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Aldama, Frederick Luis (Hrsg.): Graphic Indigeneity. Comics in the Americas and Australasia. Jackson: Univ. Press of Mississippi, 2020. (381 S.)  
Last edited by: joachim 6/15/20, 11:41 AM
Allen, Jeremy: "A Virtual Revolution. Australian Comic Creators and the Web." In: International Journal of Comic Art 3.1 (2001), S. 22–37.  
Last edited by: joachim 8/5/11, 3:37 PM
Arizpe, Evelyn, Teresa Colomer und Carmen Martínez-Roldán: Visual Journeys Through Wordless Narratives. An International Inquiry With Immigrant Children and The Arrival. New York: Bloomsbury Academic, 2014. (272 S.)  
Added by: joachim 8/16/20, 12:39 PM
Bainbridge, Jason und Craig Norris: "Hybrid Manga. Implications for the Global Knowledge Economy." In: Manga. An Anthology of Global and Cultural Perspectives. Hrsg. v. Toni Johnson-Woods. London, New York: Continuum, 2010, S. 235–252.  
Last edited by: joachim 4/7/10, 10:38 AM
---: "Posthuman Drag. Understanding Cosplay as Social Networking in a Material Culture." In: Intersections 32 (2013)().  
Last edited by: joachim 10/12/21, 11:37 AM
Banerjee, Bidisha: "Creating a ‘well-fitted habitus’. Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 53–69.  
Added by: joachim 4/23/16, 2:18 PM
---: "Kinship between “companion species”. A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." In: Journal of Postcolonial Writing 52.4 (2016), S. 399–414.  
Last edited by: joachim 8/10/17, 12:31 PM
Best, Daniel: The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013.  
Last edited by: joachim 5/7/19, 11:58 AM
Boatright, Michael D. "Graphic Journeys. Graphic Novels’ Representations of Immigrant Experiences." In: Journal of Adolescent & Adult Literacy 53.6 (2010), S. 468–476.  
Last edited by: joachim 6/1/14, 8:36 PM
Böger, Astrid: "Kreative Zwischenräume. Medienästhetische Strategien des Rahmens und Übersetzens in Graphic Novels." In: Übersetzen und Rahmen. Praktiken medialer Transformationen. Hrsg. v. Claudia Benthien und Gabriele Klein. München: Fink, 2017, S. 75–87.  
Added by: joachim 10/27/20, 4:36 PM
Bright, Amy: "Multimodal Forms. Examining Text, Image, and Visual Literacy in Daniel Handler’s Why We Broke Up and Markus Zusak’s The Book Thief." In: Teaching Comics Through Multiple Lenses. Critical Perspectives. Hrsg. v. Crag Hill. London, New York: Routledge, 2017, S. 30–46.  
Last edited by: joachim 6/10/22, 10:21 AM
Burrows, Toby: "Australian Comics and Comic Strips. An Introductory Bibliography." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 111–115.  
Last edited by: joachim 3/21/19, 4:40 PM
Burrows, Toby und Grant Stone (Hrsg.): Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. New York: Haworth, 1994. (115 S.)  
Last edited by: joachim 5/17/13, 10:43 AM
Buuck, Christiane und Cathy Ryan: "Looking Beyond the Scenes. Spatial Storytelling and Masking in Shaun Tan’s The Arrival." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 154–170.  
Last edited by: joachim 8/16/20, 12:12 PM
Chapman, Jane und Daniel Ellin: "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." In: Australian Journal of Communication 39.3 (2012), S. 1–22.  
Added by: joachim 1/30/14, 10:38 PM
Chapman, Jane: "Representation of female war-time bravery in Australia’s Wanda the War Girl." In: Australasian Journal of Popular Culture 1.2 (2011), S. 153–163.  
Added by: joachim 3/4/14, 2:52 PM
---: "Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK." In: Fashion & War in Popular Culture. Hrsg. v. Denise N. Rall. Bristol, Chicago: Intellect Books, 2014, S. 21–34.  
Added by: joachim 6/6/20, 12:42 PM
Devos, Lien: "Not all that’s modern is post. Shaun Tan’s grand narrative." In: Bookbird 49.4 (2011), S. 17–23.  
Last edited by: joachim 5/30/17, 10:19 PM
Dickinson, Pauline: "The Comic Collection at the University of Sydney Library." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 87–98.  
Added by: joachim 3/21/19, 4:34 PM
Dony, Christophe: "Towards a vocabulary of displacement and utopian possibilities. Reading Shaun Tan’s The Arrival as a crossover text." In: Studies in Comics 3.1 (2012), S. 83–106.  
Last edited by: joachim 10/31/12, 11:38 PM
Dyrenfurth, Nick und Marian Quartly: "‘All the World Over’. The Transnational World of Australian Radical and Labour Cartoonists." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 2/12/14, 5:34 PM
Earle, Harriet E. H. "Strange migrations. An essay/interview with Shaun Tan." In: Journal of Postcolonial Writing 52.4 (2016), S. 385–398.  
Last edited by: joachim 1/11/22, 12:07 PM
Edgar, Patricia und Hilary McPhee: Media She. Melbourne: Heinemann, 1974. (167 S.)  
Last edited by: joachim 8/6/13, 4:15 PM
Foster, John: "From “Ulla Dulla Mogo” to “Serene Azure Vault of Heaven”. Literary Style in Australian Children’s Comic Books." In: Journal of Popular Culture 25.3 (1991), S. 63–77.  
Last edited by: joachim 9/7/12, 12:57 PM
---: "The Image of Australia and Australians in Locally-Produced Comics." In: Papers 1.1 (1990), S. 11–23.  
Added by: joachim 6/6/20, 4:58 PM
---: "Picture books as graphic novels and vice versa. The Australian experience." In: Bookbird 49.4 (2011), S. 68–75.  
Last edited by: joachim 9/7/12, 12:59 PM
---: "A Social History of Australia as Seen Through its Children’s Comic Books." In: Journal of Australian Studies 22.59 (1998), S. 165–172.  
Last edited by: joachim 5/18/13, 3:38 PM
Foyle, Lindsay: "Australian Politics and »Cartoon Bias«." In: International Journal of Comic Art 10.1 (2008), S. 433–437.  
Last edited by: Deleted user 9/4/09, 1:58 PM
---: "An Essay: The Life and Death of the Larrikin Image." In: International Journal of Comic Art 9.1 (2007), S. 460–467.  
Added by: Deleted user 9/2/09, 4:08 PM
Gordon, Ian: Kid Comic Strips. A Genre Across Four Countries. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016. (94 S.)  
Added by: joachim 12/11/16, 2:24 PM
---: "The Symbol of a Nation. Ginger Meggs and Australian National Identity." In: Journal of Australian Studies 16.34 (1992), S. 1–14.  
Last edited by: joachim 5/18/13, 3:43 PM
Grant, Pat: Bodies on the Boards. Materiality and movement in the production of comic books and graphic novels. Thesis (PhD), Macquarie University, Dept. of Media, Music, Communication and Cultural Studies 2014 (348 S.).  
Added by: joachim 1/5/18, 12:54 PM
Heimann, Rolf: "Ned Kelly — Australian Cartoonists' Favorite Idiom." In: International Journal of Comic Art 9.1 (2007), S. 453–459.  
Added by: Deleted user 9/2/09, 4:06 PM
Hill, Michael: "The Graphic Expression of the Lives, Obsessions, and objections of Small Press Sick Puppies and Scat(ology) Cats. A Short Survey of Some Aspects of Australian Alternative Comics 1990–2000." In: International Journal of Comic Art 9.1 (2007), S. 411–437.  
Last edited by: joachim 9/3/12, 12:55 PM
---: "Outside Influence / Local Color. The Australian Small Press." In: International Journal of Comic Art 2.1 (2000), S. 117–132.  
Last edited by: joachim 6/20/13, 3:09 PM
Höppner, Stefan: "Ohne Worte. Erzählweisen des Fremden in Shaun Tans The Arrival." In: Comic und Literatur. Konstellationen. Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 136–166.  
Last edited by: joachim 6/8/20, 6:21 PM
Humphrey, Aaron Scott: "Drawing out of Detention. The Transnational Drawing Practices of Eaten Fish, Refugee Cartoonist." In: a/b: Auto/Biography Studies 35.2 (2020), S. 435–458.  
Last edited by: joachim 8/27/20, 5:52 PM
Humphrey, Aaron: "Emotion and Secrecy in Australian Asylum-Seeker Comics. The Politics of Visual Style." In: International Journal of Cultural Studies (2017).  
Last edited by: joachim 5/24/17, 3:21 PM
Hunter, Linnet: "The artist as narrator. Shaun Tan’s wondrous worlds." In: Bookbird 49.4 (2011), S. 10–16.  
Added by: joachim 9/7/12, 12:38 PM
Iida, Sumiko und William S. Armour: "The voices of adult anime/‘manga’ fans in Australia. Motivations, consumption patterns and intentions to learn the Japanese language." In: East Asian Journal of Popular Culture 5.1 (2019), S. 7–23.  
Added by: joachim 5/12/19, 12:04 PM
Imura, Taeko: "A portrait of Japanese popular culture fans who study Japanese at an Australian university. Motivation and activities beyond the classroom." In: East Asian Journal of Popular Culture 4.2 (2018), S. 171–188.  
Last edited by: joachim 5/12/19, 11:55 AM
Jeffrey, Peter: "The Humour of the Outback. Eric Jolliffe's “More About Andy”." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 57–66.  
Last edited by: joachim 7/8/10, 10:28 AM
Johnston, Rosemary Ross: "Graphic trinities. Languages, literature, and words-in-pictures in Shaun Tan’s The Arrival." In: Visual Communication 11.4 (2012), S. 421–441.  
Added by: joachim 9/9/13, 11:28 AM
Junqua, Amélie: "Wordless Eloquence – Shaun Tan, The Arrival, and Winshluss, Pinocchio." In: Revue de recherche en civilisation américaine 5 (2015)().  
Added by: joachim 1/19/17, 1:50 AM
Karaminas, Vicki: "Australian Gothic. Black Light Angels, Fashion, and Subcultural Style." In: International Journal of Comic Art 9.1 (2007), S. 438–452.  
Last edited by: joachim 7/3/15, 2:27 PM
---: "»There's a Bug in My Ink Bottle«:The Graphic Art of Australian Women — Greenberg, Graber, and Ord." In: International Journal of Comic Art 10.2 (2008), S. 33–44.  
Added by: Deleted user 9/4/09, 5:40 PM
King, Terry: "Coming to Terms with Tightrope Tim. Three Decades of Heroes and Villains in the Australian Comic Strip." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 41–56.  
Last edited by: joachim 7/8/10, 10:26 AM
Kirsner, Inge: "Irgendwie immer das Gleiche? Zur Genderkonstruktion in 30 Days of Night." In: Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Hrsg. v. Theresia Heimerl und Christian Wessely. (Religion, Film und Medien, 2.) Marburg: Schüren, 2018, S. 289–301.  
Last edited by: joachim 8/25/18, 1:42 PM
Kurkjian, Catherine und Julia Kara-Soteriou: "Insights Into Negotiating Shaun Tan’s The Arrival Using a Literature Cyberlesson." In: SANE journal 1.3 (2013), S. 1–15 ().  
Added by: joachim 8/21/17, 2:26 PM
Laurie, Ross: "Masculinities and War Comics." In: Journal of Australian Studies 23.6 (1999), S. 114–121.  
Last edited by: joachim 7/19/12, 12:02 PM
Lent, John A. Comic Art in Africa, Asia, Australia, and Latin America. A Comprehensive, International Bibliography. (Bibliographies and Indexes in Popular Culture, 7.) Santa Barbara: Greenwood, 1996. (518 S.)  
Last edited by: joachim 5/26/13, 12:57 PM
---: Comic Art in Africa, Asia, Australia, and Latin America through 2000. An International Bibliography. (Bibliographies and Indexes in Popular Culture, 11.) Santa Barbara: Praeger, 2004. (698 S.)  
Last edited by: joachim 5/26/13, 1:03 PM
Lindesay, Vane: The Inked-In Image. A Social and Historical Survey of Australian Comic Art. Richmond: Hutchinson, 1979. (336 S.)  
Last edited by: joachim 5/19/13, 7:58 AM
---: "The Rise and Demise of the Australian Comic Strip." In: International Journal of Comic Art 9.1 (2007), S. 380–410.  
Added by: Deleted user 9/2/09, 3:56 PM
---: Stop Laughing: This Is Serious! The Life and Work Of Stan Cross. Carlton: Melbourne Univ. Press, 2001. (108 S.)  
Last edited by: joachim 5/19/13, 8:06 AM
Ling, Chuan-Yao: "A Conversation with Illustrator Shaun Tan." In: World Literature Today 82.5 (2008), S. 44–47.  
Last edited by: joachim 3/30/13, 6:55 PM
Lo, Patrick et al. "Librarians’ perceptions of educational values of comic books. A comparative study between Hong Kong, Taiwan, Japan, Australia and New Zealand." In: Journal of Librarianship and Information Science 51.4 (2019), S. 1103–1119.  
Last edited by: joachim 11/18/21, 8:35 PM
Lommel, Michael: "Facetten des Surrealismus in der Gegenwartskultur." In: Der Surrealismus in der Mediengesellschaft – zwischen Kunst und Kommerz. Hrsg. v. Nanette Rißler-Pipka, Michael Lommel und Justyna Cempel. (Medienumbrüche, 42.) Bielefeld: Transcript, 2010, S. 23–32.  
Added by: joachim 8/18/12, 9:08 PM
Manchester, Ashley: "Teaching Critical Looking. Pedagogical Approaches to Using Comics as Queer Theory." In: SANE journal 2.2 (2017)().  
Added by: joachim 4/23/17, 5:04 PM
Markle, Christopher S. "The new Australian. An observation of inexperienced and outsider views in Perth comics." In: Journal of Graphic Novels and Comics (2019), S. 1–15.  
Last edited by: joachim 7/26/20, 11:09 PM
McGee, Graham: "Confessions of a Long Distance Collector." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 99–104.  
Added by: joachim 3/21/19, 4:43 PM
McLelland, Mark J. "The World of Yaoi. The Internet, Censorship and the Global “Boys’ Love” Fandom." In: The Australian Feminist Law Journal 23 (2005), S. 61–77.  
Added by: joachim 6/10/12, 2:01 PM
Mikkonen, Kai: "Focalisation in Comics. From the Specificities of the Medium to Conceptual Reformulation." In: Scandinavian Journal of Comic Art 1.1 (2012), S. 70–95 ().  
Added by: joachim 6/22/12, 8:37 AM
Mills, Alice: "The Paradoxes of History in Crew and Woolman’s Tagged and Crew and Tan’s Memorial." In: Rethinking History 6 (2002), S. 331–343.  
Last edited by: joachim 8/14/12, 2:37 AM
Minor, Elaine: "Christopher Koch: Drawn to Comics." In: Journal of the Association for the Study of Australian Literature Special Issue (2009)().  
Added by: joachim 2/6/15, 3:46 PM
Moore, Nicole: The Censor’s Library. St Lucia: Univ. of Queensland Press, 2012. (414 S.)  
Added by: joachim 1/15/15, 4:22 PM
Nabizadeh, Golnar: "Questions for Shaun Tan." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 361–365.  
Last edited by: Deleted user 9/11/14, 9:25 AM
---: "Visual melancholy in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 366–379.  
Last edited by: joachim 9/11/14, 10:49 AM
Norris, Craig: The Cross-Cultural Appropriation of Manga and Anime in Australia. PhD (Thesis), University of Western Sydney, School of Communication, Design and Media 2003 (196 S.).  
Added by: joachim 12/23/10, 5:27 PM
---: "Cyborg girls and shape-shifters. The discovery of difference by Anime and Manga Fans in Australia." In: Refractory 8 (2005)().  
Added by: joachim 3/4/11, 12:39 PM
---: "Cyborg Girls and Shape-Shifters. The Discovery of Difference by Anime and Manga Fans in Australia." In: Super/Heroes. From Hercules to Superman. Hrsg. v. Wendy Haslem, Angela Ndalianis und Chris Mackie. Washington: New Academia Publishing, 2007, S. 347–361.  
Added by: joachim 10/28/11, 3:25 PM
Norris, Craig und Jason Bainbridge: "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." In: Intersections 20 (2009)().  
Last edited by: joachim 9/14/16, 2:18 PM
O’Cuana, Emmet: "Viddy Well, Brother. An Australian comic’s tribute to Stanley Kubrick." In: Film International 11.6 (2013), S. 37–41.  
Last edited by: joachim 2/10/14, 1:39 PM
Oppolzer, Markus: "Intercultural Perspectives on and in Shaun Tan’s The Arrival." In: Sprachen und Kulturen: vermitteln und vernetzen. Beiträge zu Mehrsprachigkeit und Inter-/Transkulturalität im Unterricht, in Lehrwerken und in der Lehrer/innen/bildung. Hrsg. v. Michaela Rückl. (Salzburger Beiträge zur Lehrer/innen/bildung: Der Dialog der Fachdidaktiken mit Fach- und Bildungswissenschaften, 2.) Münster: Waxmann, 2016, S. 73–84.  
Added by: joachim 1/24/17, 12:09 PM
---: "Reading Shaun Tan’s The Arrival." In: Writing Worlds. Welten- und Raummodelle der Fantastik. Hrsg. v. Pascal Klenke et al. (Beiträge zur Literaturtheorie und Wissenspoetik, 1.) Heidelberg: Winter, 2014, S. 265–276.  
Last edited by: joachim 5/2/15, 12:59 AM
Osborne, Graeme: "Comics Discourse in Australia and Frederic Wertham’s Seduction of the Innocent." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 155–178.  
Last edited by: joachim 11/22/12, 7:56 PM
Pantaleo, Sylvia und Alexandra Bomphray: "Exploring Grade 7 Students’ Written Responses to Shaun Tan’s The Arrival." In: Changing English 18.2 (2011), S. 173–185.  
Added by: joachim 2/18/12, 6:27 PM
Patrick, Kevin: "The Contested Frontier. Western Comics and Australian Identity, 1945–1960." In: International Journal of Comic Art 13.2 (2011), S. 219–243.  
Added by: joachim 9/26/12, 9:04 PM
---: "The Cultural Economy of the Australian Comic Book Industry, 1950–1985." In: Sold by the Millions. Australia’s Bestsellers. Hrsg. v. Toni Johnson-Woods und Amit Sarwal. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 162–181.  
Added by: joachim 1/15/15, 4:28 PM
---: "In search of the great Australian (graphic) novel." In: Australasian Journal of Popular Culture 1.1 (2011), S. 51–66.  
Added by: joachim 9/27/15, 10:52 PM
---: "The Invisible Medium. Comics Studies in Australia." In: Refractory 17 (2010)().  
Added by: joachim 3/4/11, 2:39 PM
---: "“Phans”, not “Fans”. The Phantom and Australian comic-book fandom." In: Participations 9.2 (2012), S. 133–158 ().  
Last edited by: joachim 6/29/16, 9:37 AM
Phillips, Jennifer: "Revising the Rhetoric of “Boat People” through the Interactive Graphic Adaptation of Nam Le’s “The Boat”" In: Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Hrsg. v. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018, S. 149–166.  
Last edited by: joachim 6/15/22, 10:47 AM
Rae, Richard: "The Comic Book Industry in Australia." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 5–24.  
Last edited by: joachim 7/8/10, 10:25 AM
Rice, Mary und Ashley Kaye Dallacqua: "Teaching visual literacies. The case of The Great American Dust Bowl." In: SANE journal 2.4 (2019), S. 1–30 ().  
Last edited by: joachim 5/30/19, 4:58 PM
Rosenbaum, Roman: "Australia and Symbolic Representation in the “Cartoon Controversy”." In: International Journal of Comic Art 9.1 (2007), S. 468–486.  
Last edited by: joachim 8/6/13, 4:04 PM
Ryan, John: Panel by Panel. A History of Australian Comics. Stanmore: Cassell Australia, 1979. (223 S.)  
Last edited by: joachim 8/6/13, 3:58 PM
Ryan, John T. "With the Comics—Down Under." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 25–40.  
Last edited by: joachim 7/8/10, 10:27 AM
Scott, Ronnie und Elizabeth MacFarlane: "Peculiar integrations. Adaptations, experimentations and authorships in The Long Weekend in Alice Springs." In: TEXT 22.2 (2018)().  
Last edited by: joachim 7/23/19, 11:34 AM
Scudamore, Ian: "Citee Comique. Western Australia’s Greatest Comics Magazine." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 67–70.  
Last edited by: joachim 8/6/13, 3:59 PM
Scully, Richard und Joshua Santospirito: "An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito." In: International Journal of Comic Art 17.1 (2015), S. 131–148.  
Added by: joachim 12/27/15, 11:05 PM
Scully, Richard und Robert Phiddian: "The Australian Political Cartoon – An Historiographical Overwiew." In: International Journal of Comic Art 20.1 (2018), S. 367–383.  
Last edited by: joachim 11/3/21, 12:55 PM
Sharp, Cassandra: "‘Fear’ and ‘Hope’ in Graphic Fiction. The Schismatic Role of Law in an Australian Dystopian Comic." In: International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30.3 (2017), S. 407–426.  
Last edited by: joachim 6/18/22, 5:08 PM
Singer, Rüdiger: "Cute monsters and early birds. Foreignness in graphic novels on migration by Shaun Tan and Paula Bulling." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 74–95.  
Last edited by: joachim 1/11/22, 12:06 PM
Sleight, Simon: "Wavering between Virtue and Vice. Constructions of Youth in Australian Cartoons of the Late-Victorian Era." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 2/12/14, 6:00 PM
Stewart, Ron: "An Australian Cartoonist in 19th Century Japan. Frank A. Nankivell and the Beginnings of Modern Japanese Comic Art." In: International Journal of Comic Art 8.2 (2006), S. 77–97.  
Last edited by: joachim 8/6/13, 3:53 PM
Stitson, Roger: "Gallipoli: The Landing. Rewriting History in Comic Book Form." In: Screen Education 67 (2012), S. 24–30.  
Last edited by: joachim 1/9/14, 3:11 PM
Stockins, Jennifer M. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney. Master of Arts – Research University of Wollongong, Faculty of Creative Arts, School of Art and Design 2009 (199 S.).  
Last edited by: joachim 8/6/13, 4:01 PM
Stone, Richard: "Achieving Fandom. John Ryan and Australian Comics in the National Library of Australia." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 71–86.  
Added by: joachim 3/21/19, 4:32 PM
Stuhlfauth-Trabert, Mara: "Überlegungen zur Schriftbildlichkeit im Comic aus postkolonialer Perspektive. Zu Shaun Tans The Arrival und Craig Thompsons Habibi." In: Schrift und Graphisches im Vergleich. Hrsg. v. Monika Schmitz-Emans, Linda Simonis und Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019, S. 525–538.  
Added by: joachim 5/8/21, 12:25 PM
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