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| Baker, Kyle: How to Draw Stupid and Other Essentials of Cartooning. New York: Watson-Guptill, 2008. (112 S.) |
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| Gasser, Christian und Jim Avignon: "Der Mann, der schneller malt als sein Schatten. Jim Avignon." In: Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Hrsg. v. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999, S. 90–91. |
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| Goodbrey, Daniel Merlin: "Images in Space. The Challenges of Architectural Spatiality in Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 15–29. |
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| Greinecker-Morocutti, Hannelore: "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? Der Himmel zwischen den Mauern." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 139–152. |
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| Grennan, Simon: "Drawing Dispossession. A New Graphic Adaptation of Anthony Trollope’s John Caldigate." In: European Comic Art 7.2 (2014), S. 4–30. |
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| Hignite, Todd M. "Jaime Hernandez." In: In the Studio. Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006, S. 132–163. |
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| Horrocks, Dylan: "The Perfect Planet. Comics, Games and World-Building." In: Writing at the Edge of the Universe. Essays Arising from the ‘Creative Writing in New Zealand’ Conference, University of Canterbury, August 2003. Hrsg. v. Mark Williams. Christchurch: Canterbury Univ. Press, 2004, S. 197–223. |
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| Horus: "Im Comic erweckt." In: Plaque 2 (2007), S. 7–15. |
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| Huffman, Kerri: "Super Octane Girls Get Down Tonight! Author Patricia Seaman makes herself laugh and her readers dance." In: Taddle Creek 3.1 (1999). |
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| Kochalka, James: The Horrible Truth About Comics. Gainesville: Alternative Comics, 1999. (32 S.) |
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| Lee, Stan: Secrets Behind the Comics. New York: Famous Enterprises, 1947. (100 S.) |
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| McKean, Dave: "The Need to Do Something Different." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 83–85. |
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| Michael, Olga: "Scrapbooking Caravaggio’s Medusa, Reconfiguring Blake. What It Is, One! Hundred! Demons! and Lynda Barry’s Feminist Intervention in the (Male) Artistic Canon." In: ImageTexT 9.2 (2017). |
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| Miyazaki, Hayao: Starting Point. 1979–1996. San Francisco: VIZ Media, 2009. (500 S.) |
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| Moore, Alan: 25,000 Years of Erotic Freedom. New York: Abrams, 2009. (96 S.) |
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| Moore, Terry: How to Draw. 5 Lessons for the Serious Artist. Houston: Abstract Studio, 2012. (127 S.) |
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| Okubo, Miné: "An Artist’s Credo. A Personal Statement." In: Amerasia Journal 30.2 (2004), S. 7–8. |
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| Outcault, Richard F. "How the Yellow Kid Was Born. The Man Who Created It Tells for the First Time." In: R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Hrsg. v. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995, S. 146. |
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| Rosenbaum, Roman: "Gekiga as a site of intercultural exchange. Tatsumi Yoshihiro’s A Drifting Life." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 73–92. |
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| Saba, Arn: "Russ Manning. The Conscientious Craftsman." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library.) Seattle: Fantagraphics, 2005, S. 64–77. |
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