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Displaying 1 - 97 of 97 (Bibliography: WIKINDX Master Bibliography)
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Aldama, Frederick Luis (Hg.): Graphic Indigeneity. Comics in the Americas and Australasia. Jackson: Univ. Press of Mississippi, 2020. (381 S.)  
Last edited by: joachim 06/15/2020 11:41:16 AM
Allen, Jeremy: "A Virtual Revolution. Australian Comic Creators and the Web." In: International Journal of Comic Art 3.1 (2001), S. 22–37.  
Last edited by: joachim 08/05/2011 03:37:54 PM
Arizpe, Evelyn, Teresa Colomer und Carmen Martínez-Roldán: Visual Journeys Through Wordless Narratives. An International Inquiry With Immigrant Children and The Arrival. New York: Bloomsbury Academic, 2014. (272 S.)  
Added by: joachim 08/16/2020 12:39:28 PM
Bainbridge, Jason und Craig Norris: "Hybrid Manga. Implications for the Global Knowledge Economy." In: Manga. An Anthology of Global and Cultural Perspectives. Hrsg. v. Toni Johnson-Woods. London, New York: Continuum, 2010, S. 235–252.  
Last edited by: joachim 04/07/2010 10:38:59 AM
---: "Posthuman Drag. Understanding Cosplay as Social Networking in a Material Culture." In: Intersections 32 (2013), (26. Juli 2014)  
Added by: joachim 07/26/2014 05:14:33 PM
Banerjee, Bidisha: "Creating a ‘well-fitted habitus’. Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 7.1 (2016), S. 53–69.  
Added by: joachim 04/23/2016 02:18:44 PM
---: "Kinship between “companion species”. A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." In: Journal of Postcolonial Writing 52.4 (2016), S. 399–414.  
Last edited by: joachim 08/10/2017 12:31:36 PM
Best, Daniel: The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013.  
Last edited by: joachim 05/07/2019 11:58:21 AM
Boatright, Michael D. "Graphic Journeys. Graphic Novels’ Representations of Immigrant Experiences." In: Journal of Adolescent & Adult Literacy 53.6 (2010), S. 468–476.  
Last edited by: joachim 06/01/2014 08:36:29 PM
Böger, Astrid: "Kreative Zwischenräume. Medienästhetische Strategien des Rahmens und Übersetzens in Graphic Novels." In: Übersetzen und Rahmen. Praktiken medialer Transformationen. Hrsg. v. Claudia Benthien und Gabriele Klein. München: Fink, 2017, S. 75–87.  
Added by: joachim 10/27/2020 04:36:00 PM
Burrows, Toby: "Australian Comics and Comic Strips. An Introductory Bibliography." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 111–115.  
Last edited by: joachim 03/21/2019 04:40:45 PM
Burrows, Toby und Grant Stone (Hgg.): Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. New York: Haworth, 1994. (115 S.)  
Last edited by: joachim 05/17/2013 10:43:19 AM
Buuck, Christiane und Cathy Ryan: "Looking Beyond the Scenes. Spatial Storytelling and Masking in Shaun Tan’s The Arrival." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 154–170.  
Last edited by: joachim 08/16/2020 12:12:13 PM
Chapman, Jane und Daniel Ellin: "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." In: Australian Journal of Communication 39.3 (2012), S. 1–22.  
Added by: joachim 01/30/2014 10:38:34 PM
Chapman, Jane: "Representation of female war-time bravery in Australia’s Wanda the War Girl." In: Australasian Journal of Popular Culture 1.2 (2011), S. 153–163.  
Added by: joachim 03/04/2014 02:52:22 PM
---: "Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK." In: Fashion & War in Popular Culture. Hrsg. v. Denise N. Rall. Bristol, Chicago: Intellect Books, 2014, S. 21–34.  
Added by: joachim 06/06/2020 12:42:46 PM
Devos, Lien: "Not all that’s modern is post. Shaun Tan’s grand narrative." In: Bookbird 49.4 (2011), S. 17–23.  
Last edited by: joachim 05/30/2017 10:19:20 PM
Dickinson, Pauline: "The Comic Collection at the University of Sydney Library." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 87–98.  
Added by: joachim 03/21/2019 04:34:20 PM
Dony, Christophe: "Towards a vocabulary of displacement and utopian possibilities. Reading Shaun Tan’s The Arrival as a crossover text." In: Studies in Comics 3.1 (2012), S. 83–106.  
Last edited by: joachim 10/31/2012 11:38:30 PM
Dyrenfurth, Nick und Marian Quartly: "‘All the World Over’. The Transnational World of Australian Radical and Labour Cartoonists." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 02/12/2014 05:34:54 PM
Edgar, Patricia und Hilary McPhee: Media She. Melbourne: Heinemann, 1974. (167 S.)  
Last edited by: joachim 08/06/2013 04:15:22 PM
Foster, John: "From “Ulla Dulla Mogo” to “Serene Azure Vault of Heaven”. Literary Style in Australian Children’s Comic Books." In: Journal of Popular Culture 25.3 (1991), S. 63–77.  
Last edited by: joachim 09/07/2012 12:57:35 PM
---: "The Image of Australia and Australians in Locally-Produced Comics." In: Papers 1.1 (1990), S. 11–23.  
Added by: joachim 06/06/2020 04:58:47 PM
---: "Picture books as graphic novels and vice versa. The Australian experience." In: Bookbird 49.4 (2011), S. 68–75.  
Last edited by: joachim 09/07/2012 12:59:03 PM
---: "A Social History of Australia as Seen Through its Children’s Comic Books." In: Journal of Australian Studies 22.59 (1998), S. 165–172.  
Last edited by: joachim 05/18/2013 03:38:27 PM
Foyle, Lindsay: "Australian Politics and »Cartoon Bias«." In: International Journal of Comic Art 10.1 (2008), S. 433–437.  
Last edited by: Deleted user 09/04/2009 01:58:29 PM
---: "An Essay: The Life and Death of the Larrikin Image." In: International Journal of Comic Art 9.1 (2007), S. 460–467.  
Added by: Deleted user 09/02/2009 04:08:17 PM
Gordon, Ian: Kid Comic Strips. A Genre Across Four Countries. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016. (94 S.)  
Added by: joachim 12/11/2016 02:24:51 PM
---: "The Symbol of a Nation. Ginger Meggs and Australian National Identity." In: Journal of Australian Studies 16.34 (1992), S. 1–14.  
Last edited by: joachim 05/18/2013 03:43:16 PM
Grant, Pat: Bodies on the Boards. Materiality and movement in the production of comic books and graphic novels. Thesis (PhD), Macquarie University, Dept. of Media, Music, Communication and Cultural Studies 2014 (348 S.).  
Added by: joachim 01/05/2018 12:54:41 PM
Heimann, Rolf: "Ned Kelly — Australian Cartoonists' Favorite Idiom." In: International Journal of Comic Art 9.1 (2007), S. 453–459.  
Added by: Deleted user 09/02/2009 04:06:05 PM
Hill, Michael: "The Graphic Expression of the Lives, Obsessions, and objections of Small Press Sick Puppies and Scat(ology) Cats. A Short Survey of Some Aspects of Australian Alternative Comics 1990–2000." In: International Journal of Comic Art 9.1 (2007), S. 411–437.  
Last edited by: joachim 09/03/2012 12:55:10 PM
---: "Outside Influence / Local Color. The Australian Small Press." In: International Journal of Comic Art 2.1 (2000), S. 117–132.  
Last edited by: joachim 06/20/2013 03:09:40 PM
Höppner, Stefan: "Ohne Worte. Erzählweisen des Fremden in Shaun Tans The Arrival." In: Comic und Literatur. Konstellationen. Hrsg. v. Monika Schmitz-Emans. (linguae & litterae, 16.) Berlin u. Boston: de Gruyter, 2012, S. 136–166.  
Last edited by: joachim 06/08/2020 06:21:28 PM
Humphrey, Aaron Scott: "Drawing out of Detention. The Transnational Drawing Practices of Eaten Fish, Refugee Cartoonist." In: a/b: Auto/Biography Studies 35.2 (2020), S. 435–458.  
Last edited by: joachim 08/27/2020 05:52:26 PM
Humphrey, Aaron: "Emotion and Secrecy in Australian Asylum-Seeker Comics. The Politics of Visual Style." In: International Journal of Cultural Studies (2017).  
Last edited by: joachim 05/24/2017 03:21:42 PM
Hunter, Linnet: "The artist as narrator. Shaun Tan’s wondrous worlds." In: Bookbird 49.4 (2011), S. 10–16.  
Added by: joachim 09/07/2012 12:38:14 PM
Iida, Sumiko und William S. Armour: "The voices of adult anime/‘manga’ fans in Australia. Motivations, consumption patterns and intentions to learn the Japanese language." In: East Asian Journal of Popular Culture 5.1 (2019), S. 7–23.  
Added by: joachim 05/12/2019 12:04:25 PM
Imura, Taeko: "A portrait of Japanese popular culture fans who study Japanese at an Australian university. Motivation and activities beyond the classroom." In: East Asian Journal of Popular Culture 4.2 (2018), S. 171–188.  
Last edited by: joachim 05/12/2019 11:55:24 AM
Jeffrey, Peter: "The Humour of the Outback. Eric Jolliffe's “More About Andy”." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 57–66.  
Last edited by: joachim 07/08/2010 10:28:42 AM
Johnston, Rosemary Ross: "Graphic trinities. Languages, literature, and words-in-pictures in Shaun Tan’s The Arrival." In: Visual Communication 11.4 (2012), S. 421–441.  
Added by: joachim 09/09/2013 11:28:22 AM
Junqua, Amélie: "Wordless Eloquence – Shaun Tan, The Arrival, and Winshluss, Pinocchio." In: Revue de recherche en civilisation américaine 5 (2015), (19. Jan. 2017)  
Added by: joachim 01/19/2017 01:50:17 AM
Karaminas, Vicki: "Australian Gothic. Black Light Angels, Fashion, and Subcultural Style." In: International Journal of Comic Art 9.1 (2007), S. 438–452.  
Last edited by: joachim 07/03/2015 02:27:53 PM
---: "»There's a Bug in My Ink Bottle«:The Graphic Art of Australian Women — Greenberg, Graber, and Ord." In: International Journal of Comic Art 10.2 (2008), S. 33–44.  
Added by: Deleted user 09/04/2009 05:40:43 PM
King, Terry: "Coming to Terms with Tightrope Tim. Three Decades of Heroes and Villains in the Australian Comic Strip." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 41–56.  
Last edited by: joachim 07/08/2010 10:26:56 AM
Kirsner, Inge: "Irgendwie immer das Gleiche? Zur Genderkonstruktion in 30 Days of Night." In: Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Hrsg. v. Theresia Heimerl und Christian Wessely. (Religion, Film und Medien, 2.) Marburg: Schüren, 2018, S. 289–301.  
Last edited by: joachim 08/25/2018 01:42:53 PM
Kurkjian, Catherine und Julia Kara-Soteriou: "Insights Into Negotiating Shaun Tan’s The Arrival Using a Literature Cyberlesson." In: SANE journal 1.3 (2013), (21. Aug. 2017)  
Added by: joachim 08/21/2017 02:26:49 PM
Laurie, Ross: "Masculinities and War Comics." In: Journal of Australian Studies 23.6 (1999), S. 114–121.  
Last edited by: joachim 07/19/2012 12:02:35 PM
Lent, John A. Comic Art in Africa, Asia, Australia, and Latin America. A Comprehensive, International Bibliography. (Bibliographies and Indexes in Popular Culture, 7.) Santa Barbara: Greenwood, 1996. (518 S.)  
Last edited by: joachim 05/26/2013 12:57:52 PM
---: Comic Art in Africa, Asia, Australia, and Latin America through 2000. An International Bibliography. (Bibliographies and Indexes in Popular Culture, 11.) Santa Barbara: Praeger, 2004. (698 S.)  
Last edited by: joachim 05/26/2013 01:03:39 PM
Lindesay, Vane: The Inked-In Image. A Social and Historical Survey of Australian Comic Art. Richmond: Hutchinson, 1979. (336 S.)  
Last edited by: joachim 05/19/2013 07:58:46 AM
---: "The Rise and Demise of the Australian Comic Strip." In: International Journal of Comic Art 9.1 (2007), S. 380–410.  
Added by: Deleted user 09/02/2009 03:56:07 PM
---: Stop Laughing: This Is Serious! The Life and Work Of Stan Cross. Carlton: Melbourne Univ. Press, 2001. (108 S.)  
Last edited by: joachim 05/19/2013 08:06:39 AM
Ling, Chuan-Yao: "A Conversation with Illustrator Shaun Tan." In: World Literature Today 82.5 (2008), S. 44–47.  
Last edited by: joachim 03/30/2013 06:55:54 PM
Lommel, Michael: "Facetten des Surrealismus in der Gegenwartskultur." In: Der Surrealismus in der Mediengesellschaft – zwischen Kunst und Kommerz. Hrsg. v. Nanette Rißler-Pipka, Michael Lommel und Justyna Cempel. (Medienumbrüche, 42.) Bielefeld: Transcript, 2010, S. 23–32.  
Added by: joachim 08/18/2012 09:08:30 PM
Manchester, Ashley: "Teaching Critical Looking. Pedagogical Approaches to Using Comics as Queer Theory." In: SANE journal 2.2 (2017), (23. Apr. 2017)  
Added by: joachim 04/23/2017 05:04:06 PM
Markle, Christopher S. "The new Australian. An observation of inexperienced and outsider views in Perth comics." In: Journal of Graphic Novels and Comics (2019), S. 1–15.  
Last edited by: joachim 07/26/2020 11:09:15 PM
McGee, Graham: "Confessions of a Long Distance Collector." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 99–104.  
Added by: joachim 03/21/2019 04:43:08 PM
McLelland, Mark J. "The World of Yaoi. The Internet, Censorship and the Global “Boys’ Love” Fandom." In: The Australian Feminist Law Journal 23 (2005), S. 61–77.  
Added by: joachim 06/10/2012 02:01:34 PM
Mikkonen, Kai: "Focalisation in Comics. From the Specificities of the Medium to Conceptual Reformulation." In: Scandinavian Journal of Comic Art 1.1 (2012), (22. Juni 2012)  
Added by: joachim 06/22/2012 08:37:27 AM
Mills, Alice: "The Paradoxes of History in Crew and Woolman’s Tagged and Crew and Tan’s Memorial." In: Rethinking History 6 (2002), S. 331–343.  
Last edited by: joachim 08/14/2012 02:37:44 AM
Minor, Elaine: "Christopher Koch: Drawn to Comics." In: Journal of the Association for the Study of Australian Literature Special Issue (2009), (6. Febr. 2015)  
Added by: joachim 02/06/2015 03:46:33 PM
Moore, Nicole: The Censor’s Library. St Lucia: Univ. of Queensland Press, 2012. (414 S.)  
Added by: joachim 01/15/2015 04:22:44 PM
Nabizadeh, Golnar: "Questions for Shaun Tan." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 361–365.  
Last edited by: Deleted user 09/11/2014 09:25:35 AM
---: "Visual melancholy in Shaun Tan’s The Arrival." In: Journal of Graphic Novels and Comics 5.3 (2014), S. 366–379.  
Last edited by: joachim 09/11/2014 10:49:54 AM
Norris, Craig: The Cross-Cultural Appropriation of Manga and Anime in Australia. PhD (Thesis), University of Western Sydney, School of Communication, Design and Media 2003 (196 S.).  
Added by: joachim 12/23/2010 05:27:26 PM
---: "Cyborg girls and shape-shifters. The discovery of difference by Anime and Manga Fans in Australia." In: Refractory 8 (2005), (4. März 2011)  
Added by: joachim 03/04/2011 12:39:42 PM
---: "Cyborg Girls and Shape-Shifters. The Discovery of Difference by Anime and Manga Fans in Australia." In: Super/Heroes. From Hercules to Superman. Hrsg. v. Wendy Haslem, Angela Ndalianis und Chris Mackie. Washington: New Academia Publishing, 2007, S. 347–361.  
Added by: joachim 10/28/2011 03:25:03 PM
Norris, Craig und Jason Bainbridge: "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." In: Intersections 20 (2009), (26. Juli 2014)  
Last edited by: joachim 09/14/2016 02:18:21 PM
O’Cuana, Emmet: "Viddy Well, Brother. An Australian comic’s tribute to Stanley Kubrick." In: Film International 11.6 (2013), S. 37–41.  
Last edited by: joachim 02/10/2014 01:39:08 PM
Oppolzer, Markus: "Intercultural Perspectives on and in Shaun Tan’s The Arrival." In: Sprachen und Kulturen: vermitteln und vernetzen. Beiträge zu Mehrsprachigkeit und Inter-/Transkulturalität im Unterricht, in Lehrwerken und in der Lehrer/innen/bildung. Hrsg. v. Michaela Rückl. (Salzburger Beiträge zur Lehrer/innen/bildung: Der Dialog der Fachdidaktiken mit Fach- und Bildungswissenschaften, 2.) Münster: Waxmann, 2016, S. 73–84.  
Added by: joachim 01/24/2017 12:09:27 PM
---: "Reading Shaun Tan’s The Arrival." In: Writing Worlds. Welten- und Raummodelle der Fantastik. Hrsg. v. Pascal Klenke et al. (Beiträge zur Literaturtheorie und Wissenspoetik, 1.) Heidelberg: Winter, 2014, S. 265–276.  
Last edited by: joachim 05/02/2015 12:59:46 AM
Osborne, Graeme: "Comics Discourse in Australia and Frederic Wertham’s Seduction of the Innocent." In: Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Hrsg. v. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999, S. 155–178.  
Last edited by: joachim 11/22/2012 07:56:25 PM
Pantaleo, Sylvia und Alexandra Bomphray: "Exploring Grade 7 Students’ Written Responses to Shaun Tan’s The Arrival." In: Changing English 18.2 (2011), S. 173–185.  
Added by: joachim 02/18/2012 06:27:05 PM
Patrick, Kevin: "The Contested Frontier. Western Comics and Australian Identity, 1945–1960." In: International Journal of Comic Art 13.2 (2011), S. 219–243.  
Added by: joachim 09/26/2012 09:04:14 PM
---: "The Cultural Economy of the Australian Comic Book Industry, 1950–1985." In: Sold by the Millions. Australia’s Bestsellers. Hrsg. v. Toni Johnson-Woods und Amit Sarwal. Newcastle upon Tyne: Cambridge Scholars Publ. 2012, S. 162–181.  
Added by: joachim 01/15/2015 04:28:17 PM
---: "In search of the great Australian (graphic) novel." In: Australasian Journal of Popular Culture 1.1 (2011), S. 51–66.  
Added by: joachim 09/27/2015 10:52:10 PM
---: "The Invisible Medium. Comics Studies in Australia." In: Refractory 17 (2010), (4. März 2011)  
Added by: joachim 03/04/2011 02:39:28 PM
---: "“Phans”, not “Fans”. The Phantom and Australian comic-book fandom." In: Participations 9.2 (2012), (8. Dez. 2012)  
Last edited by: joachim 06/29/2016 09:37:58 AM
Rae, Richard: "The Comic Book Industry in Australia." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 5–24.  
Last edited by: joachim 07/08/2010 10:25:29 AM
Rice, Mary und Ashley Kaye Dallacqua: "Teaching visual literacies. The case of The Great American Dust Bowl." In: SANE journal 2.4 (2019), (30. Mai 2019)  
Last edited by: joachim 05/30/2019 04:58:02 PM
Rosenbaum, Roman: "Australia and Symbolic Representation in the “Cartoon Controversy”." In: International Journal of Comic Art 9.1 (2007), S. 468–486.  
Last edited by: joachim 08/06/2013 04:04:39 PM
Ryan, John: Panel by Panel. A History of Australian Comics. Stanmore: Cassell Australia, 1979. (223 S.)  
Last edited by: joachim 08/06/2013 03:58:49 PM
Ryan, John T. "With the Comics—Down Under." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 25–40.  
Last edited by: joachim 07/08/2010 10:27:41 AM
Scott, Ronnie und Elizabeth MacFarlane: "Peculiar integrations. Adaptations, experimentations and authorships in The Long Weekend in Alice Springs." In: TEXT 22.2 (2018), (23. Juli 2019)  
Last edited by: joachim 07/23/2019 11:34:43 AM
Scudamore, Ian: "Citee Comique. Western Australia’s Greatest Comics Magazine." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 67–70.  
Last edited by: joachim 08/06/2013 03:59:45 PM
Scully, Richard und Joshua Santospirito: "An Australian Comic Breakthrough: Craig San Roque’s The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito." In: International Journal of Comic Art 17.1 (2015), S. 131–148.  
Added by: joachim 12/27/2015 11:05:55 PM
Singer, Rüdiger: "Cute monsters and early birds. Foreignness in graphic novels on migration by Shaun Tan and Paula Bulling." In: Journal of Graphic Novels and Comics 11.1 (2020), S. 74–95.  
Last edited by: joachim 08/08/2020 02:54:04 PM
Sleight, Simon: "Wavering between Virtue and Vice. Constructions of Youth in Australian Cartoons of the Late-Victorian Era." In: Drawing the Line. Using Cartoons as Historical Evidence. Hrsg. v. Richard Scully und Marian Quartly. Clayton: Monash Univ. ePress, 2009.  
Last edited by: joachim 02/12/2014 06:00:46 PM
Stewart, Ron: "An Australian Cartoonist in 19th Century Japan. Frank A. Nankivell and the Beginnings of Modern Japanese Comic Art." In: International Journal of Comic Art 8.2 (2006), S. 77–97.  
Last edited by: joachim 08/06/2013 03:53:55 PM
Stitson, Roger: "Gallipoli: The Landing. Rewriting History in Comic Book Form." In: Screen Education 67 (2012), S. 24–30.  
Last edited by: joachim 01/09/2014 03:11:41 PM
Stockins, Jennifer M. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney. Master of Arts – Research University of Wollongong, Faculty of Creative Arts, School of Art and Design 2009 (199 S.).  
Last edited by: joachim 08/06/2013 04:01:56 PM
Stone, Richard: "Achieving Fandom. John Ryan and Australian Comics in the National Library of Australia." In: Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Hrsg. v. Toby Burrows und Grant Stone. Binghamton: Haworth, 1994, S. 71–86.  
Added by: joachim 03/21/2019 04:32:03 PM
Stuhlfauth-Trabert, Mara: "Überlegungen zur Schriftbildlichkeit im Comic aus postkolonialer Perspektive. Zu Shaun Tans The Arrival und Craig Thompsons Habibi." In: Schrift und Graphisches im Vergleich. Hrsg. v. Monika Schmitz-Emans, Linda Simonis und Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019, S. 525–538.  
Added by: joachim 05/08/2021 12:25:40 PM
Tan, Shaun: "The accidental graphic novelist." In: Bookbird 49.4 (2011), S. 1–9.  
Last edited by: joachim 09/07/2012 12:39:16 PM
---: "Strange migrations. An essay/interview with Shaun Tan." In: Journal of Postcolonial Writing 52.4 (2016), S. 385–398.  
Last edited by: joachim 08/10/2017 12:22:38 PM
Tarbox, Gwen Athene: "Looking beyond the Scenes. Spatial Storytelling and Masking in Shaun Tan’s The Arrival." In: Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Hrsg. v. Michelle Ann Abate und Gwen Athene Tarbox. (Children’s Literature Association Series.) Jackson: Univ. Press of Mississippi, 2017, S. 154–171.  
Last edited by: joachim 04/19/2021 12:07:27 PM
WIKINDX 6.4.10 | Total resources: 13464 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


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