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| Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720. |
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| Gasser, Christian und Jim Avignon: "Der Mann, der schneller malt als sein Schatten. Jim Avignon." In: Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Hrsg. v. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999, S. 90–91. |
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| Goodbrey, Daniel Merlin: "Images in Space. The Challenges of Architectural Spatiality in Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 15–29. |
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| Greinecker-Morocutti, Hannelore: "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? Der Himmel zwischen den Mauern." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 139–152. |
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| Groth, Gary: "Alan Moore Big Words." In: The Comics Journal 139 (1990), S. 78–109. |
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| ---: "Frank Frazetta. Separating the Men from the Boys." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 103–141. |
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| Heer, Jeet: "Chris Ware, The Art of Comics No. 2." In: The Paris Review 210 (2014). |
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| Hignite, Todd M. "Jaime Hernandez." In: In the Studio. Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006, S. 132–163. |
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| Horrocks, Dylan: "The Perfect Planet. Comics, Games and World-Building." In: Writing at the Edge of the Universe. Essays Arising from the ‘Creative Writing in New Zealand’ Conference, University of Canterbury, August 2003. Hrsg. v. Mark Williams. Christchurch: Canterbury Univ. Press, 2004, S. 197–223. |
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| Horus: "Im Comic erweckt." In: Plaque 2 (2007), S. 7–15. |
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| Huffman, Kerri: "Super Octane Girls Get Down Tonight! Author Patricia Seaman makes herself laugh and her readers dance." In: Taddle Creek 3.1 (1999). |
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| Kochalka, James: The Horrible Truth About Comics. Gainesville: Alternative Comics, 1999. (32 S.) |
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| Libicki, Miriam: "Jewish Memoir Goes Pow! Zap! Oy!" In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 253–274. |
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| Lorah, Michael: "Indie Cartoonist Jason Brings Almost Silent Storytelling." In: Newsarama (29. Jan. 2010). |
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| Martinbrough, Shawn: How to Draw Noir Comics. The Art and Technique of Visual Storytelling. New York: Watson-Guptill, 2007. (144 S.) |
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| McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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| Michael, Olga: "Scrapbooking Caravaggio’s Medusa, Reconfiguring Blake. What It Is, One! Hundred! Demons! and Lynda Barry’s Feminist Intervention in the (Male) Artistic Canon." In: ImageTexT 9.2 (2017). |
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| Miyazaki, Hayao: Starting Point. 1979–1996. San Francisco: VIZ Media, 2009. (500 S.) |
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| Montellier, Chantal: La reconstitution. Bd. 1. Arles: Actes Sud, 2015. (288 S.) |
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| Moore, Alan: 25,000 Years of Erotic Freedom. New York: Abrams, 2009. (96 S.) |
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| Moore, Terry: How to Draw. 5 Lessons for the Serious Artist. Houston: Abstract Studio, 2012. (127 S.) |
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| Okubo, Miné: "An Artist’s Credo. A Personal Statement." In: Amerasia Journal 30.2 (2004), S. 7–8. |
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| Outcault, Richard F. "How the Yellow Kid Was Born. The Man Who Created It Tells for the First Time." In: R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Hrsg. v. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995, S. 146. |
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| Roob, Alexander: Theorie des Bildromans. Köln: Salon, 1997. (119 S.) |
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| Rosenbaum, Roman: "Gekiga as a site of intercultural exchange. Tatsumi Yoshihiro’s A Drifting Life." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 73–92. |
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| Saba, Arn: "Russ Manning. The Conscientious Craftsman." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library.) Seattle: Fantagraphics, 2005, S. 64–77. |
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| Sim, Dave: Cerebus Guide to Self-Publishing. 2. Aufl. Kitchener: Aardvark-Vanaheim, 2010. (156 S.) |
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| Spiegelman, Art: "Ephemera vs. the Apocalypse." In: Indy Magazine Autumn (2004). |
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