| Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.) |
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| ---: "Roy Lichtenstein’s Tears. Art vs. Pop in American Culture." In: Canadian Review of American Studies 34 (2004), S. 249–268. |
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| Carter, James Bucky: "“There’ll Be Others Converging”. Fighting American, The Other, and “Governing” Bodies." In: International Journal of Comic Art 6.2 (2004), S. 364–375. |
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| Darius, Julian: The Weirdest Sci-Fi Comic Ever Made. Understanding Jack Kirby’s 2001: A Space Odyssey. Edwardsville: Sequart Research & Literacy Organization, 2013. (82 S.) |
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| Donovan, John: "Parody and Propaganda. Fighting American and the Battle Against Crime and Communism in the 1950s." In: Comic Books and American Cultural History. An Anthology. Hrsg. v. Matthew Pustz. London, New York: Continuum, 2012, S. 110–119. |
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| Evanier, Mark: The Art of the Simon and Kirby Studio. New York: Abrams, 2014. (375 S.) |
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| Fischer, Craig: "Fantastic Fascism? Jack Kirby, Nazi Aesthetics, and Klaus Theweleit's Male Fantasies." In: International Journal of Comic Art 5.1 (2003), S. 334–354. |
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| Gavaler, Chris: "‘Something Like This Just Couldn’t Happen!’. Resolving naturalistic tensions in superhero comics art." In: Studies in Comics 7.1 (2016), S. 29–48. |
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| George, Milo (Hg.): Jack Kirby. (The Comics Journal Library, 1.) Seattle: Fantagraphics, 2002. (123 S.) |
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| Hatfield, Charles und Ben Saunders (Hgg.): Comic Book Apocalypse. The Graphic World of Jack Kirby. San Diego: IDW, 2015. (168 S.) |
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| Hatfield, Charles: Hand of Fire. The Comics Art of Jack Kirby. Jackson: Univ. Press of Mississippi, 2012. (304 S.) |
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| Helgason, Jón Karl: Echoes of Valhalla. The Afterlife of the Eddas and Sagas. London: Reaktion Books, 2017. (239 S.) |
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| Hodgman, John: "Epics. (Kirby's Fourth World Omnibus; Kirby: King of Comics; Age of Bronze; Y: The Last Man)." In: The Best American Comics Criticism. Hrsg. v. Ben Schwartz. Seattle: Fantagraphics, 2010, S. 240–247. |
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| Jeffries, Dru H. "Four-colour Kubrick. Jack Kirby’s 2001: A Space Odyssey as adaptation and extension." In: Understanding Kubrick's 2001: A Space Odyssey. Representation and Interpretation. Hrsg. v. James Fenwick. Bristol, Chicago: Intellect Books, 2018, S. 45–58. |
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| Kaplan, Arie: From Krakow to Krypton. Jews and Comic Books. Philadelphia: The Jewish Publication Society, 2008. (225 S.) |
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| Klaehn, Jeffery: "An interview with comic book writer Fred Van Lente." In: Journal of Graphic Novels and Comics 8.1 (2017), S. 89–98. |
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| Lanyi, Ronald Levitt: "Idea and Motive in Jack “King” Kirby’s Comic Books. A Conversation." In: Journal of Popular Culture 17.2 (1983), S. 22–30. |
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| Lethem, Jonathan: "The Return of the King, or, Identifying with Your Parents." In: Give Our Regards to the Atomsmashers! Writers on Comics. Hrsg. v. Sean Howe. New York: Pantheon, 2004, S. 2–23. |
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| Morgan, Harry und Manuel Hirtz: Jack Kirby. Les apocalypses. (La bibliothèque des miroirs-BD, 2.) Lyon: Les moutons électriques, 2009. (208 S.) |
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| Nostwick, Angela: "Super Power, Power Struggle. Captain America, Authority, and the Atomic Bomb." In: Re:Search 28.1 (2015), S. 34–47, . |
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| Platthaus, Andreas: "Die zwei Ahnherren des Comichefts. Hergés ›Tim und Struppi‹ und Jack Kirbys ›Captain America‹." In: Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998, S. 155–193. |
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| Pylyser, Charlotte und Steven Surdiacourt: "De gestileerde auteur. Stijl, auteurschap en grafische literatuur." In: Cahier voor de literatuurwetenschap 5 (2013), S. 17–28. |
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| Ro, Ronin: Tales to Astonish. Jack Kirby, Stan Lee, and the American Comic Book Revolution. New York: Bloomsbury, 2004. (388 S.) |
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| Rodríguez, José Joaquín: King Kirby. Jack Kirby y el mundo del cómic. Palma de Mallorca: Dolmen, 2013. (256 S.) |
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| Rosen, Scott: "Gods and Fantastic Mortals. The Superheroes of Jack Kirby." In: The Gospel According to Superheroes. Religion and Popular Culture. Hrsg. v. B. J. Oropeza. New York [etc.]: Peter Lang, 2005, S. 113–126. |
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| Smith, Andrew Alan: "Jack Kirby. The Not-So-Secret Identity of the Thing." In: Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Hrsg. v. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018, S. 191–205. |
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| Tondro, Jason: Superheroes of the Round Table. Comics Connections to Medieval and Renaissance Literature. Jefferson, London: McFarland, 2011. (240 S.) |
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| Villhauer, Bernd: "Moralische Schwerefelder. Der Silver Surfer als ethischer Held." In: Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Hrsg. v. Stefanie Diekmann und Matthias Schneider. Berlin: SuKuLTuR, 2005, S. 50–65. |
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