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| Abad, Ernesto J. und Gabriel E. Abad: "Cels Piñol. The Comics Fan and the Author." In: International Journal of Comic Art 5.2 (2003), S. 119–137. |
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| Abalo, Ernesto und Johan Nilsson: "Fostering the truthful individual. Communicating media literacy in the comic Bamse." In: Nordicom Review 42.1 (2021), S. 109–123, . |
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| Abate, Michelle Ann: "“A Gorgeous waste”. Solitude in Calvin and Hobbes." In: Journal of Graphic Novels and Comics 10.5-6 (2019), S. 488–504. |
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| Abate, Michelle: "Art Spiegelman’s In the Shadow of No Towers as Board Book. From the Matter of Materiality to the Way That Materiality Matters." In: Jeunesse 7.2 (2015). |
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| Abate, Michelle Ann: Funny Girls. Guffaws, Guts, and Gender in Classic American Comics. Jackson: Univ. Press of Mississippi, 2019. (201 S.) |
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| Abate, Michelle und Joe Sutliff Sanders (Hrsg.): Good Grief! Children and Comics. Columbus: Ohio State University Libraries, 2016. (145 S.) |
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| Abate, Michelle Ann und Gwen Athene Tarbox (Hrsg.): Graphic Novels for Children and Young Adults. A Collection of Critical Essays. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017. (359 S.) |
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| Abbott, Michael und Charles Forceville: "Visual representation of emotion in manga. ‘Loss of control is loss of hands’ in Azumanga Daioh Volume 4." In: Language and Literature 20.2 (2011), S. 91–112. |
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| Abdel-Raheem, Ahmed: "The multimodal recycling machine. Toward a cognitive-pragmatic theory of the text/image production." In: Journal of Graphic Novels and Comics (2019). |
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| Abel, Robert H. "One Shade of Gray. The Art of Personal Journalism Complicated by Conscience." In: The Funnies. An American Idiom. Hrsg. v. David Manning White und Robert H. Abel. New York: Free Press of Glencoe, 1963, S. 113–130. |
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| Abell, Catharine: "Comics and Genre." In: The Art of Comics. A Philosophical Approach. Hrsg. v. Aaron Meskin und Roy T. Cook. Chichester: Wiley-Blackwell, 2012, S. 68–84. |
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| Abraham, Yamila: "Boys’ Love Thrives in Conservative Indonesia." In: Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Hrsg. v. Antonia Levi, Mark McHarry und Dru Pagliassotti. Jefferson, London: McFarland, 2010, S. 44–55. |
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| Abrams, Matthew Jeffrey: "Illuminated critique. The Kent Moby-Dick." In: Word & Image 33.4 (2017), S. 376–391. |
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| Abrams, Nathan: "A Secular Talmud. The Jewish Sensibility of Mad Magazine." In: Studies in American Humor 30 (2014), S. 111–122. |
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| Abusch, Dorit: "Applying Discourse Semantics and Pragmatics to Co-reference in Picture Sequences." In: Proceedings of Sinn und Bedeutung 17. Hrsg. v. Emmanuel Chemla, Vincent Homer und Grégoire Winterstein. Washington: Linguistic Society of America, 2013, S. 9–25. |
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| ---: "Temporal Succession and Aspectual Type in Visual Narrative." In: The Art and Craft of Semantics. A Festschrift for Irene Heim. Hrsg. v. Luka Crnič und Uli Sauerland. (MITWPL, 70.) Cambridge: MIT Working Papers in Linguistics, 2014, S. 9–29. |
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| Adams, Kenneth Alan und Lester Hill, Jr. "Castration Anxiety in Japanese Group-Fantasies." In: Journal of Psychohistory 26 (1999), S. 779–809. |
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| Adams, Sam: "Charles Burns." In: A.V. Club (18. Nov. 2010). |
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| Adams, Jeff: Documentary Graphic Novels and Social Realism. (Cultural Interactions, 7.) Oxford [etc.]: Peter Lang, 2008. (214 S.) |
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| Adams, Kenneth A. "Love American Style. II. “Octopoid” Genitality and the Medusal Madonna." In: Journal of Psychohistory 10.4 (1983), S. 409–462. |
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| Adams, Sam: "Love And Rockets’ Hernandez brothers on 30 years in comics." In: A.V. Club (19. Okt. 2012). |
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| Adams, Jeff: "Of Mice and Manga. Comics and Graphic Novels in Art Education." In: Journal of Art & Design Education 18 (1999), S. 69–75. |
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| Adams, Kenneth Alan und Lester Hill, Jr. "The Phallic Female in Japanese Group-Fantasies." In: Journal of Psychohistory 25 (1997), S. 2–31. |
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| Adamson, Jennifer L. Genji in Graphic Form. The Tale of Genji in Manga, and the bond between Japan’s Past and Present in Popular Art. Master of Arts (Thesis), University of Cincinnati, College of Design, Architecture, Art, and Planning 2008 (89 S.). |
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| Adana, Francisco Saez de: "Attachment and grief. The case of the death of Raven Sherman." In: Journal of Graphic Novels and Comics (2018), S. 1–16. |
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| Addis, Victoria: "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." In: Studies in Comics 8.1 (2017), S. 7–28. |
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| Adelman, Bob: Tijuana Bibles. Art and Wit in America’s Forbidden Funnies. New York: Simon and Schuster, 2004. (160 S.) |
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| Adin, Mariah: The Brooklyn Thrill-Kill Gang and the Great Comic Book Scare of the 1950s. Santa Barbara: Praeger, 2015. (167 S.) |
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| Adkinson, Cary D. "The Amazing Spider-Man and the Evolution of the Comics Code. A Case Study in Cultural Criminology." In: Journal of Criminal Justice and Popular Culture 15 (2008), S. 241–261. |
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| Adler, Boaz N. "Illustrative Lives in Spanish. Mexican Comic Books about Scientists as Inspiration for Science Education." In: International Journal of Comic Art 14.2 (2012), S. 214–224. |
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| Adler-Kassner, Linda. "“Why Won’t You Just Read It?”. Comic Books and Community in the 1950s". Annual Meeting of the Association for Education in Journalism and Mass Communication: 9.–12. Aug. 1995. |
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| Adolphson, Jeremy V. "Creative expression or compulsive exploitation in underground comix. The scapegoating of Mike Diana’s Boiled Angel." In: Journal of Graphic Novels and Comics 4.2 (2013), S. 297–308. |
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| Affuso, Elizabeth: "Everyday Costume. Feminized Fandom, Retail, and Beauty Culture." In: The Routledge Companion to Media Fandom. Hrsg. v. Melissa A. Click und Suzanne Scott. London, New York: Routledge, 2018, S. 184–192. |
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| Agland, Jamie: "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Agnew, Bob: "¡Viva la Revolución! Los Agachados and the Worldview of Eduardo del Río." In: Studies in Latin American Popular Culture 23 (2004), S. 1–20. |
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| Agosta-Ives, Valérie: "Salomon Assus (1850–1919). Humoristic Postcards as a Powerful Visual Medium Transcending Ethnic and Gender Issues in Early 1900s’ French Algeria." In: International Journal of Comic Art 11.1 (2009), S. 113–134. |
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| Agüera Santiago, Laura: "Superhero Representation in Netflix Produced Serial Fiction. The Case of Daredevil, Jessica Jones, Luke Cage, Iron Fist and the Punisher." In: In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Hrsg. v. Mario-Paul Martínez Fabre und Fran Mateu. Elche: Fantaelx, 2019, S. 177–201. |
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| Ahern, Sean: "“Oh check it out! I learned the bass line from Final Fantasy II”. Scott Pilgrim vs. Geek Culture." In: Ol3Media 4.10 (2011). |
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| Ahmad, Hafiz Aziz: The Impacts of Visuals of Manga on Indonesian Readers’ Psychological and Behavioral Reactions. Dr. phil. (Thesis), Chiba University, Design Psychology Unit, Department of Design Science, Graduate School of Engineering 2012 (122 S.). |
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| Ahmed, Maaheen und Martin Lund: "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." In: Scan. Journal of media arts culture 9.1 (2012). |
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| Ahmed, Maaheen: "The Art of Splicing. Autofiction in Words and Images." In: International Journal of Comic Art 16.1 (2014), S. 322–338. |
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| Ahmed, Michael: "Captain America, Watergate, and the Falcon. Rediscovering the American Dream?" In: Intensities: The Journal of Cult Media 5 (2013), S. 151–176, . |
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| Ahmed, Maaheen und Benoît Crucifix: "Coda. A User Guide to Comics Memory." In: Comics Memory. Archives and Styles. Hrsg. v. Maaheen Ahmed und Benoît Crucifix. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2018, S. 281–285. |
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| Ahmed, Maaheen: "Collages in Comics. The Case of Dave McKean." In: Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Hrsg. v. Maaheen Ahmed, Stephanie Delneste und Jean-Louis Tilleuil. Paris: L’Harmattan, 2017, S. 53–74. |
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| Ahmed, Maaheen und Benoît Crucifix (Hrsg.): Comics and Memory. Archives and Styles. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2018. (290 S.) |
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| Ahmed, Meena: "Exploring the Dimensions of Political Cartoons. A Case Study of Pakistan." In: International Journal of Comic Art 12.2–3 (2010), S. 525–542. |
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| Ahmed, Maaheen: "Fallen Angels and Shattered Skies. Rejected Conventions in Yslaire’s Could 99 (XXe Ciel)." In: International Journal of Comic Art 12.1 (2010), S. 103–123. |
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| ---: "Historicizing in Graphic Novels. The Welcome Subjective G(l)aze." In: Graphic History. Essays on Graphic Novels And/As History. Hrsg. v. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 184–202. |
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| ---: "Instrumentalising Media Memories. The Second World War According to Achtung Zelig!." In: European Comic Art 12.1 (2019), S. 1–20. |
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| ---: "Moebius, Gir, Giraud, Gérard. Self-Visualizations." In: International Journal of Comic Art 11.2 (2009), S. 421–431. |
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| ---: Monstrous Imaginaries. The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. (235 S.) |
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| ---: Openness of Comics. Generating Meaning within Flexible Structures. Jackson: Univ. Press of Mississippi, 2016. (223 S.) |
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| ---: "Reading (and looking at) Mariko Parade. A methodological suggestion for understanding contemporary graphic narratives." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 119–133. |
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| Ahmed, Mohamed Hamdy Hamed: "Sarcasm in the View of the Ancient Egyptian." In: International Journal of Comic Art 9.2 (2007), S. 243–247. |
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| Ahmed, Maaheen: "State Protection and Identification in Hellboy. Of reformed devils and other Others in the Pentagon." In: European Journal of American Studies 10.2 (2015). |
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| Ahmed, Maaheen, Stephanie Delneste und Jean-Louis Tilleuil (Hrsg.): Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Louvain-la-Neuve: Academia, 2017. (275 S.) |
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| Ahmed, Maaheen und Martin Lund: "“We’re all Avengers now”. Community-building, civil religion and nominal multiculturalism in Marvel Comics’ Fear Itself." In: European Journal of American Culture 35.2 (2016), S. 77–95. |
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| Ahrens, Jörn, Frank Thomas Brinkmann und Nathanael Riemer (Hrsg.): Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Wiesbaden: Springer VS, 2015. (355 S.) |
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| Ahrens, Jörn und Arno Meteling (Hrsg.): Comics and the City. Urban Space in Print, Picture and Sequence. London, New York: Continuum, 2010. (278 S.) |
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| Ahrens, Jörn: "The Father’s Art of Crime. Igort’s 5 Is the Perfect Number." In: International Journal of Comic Art 12.2–3 (2010), S. 192–208. |
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| ---: "Imagine Reality. Negotiating Comics along David B.’s Epileptic." In: European Comic Art 7.2 (2014), S. 64–89. |
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| ---: "Joe Sacco and the Quest for Documentation in Comics." In: ImageTexT 11.1 (2019). |
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| ---: "The Ordinary Urban. 100 Bullets and the Clichés of Mass Culture." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 214–228. |
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| Aiken, Katherine: "Superhero History. Using Comic Books to Teach U.S. History." In: OAH Magazine of History 24.2 (2010), S. 41–47. |
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| Ajah, Richard Oko: "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." In: Human and Social Studies 5.3 (2017), S. 85–99. |
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| Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject. Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." In: Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Hrsg. v. Antonia Levi, Mark McHarry und Dru Pagliassotti. Jefferson, London: McFarland, 2010, S. 159–176. |
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| Al-Tabaa, Najwa: "Hell Can Be Good for You." In: Neil Gaiman and Philosophy. Gods Gone Wild. Hrsg. v. Tracy L. Bealer, Rachel Luria und Wayne Yuen. (Popular Culture and Philosophy, 66.) Chicago: Open Court, 2012, S. 127–134. |
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| ---: "TEACHING! POW! COMICS! BAM! Pedagogical Approaches to Comics in Post-Secondary Classrooms." In: ImageTexT 7.3 (2014), S. 2014, . |
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| Al-wazedi, Umme: "I Am the Maker of My Image. Marvel’s No Normal and the Comic Book Muslim Woman." In: South Asian Review 39.1–2 (2018), S. 239–251. |
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| Alaniz, José: "Caricature and Incarceration. The Case of Slava Sysoev." In: International Journal of Comic Art 8.1 (2006), S. 145–162. |
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