic between playful participation, digital technostalgia, and irritating inventory systems." In: Comics and Videogames. From Hybrid Medialities to Transmedia Expansions. Hrsg. v. Andreas Rauscher, Daniel Stein und Jan-Noël Thon. London, New York: Routledge, 2020, S. 96–112. |
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| Glasner, Lily: "Embracing Childish Perspective. Rutu Modan’s A Royal Banquet With the Queen." In: Representing Multiculturalism in Comics and Graphic Novels. Hrsg. v. Carolene Ayaka und Ian Hague. (Routledge Research in Cultural and Media Studies, 68.) London, New York: Routledge, 2014, S. 177–196. |
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| Glejzer, Richard: "Witnessing 9/11. Art Spiegelman and the Persistence of Trauma." In: Literature after 9/11. Hrsg. v. Ann Keniston und Jeanne Follansbee Quinn. (Routledge Studies in Contemporary Literature, 1.) London, New York: Routledge, 2008, S. 99–122. |
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| Goodrum, Michael: Superheroes and American Self Image. From War to Watergate. (The Cultural Politics of Media and Popular Culture.) London, New York: Routledge, 2016. (247 S.) |
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| Gordon, Ian: "Culture of Consumption. Commodification through Superman: Return to Krypton." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 157–166. |
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