| Abel, Jessica und Matt Madden: Drawing Words & Writing Pictures. Making Comics: Manga, Graphic Novels, and Beyond. New York: First Second, 2008. (304 S.) |
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| Anderson, Ho Che: "80-’89. Comics’ Greatest Decade." In: ImageTexT 9.2 (2017), (9. Febr. 2018) |
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| Bagge, Peter: "The Aline Kominsky-Crumb Interview." In: The Comics Journal 139 (1990), S. 50–73. |
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| Baker, Kyle: How to Draw Stupid and Other Essentials of Cartooning. New York: Watson-Guptill, 2008. (112 S.) |
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| Baker, Bill (Hg.): Neil Gaiman On His Work and Career. A Conversation with Bill Baker. (Talking with Graphic Novelists.) New York: Rosen, 2008. (118 S.) |
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| Barry, Lynda: Picture This. Montreal: Drawn & Quarterly, 2010. (225 S.) |
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| ---: Syllabus. Notes from an Accidental Professor. Montreal: Drawn & Quarterly, 2014. (200 S.) |
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| Baru: "The Working Class and Comics. A French Cartoonist’s Perspective." In: History and Politics in French-Language Comics and Graphic Novels. Hrsg. v. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008, S. 239–258. |
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| Beaty, Bart: "Some Classics." In: The Cambridge Companion to the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Cambridge Companions to Literature.) Cambridge [etc.]: Cambridge Univ. Press, 2017, S. 175–191. |
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| Beauchamp, Monte: "Mark Schultz. Keeper of the Flame." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 78–101. |
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| Bechdel, Alison: The Indelible Alison Bechdel. Confessions, Comix and Miscellaneous Dykes to Watch Out For. Ithaca: Firebrand Books, 1998. (223 S.) |
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| Bendis, Brian Michael: Words for Pictures. The Art and Business of Writing Comics and Graphic Novels. New York: Watson-Guptill, 2014. (209 S.) |
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| Brunetti, Ivan: Aesthetics. A Memoir. New Haven: Yale Univ. Press, 2013. (120 S.) |
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| Campbell, Eddie: "Campbell’s Rules of Comprehension." In: The Comics Journal (20. Febr. 2013), (1. Nov. 2013) |
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| Capp, Al: "“The Comic Page Is the Last Refuge of Classic Art”." In: Nemo. The Classic Comics Library 18 (1986), S. 16–17. |
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| Clowes, Daniel: Modern Cartoonist. The Naked Truth. Seattle: Fantagraphics, 1997. (14 S.) |
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| Costello, Matthew J. "Interview with comics artist Lee Weeks." In: Transformative Works and Cultures 13 (2013), (19. Juni 2013) |
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| Deitch, Kim: "Underground(s). Kim Deitch's Presentation at the 2003 UF Comics Conference." In: ImageTexT 1.1 (2004), (25. Jan. 2010) |
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| Dooley, Michael und Steven Heller (Hgg.): The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. New York: Allworth Pr. 2005. (265 S.) |
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| Eisner, Will: Comics & Sequential Art. Tamarac: Poorhouse Press, 1985. (164 S.) |
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| ---: "Keynote address from the 2002 ‘Will Eisner Symposium’." In: ImageTexT 1.1 (2004), (11. Jan. 2010) |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”. The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." In: Biography 27.4 (2004), S. 691–720. |
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| Gasser, Christian und Jim Avignon: "Der Mann, der schneller malt als sein Schatten. Jim Avignon." In: Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Hrsg. v. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999, S. 90–91. |
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| Gerber, Steve: "Zen and the Art of Comic Book Writing. A Communique from Colorado." In: Howard the Duck 1.16 (1977), S. 2–31. |
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| Goldsmith, Francisca: "What Comics Do When They Do It Right. An Interview with Art Spiegelman." In: Voice of Youth Advocates 25 (2002), S. 360–362. |
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| Goodbrey, Daniel Merlin: "Images in Space. The Challenges of Architectural Spatiality in Comics." In: Framescapes. Graphic Narrative Intertexts. Hrsg. v. Mikhail Peppas und Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016, S. 15–29. |
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| Greinecker-Morocutti, Hannelore: "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? Der Himmel zwischen den Mauern." In: Der dokumentarische Comic. Reportage und Biografie. Hrsg. v. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013, S. 139–152. |
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| Grennan, Simon: "Drawing Dispossession. A New Graphic Adaptation of Anthony Trollope’s John Caldigate." In: European Comic Art 7.2 (2014), S. 4–30. |
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| Groth, Gary: "Alan Moore Big Words." In: The Comics Journal 139 (1990), S. 78–109. |
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| ---: "Frank Frazetta. Separating the Men from the Boys." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library, 5.) Seattle: Fantagraphics, 2005, S. 103–141. |
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| Heer, Jeet: "Chris Ware, The Art of Comics No. 2." In: The Paris Review 210 (2014). |
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| Hignite, Todd M. "Jaime Hernandez." In: In the Studio. Visits with Contemporary Cartoonists. London: Yale Univ. Press, 2006, S. 132–163. |
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| Horrocks, Dylan: "The Perfect Planet. Comics, Games and World-Building." In: Writing at the Edge of the Universe. Essays Arising from the ‘Creative Writing in New Zealand’ Conference, University of Canterbury, August 2003. Hrsg. v. Mark Williams. Christchurch: Canterbury Univ. Press, 2004, S. 197–223. |
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| Horus: "Im Comic erweckt." In: Plaque 2 (2007), S. 7–15. |
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| Huffman, Kerri: "Super Octane Girls Get Down Tonight! Author Patricia Seaman makes herself laugh and her readers dance." In: Taddle Creek 3.1 (1999). |
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| Klaehn, Jeffery: "Cecil Castellucci Interview." In: Journal of Graphic Novels and Comics (2020), S. 1–7. |
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| Kochalka, James: The Horrible Truth About Comics. Gainesville: Alternative Comics, 1999. (32 S.) |
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| Kuper, Peter: "Launching World War 3." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 28–31. |
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| Lanyi, Ronald Levitt: "Comic Books and Authority. An Interview with “Stainless Steve” Englehart." In: Journal of Popular Culture 18.2 (1984), S. 139–148. |
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| Lee, Stan: Secrets Behind the Comics. New York: Famous Enterprises, 1947. (100 S.) |
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| Libicki, Miriam: "Jewish Memoir Goes Pow! Zap! Oy!" In: The Jewish Graphic Novel. Critical Approaches. Hrsg. v. Samantha Baskind und Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008, S. 253–274. |
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| Lorah, Michael: "Indie Cartoonist Jason Brings Almost Silent Storytelling." In: Newsarama (29. Jan. 2010), (9. Dez. 2013) |
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| Martinbrough, Shawn: How to Draw Noir Comics. The Art and Technique of Visual Storytelling. New York: Watson-Guptill, 2007. (144 S.) |
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| Maxwell, Matt: The Collected Full Bleed. El Dorado Hills: Highway 62, 2013. (477 S.) |
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| McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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| McKean, Dave: "The Need to Do Something Different." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 83–85. |
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| McKinney, Mark: "Interview with Farid Boudjellal." In: European Comic Art 4.1 (2011), S. 1–28. |
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| Michael, Olga: "Scrapbooking Caravaggio’s Medusa, Reconfiguring Blake. What It Is, One! Hundred! Demons! and Lynda Barry’s Feminist Intervention in the (Male) Artistic Canon." In: ImageTexT 9.2 (2017), (7. Febr. 2018) |
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| Miyazaki, Hayao: Starting Point. 1979–1996. San Francisco: VIZ Media, 2009. (500 S.) |
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| Montellier, Chantal: La reconstitution. Bd. 1. Arles: Actes Sud, 2015. (288 S.) |
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| Moore, Alan: 25,000 Years of Erotic Freedom. New York: Abrams, 2009. (96 S.) |
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| Moore, Terry: How to Draw. 5 Lessons for the Serious Artist. Houston: Abstract Studio, 2012. (127 S.) |
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| Moore, Alan: Writing For Comics. Bd. 1. Rantoul: Avatar, 2007. (47 S.) |
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| Mutsaers, Charlotte: "Mit Messer und Gabel aus dem Hundenapf essen. Wie ich Comics lesen lernte." In: Schreibheft 51 (1998), S. 29–36. |
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| Okubo, Miné: "An Artist’s Credo. A Personal Statement." In: Amerasia Journal 30.2 (2004), S. 7–8. |
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| Outcault, Richard F. "How the Yellow Kid Was Born. The Man Who Created It Tells for the First Time." In: R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Hrsg. v. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995, S. 146. |
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| Peeters, Benoît: "Between Writing and Image. A Scriptwriter’s Way of Working." In: European Comic Art 3 (2010), S. 105–116. |
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| ---: "Vie et œuvre de Jirô Taniguchi." In: MEI 26 (2007), S. 7–18. |
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| Pirinen, Joakim: "Den tecknade seriens grafiska dräkt." In: Boken om serier. Hrsg. v. Elisabet Haglund et al. Johanneshov: Hammarström & Åberg, 1986, S. 193–196. |
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| Reyns-Chikuma, Chris: "Les Ignorants, récit d’une initiation croisée, d’Etienne Davodeau (2011). Parallèle et solidarité des cultures alternatives du vin et de la bande dessinée." In: Contemporary French Civilization 43.2 (2018), S. 275–304. |
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| Roob, Alexander: Theorie des Bildromans. Köln: Salon, 1997. (119 S.) |
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| Rosenbaum, Roman: "Gekiga as a site of intercultural exchange. Tatsumi Yoshihiro’s A Drifting Life." In: Intercultural Crossovers, Transcultural Flows. Manga/Comics. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 2.) Kyoto: International Manga Research Center, Kyoto Seika University, 2011, S. 73–92. |
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| Saba, Arn: "Russ Manning. The Conscientious Craftsman." In: Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. (The Comics Journal Library.) Seattle: Fantagraphics, 2005, S. 64–77. |
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| Sacco, Joe: "Joe Sacco. Presentation from the 2002 UF Comics Conference." In: ImageTexT 1.1 (2004), (25. Jan. 2010) |
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| Sandlin, David: "Learning from the Master." In: The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Hrsg. v. Michael Dooley und Steven Heller. New York: Allworth Pr. 2005, S. 95–97. |
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| Sim, Dave: Cerebus Guide to Self-Publishing. 2. Aufl. Kitchener: Aardvark-Vanaheim, 2010. (156 S.) |
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| ---: "On Writing Cerebus." In: Third Person. Authoring and Exploring Vast Narratives. Hrsg. v. Pat Harrigan und Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009, S. 41–48. |
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| Sobel, Marc: "The Ulli Lust Interview." In: The Comics Journal (3. Jan. 2014), (12. Juni 2018) |
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| Spiegelman, Art: "Ephemera vs. the Apocalypse." In: Indy Magazine Autumn (2004), (12. Jan. 2013) |
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| Tan, Shaun: "Strange migrations. An essay/interview with Shaun Tan." In: Journal of Postcolonial Writing 52.4 (2016), S. 385–398. |
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| Last edited by: joachim 08/10/2017 12:22:38 PM |
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