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| Bachmann, Christian A. "Comic und Comicbuch." Literatur, Buchgestaltung und Buchkunst. Ein Kompendium. Ed. Monika Schmitz-Emans. Berlin u. Boston: de Gruyter, 2019. 574–86. |
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| Backe, Hans-Joachim, et al., eds. Ästhetik des Gemachten: Interdisziplinäre Beiträge zur Animations- und Comicforschung. Berlin u. Boston: de Gruyter, 2018. |
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| Backe, Hans-Joachim. "Transformation und Aneignung: Literarische Prätexte in Moores und Gibbons’ Watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Baetens, Jan and Steven Surdiacourt. "European Graphic Narratives: Toward a Cultural and Mediological History." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 347–62. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Bartosch, Sebastian. Die Medien des Comics: Vom Zeitungsstrip bis zum digitalen Comic. Comicstudien. Berlin u. Boston: de Gruyter, 2024. |
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| Becker, Romain. "How a German Publisher Appropriates Comics It Did Not Originally Publish." Comics and Agency. Eds. Vanessa Ossa, Jan-Noël Thon and Lukas R. A. Wilde. Comics Studies. Berlin u. Boston: de Gruyter, 2022. 59–80. |
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| Berndt, Jaqueline. "Hand in Hand: Kouno Fumiyos Mangaserie Kono sekai no katasumi ni (In This Corner of the World) im Vergleich zur Anime-Adaptation durch Katabuchi Sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Berndt, Jaqueline. "Ghostly: ‘Asian Graphic Narratives,’ Nonnonba, and Manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Bock, Dennis. "»Gezeichnete Fluchtromantik? Auf keinen Fall« – Die Geschichte des Fluchtversuchs ›Tunnel 57‹ im Comic zwischen bildungspolitischer Wissensvermittlung und Abenteuererzählung." Trauma-Erfahrungen und Störungen des ›Selbst‹. Mediale und literarische Konfigurationen lebensweltlicher Krisen. Ed. Carsten Gansel. Untersuchungen zur deutschen Literaturgeschichte. Berlin u. Boston: de Gruyter, 2020. 421–48. |
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| Böger, Astrid. "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." Handbuch Literatur & Visuelle Kultur. Eds. Claudia Benthien and Brigitte Weingart. Handbücher zur kulturwissenschaftlichen Philologie. Berlin u. Boston: de Gruyter, 2014. 544–60. |
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| Buchenberger, Stefan. "Future Imperfect: Dystopia, Time Travel, Absolute Power, and the Incredible Hulk." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 25–32. |
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| DeTora, Lisa. "The Quantum Gaze as a Model for Simultaneous Mobilization in Graphic Narrative." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 143–56. |
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| Domsch, Sebastian, Dan A. Hassler-Forest, and Dirk Vanderbeke, eds. Handbook of Comics and Graphic Narratives. Handbooks of English and American Studies. Berlin u. Boston: de Gruyter, 2021. |
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| Eggert, Barbara Margarethe, Kalina Kupczyńska, and Véronique Sina, eds. Familie und Comic: Kritische Perspektiven auf soziale Mikrostrukturen in grafischen Narrationen. Comicstudien. Berlin u. Boston: de Gruyter, 2023. |
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| Etter, Lukas. Distinctive Styles and Authorship in Alternative Comics. Anglia. Berlin u. Boston: de Gruyter, 2020. |
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| Added by: joachim 11/16/21, 4:39 PM |
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| Figueira, Dorothy. "Guts and Glory: Representations of History in Indian Comic Books." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 167–84. |
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| Gardner, Jared. "A History of the Narrative Comic Strip." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 241–53. |
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| Glaubitz, Nicola. "Der Prozess als Performance: Zur Geschichte des Schnellzeichnens." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 85–108. |
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| Grünewald, Dietrich. "Alltagskaleidoskop – Loriots Bildgeschichten – Humorstrategien und Erzählweisen." Loriot und die Bundesrepublik. Eds. Anna Bers and Claudia Hillebrandt. Berlin u. Boston: de Gruyter, 2023. 237–58. |
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| Grünewald, Dietrich. "Alberto Breccia: Das verräterische Herz: Eine Comic-Adaption nach Edgar Allan Poe." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 50–66. |
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| Grüning, Barbara. "Educating to Remember: The Public Use of Comics in Germany and Italy." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 95–108. |
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| Added by: joachim 11/30/23, 11:22 PM |
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| Gundermann, Christine. "Inszenierte Vergangenheit oder wie Geschichte im Comic gemacht wird." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 257–84. |
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| Added by: joachim 11/11/18, 11:39 AM |
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| Hagener, Malte. "Digital/digitus: Die Geste in den Pixar-Animationsfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 11–26. |
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| Halsall, Alison. "Visualizing the Gothic in Neil Gaiman’s The Graveyard Book and Its Illustrated Adaptations." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 123–41. |
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| Hänselmann, Matthias C. "Das Gemachte als Bewusst-Gemachtes: Produktive und rezeptive Dimensionen von Materialität und Materialtransparenz im Film." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 27–52. |
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| Added by: Okwuchi Mba Last edited by: joachim 6/9/22, 2:05 PM |
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| Heindl, Nina. "Opazität und Transparenz: Überlegungen zum poietischen Potenzial in Chris Wares Comics und Animationen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 177–202. |
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| Added by: joachim 10/3/18, 1:14 PM |
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| Herman, David. "Toward a Zoonarratology: Storytelling and Species Difference in Animal Comics." Narrative, Interrupted. The Plotless, the Disturbing and the Trivial in Literature. Eds. Markku Lehtimäki, Laura Karttunen and Maria Mäkelä. Berlin u. Boston: de Gruyter, 2012. 93–119. |
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| Added by: joachim 1/5/14, 2:59 PM |
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| Hochschild, Björn. Figuren begegnen in Filmen und Comics. Cinepoetics. Berlin u. Boston: de Gruyter, 2024. |
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| Added by: joachim 1/12/24, 5:21 PM |
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| Hölter, Achim and Eva Hölter. "Dante Alighieri im Comic – eine kurze Aktualisierung." Komparatistische Perspektiven auf Dantes ›Divina Commedia‹. Eds. Stephanie Heimgartner and Monika Schmitz-Emans. spectrum Literaturwissenschaft / spectrum Literature. Berlin u. Boston: de Gruyter, 2017. 345–52. |
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| Added by: joachim 6/8/20, 6:07 PM |
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| Hölter, Achim and Eva Hölter. "Dante im Comic." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 17–49. |
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| von Holzen, Aleta-Amirée. "Marvel-lous Masked Men: Doppelidentitäten in Superheldenfilmen." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Höppner, Stefan. "Ohne Worte: Erzählweisen des Fremden in Shaun Tans The Arrival." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 136–66. |
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| Horstkotte, Silke. "Lesen von Text/Bild-Korrelationen." Grundthemen der Literaturwissenschaft: Lesen. Eds. Alexander Honold and Rolf Parr. Grundthemen der Literaturwissenschaft. Berlin u. Boston: de Gruyter, 2018. 371–82. |
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| Added by: joachim 9/5/19, 7:33 PM |
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| Horstkotte, Silke. "Zooming In and Out: Panels, Frames, Sequences, and the Building of Graphic Storyworlds." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 27–48. |
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| Added by: joachim Last edited by: joachim 10/14/13, 1:30 AM |
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| Jenkins, Henry. "Archival, Ephemeral, and Residual: The Functions of Early Comics in Art Spiegelman’s In the Shadow of No Towers." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 301–22. |
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| Klepper, Martin. "Alison Bechdel: Fun Home: A Family Tragicomic (2006)." Handbook of Autobiography/Autofiction. Volume III: Exemplary Texts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 2074–88. |
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| Added by: joachim 12/16/19, 5:22 PM |
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| Klepper, Martin. "Autobiographical/Autofictional Comics." Handbook of Autobiography/Autofiction. Volume I: Theory and Concepts. Ed. Martina Wagner-Egelhaaf. Berlin u. Boston: de Gruyter, 2019. 441–45. |
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| Kukkonen, Karin. "Space, Time, and Causality in Graphic Narratives: An Embodied Approach." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 49–66. |
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| Added by: joachim Last edited by: joachim 10/14/13, 1:09 AM |
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| Lampart, Fabian. "»se io dico il nome Nemo …«: Zitatästhetik in italienischen Gegenwarts-Comics." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 203–29. |
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| Lefèvre, Pascal. "Narration in the Flemish Dual Publication System: The Crossover Genre of the Humoristic Adventure." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 255–69. |
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| Lohse, Rolf. "Sfars Le petit prince als kreative Literaturadaptation." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 84–115. |
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| Marko, Benedict. "Visuelle Labyrinthe: Das Bild der Stadt im Kino Oshii Mamorus." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 163–86. |
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| Meyer, Christina. "»Noch besser, bunter und mehr davon«: Comicproduktion und Comicästhetik im 19. Jahrhundert." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 151–76. |
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| Added by: joachim 8/13/20, 10:02 AM |
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| Meyer, Christina. "Un/Taming the Beast, or Graphic Novels (Re)Considered." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 271–99. |
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| Mikkonen, Kai. "Subjectivity and Style in Graphic Narratives." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 101–23. |
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| Packard, Stephan. "Bilder erfinden: Fiktion als Reduktion und Redifferenzierung in graphischen Erzählungen." Fiktion im Vergleich der Künste und Medien. Eds. Anne Enderwitz and Irina O. Rajewsky. WeltLiteraturen / World Literatures. Berlin u. Boston: de Gruyter, 2016. 125–44. |
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| Paladin, Nicola. "The Participation of Will Eisner’s The Spirit in World War II." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 33–46. |
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| Papenburg, Bettina. "Das Dokumentarische als Autorisierungsstrategie und als Lektüremodus für bildgebende Verfahren und digitale Animationen in den Lebenswissenschaften." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 203–30. |
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| Pedri, Nancy. "Graphic Memoir: Neither Fact Nor Fiction." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 127–53. |
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| Piepoli, Angelo. "Gender Gaps in the Clouds: Expressive Repression and Signs of Change in Italian Comics of the 1950s and 1960s." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 109–22. |
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| Added by: joachim 11/30/23, 7:56 PM |
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| Pinar, Maria Jesus. "Comic Books." Interactions, Images and Texts. A Reader in Multimodality. Eds. Sigrid Norris and Carmen Daniela Maier. Trends in Applied Linguistics. Berlin u. Boston: de Gruyter, 2014. 357–70. |
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| Platthaus, Andreas. "Über Proust hinaus erzählen: Stéphane Heuets Adaption von Un Amour de Swann." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 67–83. |
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| Rauscher, Andreas. "Die Cartoon-Modalitäten des Batman-Franchise und die Gemachtheit von Gotham City." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 305–34. |
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| Reinerth, Maike Sarah. "Entirely (Self-)Made Up! Animierte Imaginationsdarstellungen in Realspielfilmen." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 231–56. |
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| Rippl, Gabriele and Lukas Etter. "Intermediality, Transmediality, and Graphic Narrative." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 191–217. |
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| Rossi, Umberto. "The Myth of the Great War: Hugo Pratt's World War I Graphic Novel and Stories." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 59–82. |
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| Added by: joachim 2/28/21, 9:24 AM |
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| Round, Julia. "Anglo-American Graphic Narrative." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 325–45. |
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| Schmitz-Emans, Monika, ed. Comic und Literatur: Konstellationen. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. |
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| Schmitz-Emans, Monika. "Gleis neundreiviertel, das siebeneinhalbte Stockwerk, die 2,333te Dimension und ein Ausflug nach Tlön: Gebrochene Ordnungszahlen als Schwellen ins Imaginäre." Zahlen, Zeichen und Figuren. Mathematische Inspirationen in Kunst und Literatur. Eds. Andreas Albrecht, Gesa von Essen and Werner Frick. Linguae & litterae. Berlin u. Boston: de Gruyter, 2011. 453–85. |
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| Schmitz-Emans, Monika. "Comic." Handbuch Medien der Literatur. Eds. Natalie Binczek, Till Dembeck and Jörgen Schäfer. Berlin u. Boston: de Gruyter, 2013. 459–66. |
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| Added by: joachim Last edited by: joachim 8/3/22, 10:53 AM |
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| Schmitz-Emans, Monika. "Comic und Literatur – Literatur und Comic: Zur Einführung." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 1–13. |
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| Added by: joachim Last edited by: joachim 6/8/20, 12:40 PM |
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| Schmitz-Emans, Monika. "Orpheus und der Comic: Dino Buzzatis Poema a fumetti und der Auftritt des Orpheus bei Martin tom Dieck und Jens Balzer in New Adventures of Incredible Orpheus (The Return of Deleuze)." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 230–46. |
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| Schmitz-Emans, Monika. "Graphic Narrative as World Literature." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 385–406. |
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| Added by: joachim Last edited by: joachim 10/14/13, 1:56 AM |
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| Smith, Greg M. "Comics in the Intersecting Histories of the Window, the Frame, and the Panel." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 219–37. |
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| Spahr, Clemens. "Widersprüchliche Superhelden: Erzählung und Gesellschaft in Kick-Ass und Unbreakable." Medien. Erzählen. Gesellschaft. Transmediales Erzählen im Zeitalter der Medienkonvergenz. Eds. Karl N. Renner and Dagmar von Hoff. Media Convergence / Medienkonvergenz. Berlin u. Boston: de Gruyter, 2013. 139–62. |
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| Added by: joachim Last edited by: joachim 3/25/22, 2:42 PM |
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| Stein, Daniel and Lukas Etter. "Seriality." Handbook of Comics and Graphic Narratives. Eds. Sebastian Domsch, Dan A. Hassler-Forest and Dirk Vanderbeke. Handbooks of English and American Studies. Berlin u. Boston: de Gruyter, 2021. 121–40. |
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| Added by: joachim 8/3/22, 10:48 AM |
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| Stein, Daniel. "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 155–89. |
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| Thon, Jan-Noël. "Who’s Telling the Tale? Authors and Narrators in Graphic Narrative." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 67–100. |
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| Added by: joachim Last edited by: joachim 10/14/13, 1:15 AM |
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| Thoss, Jeff. "Der Comic als Archiv der Populärkultur: Alan Moore und Kevin O’Neills ›Materialsammlung‹ Black Dossier." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 285–304. |
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| Wix, Gabriele. "Der Text erscheint selten nackt: Max Ernst, La femme 100 têtes." Text – Material – Medium. Zur Relevanz editorischer Dokumentationen für die literaturwissenschaftliche Interpretation. Eds. Wolfgang Lukas, Rüdiger Nutt-Kofoth and Madleen Podewski. Beihefte zu Editio. Berlin u. Boston: de Gruyter, 2014. 173–96. |
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