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Displaying 1 - 43 of 43 (Bibliography: WIKINDX Master Bibliography)
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Keyword:  Bachtin. Michail M.
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Baetens, Jan: "Un chronotope à personnage ajouté. Le nouveau fantastique des Cités obscures (Schuiten–Peeters)." In: Brumal 5.1 (2017), S. 113–126, .  
Last edited by: joachim 6/12/19, 11:27 AM
Balinisteanu, Tudor: "Goddess Cults in Techno-Worlds. Tank Girl and the Borg Queen." In: Journal of Feminist Studies in Religion 28.1 (2012), S. 5–24.  
Last edited by: joachim 8/22/20, 8:15 PM
Burke, Liam: "Harley Quinn and the carnivalesque transformation of comic book fandom." In: Transformative Works and Cultures 36 (2021).  
Last edited by: joachim 10/12/21, 11:36 AM
Camus, Cyril: "Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels." In: Studies in the Novel 47.3 (2015), S. 308–318.  
Last edited by: joachim 1/7/22, 7:27 PM
Cashell, Kieran und John Scaggs: "Transvestite Logic. Pat Mills and Kevin O’Neill’s Marshal Law and the Superhero Genre." In: Iowa Journal of Cultural Studies 6 (2005), S. 8–35.  
Last edited by: joachim 1/29/13, 12:35 AM
Cortsen, Rikke Platz: "Multiple living, one world? On the chronotope in Alan Moore and Gene Ha’s Top 10." In: Studies in Comics 2.1 (2011), S. 135–145.  
Last edited by: joachim 12/3/12, 7:49 PM
Craft, Jason Todd: Fiction Networks. The Emergence of Proprietary, Persistent, Large-Scale Popular Fictions. Ph.D. (Dissertation), Univ. of Texas 2004 (251 S.).  
Last edited by: joachim 7/3/10, 1:39 AM
Dawe, Ian: "American Splendor and the universal grotesque." In: Studies in Comics 4.1 (2013), S. 43–58.  
Last edited by: joachim 8/4/13, 10:54 AM
---: "The Moore film adaptations and the erotic-grotesque." In: Studies in Comics 2.1 (2011), S. 177–193.  
Last edited by: joachim 12/3/12, 7:56 PM
De Dobbeleer, Michel und Anouk Dubois: "Der Chronotopos des Kriegsrates als Merkmal in Comics. Vom narratologischen Geschehen zur Geschichte in Attilio Micheluzzis Sibérie." In: Erzählen im Comic. Beiträge zur Comicforschung. Hrsg. v. Otto Brunken und Felix Giesa. Bochum: Ch.A. Bachmann, 2013, S. 113–127.  
Last edited by: joachim 1/7/22, 5:14 PM
Di Nobile, Antonella: "Il folle, l’androgino e l’ibrido. elementi grotteschi e carnevaleschi ne L’Incal di Jodorowsky e Moebius." In: Between 6.12 (2016).  
Added by: joachim 6/16/17, 9:50 AM
Earle, Harriet E. H. "Comics and the Chronotope. Time-Space Relationships in Traumatic Sequential Art." In: HARTS and Minds 1.2 (2013), S. 2–13, .  
Last edited by: joachim 4/17/16, 9:48 AM
Eizykman, Boris: "Keep on … Crumbin’." In: MEI 26 (2007), S. 149–170.  
Added by: joachim 9/10/14, 11:58 AM
Green, Melody: "Ravens, Librarians, and Beautiful Ladies. Bakhtinian Dialogueism in the Gothic Mythology of Neil Gaiman and George MacDonald." In: The Mythological Dimensions of Neil Gaiman. Hrsg. v. Anthony S. Burdge, Jessica Burke und Kristine Larsen. Crawfordville: Kitsune, 2012, S. 49–63.  
Last edited by: joachim 10/27/21, 3:14 PM
Hudson, Rick: "The Derelict Fairground. A Bakhtinian Analysis of the Graphic Novel Medium." In: The CEA Critic 72.3 (2010).  
Added by: joachim 10/7/14, 11:10 AM
Jachia, Paolo: "Dylan Dog: una lettura semiotica da Michail Bachtin a Umberto Eco." In: Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Hrsg. v. Maria Grazia Saibene und Marusca Francini. Viareggio: Mauro Baroni, 2004, S. 93–127.  
Added by: joachim 5/7/10, 12:54 AM
Johnston, Rosemary Ross: "Graphic trinities. Languages, literature, and words-in-pictures in Shaun Tan’s The Arrival." In: Visual Communication 11.4 (2012), S. 421–441.  
Added by: joachim 9/9/13, 11:28 AM
Koch, Christina Maria: "Comic-Grotesque Metamorphoses. Boundaries between Illness and Health in Ken Dahl’s Monsters." In: Comics an der Grenze. Sub/Versionen von Form und Inhalt. Hrsg. v. Matthias Harbeck, Linda-Rabea Heyden und Marie Schröer. Berlin: Ch.A. Bachmann, 2017, S. 149–164.  
Last edited by: joachim 5/11/18, 4:20 PM
Koh, Wilon: "“Put Not Your Trust in Princes”. Fables and the Problematisation of Everyday Life." In: Nebula 6.2 (2009), S. 142–155, .  
Added by: joachim 5/29/12, 1:36 PM
Køhlert, Frederik Byrn: "Female grotesques. Carnivalesque subversion in the comics of Julie Doucet." In: Journal of Graphic Novels and Comics 3.1 (2012), S. 19–38.  
Last edited by: joachim 5/7/15, 4:09 PM
Kukkonen, Karin: Neue Perspektiven auf die Superhelden. Polyphonie in Alan Moores »Watchmen«. Marburg: Tectum, 2008. (113 S.)  
Last edited by: joachim 7/16/11, 10:06 AM
Lindberg, Ylva: "The Power of Laughter to Change the World. Swedish Female Cartoonists Raise their Voices." In: Scandinavian Journal of Comic Art 2.2 (2016), S. 3–31, .  
Added by: joachim 6/28/16, 11:01 PM
Mahmutovic, Adnan: "Chronotope in Moore and Gibbons’s Watchmen." In: Studies in the Novel 50.2 (2018), S. 255–276.  
Added by: joachim 3/2/21, 8:19 AM
Meinrenken, Jens: "Batmans Clinch mit dem Joker. Karneval und Groteske im Zeitalter des Digitalen." In: Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Hrsg. v. Roland Jost und Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011, S. 2–24.  
Added by: joachim 10/23/11, 6:10 PM
Mendes de Souza, Marcelo: "Comic-chronotope in Julio’s Day. Gilbert Hernandez’s explorations of the form-shaping ideologies of the medium." In: Journal of Graphic Novels and Comics 8.4 (2017), S. 359–375.  
Last edited by: joachim 1/7/22, 5:23 PM
Meneses, Juan: "A Bakhtinian Approach to Two Graphic Novels. The Individual in Art Spiegelman's Maus and Chester Brown's Louis Riel." In: International Journal of Comic Art 10.2 (2008), S. 598–606.  
Last edited by: joachim 12/20/18, 2:14 AM
Mettler, Catarina: "The Carnavalesque in Tim Burton’s »Batman« and »Batman Returns«." In: Werkstücke 2 (2012), S. 109–133.  
Last edited by: joachim 4/6/13, 11:46 AM
Montresor, Jaye Berman: "Comic Strip-Tease. A Revealing Look at Women Cartoon Artists." In: Look Who's Laughing. Gender and Comedy. Hrsg. v. Gail Finney. (Studies in Humor and Gender, 1.) Langhorne [etc.]: Gordon and Breach, 1994, S. 335–347.  
Last edited by: joachim 5/17/13, 11:20 AM
Moore, Michael: "The Economics of Cultural Legitimacy in Hip Hop’s Counterpublic Space." In: gnovis 8.1 (2007), S. 7–23, .  
Added by: joachim 6/3/11, 3:22 AM
Paccosi, Valentino: "From Lovecraft to Hellboy. The Carnivalesque Face of the Lovecraftian." In: Fantastika Journal 1.2 (2017), S. 51–63, .  
Last edited by: joachim 3/23/21, 6:01 PM
Packard, Stephan: "Closing the Open Signification. Forms of Transmedial Storyworlds and Chronotopoi in Comics." In: StoryWorlds 7.2 (2015), S. 55–74.  
Added by: joachim 4/24/17, 12:12 PM
---: "Historical Time in Panel Spaces. Chronotopic Appropriations in Comics." In: Geschichte im Comic. Befunde – Theorien – Erzählweisen. Hrsg. v. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018, S. 57–74.  
Last edited by: joachim 1/7/22, 5:23 PM
Pellegrin, Annick: "Politics as a Carnival in Hergé’s Tintin et les Picaros." In: European Comic Art 3.2 (2010), S. 169–188.  
Added by: joachim 7/5/12, 8:56 AM
Romero-Jódar, Andrés: "Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen." In: Trauma and Romance in Contemporary British Literature. Hrsg. v. Jean-Michel Ganteau und Susana Onega. (Routledge Studies in Contemporary Literature, 8.) London, New York: Routledge, 2013, S. 181–199.  
Last edited by: joachim 6/27/13, 4:36 PM
---: "The quest for a place in culture. The verbal-iconical production and the evolution of comic-books towards graphic novels." In: Estudios Ingleses de la Universidad Complutense 14 (2006), S. 93–110.  
Last edited by: joachim 6/27/13, 4:16 PM
Sommers, Joseph Michael: "Crooked Appalachia. The Laughter of the Melungeon Witches in Mike Mignola’s Hellboy: The Crooked Man." In: Comics and the U.S. South. Hrsg. v. Brannon Costello und Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012, S. 214–241.  
Last edited by: joachim 4/15/19, 10:16 AM
Vice, Sue: "»It's about time«. The Chronotope of the Holocaust in Art Spiegelman's Maus." In: The Graphic Novel. Hrsg. v. Jan Baetens. (Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria, 13.) Leuven: Leuven Univ. Press, 2001, S. 47–60.  
Last edited by: joachim 1/7/22, 5:24 PM
Vogler, Thomas A. "James Joyce Meets Tank Girl." In: Cultural Studies of James Joyce. Hrsg. v. Brandon R. Kershner. (European Joyce Studies, 15.) 2003, S. 189–212.  
Last edited by: joachim 3/26/20, 1:13 AM
---: "Tank Girl, Anodder Oddyssey. Joyce lebt (und stirbt) in der Populärkultur." In: Theorien des Comics. Ein Reader. Hrsg. v. Barbara Eder, Elisabeth Klar und Ramón Reichert. (Kultur- und Medientheorie.) Bielefeld: Transcript, 2011, S. 61–88.  
Last edited by: joachim 3/26/20, 1:15 AM
---: "Tank Girl, Anodder Oddyssey. Joyce Lives (and Dies) in Popular Culture." In: Other Voices: The (e)Journal of Cultural Criticism 1.2 (1998).  
Last edited by: joachim 7/13/11, 9:59 PM
Williams, Jeff: Culture, Theory, and Graphic Fiction. Ph.D. (Dissertation), Texas Tech University 1999 (239 S.).  
Last edited by: joachim 2/5/12, 3:41 PM
Winter, Frank und Rainer Winter: "Karnevalisierung der Pornographie. Parodistische Aspekte des pornographischen Zeichentrickfilms." In: Comics Anno 1 (1991), S. 159–168.  
Last edited by: joachim 8/4/10, 10:09 AM
Zolkover, Adam: "Corporealizing Fairy Tales. The Body, the Bawdy, and the Carnivalesque in the Comic Book Fables." In: Marvels & Tales 22 (2008), S. 38–51.  
Last edited by: joachim 5/27/11, 9:34 AM
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