| Baetens, Jan: "New = Old, Old = New." In: electronic book review (1. Jan. 2001). |
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| Batinić, Josip: "“Enhanced Webcomics1”. An Exploration of the Hybrid Form of Comics on the Digital Medium." In: Image [&] Narrative 17.5 (2016), S. 80–91, . |
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| Bell, Mark: "The Salvation of Comics. Digital Prophets and Iconoclasts." In: Review of Communication 6.1–2 (2006), S. 131–140. |
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| Berlatsky, Eric: "Lost in the Gutter. Within and Between Frames in Narrative and Narrative Theory." In: Narrative 17 (2009), S. 162–187. |
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| Bush, Christopher: "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." In: Drawing from Life. Memory and Subjectivity in Comic Art. Hrsg. v. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013, S. 112–143. |
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| Added by: joachim 7/28/14, 11:47 AM |
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| Chute, Hillary: "An Interview with Scott McCloud. “If you did a series of stained-glass windows telling the story of your life you’d be making comics. So if that leaves The Family Circus on the side of the road, so be it”." In: The Believer 43 (2007). |
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| Cohn, Neil: "The limits of time and transitions. Challenges to theories of sequential image comprehension." In: Studies in Comics 1.1 (2010), S. 127–147. |
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| Cwiklik, Gregory: "Understanding the Real Problem." In: The Comics Journal 211 (1999), S. 62–66. |
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| Delany, Samuel R. "The Politics of Paraliterary Criticism." In: Shorter Views. Queer Thoughts & The Politics of the Paraliterary. Hanover, London: Wesleyan Univ. Press, 1999, S. 218–270. |
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| Duncan, Randy: "The Weaver’s Art. An Examination of Comic Book “Writing”." In: International Journal of Comic Art 4.1 (2002), S. 134–142. |
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| Frome, Jonathan: "Identification in Comics." In: The Comics Journal 211 (1999), S. 82–86. |
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| Graves, Michael P. "The Comics Meet the Quakers. Scott McCloud's Theory of the Comics Employed to Unravel the Quaker Tapestry." In: Studies in Popular Culture 23.1 (2000), S. 75–90. |
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| Added by: joachim 2/14/10, 2:18 PM |
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| Harrison, Richard: "Seeing and Nothingness. Michael Nicoll Yahgulanaas, Haida Manga, and a Critique of the Gutter." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 51–74. |
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| Hatfield, Charles: "Defining Comics in the Classroom; or, The Pros and Cons of Unfixability." In: Teaching the Graphic Novel. Hrsg. v. Stephen E. Tabachnick. (Options for Teaching, 27.) New York: The Modern Language Assoc. of America, 2009, S. 19–27. |
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| Horrocks, Dylan: "Inventing Comics. Scott McCloud’s Definition of Comics." In: The Comics Journal 234 (2001), S. 29–39. |
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| Added by: joachim 2/9/10, 5:34 PM |
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| Jacobs, Dale: "“There are no Rules. And Here They Are”. Scott McCloud’s Making Comics as a Multimodal Rhetoric." In: Journal of Teaching Writing 29.1 (2014), S. 1–20. |
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| Kuechenmeister, Bobby: "Reading Comics Rhetorically. Orality, Literacy, and Hybridity in Comic Narratives." In: Scan. Journal of media arts culture 6.1 (2009). |
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| Added by: joachim 5/4/13, 11:37 AM |
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| McCloud, Scott: Comics neu erfinden. Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. (242 S.) |
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| Added by: joachim 5/26/13, 3:42 PM |
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| ---: Comics richtig lesen. Hamburg: Carlsen, 1994. (224 S.) |
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| Added by: joachim 5/26/13, 4:41 PM |
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| ---: Making Comics. Storytelling Secrets of Comics, Manga and Graphic Novels. New York: Harper, 2006. (264 S.) |
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| Last edited by: joachim 5/26/13, 3:32 PM |
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| ---: Réinventer la bande dessinée. Paris: Vertige Graphic, 2006. (241 S.) |
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| Added by: joachim 5/26/13, 3:48 PM |
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| ---: Reinventing Comics. How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper, 2000. (250 S.) |
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| Last edited by: joachim 4/11/14, 11:29 AM |
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| ---: La revolución de los cómics. (Biblioteca creativa.) Barcelona: Norma, 2001. (241 S.) |
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| ---: Understanding Comics. The Invisible Art. New York: Harper, 1994. (216 S.) |
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| Meyer, Uli: "Drawing from the body – the self, the gaze and the other in Boys’ Love manga." In: Journal of Graphic Novels and Comics 4.1 (2013), S. 64–81. |
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| Morton, Drew: "An interview with Scott McCloud." In: Studies in Comics 2.2 (2012), S. 257–261. |
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| Packard, Stephan: "Was ist ein Cartoon? Psychosemiotische Überlegungen im Anschluss an Scott McCloud." In: Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Hrsg. v. Stephan Ditschke, Katerina Kroucheva und Daniel Stein. Bielefeld: Transcript, 2009, S. 29–51. |
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| ---: "Was sind intermediale Einheiten? Zu wandernden Cartoons und Coleridges Allegorie." In: Comparative Arts. Universelle Ästhetik im Fokus der Vergleichenden Literaturwissenschaft. Hrsg. v. Achim Hölter. (Hermeia, 12.) Heidelberg: Synchron, 2011, S. 255–265. |
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| Pannafino, James: "Sequential Art. Hand, Eye and Mind." In: International Journal of the Book 6.2 (2009), S. 1–4. |
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| Puentedura, Ruben R. "The Infinite Canvas Reloaded. Digital Storytelling, Webcomics, and Web 2.0". NMC Summer Conference: Monterey Bay, 9.–13. Juni, 2009. |
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| Round, Julia: "Visual Perspective and Narrative Voice in Comics. Redefining Literary Terminology." In: International Journal of Comic Art 9.2 (2007), S. 316–329. |
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| Sabin, Roger: "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." In: Comics & Culture. Analytical and Theoretical Approaches to Comics. Hrsg. v. Anne Magnussen und Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000, S. 43–57. |
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| Thomas, Evan: "Invisible Art, Invisible Planes, Invisible People." In: Multicultural Comics. From Zap to Blue Beetle. Hrsg. v. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010, S. 157–172. |
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| Added by: joachim 12/12/12, 2:34 PM |
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| Vollmar, Rob: "Manga in Manhattan, Scott McCloud’s Twelve Revolutions, and Comics’ Perfect Storm." In: World Literature Today 82.5 (2008), S. 31–34. |
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| Williams, Paul: "Interview. Scott McCloud." In: The Rise of the American Comics Artist. Creators and Contexts. Hrsg. v. Paul Williams und James Lyons. Jackson: Univ. Press of Mississippi, 2010, S. 235–242. |
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| Wirag, Lino: "Zu einer Produktionspoetik des Comics." In: Medienobservationen (26. März 2012). |
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| Witek, Joseph: "Ramses in the Ivory Tower." In: The Comics Journal 211 (1999), S. 58–61. |
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| Added by: joachim 6/11/19, 12:26 PM |
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