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| Connors, Sean P. "Lessons Learned: Milton caniff’s “dickie dare”." International Journal of Comic Art 14. (2012): 51–65. |
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| Eco, Umberto. "Lektüre von »Steve Canyon«." Apokalyptiker und Integrierte. Zur kritischen Kritik der Massenkultur. Frankfurt am Main: Fischer, 1984. 116–59. |
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| Eisner, Will. "Das Interview des Jahres: »Wir sitzen nicht auf der Titanic …«: Will eisner im gespräch mit milton caniff." Comic Jahrbuch (1987): 124–40. |
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| Fresnault-Deruelle, Pierre. "Male Call ou la guerre dentelles." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 19–26. |
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| Harvey, Robert C., ed. Milton Caniff: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2002. |
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| Harvey, Robert C. Meanwhile …: A biography of milton caniff, creator of terry and the pirates and steve canyon. Seattle: Fantagraphics, 2007. |
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| Hayward, Jennifer. Consuming Pleasures: Active audiences and serial fictions from dickens to soap opera. Lexington: Univ. Press of Kentucky, 1997. |
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| Hessel, Florian. "Comic, Information, Propaganda: Milton caniffs how to spot a jap in der kulturindustrie." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 253–71. |
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| Horak, Carl. A Steve Canyon Companion. Mountain Home: Manuscript Pr. 1996. |
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| McGurk, Caitlin. "Lovers, enemies, and friends: The complex and coded early history of lesbian comic strip characters." Journal of Lesbian Studies 22. (2018): 336–53. |
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| Mintz, Lawrence E. "Fantasy, Formula, Realism, and Propaganda in Milton Caniff’s Comic Strips." Journal of Popular Culture 12. (1979): 653–80. |
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| Saez de Adana, Francisco. "The Reception of the Image of China Through Terry and the Pirates." Journal of Popular Culture 51. (2018): 1057–68. |
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| Scolari, Carlos. "Transmedia Storytelling: Implicit consumers, narrative worlds, and branding in contemporary media production." International Journal of Communication 3 2009. Accessed 7 Sept. 2017. |
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| Smolderen, Thierry. "La métalepse-attraction dans l’œuvre feuilletonesque de Milton Caniff." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 55–80. |
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| Tucker, Michael. "The Dragon Lady’s Well Favoured Children: The transition from corporatist to individualist in comic strips of 1930s." Belphégor 4. 1 2004. Accessed 6 Apr. 2010. <http://etc.dal.ca/belph ... 01_Tucker_ragon_fr.html>. |
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